Use of this music
This music can be freely used for educational / SCA (re-enactment) use. The sole restriction
being that this is the work of Steve Hendricks and that any recordings or sale of this
music is not allowed without express permission.
Note: Any lines that are in red are songs that are included in the song above.
To search for songs I'd suggest not searching this web page; but instead use my Music Search Engine
| Song | Source | Date | Number of Parts | Vocal? | # Pages | Comments |
| | ||||||
| Aridan Branle | Arbeau | 1588 | 4 part | No | 1 | |
| Branle de Poictou | Arbeau | 1588 | 4 part | No | NA | |
| Arigot du troisiesme ton | Arbeau | 1588 | 1 part | No | 2 | |
| Arigot en mesure ternaire | Arbeau | 1588 | 1 part | No | 1 | |
| Belle qui tiens ma vie Galliard | Arbeau | 1588 | 5 part | No | 1 | |
| Belle qui tiens ma vie | Arbeau | 1588 | 5 part | No | 1 | |
| Air des Canaries | Arbeau | 1588 | 4 part | No | 1 | |
| La Canarie (XXXI) | Michael Praetorius | 1612 | 4 part | No | NA | |
| Cassandra Branle | Arbeau | 1588 | 4 part | No | 1 | |
| Branle Pinagay | Arbeau | 1588 | 4 part | No | NA | |
| Charlotte | Arbeau | 1588 | 4 part | No | 1 | |
| Air de la Coranto | Arbeau | 1588 | 4 part | No | 1 | |
| Air de L'Allemande Alman | Arbeau | 1588 | 4 part | No | NA | |
| Branle Double | Arbeau | 1588 | 4 part | No | 2 | |
| Air d'un Branle Simple (Single Branle) | Arbeau | 1588 | 4 part | No | NA | |
| Air du Branle Gay | Arbeau | 1588 | 4 part | No | NA | |
| Air du Branle de Bourgoigne (Burgundian Branle) | Arbeau | 1588 | 4 part | No | NA | |
| Bransle D'escosse (Scottish Branle) | Pierre Phalese | 1571 | 4 part | No | NA | |
| Branle hault Barrois (Haut Barrois) | Arbeau | 1588 | 4 part | No | NA | |
| L'ennuy qui me tourmente (The Grief that Tortures Me) | Arbeau | 1588 | 4 part | No | 1 | |
| Volte (Lavolta) | Arbeau | 1588 | 4 part | No | NA | |
| Galliard | Arbeau | 1588 | 4 part | No | 2 | |
| La Fatigue (Weariness) | Arbeau | 1588 | 4 part | No | NA | |
| Galliarde La fatigue | Jean d'Estrees | 1559 | 4 part | No | NA | |
| Whether I love or no | Arbeau | 1588 | 4 part | No | 1 | |
| Fortune a bien couru sur moy Galliard | Pierre Attaingnant | 1529 | 4 part | No | NA | |
| Gavotte | Arbeau | 1588 | 4 part | No | 2 | in F |
| Bransle de la Royne (XV11 a 4) | Michael Praetorius | 1612 | 4 part | No | NA | |
| Morisques (Morris Dance) | Arbeau | 1588 | 4 part | No | NA | |
| La morisque | Tylman Susato | 1551 | 4 part | No | NA | |
| Premier Bransle de la guerre (First branle of War) | Pierre Phalese | 1571 | 4 part | No | 1 | |
| Hay dance | Arbeau | 1588 | 4 part | No | 1 | |
| I Would Rather Lie Alone | Arbeau | 1588 | 4 part | Vocal | 1 | |
| J'aymeroye mieux dormir | Adrian Le Roy | 1568 | 4 part | No | 1 | |
| Jouyssance vous donneray (I will give you joy) | Arbeau | 1588 | 4 part | No | 2 | |
| Tourdion | ? | ? | 4 part | No | NA | |
| Jouissance Vous Donneray | Pierre Attaignant | 1527 | 4 part | Vocal | 2 | |
| Washerwomen's Branle | Jean d'Estrees | 1559 | 4 part | No | 1 | |
| The seconde Branle of Malte | Adrian Le Roy | 1568 | 4 part | No | 1 | |
| Maltese Bransle | Arbeau | 1588 | 5 part | No | 2 | |
| Maltese Branle (Branle de Malte) | Arbeau | 1588 | 4 part | No | 1 | |
| My wandering steps (Mes pas semez) | Adrian Le Roy | 1556 | 4 part | Vocal | 1 | |
| La Milannoise [The Girl from Milan] | Arbeau | 1588 | 4 part | No | 2 | |
| The seconde Milanoise | Adrian Le Roy | 1568 | 4 part | No | NA | |
| Branle de la Montarde | Arbeau | 1588 | 4 part | No | 1 | |
| Morisques (Morris Dance) | Arbeau | 1589 | 4 part | No | 1 | |
| Branle de l'Official (Official Branle) | Arbeau | 1588 | 4 part | No | 1 | |
| Patience (Basse dance appellee) | Pierre Attaingnant | 1530 | 2 part | No | 1 | |
| Branle des Pois (Pease Branle) | Arbeau | 1588 | 4 part | No | 2 | |
| Branle Sont des pois | Adrian Le Roy | 1565 | 4 part | No | NA | |
| Branle des Hermites | Arbeau | 1588 | 4 part | No | NA | |
| Branle de Poictou | Adrian Le Roy | 1568 | 4 part | No | 1 | |
| Gaillarde romanesque | Adrian Le Roy | 1568 | 4 part | No | 2 | |
| Antoinette | ? | ? | 4 part | No | NA | |
| Baisons nous belle (Love let us kiss) | ? | ? | 4 part | No | NA | |
| Almande Sauoye | Pierre Phalese and Jean Bellere | 1571 | 4 part | No | 1 | |
| Scottish Bransle | Arbeau | 1588 | 5 part | No | 2 | |
| Branle d'Ecosse (First Scottish Branle) | Arbeau | 1588 | 4 part | No | 2 | |
| Branle d'Escosse (Second Scottish branle) | Arbeau | 1588 | 4 part | No | NA | |
| Le Triory de Bretaigne (Trihory of Brittany) | ? | ? | 4 part | No | NA | |
| Whether I love or no (Si j'ayme ou non je n'en dy rien) | Adrian Le Roy | 1573 | 4 part | Vocal | 1 | |
| Spanish Pavane (Pavane d'Espagne) | Arbeau | 1588 | 4 part | No | 2 | |
| Balletto "Pauaniglia" | Fabritio Caroso | 1581 | 4 part | No | NA | |
| Pavane de Spaigne (XXX) | Michael Praetorius | 1612 | 4 part | No | NA | |
| Candlestick Branle (Branle de la torche) | Arbeau | 1588 | 4 part | No | 1 | |
| Branle des Sabots (Clog Branle) | ? | ? | 4 part | No | NA | |
| Because of the Traitor I Die (La traditore my fa morire) | Arbeau | 1588 | 4 part | No | 3 | |
| Gagliarda la traditora | ? | Fitzallan partbooks | 4 part | No | NA | |
| Gaillarde romanesque | Adrian Le Roy | 1568 | 4 part | No | NA | |
| Anthoinette | Thoinot Arbeau | 1588 | 4 part | No | NA | |
| Baisons nous belle (Love let us kiss) | Arbeau | 1588 | 4 part | No | NA | |
| Si j'ayme ou non je n'en dy rien | ? | ? | 4 part | Vocal | NA | |
| Volte (Pour iouer a la fin de toutes gaillardes de ce ton) | Pierre Phalese and Jean Bellere | 1571 | 4 part | No | 2 | |
| Branle of War (de la Guerre) | Arbeau | 1588 | 4 part | No | 1 | |
| Branle de la Buerre (Branle of War) | Arbeau | 1589 | 5 part | No | 2 | |
| Washerwomen's Branle (Branle des Lavandieres) | Arbeau | 1588 | 1 part | No | 1 | |
| Washerwomen's Branle (Branle des Lavandieres) | Arbeau | 1588 | 2 part | No | 1 | |
| | ||||||
| A Virgen que de Deus | Anon | 1252 | 4 part | Vocal | 2 | |
| A Virgen mui groriosa | Alphoso X | 1252 | 2 part | Vocal | 1 | |
| Quen a omagen da Virgen | Alphonso X | 1252 | 3 part | Vocal | 1 | |
| Se ome fezer | Anon | 1252 | 2 part | Vocal | 1 | |
| | ||||||
| A Carol Brynging in the Bore's Heed | Wynkyn de Worde | 1521 | 4 part | Vocal | 2 | |
| The Coventry Carol | Anon | 15th C | 4 part | Vocal | 2 | |
| Deck the Halls | ? | Old Welsh | 4 part | Vocal | 2 | COM Yule pg 3 |
| In Dulci Jubilo | Anon | 14th C German | 4 part | Vocal | 2 | |
| Jingle Bells | Traditional | ? | 4 part | No | 2 | |
| Joy to the World | G. F. Handel | ? | 4 part | No | 1 | |
| Lo how a rose | Anon | 16th C | 4 part | Vocal | 2 | |
| The Old Year Now Away is Fled | Anon | 1642 | 4 part | Vocal | 2 | COM Yule pg 9 |
| Remember O thou man | Thomas Ravenscroft | 1611 | 4 part | Vocal | 1 | |
| Rorate coeli desuper | Scottish traditional | ? | 4 part | Vocal | 2 | |
| Tomorrow shall be my dancing day | Anon | traditional | 4 part | Vocal | 2 | |
| We Wish You a Merry Christmas | Old English | ? | 4 part | No | 2 | |
| | ||||||
| I care not for these ladies | ? | ? | 1 part | Vocal | ? | |
| | ||||||
| Alfonsoes Pavan | Alfonso Ferrabosco the Elder | 1595 | 4 part | No | 1 | |
| Dowlands I Galliarde | John Dowland | 1595 | 4 part | No | 1 | |
| Duncombs galliarde | Anon | 1595 | 4 part | No | 1 | |
| Holburns farwell | Anthony Holborne | 1595 | 4 part | No | 2 | |
| Fortune My Foe (Complaint) | Anon | 1595 | 4 part | No | 1 | |
