\version "2.10.33" \header { mutopiatitle = "Allein Gott in der Höh sei Ehr" mutopiacomposer = "BachJS" mutopiaopus = "BWV 675" mutopiainstrument = "Organ" date = "" source = "Edition Peters 8661" style = "Baroque" copyright = "Creative Commons Attribution-ShareAlike 3.0" maintainer = "Urs Metzger" maintainerEmail = "urs@ursmetzger.de" lastupdated = "2008/Jan/22" title = "Allein Gott in der Höh sei Ehr" composer = "Johann Sebastian Bach" opus=\markup { \lower #2.5 "BWV 675" } footer = "Mutopia-2008/02/25-1326" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Copyright © 2008. \hspace #0.5 Reference: \footer } } \line { \teeny \line { Licensed under the Creative Commons Attribution-ShareAlike 3.0 (Unported) License, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/by-sa/3.0" http://creativecommons.org/licenses/by-sa/3.0 } } } } } \include "deutsch.ly" \paper { ragged-bottom = ##f ragged-last-bottom = ##f } #(set-default-paper-size "a4" 'landscape) #(set-global-staff-size 18) global = { \key f \major \time 3/4 #(set-accidental-style 'default) \override Score.MetronomeMark #'transparent = ##t \override TupletBracket #'bracket-visibility = ##f \set tupletSpannerDuration = #(ly:make-moment 1 8) } halsup = { \stemUp \tieUp \slurUp \dotsUp } halsdown = { \stemDown \tieDown \slurDown \dotsDown } halsneutral = { \stemNeutral \tieNeutral \slurNeutral \dotsNeutral } staffup = { \change Staff = "right" } staffdown = { \change Staff = "left" } triolen = { #(override-auto-beam-setting '(end * * * *) 1 8) #(override-auto-beam-setting '(end * * * *) 2 8) #(override-auto-beam-setting '(end * * * *) 3 8) #(override-auto-beam-setting '(end * * * *) 4 8) #(override-auto-beam-setting '(end * * * *) 5 8) #(override-auto-beam-setting '(end * * * *) 6 8) #(override-auto-beam-setting '(end * * * *) 7 8) #(override-auto-beam-setting '(end * * * *) 8 8) } duolen = { #(revert-auto-beam-setting '(end * * * *) 1 8) #(revert-auto-beam-setting '(end * * * *) 2 8) #(revert-auto-beam-setting '(end * * * *) 3 8) #(revert-auto-beam-setting '(end * * * *) 4 8) #(revert-auto-beam-setting '(end * * * *) 5 8) #(revert-auto-beam-setting '(end * * * *) 6 8) #(revert-auto-beam-setting '(end * * * *) 7 8) #(revert-auto-beam-setting '(end * * * *) 8 8) } showTripletNumber = { \override TupletNumber #'text = #tuplet-number::calc-denominator-text } hideTripletNumber = { \override TupletNumber #'text = #"" } sopran = { \new Voice \relative f' { \global \halsup \once \override TextScript #'extra-offset = #'( -4 . 2 ) r4^\markup{ "Canto fermo in Alto." \tiny "(a 3 voci)" } f g a4. b16 c \times 2/3 { \triolen b a g a g f } \duolen \repeat volta 2 { c'8 c, c'4. b8~ b8 a16 g a8 d g, c %% Takt 5 ================================================== a16 b c8~ \times 2/3 { \triolen c16 b a } \duolen f'8~ \times 2/3 { \triolen f16 e d e f g~ } \duolen g16 c, d e f g a8~ \times 2/3 { \triolen a16 g f g a b~ } \duolen b8 a16 g f8 a d, g cis,8 d~ \times 2/3 { \triolen d16 e f e d cis! d e f e f g~ } \duolen g8. f32 e \times 2/3 { \triolen f16 e d e d cis d c b! c b a %% Takt 10 ================================================== b16 a g } \duolen a8~ \times 2/3 { \triolen a16 a' g f e d~ d g f e d cis d16 c! b a g f b a g f e d } \duolen << \new Voice { \stemUp \once \override Beam #'positions = #'( 1.8 . 3.5 ) a16 e' g cis d8 d16 c! } \new Voice { s8 \stemDown g \stemUp \shiftOn f8 s } >> d'8 f b, es~ es16 d g8~ \times 2/3 { \triolen g16 f e! d cis d~ d e d c h c~ } \duolen c8 b!16 a b8 d g, c %% Takt 15 ================================================== \once \override Slur #'extra-offset = #'( -0.1 . 0.5 ) \appoggiatura b16 a8 d16 c b8 es c f \times 2/3 { \triolen b,16 a b } \duolen g'8~ \times 2/3 { \triolen g16 a, b c d e! \hideTripletNumber f e d c b a d16 c b a g f b a g f e d c g' a b a g a16 g f g f e f a g f e d \staffdown c b a b a g } \duolen } \alternative { { a8 f \staffup f'4 g a4. b16 c \times 2/3 { \triolen \showTripletNumber b a g a g f } \duolen } { \staffdown a,8 f \staffup r4 r } } %% Takt 20 ================================================== r4 g' a b4. c16 d \times 2/3 { \triolen c b a b a g } \duolen a8 d, d'4. cis8 f8 b,16 a b8 es a, d g,4~ \times 2/3 { \triolen g16 a b c b a } \duolen f'8[ f,~] %% Takt 25 ================================================== \times 2/3 { \triolen f16 g a b a g } \duolen es'16 es, es'8~ \times 2/3 { \triolen es16 c b a b c } \duolen d8 b a f d d'~ d16 c b a b8 es a, d d,16 f es d es8 es'~ \times 2/3 { \triolen es16 f es d c d~ d16 es d c b c~ c c b a g a~ a c d es! d c } \duolen %% Takt 30 ================================================== b8 es8~ \times 2/3 { \triolen es16 d c h c d c d es f es d as'16 g f } \duolen e!8~ \times 2/3 { \triolen e16 fis g c,h c~ c c' b! a g fis! g16 f! es d c b es d c b a g } \duolen d a' c fis \times 2/3 { \triolen g16 d, e fis g a } \duolen b4~ \times 2/3 { \triolen b16 b c d c b } \duolen a8 f f'4\rest f\rest %% Takt 35 ================================================== a8\rest f16 e f8 a d, g c,8 f~ f[ e16 d] e4\prall f8 f\rest d16 cis d8 g cis,! f8 b, es4~ \times 2/3