| Galliard | Richard Reade | 1595 | 4 part | No | 1 | |
| James Hardings Galliarde | ?James Harding | 1595 | 4 part | No | 1 | |
| The Jewes Dance | Richard Ncholson | 1595 | 4 part | No | 3 | |
| Mall Simmes | Anon | 1595 | 4 part | No | 1 | |
| Nutmegs and Ginger | Anon | 1595 | 6 part | No | 2 | |
| Pavan | Richard Reade | 1595 | 4 part | No | 2 | |
| Primiero | Anon | 1595 | 4 part | No | 3 | |
| Reads Allmaine | Anthony Holborne | 1595 | 4 part | No | 1 | |
| Tarleton Jigg | Anon | 1595 | 5 part | No | 1 | |
| | ||||||
| The Batchelars delight | Richard Allison | 1611 | 4 part | No | 2 | |
| La Coranto | Anon | 1599 | 4 part | No | 1 | |
| Galliard Can she excuse | John Dowland | 1599 | 4 part | No | 1 | |
| Goe from my Window | Richard Allison | 1599 | 1 part | No | 2 | Treble Viol |
| Goe from my Window | Richard Allison | 1599 | 1 part | No | 2 | lute |
| Goe from my Window | Richard Allison | 1599 | 1 part | No | 2 | flue or recorder |
| Goe from my Window | Richard Allison | 1599 | 1 part | No | 1 | Bass Viol |
| Alisons Knell | Richard Allison | 1599 | 4 part | No | 2 | |
| Lachrimae Pavin | John Dowland | 1599 | 4 part | No | 1 | |
| Lavolto | Anon | 1599 | 4 part | No | 1 | |
| Michills Galliard | Anon | 1599 | 4 part | No | 1 | |
| Mounsiers Almaine | William Byrd | 1599 | 5 part | No | 1 | |
| In Nomine Pavin | Nicholas Strogers | 1599 | 4 part | No | 2 | |
| My Lord of Oxenfords Maske | William Byrd | 1599 | 4 part | No | 2 | |
| Phillips Pavin | Peter Phillips | 1599 | 4 part | No | 2 | |
| Galliard to Phillips Pavin | ? | ? | 4 part | No | NA | |
| Captaine Pipers Pavin | John Dowland | 1599 | 4 part | No | 2 | |
| Galliard to Captaine Pipers Pavin | John Dowland | 1599 | 4 part | No | NA | |
| Responce Pavin | Richard Allison | 1611 | 4 part | No | 2 | |
| See See Mine Own Sweet Jewel | Thomas Morley | 15th C | 4 part | Vocal | 2 | |
| De la Tromba Pavin | Richard Allison | 1599 | 4 part | No | 2 | |
| Goe from my Window | Richard Allison | 1599 | 4 part | No | 4 | |
| | ||||||
| Barrow Faustus Dreame | Edmund Kete | 1609 | 4 part | No | 1 | |
| Infernum | Anthony Holborne | 1609 | 5 part | No | 2 | |
| Move now with measured sound | Thomas Campion | 1609 | 4 part | Vocal | 1 | |
| Now is the Moneth of May | Thomas Morley | 1609 | 4 part | No | 1 | |
| Galliard to the Sacred End | John Baxter | 1609 | 4 part | No | 1 | |
| The Sacred End Pavan | Thomas Morley | 1609 | 4 part | No | 2 | |
| Southernes Pavin | Thomas Morley | 1609 | 4 part | No | 2 | |
| Spero | Anthony Holborne | 1609 | 5 part | No | 2 | |
| | ||||||
| Mr. Allisons Almayne | Richard Allison | 1588 | 4 part | No | 1 | |
| A Pauen of Mr. Byrds | William Byrd | 1588 | 4 part | No | 2 | |
| Daniells Almayne | Daniel Bachiler | 1588 | 4 part | No | 2 | |
| Daniells Almayne | Daniel Bachiler | 1588 | 5 part | No | 2 | |
| Daniells Triall | Daniel Bachiler | 1588 | 4 part | No | 2 | |
| Delight Paven | John Johnson | 1588 | 4 part | No | 2 | |
| Paven Dolorosa | Richard Allison | 1588 | 4 part | No | 2 | |
| The Flatt Paven | John Johnson | 1588 | 4 part | No | 1 | |
| The Lady Frances Sidneys Almayne | Richard Allison | 1588 | 4 part | No | 2 | |
| The Lady Frances Sidneys Felicitye | Daniel Bachiler | 1588 | 4 part | No | 3 | |
| The Lady Frances Sidneys Goodnight | Richard Allison | 1588 | 4 part | No | 2 | |
| Lavecchia | Anon | 1588 | 4 part | No | 1 | |
| The Lady Walsinghams Conceites | Daniel Bachiler | 1588 | 4 part | No | 3 | |
| Mr. Marchants Paven | Anon | 1588 | 4 part | No | 2 | |
| Mr. Allisons Sharp Paven | Richard Allison | 1588 | 4 part | No | 2 | |
| Sir Frances Walsinghams Goodmorowe | Daniel Bachiler | 1588 | 4 part | No | 3 | |
| Sir Frances Walsinghams Goodnight | Daniel Bachiler | 1588 | 4 part | No | 3 | |
| The Widowes Mite | Daniel Bachiler | 1588 | 4 part | No | 2 | |
| | ||||||
| Awake sweet loue thou art returnd | John Dowland | 1597 | 4 part | Vocal | 2 | |
| Awaie with these selfe louing lads | John Dowland | 1597 | 4 part | Vocal | 2 | |
| Behold a wonder here | John Dowland | 1603 | 4 part | Vocal | 2 | |
| M Buctons Galiard | John Dowland | 1605 | 5 part | No | 2 | |
| Can she excuse my wrongs with vertues cloake | John Dowland | 1597 | 4 part | Vocal | 2 | |
| Cleare or cloudie sweet as Aprill showring | John Dowland | 1600 | 5 part | Vocal | 2 | |
| M. Thomas Collier his Galiard | John Dowland | 1605 | 5 part | No | 2 | |
| Come again: sweet loue doth now enuite | John Dowland | 1597 | 1 part | Vocal | 1 | |
| Come again, come sweet loue | John Dowland | 1597 | 4 part | Vocal | 2 | |
| Come heauy sleepe | John Dowland | 1597 | 4 part | Vocal | 2 | |
| The King of Denmark's Galliard | John Dowland | 1605 | 5 part | No | 2 | |
| The Earl of Essex Galliard | John Dowland | 1605 | 5 part | No | 2 | |
| M. Nicholas Gryffith his Galiard | John Dowland | 1605 | 5 part | No | 2 | |
| M. giles Hobies Galiard | John Dowland | 1605 | 5 part | No | 2 | |
| Lady Laiton's Almain | John Dowland | Lute manuscripts | 4 part | No | 2 | |
| Mr. John Lagton's Pavan | John Dowland | 1605 | 5 part | No | 2 | |
| M. Henry Noel his Galiard | John Dowland | 1605 | 5 part | No | 2 | |
| Now o now I needs must part | John Dowland | ? | 4 part | No | 1 | |
| The Right Honorable The Lady Rich Her Galliard | John Dowland | 1610 | 4 part | No | 2 | |
| Semper Dowland semper dolens | John Dowland | 1605 | 5 part | No | 3 | |
| Shall I sue shall I seeke for grace | John Dowland | 1600 | 4 part | Vocal | 2 | |
| A Shepherd In A Shade | John Dowland | ? | 4 part | No | 2 | |
| Sleepe wayward thoughts | John Dowland | 1597 | 4 part | Vocal | 2 | |
| Tarleton's Riserrectione | John Dowland | ? | 4 part | No | 1 | |
| Time stands still | John Dowland | 1603 | 4 part | Vocal | 2 | |
| Sir Henry Umpton's Funerall | John Dowland | 1605 | 5 part | No | 2 | |
| Weepe you no more sad fountaines | John Dowland | 1597 | 4 part | Vocal | 2 | |
| My. George Whitehead his Almand | John Dowland | 1605 | 5 part | No | 1 | |
| Mrs. White's Thing | John Dowland | ? | 4 part | No | 1 | |
| | ||||||
| Doulands Almaine | John Dowland | MS 10444 | 2 part | No | 1 | |
| Alta Regina | Fabritio Caroso | 15xx | 2 part | No | 1 | |
| Argeers | Playford | 1651 | 3 part | No | 1 | |
| Branles de Village | Robert Ballard | 1614 | 2 part | No | 2 | |
| The Bonny Bonny Broom | Playford | 1651 | 3 part | No | 2 | |
| Dormendo un giorno | Jacques Arcadelt | ? | 3 part | No | 2 | |
| Downe downe proud minde | William Corkine | ? | 2 part | Vocal | 1 | |
| Full Fathom Five | Robert Johnson | 1611? | 2 part | No | 1 | |
| Go heavy thoughts | William Corkine | ? | 2 part | Vocal | 1 | in C |
| Go heavy thoughts | William Corkine | ? | 2 part | Vocal | 1 | in Bb |
| Hercules | ? | ? | 2 part | No | 1 | |
| It was a lover and his lass | Thomas Morley | ? | 2 part | No | 1 | |
| It was a lover and his lass | Thomas Morley | ? | 3 part | No | 1 | |
| J'ai Du Bon Tabac | Anon French | ? | 2 part | No | 1 | |
| Maynard's Almain | John Maynard | ? | 2 part | No | 1 | |
| My deerest Mistrisse | William Corkine | ? | 2 part | Vocal | 1 | |
| Now is the month of Maying | Thomas Morley | ? | 3 part | No | 1 | |
| Nuova Regina | Fabritio Caroso | 15xx | 2 part | No | 1 | |
| Shall I be with joys deceived | William Corkine | ? | 2 part | Vocal | 1 | |
| Tis true tis day | William Corkine | ? | 2 part | Vocal | 1 | |
| | ||||||
| Allegrezza d'Amore | Fabritio Caroso | 1600 | 4 part | No | 1 | |
| Alta Caretta | Livio Lupi da Caravaggio | 1607 | 4 part | No | 1 | |
| Amoroso | Domenico da Piacenze | 1420 | 5 part | No | 2 | |
| Anello | Domenico da Piacenze | 1420 | 4 part | No | 2 | |
| Ballo Anglese | Giorgio Mainerio | 1578 | 4 part | No | 2 | |
| Saltarello | Giorgio Mainerio | 1578 | 4 part | No | NA | |
| Sinfonia Antica | Anon | MS 4.6.3 | 4 part | No | 1 | |
| Aria Prima | Andrea Ansalone | 1620 | 4 part | No | 1 | |
| Aria Secunda | Andrea Ansalone | 1620 | 4 part | No | 1 | |
| Ballo Francese & Salterello | Giorgio Mainerio | 1578 | 4 part | No | 2 | |
| Il Canario | Cesare Negri | 1602 | 1 part | No | 3 | NOT INDEX |
| La Catena d'Amore | Cesare Negri | 1602 | 4 part | No | 2 | |
| Celeste Giglio | Fabritio Caroso | 1600 | 3 part | No | 2 | |
| Suono del Ballo de Cigni | Giacomo Spiardo | 1620 | 4 part | No | 1 | |
| Il Ballo de Colla | Gasparo Zanetti | 1645 | 4 part | No | 1 | |
| Gagliarda | Giovanni Leonardo dell'Arpa? | MS 4.6.3 | 4 part | No | 2 | |
| Galiarda Prima | Anon | MS 4.6.3 | 4 part | No | 1 | |
| Galleria d'Amor | Gasparo Zanetti | 1645 | 4 part | No | 2 | |
| Bassa Gioiosa | Gasparo Zanetti | 1645 | 4 part | No | 2 | |
| Giorgio | Anon | Fitzallan parkbooks 1520 | 4 part | No | 2 | |
| Aria del Gran Duca | Gasparo Zanetti | 1645 | 4 part | No | 1 | |
| Il Gratioso | Cesare Negri | 1602 | 4 part | No | 1 | |
| Le Forze d'Hercole | Anon | Fitzallan partbooks 1520 | 4 part | No | 1 | |
| Laura Soave | Fabritio Caroso | 1600 | 4 part | No | 1 | |
| Leggiadria d'Amore | Fabritio Caroso | 1581 | 5 part | No | 1 | |
| Alta Mendozza | Cesare Negri | 1602 | 4 part | No | 1 | |
| La Morte de la ragione | Anon | Fitzallan partbooks 1520 | 4 part | No | 2 | |
| Moresca quarta detta la Bergamasca | Giulio Cesare Barbetta | 1592 | 4 part | No | 2 | |
| La Nizzarda | Cesare Negri | 1602 | 4 part | No | 2 | |
| Pass'e mezzo antico | Giorgio Mainerio | 1578 | 4 part | No | 3 | NOT INDEX |
| Piva (ala ferrarese) | Joanambrosio Dalza | 1508 | 3 part | No | 2 | |
| Putta nera ballo furlano | Giorgio Mainerio | 1578 | 4 part | No | 1 | |
| La Rocha el fuso | Anon | 1520 | 4 part | No | 1 | |
| Schiarazula Marazula | Giorgio Mainerio | 1578 | 4 part | No | 1 | |
| Suono del Ballo de'Selvaggi - e delle Simie | Giacomo Spiardo | 1620 | 4 part | No | 1 | |
| Lo Spagnoletto | Cesare Negri | 1602 | 5 part | No | 1 | |
| Il suono della scesa de'Pastori del monte | Andrea Ansalone | 1620 | 4 part | No | 1 | |
| Tedesca & Saltarello | Giorgio Mainerio | 1578 | 4 part | No | 1 | |
| Torza | Anon | Fitzallan partbooks 1520 | 4 part | No | 1 | |
| Ungaresca & Saltarello | Giorgio Mainerio | 1578 | 4 part | No | 1 | |
| La Villanella Balletto | Fabritio Caroso | 1581 | 4 part | No | 1 | NOT INDEX |
| Saltarello Zorzi | Anon | Fitzallan partbooks 1520 | 4 part | No | 1 | |
| | ||||||
| Lo Spagnoletto | Cesare Negri | 1602 | 4 part | No | 1 | |
| | ||||||
| Ad Mortem Festinamus | Anon | 14th C | 2 part | Vocal | 1 | |
| Cuncti Simus | Anon | 14th C | 2 part | Vocal | 1 | |
| Imperayritz de la Ciutat Joyosa | Anon | 14th C | 2 part | Vocal | 1 | |
| Laudemus Virginem | Anon | 14th C | 3 part | Vocal | 1 | |
| Los Set Goyts | Anon | 14th C | 2 part | Vocal | 1 | |
| Mariam Matrem Virginem | Anon | 14th C | 3 part | Vocal | 2 | |
| O Virgo Splendens | Anon | 14th C | 3 part | Vocal | 2 | |
| Splendens Ceptigera | Anon | 14th C | 3 part | Vocal | 1 | |
| Stella Splendens | Anon | 14th C | 2 part | Vocal | 1 | |
| | ||||||
| Aprill is in my Mistris face | Thomas Morley | 1594 | 4 part | Vocal | 2 | |
| Il bell'humore (Viver lieto voglio) | Giovanni Giacomo Gastoldi | 1591 | 5 part | Vocal | 2 | |
| La Caccia "The Chase" (BASS) | Thomas Morley | 1595 | 2 part | No | 2 | in bass C |
| La Caccia "The Chase" | Thomas Morley | 1595 | 2 part | No | 2 | in F |
| Dainty fine sweet Nimph delightfull | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| Fyre and lightning from heauen fall | Thomas Morley | 1595 | 2 part | Vocal | 1 | |
| I goe before my darling (BASS) | Thomas Morley | 1595 | 2 part | Vocal | 2 | bass |
| I goe before my darling | Thomas Morley | 1595 | 2 part | Vocal | 2 | |
| I should for griefe and anguish dye recureles | Thomas Morley | 1595 | 2 part | Vocal | 1 | |
| Ladie those eyes, those eyes of yours | Thomas Morley | 1602 | 3 part | Vocal | 2 | |
| L'ardito | Giovanni Giacomo Gastoldi | 1591 | 5 part | Vocal | 2 | |
| Leaue now mine eyes lamenting (BASS) | Thomas Morley | 1595 | 2 part | Vocal | 2 | |
| Leaue now mine eyes lamenting | Thomas Morley | 1595 | 2 part | Vocal | 2 | |
| Loe heere another loue | Thomas Morley | 1595 | 2 part | Vocal | 2 | |
| Loue learnes by laughing first to speake | Thomas Morley | 1606 | 3 part | Vocal | 2 | |
| My bonny lasse shee smyleth | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| O griefe euen on the Bud that fairely floured | Thomas Morely | 1597 | 5 part | Vocal | 2 | |
| O Sleepe fond fancie | Thomas Morley | 1597 | 3 part | Vocal | 2 | |
| Though Philomela lost hir loue | Thomas Morley | 1606 | 3 part | Vocal | 2 | |
| See, See, Mine Own Sweet Jewel | Thomas Morley | ? | 4 part | Vocal | 2 | |
| See, See, Myne owne sweet lewell | Thomas Morley | 1602 | 3 part | Vocal | 2 | |
| Shoote false loue I care not | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| Sing wee and chaunt it | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| La Sirena | Giovanni Giacomo Gastoldi | 1591 | 5 part | Vocal | 2 | |
| Sleepe slumbringe eyes | Thomas Morely | 1600 | 4 part | Vocal | 2 | |
| Spring tyme mantleth euery bough | Thomas Morley | 1606 | 3 part | Vocal | 2 | |
| This Loue is but a wanton fit | Thomas Morley | 1606 | 3 part | Vocal | 2 | |
| Misteresse mine well may you fare | Thomas Morley | 1600 | 4 part | Vocal | 1 | |
| Wyll you buy a fine dogg | Thomas Morley | 1600 | 4 part | Vocal | 2 | |
| With my loue my life was nestled | Thomas Morley | 1600 | 4 part | Vocal | 1 | |
| Wwat saith my daintie darling | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| You that wont to my pipes sound | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| | ||||||
| It was a lover and his lasse | Thomas Morley | First Book of Ayres | 3 part | Vocal | 2 | |
| O Mistress mine! | William Byrd's setting | Fitzwilliam Virginal book | 4 part | No | 1 | |
| O Mistress mine | Anon | 1599 | 4 part | Vocal | 1 | in F |
| | ||||||
| Ballet des Baccanales (CCLXXVII) | Michael Praetorius | 1612 | 4 part | No | 2 | |
| Ballet des feus (CCLXXIX) | Michael Praetorius | 1612 | 4 part | No | NA | |
| Ballet des Matelotz (CCLXXX) | Michael Praetorius | 1612 | 4 part | No | NA | |
| Ballet (CCLXVIII) | Michael Praetorius | 1612 | 4 part | No | 2 | |
| Courrant de Bataglia (XLVIII) | Michael Praetorius | 1612 | 5 part | No | 2 | |
| La Bouree (XXXII) | Michael Praetorius | 1612 | 4 part | No | 2 | |
| Branle double (XII) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| Branle simple 1, 2, Gay 1 (IV) | Pierre Francisque Caroubel | 1612 | 5 part | No | 2 | |
| Bransle Gay 2 (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | 1 | |
| Courante (CLXXXIII) | Michael Praetorius | 1612 | 4 part | No | 2 | |
| Courante (CXVII) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| Courante (L) | Michael Praetorius | 1612 | 5 part | No | 1 | |
| Courante de la Volte (XLIII) | Pierre Francisque Caroubel | 1612 | 5 part | No | 1 | |
| Ballet des Feus (CCLXXIX) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| Ballet des Feus (CCLXXIX) | Michael Praetorius | 1612 | 1 part | No | 1 | |
| Gaillarde (CCLXXXVII) | Pierre Francisque Caroubel | 1612 | 5 part | No | 2 | |
| Gaillarde (CCC) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| The King's Dance | Michael Praetorius | ? | 4 part | No | 1 | |
| Br. simple: La la la je ne l'ose dire (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | 2 | |
| Bransle de Montirande (XI) | Pierre Francisque Caroubel | 1612 | 5 part | No | 1 | |
| Branles simples de Novelle (II) | Michael Praetorius | 1612 | 5 part | No | 2 | |
| Philou (XXII) | Michael Praetorius | 1612 | 4 part | No | 2 | |
| Bransle double de Poictou 2 (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | 1 | |
| La Robine (XXIII) | Pierre Francisque Caroubel | 1612 | 5 part | No | 1 | |
| La Sarabande (XXXIII) | Michael Praetorius | 1612 | 5 part | No | 1 | |
| Courante de la Royne (LI LII) | Michael Praetorius | 1612 | 5 part | No | 2 | |
| Spagnoletta (XXVIII) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| Volte de Tambour (CXCIX) | Michael Praetorius | 1612 | 5 part | No | 1 | |
| Volte (CCXLIII) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| Volte (CCI) | Michael Praetorius | 1612 | 5 part | No | 2 | |
| Volte (CCXI) | Michael Praetorius | 1612 | 5 part | No | 1 | |
| Volte (CCXXXI) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| | ||||||
| The Battell of Agen-Court | Anon | Pepys Ballads | 4 part | Vocal | 1 | |
| Allemaingne I | Susato | 1551 | 4 part | No | 2 | |
| Avthor of light | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| Ayo visto lo mappamundo | Johannes Cornago | ? | 4 part | No | 1 | UNUSED |
| La Battaille | Susato | 1551 | 4 part | No | 1 | |
| Bransle VI | Gervaise | 1557 | 4 part | No | 1 | |
| Bergerette: Sans Roch | Susato | 1551 | 4 part | No | 1 | in C |
| Bon jour, mon coeur | Rol and de Lassus | 1570 | 4 part | Vocal | 2 | |
| La Bounette | Mulliner | ? | 4 part | No | 1 | in C |
| Branle de Bourgoigne | Jacques Moderne | 1540 | 4 part | No | 1 | |
| Branle simple | Jacques Moderne | 1540 | 4 part | No | 1 | |
| Carmans whistle | Anon | Fitzwilliam Book | 4 part | Vocal | 2 | |
| Ces veus chanter | ? | ? | 4 part | No | 2 | |
| Das Hertz thut mir auffspringen | Hassler | 1596 | 4 part | Vocal | 2 | |
| Dit le Bourguygnon | Anon | 1501 | 4 part | No | 1 | in F |
| Entre du Fol | Susato | 1551 | 4 part | No | 1 | in F |
| Pavane La Gaiette | Jacques Moderne | 1540 | 4 part | No | 1 | |
| Galliarde XV: Le Tout | Susato | 1551 | 4 part | No | 1 | |
| Gentil madonna | Filippo Azzaiolo | 1557 | 4 part | Vocal | 2 | |
| Gray's Inn Mask | ? | ? | 4 part | No | 2 | in Bb |
| Hellas Amy - Bassedance | Jacques Moderne | 1540 | 4 part | No | 1 | |
| Tordion | Jacques Moderne | 1540 | 4 part | No | NA | |
| I'ay du mal tant tant (J'ay le rebours) | Le Roy | 1555 | 4 part | Vocal | 2 | |
| Une jeune fillette | Jehan Chardavoine | 1576 | 4 part | Vocal | 1 | |
| Gaillarde la rocque | Pierre Phalese | 1571 | 4 part | No | 2 | |
| Licori | Aurelio Bonelli | 1602 | 4 part | No | 2 | |
| Gray's Inn Mask | Playford | 1651 | 4 part | No | 2 | UNUSED TEXT OVERLAPPING! |
| Mignonne, allons voir si la rose | Jehan Chardavoine | 1576 | 4 part | Vocal | 2 | |
| Pavane III: Mille ducas | Susato | 1551 | 4 part | No | 2 | in C |
| Galliarde X: Mille ducas | Susato | 1551 | 4 part | No | NA | |
| Mille regretz | 1551 | Pavane I | 4 part | No | 1 | Susato |
| La Morisque | Susato | 1551 | 4 part | No | 1 | in C |
| My Lord of March Pavan | James Lauder | Thomas Wode partbooks | 4 part | No | 2 | |
| My Mistres is as faire | John Bennet | 1614 | 4 part | Vocal | 2 | |
| Now what is loue | Robert Jones | 1601 | 4 part | Vocal | 2 | |
| Oy comamos y bebamos | Juan del Encina | ? | 4 part | Vocal | 1 | |
| Padouan XIII | Paul Peuerl | 1611 | 4 part | No | 2 | |
| Pase el agoa | Anon | ? | 4 part | Vocal | 2 | |
| Pavan | Augustine Bassano | Egerton MS 3665 | 5 part | No | 1 | |
| Pavane Lesquercade | Pierre Phalese | 1571 | 4 part | No | 1 | |
| Tourdion Quand je bois | Pierre Blondeau | 1530 | 4 part | Vocal | 2 | |
| Les quatre Branles | Susato | 1551 | 4 part | No | 2 | |
| Ronde IX | Susato | 1551 | 4 part | No | 1 | |
| Aliud | Susato | 1551 | 4 part | No | NA | |
| Ronde V | Susato | 1551 | 4 part | No | 1 | |
| Ronde VI | Susato | 1551 | 4 part | No | 1 | |
| Salterelle | Susato | 1551 | 4 part | No | NA | |
| Una sanosa porfia | Juan del Encina | ? | 4 part | Vocal | 2 | |
| Ta bone grace, Bassedance | 1540 | Tourdion | 4 part | No | 2 | Jacques Moderne |
| Tourdion | Jacques Moderne | 1540 | 4 part | No | NA | |
| To the old all health and treasure | Anon | 1621 | 4 part | Vocal | 1 | |
| Tres moricas m'enamoran | Anon | ? | 3 part | Vocal | 2 | |
| Trolly lolly | William Cornysh | Henry VIII's book | 3 part | No | 2 | |
| Aria de Venere | Giovanni Maria Trabaci | 1620 | 4 part | Vocal | 2 | |
| Vita de la mia vita | Philippe Verdelot | 1537 | 4 part | Vocal | 2 | |
| | ||||||
| Adson's Saraband | Playford | 1651 | 4 part | No | 1 | |
| All in a Garden Green | Playford | 1651 | 4 part | No | 1 | |
| Argeers | Playford | 1651 | 4 part | No | 1 | |
| Aye me or The Symphony | Playford | 1651 | 4 part | No | 1 | |
| The Bath | Playford | 1651 | 4 part | No | 1 | |
| The Beggar Boy | vocal | 4 part | 4 part | No | 2 | |
| A health to Betty | Playford | 1651 | 4 part | No | 1 | |
| Black and Gray | Playford | 1686 | 4 part | No | 1 | |
| Black nag | Playford | 1657 | 4 part | No | 1 | |
| Blue Cap for me | Playford | 1651 | 4 part | Vocal | 2 | |
| Boatman | Playford | 1651 | 4 part | No | 1 | |
| Bobbing Joe | Playford | 1651 | 4 part | No | 1 | |
| Broom broom the bonny bonny broom | Playford | 1651 | 4 part | Vocal | 1 | |
| Lord of Carnarvan's Jig | Playford | 1651 | 4 part | No | 1 | |
| Cast a bell | Playford | 1651 | 4 part | No | 1 | |
| Cheerily and merrily or Mr. Webb's Fancy | Playford | 1651 | 4 part | No | 1 | |
| Chestnut or Dove's Vagary | Playford | 1651 | 4 part | No | 1 | |
| The chirping of the lark | Playford | 1651 | 4 part | No | 1 | |
| Confess (his tune) the Death of Rosamond | Playford | 1651 | 4 part | Vocal | 2 | |
| The country coll | Playford | 1651 | 4 part | No | 1 | |
| Cuckolds all a row | Playford | 1651 | 4 part | Vocal | 1 | |
| Dargason or Sedany | Playford | 1651 | 4 part | No | 1 | |
| Dissembling love | Playford | 1651 | 4 part | No | 1 | |
| Parson upon Dorothy | Playford | 1652 | 4 part | Vocal | 2 | |
| Drive the Cold Winter Away | Playford | 1651 | 4 part | Vocal | 2 | |
| Dull Sir John | Playford | 1651 | 4 part | No | 1 | |
| Epping Forest | Playford | 1670 | 4 part | No | 1 | |
| Faine I would (if I could) | Playford | 1651 | 4 part | No | 1 | |
| The fine companion | Playford | 1651 | 4 part | No | 1 | |
| The friar and the nun | Playford | 1651 | 4 part | No | 1 | |
| The glory of the west | Playford | 1651 | 4 part | No | 1 | |
| Goddesses | Playford | 1651 | 4 part | Vocal | 1 | |
| Gray's Inn Mask | Playford | 1651 | 4 part | No | 2 | in F |
| Gray's Inn Mask | Playford | 1651 | 4 part | No | 2 | in F |
| Greenwood | Playford | 1651 | 4 part | No | 1 | |
| Grimstock | Playford | 1651 | 4 part | No | 1 | |
| The gun | Playford | 1651 | 4 part | No | 1 | |
| Half Hannikin | Playford | 1651 | 4 part | No | 1 | |
| Have at thy coat old woman | Playford | 1651 | 4 part | No | 2 | |
| Have at thy coat old woman | Playford | 1652 | 4 part | No | NA | |
| Heart's Ease | Playford | 1651 | 4 part | Vocal | 2 | |
| Hit or Miss | Playford | 1651 | 4 part | No | 1 | |
| Hockley in the Hole | Playford | 1651 | 4 part | No | 1 | |
| The hole in the wall | Playford | 1698 | 4 part | No | 2 | |
| Hyde Park | Playford | 1651 | 4 part | No | 1 | |
| If all the world were paper | Playford | 1651 | 4 part | No | 1 | |
| The Irish lady or Aniseed water Robin | Playford | 1651 | 4 part | No | NA | |
| I love thee once - I love no more | Playford | 1652 | 4 part | No | 1 | |
| Irish trot | Playford | 1651 | 4 part | No | 1 | |
| Jack a Lent | Playford | 1651 | 4 part | No | NA | |
| Jacke Pudding | Playford | 1651 | 4 part | Vocal | 2 | |
| Jamaica | Playford | 1670 | 4 part | No | 1 | |
| Jenny Pluck Pears | Playford | 1651 | 4 part | No | 1 | |
| Jog On | Playford | 1651 | 4 part | Vocal | 1 | |
| Kemp's Jig | Playford | 1651 | 4 part | No | 1 | |
| Kettle drum | Playford | 1651 | 4 part | No | 1 | |
| The King's delight | Playford | 1665 | 4 part | Vocal | 2 | |
| Lady Spellor | Playford | 1651 | 4 part | No | 1 | |
| Lady lie near me | Playford | 1651 | 4 part | No | 1 | |
| Lavena | Playford | 1651 | 4 part | No | 1 | |
| The London gentlewoman or The hemp dresser | Playford | 1651 | 4 part | No | 1 | |
| Lull me beyond thee | Playford | 1651 | 4 part | Vocal | 2 | |
| Man Tom d'Bedlam | ? | ? | 1 part | Vocal | 2 | |
| Madge on a tree | Playford | 1651 | 4 part | Vocal | 2 | |
| Maiden Lane | Playford | 1651 | 4 part | No | 1 | |
| The maid peeped out at the window or The friar in the well | Playford | 1651 | 4 part | No | 1 | |
| The merry, merry milkmaids | Playford | 1651 | 4 part | Vocal | 2 | |
| The milkmaid's bob | Playford | 1651 | 4 part | No | 1 | |
| Millfield | Playford | 1651 | 4 part | No | 1 | |
| Millison's Jig | Playford | 1651 | 4 part | No | 1 | |
| Mundesse | Playford | 1651 | 4 part | No | 1 | |
| My Lady Cullen | Playford | 1651 | 4 part | No | 1 | |
| Newcastle | Playford | 1651 | 5 part | No | 1 | |
| New new nothing | Playford | 1651 | 4 part | No | 1 | |
| New bo-peep | Playford | 1651 | 4 part | No | 1 | |
| The New Exchange | Playford | 1651 | 4 part | No | 1 | |
| The night piece | Playford | 1651 | 4 part | No | 1 | |
| Chirping of the nightingale | Playford | 1651 | 4 part | No | 1 | |
| Nobody's Jig | Playford | 1675 | 4 part | No | 2 | |
| Nonesuch | Playford | 1651 | 4 part | Vocal | 2 | |
| The old mole | Playford | 1651 | 4 part | No | 1 | |
| The old mole | Playford | 1652 | 4 part | No | NA | |
| An old man is a bed full of bones | Playford | 1651 | 4 part | No | 1 | |
| Once I loved a maiden fair | Playford | 1651 | 4 part | Vocal | 2 | |
| Parson's farewell | Playford | 1651 | 4 part | No | 1 | |
| Paul's Wharf | Playford | 1651 | 4 part | No | 1 | |
| Paul's steeple | Playford | 1651 | 4 part | No | 1 | |
| Gathering Peascods | Playford | 1651 | 4 part | No | 1 | |
| Pepper's Black | Playford | 1651 | 4 part | No | 1 | |
| Petticoat wag | Playford | 1651 | 4 part | No | 1 | |
| Picking of Sticks | Playford | 1651 | 4 part | No | 1 | |
| Rose is white and rose is read | Playford | 1651 | 4 part | No | NA | |
| Prince Rupert's March | Playford | 1651 | 4 part | No | 1 | |
| Punk's delight | Playford | 1651 | 4 part | No | 1 | |
| Row well, ye mariners | Playford | 1651 | 4 part | Vocal | 2 | |
| Rufty Tufty | Playford | 1651 | 4 part | No | 1 | |
| The Saraband | Playford | 1651 | 4 part | No | 1 | |
| Scotch Cap | Playford | 1651 | 4 part | No | 1 | |
| Sellenger's Round | Fitzwilliam Virginal Book | ? | 4 part | Vocal | 2 | |
| Sellenger's Round | Playford | 1657 | 4 part | No | 1 | |
| Shepherds' holidy or Labour in vain | Playford | 1651 | 4 part | No | 1 | |
| Shepherds' holidy or Labour in vain | Playford | 1651 | 4 part | No | 1 | |
| The silver faulken | Playford | 1652 | 4 part | No | 1 | |
| Skellamefago | Playford | 1651 | 4 part | No | 1 | |
| Skellamefago | Playford | 1652 | 4 part | No | NA | |
| The Slip | Playford | 1651 | 4 part | No | 1 | |
| Soldier's life | Playford | 1651 | 4 part | Vocal | 1 | |
| Solomon's Jig | Playford | 1652 | 4 part | No | 1 | |
| The Spaniard | Playford | 1651 | 4 part | No | 1 | |
| Spanish Gypsy | Playford | 1651 | 4 part | Vocal | 2 | |
| St. Martin's | Playford | 1651 | 4 part | No | 1 | |
| Stanes Morris | Playford | 1651 | 4 part | No | 1 | |
| Step stately | Playford | 1651 | 4 part | No | 1 | |
| Stingo or The oil of barley | Playford | 1651 | 5 part | Vocal | 2 | |
| Throw the house out of the window | Playford | 1657 | 4 part | No | 1 | |
| Touch and Take | Playford | 1652 | 4 part | No | NA | |
| Trenchmore/Tomorrow the fox | Playford | 1562 | 4 part | No | 2 | |
| Tomorrow the fox will come to towne | Deuteromelia | 1609 | 4 part | Vocal | NA | |
| Tom Tinker | Playford | 1651 | 4 part | No | 1 | |
| Under and over | Playford | 1652 | 4 part | No | 1 | |
| Up Tails All | Playford | 1651 | 4 part | No | 2 | |
| Upon a Summer's Day/Vpon a Summer's time | Playford | 1651 | 4 part | Vocal | 2 | |
| The waits | Playford | 1657 | 4 part | No | 1 | |
| The whirligig | Playford | 1651 | 4 part | No | 1 | |
| Winifred's knot or Open the door to three | Playford | 1652 | 4 part | No | 1 | |
| The wish | Playford | 1651 | 4 part | No | 1 | |
| Woodycock | Playford | 1651 | 4 part | No | 1 | |
| | ||||||
| Pavanne d'Angleterre | Claude Gervaise | 1555 | 5 part | No | 1 | in G |
| Pavana | Augustine Bassano | Egerton 3665 | 5 part | No | 4 | |
| Galiarda | Augustine Bassano | Egerton 3665 | 5 part | No | NA | |
| La Bataille | Jacques Moderne | 1540 | 4 part | No | 1 | in F |
| Bendinelli Fanfare | Cesare Bendinelli | 1614 | 4 part | No | 2 | |
| Canto canto festa festa | Andrea Gabrieli | 1589 | 4 part | Vocal | 2 | |
| Chorea Hungarica | Anon | 16th C | 5 part | No | 1 | |
| Earle of Salisbury Pavana | William Byrd | 1613 | 4 part | No | 1 | |
| Fanfares I & II | ? | ? | 2 part | No | 1 | |
| Fanfares III & IV | ? | ? | 2 part | No | 1 | |
| Fanfare 1 & 2 | ? | ? | 2 part | No | 1 | UNUSED |
| Fanfare 1 & 2 | ? | ? | 2 part | No | 1 | UNUSED |
| Flourish (for 1 or 2) | ? | ? | 2 part | No | 1 | UNUSED |
| Simple Fanfare | ? | ? | 2 part | No | NA | UNUSED |
| Fantini Fanfare | Steven Hendricks | 1602? | 4 part | No | 1 | |
| Earle of Salisbury Galiardo | William Byrd | 1613 | 4 part | No | 1 | |
| In te Domine speravi | Josquin d'Ascenio des Pres | ? | 4 part | No | 2 | |
| Intrada X | Alessandro Orologio | 1597 | 6 part | No | 2 | |
| Intrada - Hungarian? | Anon | 16th C | 5 part | No | 1 | |
| Kyng's Pavyn | ? | ? | 4 part | No | 1 | |
| Pavane 14, La rote du rode | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Intermedio I: L'harmonie des spheres | Cristofano Malvezzi | 1589 | 6 part | No | 2 | |
| Intermedio IV: Annonce de l'age d'or | Cristofano Malvezzi | 1589 | 6 part | No | 2 | |
| Mascherata d'Amanti | Adriano Banchieri | 1608 | 5 part | Vocal | 2 | |
| Medici Fanfare | Steven Hendricks | ? | 4 part | No | 1 | |
| Ne piu bella di queste | Heinrich Isaac | MS Pal. 1178 | 4 part | Vocal | 2 | |
| Intrada XXVIII | Alessandro Orologio | 1597 | 6 part | No | 1 | |
| Pavana del Otto Landgravio | Moritz Landgraf of Hessen | ? | 5 part | No | 2 | |
| Pavane passamaize | Claude Gervaise | 1555 | 4 part | No | 2 | |
| Gaillarde | Claude Gervaise | 1555 | 4 part | No | NA | |
| Pavenne 1 | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavenne 12 | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavenne 13 | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavane 2 | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavane 4 | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavane 5 | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavane 6 | Claude Gervaise | 1550 | 5 part | No | 2 | |
| Gaillarde | Claude Gervaise | 1550 | 5 part | No | NA | |
| Pavenne 7 | Pierre Attaingnant | 1530 | 4 part | No | 2 | |
| Pavane | Jacques Moderne | 1540 | 4 part | No | 1 | |
| Pavane 1 - La sguizera | Pierre Attaingnant | 1530 | 4 part | No | 1 | |
| Pavane - La venissiene | Claude Gervaise | 1550 | 4 part | No | 2 | |
| Vive le Roy | Josquin d'Ascenio des Pres | ? | 4 part | No | 2 | |
| | ||||||
| Alba Novella | Caroso | Il Ballarino | 4 part | No | 1 | |
| Amor Costante | Caroso | Il Ballarino | 4 part | No | 2 | |
| Balletto Austria Gonzago | Caroso | Il Ballarino | 4 part | No | 2 | |
| Contentezza d'Amore | ? | ? | 4 part | No | 2 | |
| Contentezza d'Amore | ? | ? | 4 part | No | 2 | |
| The Earl of Essex's Measure | ? | ? | 4 part | No | 1 | |
| Cascarda Gentilezza d'Amore | Caroso | Il Ballarino | 4 part | No | 1 | |
| Bella Gioiosa | Caroso | Il Ballarino | 4 part | No | 1 | |
| Cascarda da Gracca Amorosa | Caroso | Il Ballarino | 4 part | No | 1 | |
| | ||||||
| Bouffons | Arbeau | 1588 | 4 part | No | 1 | |
| Nonesuch | Playford | 1651 | 4 part | No | 1 | |
| Polorum regina | Anon | 14th C | 2 part | Vocal | 1 | |
| | ||||||
| An Almain [CC] | Anon | ? | 3 part | No | 2 | |
| Corranto [CCI] | Anon | ? | 3 part | No | NA | |
| Alman [CXLVI] | Robert Johnson | Fitzwilliam Virginal book | 3 part | No | 1 | |
| Alman [CCXLIX] | Anon | Fitzwilliam Virginal book | 3 part | No | 1 | |
| The Duke of Brunswick's Alman | John Bull | Fitzwilliam Virginal book | 3 part | No | 1 | |
| Corranto [CCXXCIII] | Hooper | Fitzwilliam Virginal book | 3 part | No | 1 | |
| Giles Farnaby's Dreame [CXCIV] | Giles Farnaby | ? | 3 part | No | 1 | |
| Dr. Bull's Juell [CXXXVIII] | John Bull | ? | 3 part | No | 1 | |
| Nobodyes Gigge [CXLIX] | Richard Farnaby | ? | 3 part | No | 2 | |
| Tower Hill | Giles Farnaby | Fitzwilliam Virginal book | 3 part | No | 1 | |
| | ||||||
| Bache bene venies | Anon | Carmina Burana | 2 part | Vocal | 1 | |
| Dame mon cuer | 2 part | ? Guillaume de Machaut | 2 part | No | 1 | |
| Douce dame jolie | Guillaume de Machaut | Vinelai | 4 part | Vocal | 1 | |
| La Quarte Estampie Royal | Anon | ? | 1 part | No | 1 | |
| La Quinte Estampie Real | Anon | 12th C | 1 part | No | 1 | |
| Lamento di Tristano | Anon | 1400 | 2 part | No | 1 | |
| Medieval Dance | Anon | 13th C | 2 part | No | 1 | |
| Saltarello | Anon | 1400 | 1 part | No | 1 | |
| S'on me regarde | ? | ? | 4 part | Vocal | 2 | |
| In Taberna Quando Sumus | Anon | Carmina Burana | 2 part | Vocal | 1 | |
| | ||||||
| Hey for Christmas | Playford | ? | 4 part | Vocal | 2 | |
| | ||||||
| Allemaingne VI | Tylman Susato | 1551 | 4 part | No | 1 | |
| Ballo Anglese | Giorgio Mainerio | 1578 | 4 part | No | 2 | in B |
| Saltarello | Giorgio Mainerio | 1478 | 4 part | No | NA | |
| Pavanne d'Angleterre | Claude Gervaise | 1555 | 5 part | No | 1 | in Bb |
| Pavanne d'Angleterre | Claude Gervaise | 1555 | 5 part | No | 1 | in C |
| Ballet des Baccanales (CCLXXVIII) | Michael praetorius | 1612 | 4 part | No | 1 | |
| Ballet des Baccanales (CCLXXVIII) | Michael Praetorius | 1612 | 4 part | No | 1 | |
| La Bataille | Jacques Moderne | 1540 | 4 part | No | 1 | in G |
| La Bataille | Jacques Moderne | 1540 | 4 part | No | 1 | in F |
| Bergerette | Tylman Susato | 1551 | 4 part | No | 1 | in C |
| Bergerette: Sans Roch | Tylman Susato | 1551 | 4 part | No | 1 | in C & B |
| Bergerette: Sans Roch | Tylman Susato | 1551 | 4 part | No | 1 | in F |
| Bergerette: Sans Roch | Tylman Susato | 1551 | 4 part | No | 1 | in G |
| Les Bouffons | Jean d'Estrees | 1559 | 4 part | No | 1 | in F |
| Les Bouffons | Jean d'Estrees | 1559 | 4 part | No | 1 | in G |
| La bounette | Thomas Mulliner | 16th C | 4 part | No | 1 | in G |
| The Choise | Anthony Holborne | 1599 | 5 part | No | 2 | |
| The Choise | Anthony Holborne | 1599 | 5 part | No | 2 | |
| Come live with me and be my Love | Christopher Marlowe | Roxburghe collection | 5 part | Vocal | 1 | in C |
| Come live with me and be my Love | Christopher Marlowe | Roxburghe collection | 5 part | Vocal | 1 | in G |
| Pavana La Cornetta | Anon | 1530 | 4 part | No | 1 | |
| Daniel's Almain | Daniel Bachiler | 1588 | 3 part | No | 2 | in G |
| Daniel's Almain | Daniel Bachiler | 1588 | 3 part | No | 2 | in F |
| The darke is my delight | Anon | MS 2971 | 5 part | Vocal | 2 | |
| Dit le Bourguygnon | Anon | 1501 | 4 part | No | 1 | in G |
| Entre du fol | Tylman Susato | 1551 | 4 part | No | 1 | in G |
| The Frog Galliard | John Dowland | 1599 | 4 part | No | 1 | |
| The Frog Galliard | John Dowland | 1599 | 4 part | No | 1 | |
| Monsieur's Almaine | ? | ? | 3 part | No | 1 | |
| Monsieur's Almaine | ? | ? | 3 part | No | 1 | |
| Gavotte 6 (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | 2 | |
| Gilotte (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | NA | |
| Almaine: The Honie-suckle | Anthony Holborne | 1599 | 5 part | No | 1 | in G |
| Almaine: The Honie-suckle | Anthony Holborne | 1599 | 5 part | No | 1 | in F |
| Branle des Chevaulx (Horses' Branle) | Thoinot Arbeau | 1588 | 4 part | No | 1 | |
| Leggiadria d'Amore | Fabritio Caroso | 1581 | 4 part | No | 1 | in F |
| Leggiadria d'Amore | Fabritio Caroso | 1581 | 4 part | No | 1 | in G |
| Pavane Lesquercarde | Pierre Phalese | ? | 4 part | No | 1 | |
| Pavane Lesquercarde | Pierre Phalese | ? | 4 part | No | 1 | |
| La Mantovana | Gasparo Zanetti | 1645 | 4 part | No | 1 | in G |
| La Mantovana | Gasparo Zanetti | 1645 | 4 part | No | 1 | in F |
| The seconde Milanoise | Adrian Le Roy | 1568 | 4 part | No | 2 | |
| Pavane III: Mille ducas | Tielman Susato | 1551 | 4 part | No | 2 | in Bb |
| Galliarde X: Mille ducas | Tielman Susato | 1551 | 4 part | No | NA | |
| La Morisque | Tylman Susato | 1551 | 4 part | No | 1 | in D/C |
| La Morisque | Tylman Susato | 1551 | 4 part | No | 1 | |
| La Morisque | Tylman Susato | 1551 | 4 part | No | 1 | |
| Pavane 3 (in G) | Claude Gervaise | 1550 | 5 part | No | 2 | |
| Gaillarde | Claude Gervaise | 1550 | 5 part | No | NA | |
| Pavane 3 (in F) | Claude Gervaise | 1550 | 5 part | No | 2 | |
| Gaillarde | Claude Gervaise | 1550 | 5 part | No | NA | |
| Ronde V (in G) | Tylman Susato | 1551 | 4 part | No | 1 | |
| Ronde VI (in F) | Tylman Susato | 1551 | 4 part | No | 1 | |
| Salterelle (in F) | Tylman Susato | 1551 | 4 part | No | NA | |
| Ronde VI (in F) | Tylman Susato | 1551 | 4 part | No | 1 | |
| Salterelle (in F) | Tylman Susato | 1551 | 4 part | No | NA | |
| So ben mi ch'ha bon tempo (in B flat) | Orazio Vecchi | 1590 | 4 part | Vocal | 1 | |
| | ||||||
| Loue is a bable | Robert Jones | 1601 | 4 part | Vocal | 2 | |
| There dwelt a man in Babylon | William Elderton? | Roxburgh collection | 4 part | Vocal | 2 | |
| Begone, sweit night | Anon | 1610 | 4 part | Vocal | 2 | |
| A stock of flowers | Anon | 1572 | 4 part | Vocal | 2 | |
| Come hither you that Loue | Robert Johnson | Drexel MS 4257 | 4 part | Vocal | 2 | |
| Diddle diddle or the Kind Country Lovers | Anon | Pepys Collection | 4 part | Vocal | 2 | |
| Farewel dear loue | Robert Jones | 1600 | 4 part | Vocal | 2 | |
| The hunt is up | Anon | Henry VIII's book | 4 part | Vocal | 1 | |
| I am a louer | Alfonso Ferrabosco II | 1609 | 4 part | Vocal | 2 | |
| If she forsake me I must die | Philip Rosseter | 1601 | 4 part | Vocal | 1 | |
| In a groue most rich of shade | Guillaume Tessier | 1610 | 4 part | Vocal | 2 | |
| the Irishe dumpe | Anon | Fitzwillaim virginal book | 4 part | No | 1 | |
| Of all the birds that euer I see | Thomas Ravenscroft | 1609 | 3 part | Vocal | 2 | |
| And I war a maydyn | Anon | Henry VIII's book | 4 part | Vocal | 1 | |
| Mark how the blushful morn | Nicholas Lanier | ? | 4 part | Vocal | 2 | |
| Martin said to his man | Thomas Ravenscroft | 1609 | 4 part | Vocal | 2 | |
| My true love hath my hart, and I have his | Anon | ? | 4 part | Vocal | 2 | |
| Now winter nights enlarge | Thomas Campion | 1618 | 4 part | Vocal | 2 | |
| Of all the birds that I doe know | John Bartlet | 1606 | 4 part | Vocal | 2 | |
| The peacefull westerne winde | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| The Queenes visiting of the Campe at Tilsburie | Anon | 1600 | 4 part | Vocal | 2 | |
| Rest sweet Nimphs let goulden sleepe | Francis Pilkington | 1605 | 4 part | Vocal | 2 | |
| So beautie on the waters stood | Alfonso Ferrabosco II | 1609 | 4 part | Vocal | 2 | |
| Sweete come againe | Philip Rosseter | 1601 | 4 part | Vocal | 2 | |
| Thrice tosse these Oaken ashes in the ayre | Thomas Campion | 1618 | 4 part | Vocal | 1 | |
| As you came from Walsingham | Anon | 1631 | 4 part | Vocal | 2 | |
| What if a day or a moneth or a yeare | Thomas Campion? | ? | 4 part | Vocal | 2 | |
| Young and simple though I am | Alfonso Ferrabosco II | 1609 | 4 part | Vocal | 2 | |
| | ||||||
| A robyn, gentyl robyn | William Cornysh | Henry VIII's book | 3 part | No | 1 | UNUSED ? |
| Though Amaryllis Dance in Green | William Byrd | 1588 | 5 part | Vocal | 2 | |
| Tallis Canon | ? | ? | 4 part | No | 1 | |
| Light of Love | ? | ? | 4 part | No | 1 | |
| Light of Love | ? | ? | 4 part | No | 1 | |
| | ||||||
| There were three Rauens | Thomas Ravenscroft | 1611 | 4 part | Vocal | 1 | |
| An Amourous Dialogue between John and his Mistris | Anon | Roxburghe Collection | 4 part | Vocal | 2 | |
| An Amourous Dialogue | ? | ? | 1 part | Vocal | 1 | |
| Come, my Children dere | Anon | 17th C | 4 part | Vocal | 2 | |
| Come live with me and bee my love | Christopher Marlowe | Roxburghe Ballads | 4 part | Vocal | 1 | |
| Faine would I my loue disclose | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| Fortune my foe | Anon | Roxburghe ballads | 4 part | Vocal | 1 | |
| Full fathom five | Robert Johnson | 1660 | 4 part | Vocal | 2 | |
| In a garden so green | Anon | 1662 | 4 part | No | 2 | |
| Innsbruck, ich muss dich lassen | Heinrich Isaac | ? | 4 part | No | 1 | |
| the Joviall Broome Man | Richard Climsell | Roxburghe ballads | 4 part | Vocal | 1 | |
| Joy to the person of my love | Anon | 1639 | 4 part | Vocal | 1 | |
| O lusty May | Anon | ? | 4 part | Vocal | 2 | |
| Never weather-beaten Saile | Thomas Campion | 1613 | 2 part | Vocal | 2 | |
| Pastime with good company | King Henry VIII | ? | 3 part | Vocal | 1 | |
| the Death of Queen Jane | Anon | traditional | 4 part | Vocal | 1 | |
| Shall I come sweet Loue? | Thomas Campion | 1617 | 4 part | Vocal | 2 | |
| The Silver Swan | Orlando Gibbons | 1612 | 5 part | Vocal | 2 | |
| Summer is icumen in | Anon | c1250 | 1 part | Vocal | 1 | |
| Sweet youth go bruse thy pillow | Anon | Turpyn Lute songs | 4 part | Vocal | 2 | |
| My Lord Willoughbies Welcome Home | Anon | Roxburghe ballads | 4 part | Vocal | 1 | |
| Willow, willow | Anon | Roxburghe Ballads | 4 part | Vocal | 2 | |
| Yonder comes a courteous knight | Thomas Ravenscroft | 1609 | 4 part | Vocal | 2 | |
| | ||||||
| Come you pretty false-ey'd wanton | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| Sir Francis Drake; Or Eighty Eight | Anon | 1640 | 4 part | Vocal | 1 | |
| Greensleeves | ? | ? | 1 part | Vocal | 1 | |
| If thou long'st so much | Thomas Campion | 1617 | 4 part | Vocal | 2 | |
| The lovely Northern Lasse | Anon | Roxburghe ballads | 4 part | Vocal | 1 | |
| A Secret loue or two | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| What then is loue but mourning? | Philip Rosseter | 1601 | 4 part | Vocal | 2 | |
| Where shee her sacred bowre adornes | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| | ||||||
| The ash grove | Anon | Traditional Welsh | 5 part | Vocal | 2 | |
| Baloo baleerie | Anon. Scottish | ? | 4 part | Vocal | 2 | |
| Barbara Allen's Cruelty | Anon | Roxburgh ballads | 4 part | Vocal | 1 | |
| Early One Morning | Anon | Traditional Welsh | 4 part | Vocal | 2 | |
| The parting glass | Anon | ? | 4 part | Vocal | 2 | |
| The road to the Isles | Anon | ? | 1 part | No | 1 | BAD? |
| The water is wide | Anon | ? | 4 part | Vocal | 1 | |
| | ||||||
| (Marchant's) Allemanda. [CLXXXVIII.] | Marchant | ? | 4 part | No | 2 | |
| Allemanda. [CCLXXIV.] | Anon | ? | 4 part | No | 2 | |
| (Morley's) Alman. [CLII.] | Thomas Morley | ? | 4 part | No | 1 | |
| Alman. [XIV.] | Anon | ? | 4 part | No | 2 | |
| (Johnson's) Alman. [CXLV.] | Robert Johnson | ? | 4 part | No | 1 | |
| (William Tisdall's) Almand. [CCXIII.] | William Tisdall | ? | 4 part | No | 1 | |
| Callino Casturame. [CLVIII] | William Byrd | ? | 4 part | No | 2 | |
| Clement Cotton Pavana. [CCXIX.] | 4 part | William Tisldall | 4 part | No | 2 | |
| Dalling Alman [CCLXXXVIII] | Anon | ? | 4 part | No | 2 | |
| Doctor Bull's my selfe. A Gigge. [CLXXXIX] | John Bull | ? | 4 part | No | 2 | |
| The Fall of the Leafe. [CCLXXII] | Martin Peerson | ? | 4 part | No | 1 | |
| Galiarda. [CCLIII] | William Byrd | ? | 4 part | No | 2 | |
| Galliarda. [CLXXV] | William Byrd | ? | 4 part | No | 2 | |
| (Warrock's) Galiarda. [XCVIII] | Thomas Warrock | ? | 4 part | No | 2 | |
| Galiarda [CLIV] | Thomas Morley | ? | 4 part | No | 2 | |
| A Gigg. [CLXXXI] | William Byrd | ? | 4 part | No | 1 | |
| Gipseis Round | ? | [CCXVI] | 4 part | No | 2 | William Byrd |
| His Rest. [CXCV] | Giles Farnaby | ? | 4 part | No | 1 | |
| Hanskin [CCXCVII] | Richard Farnaby | ? | 4 part | No | NA | |
| The Irishe Ho-Hoane [XXVI] | Anon | ? | 4 part | No | 1 | |
| His Humour [CXCVI] | Giles Farnaby | ? | 4 part | No | 2 | |
| Jhon come kisse me now [X] | William Byrd | ? | 4 part | No | 2 | |
| The King's Hunt [CXXXV] | John Bull | ? | 4 part | No | 1 | |
| The King's Morisco [CCXLVII] | Anon | ? | 4 part | No | 2 | |
| The Leaves bee greene [CCLI] | William Inglott | ? | 4 part | No | 2 | |
| Loth to Depart [CCXXX] | Giles Farnaby | ? | 4 part | No | 2 | |
| Loth to Depart [CCXXX] | Giles Farnaby | ? | 4 part | No | 2 | |
| Malt's come downe [CL] | William Byrd | ? | 4 part | No | 2 | |
| A Maske [CXCIX] | Giles Farnaby | ? | 4 part | No | 2 | |
| The Maydens Song [CXXVI] | William Byrd | ? | 4 part | No | 2 | |
| Miserere [CLXXVII] | William Byrd | ? | 4 part | No | 2 | |
| Monsieurs Alman [LXI] | William Byrd | ? | 4 part | No | 2 | |
| Nancie [XII] | Thomas Morley | ? | 4 part | No | 1 | |
| O Mistris Myne [LXVI] | William Byrd | ? | 4 part | No | 2 | in C |
| Pavana [CLXXIV] | William Byrd | ? | 4 part | No | 2 | |
| Pavana [CCXCII] | Orlando Gibbons | ? | 4 part | No | 2 | |
| Pavana [CLIII] | Thomas Morley | ? | 4 part | No | 2 | |
| The Primerose [CCLXXI] | Martin Peerson | ? | 4 part | No | 1 | |
| The Queenes Alman [CLXXII] | William Byrd | ? | 4 part | No | 1 | |
| Robin [XV] | John Munday | ? | 4 part | No | 2 | |
| Spagnioletta [LIV] | Giles Farnaby | ? | 4 part | No | 2 | |
| Saint Thomas Wake [XXXVI] | John Bull | ? | 4 part | No | 2 | |
| A toye [CCLXIII] | Anon | ? | 4 part | No | 2 | |
| Up Tails All [CCLXII] | Giles Farnaby | ? | 4 part | No | 2 | |
| Why aske you [CLXI] | Anon | ? | 4 part | No | 2 | |
| The Woods so Wild [LXVII] | William Byrd | ? | 4 part | No | 2 | |
| Worster Braules [CCVII] | Thomas Tomkins | ? | 4 part | No | 1 | |
| | ||||||
| L'Innamorato (A lieta vita) | Giovanni Giacomo Gastoldi | 1591 | 4 part | Vocal | 2 | |
| Aria VIII | based upon Dowland's Nichols Almain | 1621 | 4 part | No | 1 | |
| Belle qui tiens ma vie | Arbeau | 1588 | 4 part | Vocal | 2 | in 4/4 |
| Belle qui tiens ma vie | Arbeau | 1588 | 4 part | No | NA | in 6/4 |
| Bergerette | Susato | 1551 | 4 part | No | 2 | in G |
| Blow thi horne, hunter | William Cornysh | Henry VIII's book | 3 part | Vocal | 1 | |
| Bransle de Villages (XIV): 1 | Praetorius | 1612 | 5 part | No | 4 | |
| Bransle de Villages (XIV): 2 | Praetorius | 1612 | 5 part | No | NA | |
| Bransle de Villages (XIV): 3 | Praetorius | 1612 | 5 part | No | NA | |
| Bransle de Villages (XIV): 4 | Praetorius | 1612 | 5 part | No | NA | |
| Bransle de Villages (XIV): 5 | Praetorius | 1612 | 5 part | No | NA | |
| Courante: So benmi ch'ha bon tempo (CXLII) | Praetorius | 1612 | 4 part | No | 1 | |
| Ballet des cocqs (CCLIV) | Praetorius | 1612 | 5 part | No | 2 | |
| Come Love, let's walk | Anon | 1562 | 5 part | Vocal | 1 | |
| Pavana La Cornetta | Anon | 1530 | 4 part | No | 1 | |
| Daphne | Playford | 1651 | 4 part | Vocal | 2 | |
| The darke is my delight | Anon | Egerton MS 2971 | 4 part | Vocal | 2 | |
| Captaine Digorie Piper his Galiard | Dowland | 1605 | 5 part | No | 2 | |
| As att noone Dulcina rested | Anon | ? | 4 part | Vocal | 2 | |
| Faire in a morne | Thomas Morley | 1600 | 4 part | Vocal | 2 | |
| The Fairie-round | Holborne | 1599 | 5 part | No | 2 | |
| Fine knacks for ladies | Dowland | 1600 | 4 part | Vocal | 2 | |
| Flow my teares | Dowland | 1600 | 5 part | Vocal | 2 | |
| The Frog Galliard | Dowland | 1599 | 4 part | No | 1 | |
| Fuggi, fuggi, fuggi da questo cielo | Giuseppino del Biabo | MS Barbera | 4 part | Vocal | 1 | |
| Full fathom five | Robert Johnson | 1660 | 4 part | Vocal | 2 | |
| Gagliarda | Anon | 1555 | 6 part | No | 1 | |
| Galliard | Anthony Holborne | 1599 | 5 part | No | 1 | |
| the great Galleazzo | Thomas Deloney | 1588 | 4 part | Vocal | 2 | |
| Gavotte 1 (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | 2 | |
| Gavotte 2 | Pierre Francisque Caroubel | 1612 | 5 part | No | NA | |
| Gavotte 3 | Pierre Francisque Caroubel | 1612 | 5 part | No | NA | |
| Gavotte 6 (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | 2 | |
| Gilotte (I) | Pierre Francisque Caroubel | 1612 | 5 part | No | NA | |
| A new Courtly Sonet, of the Lady Green sleeues | Anon | 1584 | 4 part | Vocal | 1 | |
| Green sleeues | Anon | 1584 | 4 part | Vocal | 1 | |
| El Grillo e buon Cantore | Josquin des Prez | 1508 | 4 part | Vocal | 2 | |
| Heigh ho holiday | Anthony Holborne | 1599 | 5 part | No | 1 | |
| Helas madame | King Henry VIII | Henry VIII's book | 4 part | Vocal | 2 | |
| Pavan | Anthony Holborne | 1599 | 5 part | No | 2 | |
| Galliard | Holborne | 1599 | 5 part | No | 1 | |
| Hollis Berrie | Anon | ? | 5 part | No | 1 | |
| Almaine: the Honie-suckle | Holborne | 1599 | 5 part | No | 1 | in C |
| Howells Delight | Anon | ? | 4 part | No | 1 | |
| Lady Hunsdon's Puffe | Dowland | Lute manuscripts | 4 part | No | 2 | |
| I care not for these ladies | Thomas Campion | 1601 | 4 part | Vocal | 2 | |
| If my complaints could passions moue | Dowland | 1597 | 4 part | Vocal | 2 | |
| Il estoit une fillette | Clement Janequin | 1540 | 4 part | Vocal | 2 | |
| It fell on a sommers day | Thomas Campion | 1601 | 4 part | Vocal | 2 | |
| It was a louer and his lasse | Thomas Morley | 1600 | 4 part | Vocal | 2 | |
| I'ay du mal tant tant | Pierre Phalese | 1571 | 4 part | Vocal | 2 | |
| The Jewes Dance | Richard Nicholson | 1595 | 4 part | No | 2 | |
| Joyne hands | Thomas Morley | 1599 | 4 part | No | 2 | |
| Balowe | Anon | ? | 4 part | No | NA | |
| Kemp's Jig | Anon | ? | 4 part | No | 1 | |
| The King's delight The Batchelor's Delight | Playford | 1665 | 4 part | Vocal | 2 | |
| When Laura smiles | Philip Rosseter | 1601 | 4 part | Vocal | 2 | |
| Lincolns Inn Maske | Orlando Gibbons | ? | 4 part | No | 1 | |
| Loncolns Inn Maske | Orlando Gibbons | ? | 4 part | No | 1 | |
| Margot labourez les vignes | Jacques Arcadelt | 1554 | 4 part | Vocal | 2 | |
| Masque Music | Thomas Lupo | 1609 | 4 part | No | 1 | in F |
| Masque Dance | Thomas Lupo | 1609 | 4 part | No | 1 | in C |
| Now is the month of Maying | Thomas Morley | 1595 | 5 part | Vocal | 2 | |
| Mir ist ein shons brauns Maidelein | Caspar Othymayr | 1549 | 4 part | Vocal | 2 | |
| O Mistresse mine | Anon | 1599 | 4 part | Vocal | 1 | in G |
| La Bergamasca | Gasparo Zanetti | 1645 | 4 part | No | 2 | |
| Moresca Quarta detta la Bergamasca | Giulio Cesare Barbetta | 1592 | 4 part | No | NA | |
| My THING is my Own | Thomas D'Urfey | ? | 4 part | Vocal | 1 | |
| Never weather-beaten Saile | Thomas Campion | 1613 | 4 part | Vocal | 2 | |
| Mistresse Nichols Almand | Dowland | 1605 | 5 part | No | 1 | |
| Almaine: The night watch | Holborne | 1599 | 5 part | No | 2 | |
| Now, O now I needs must part | Dowland | 1597 | 4 part | Vocal | 2 | |
| Nuttmigs and Ginger | Anon | 1595 | 5 part | No | 1 | |
| Paduoan IX | Paul Peuerl | 1611 | 4 part | No | 2 | |
| La Parma | Giorgio Mainerio | 1578 | 4 part | No | 1 | |
| Passameze (CCLXXXVI) | Pierre Francisque Caroubel | 1612 | 6 part | No | 2 | |
| Pavana Passamezzo | Anon | 1555 | 6 part | No | 1 | |
| The Quadro Pavin | Richard Allison | 1599 | 4 part | No | 2 | |
| Galliard to the quadro Pavin | ? | ? | 4 part | No | NA | |
| The famous Ratketcher | Anon | Shirburn ballads | 4 part | Vocal | 1 | |
| Robin is to the Greenwood Gone | Anon | 1595 | 5 part | No | 1 | |
| Say loue if euer thou didst find | Dowland | 1603 | 4 part | Vocal | 2 | |
| Scots Rant | Playford | 1657 | 4 part | No | 1 | |
| Since first I saw your face | Thomas Ford | 1607 | 4 part | Vocal | 2 | |
| So ben mi ch'ha bon tempo | Orazio Vecchi | 1590 | 4 part | Vocal | 1 | |
| Sola Soletta | Giralamo Conversi | 1599 | 4 part | No | 2 | |
| Sir John Souch his Galiard | Dowland | 1605 | 5 part | No | 2 | |
| The Lord Souches maske | Giles Farnaby | 1599 | 4 part | No | 1 | |
| The Sprites Tune | Anon | 1595 | 4 part | No | 1 | |
| Stingo | Playford | 1651 | 5 part | No | 1 | |
| Strawberry Leaves | Anon | ? | 5 part | No | 1 | |
| Tant que vivrai | Claudin de Semisy | 1527 | 4 part | Vocal | 2 | |
| The Third of the Prince's | Robert Johnson | 1611 | 4 part | No | 2 | |
| Branle de la Torche (XV) | Praetorius | 1612 | 5 part | No | 1 | |
| Volte (CCX) | Praetorius | 1612 | 5 part | No | 1 | |
| Volte (CCXXIII) | Pierre Francisque Caroubel | 1612 | 5 part | No | 1 | |
| Watkins Ale | Anon | 16th C | 4 part | Vocal | 1 | |
| Where the bee sucks | Robert Johnson | 1660 | 4 part | Vocal | 2 | |
| M. George Whitehead his Almand | Dowland | 1605 | 5 part | No | 2 | |
| Mrs. Winter's Jump | Dowland | ? | 4 part | No | 1 | |
| | ||||||
| | ||||||
| All in a Garden Green | Playford | 1651 | 4 part | Vocal | 2 | |
| Gelosia | Ebreo | ? | 4 part | No | 2 | |
| Mary Grace's Rose | Beau Carr | ? | 4 part | No | 1 | |
| The Oulde Almain | Inns of Court | 1520 | 4 part | No | 1 | |
| Petit Vriens | Giovanni Ambrosio | 1450 | 4 part | No | 2 | |
| Rostiboli Gioioso | Giovanni Ambrosio | 1450 | 4 part | No | 2 | |
| Madam Sosilia Alman | melody Joseph Cassaza | ? | 4 part | No | 1 | |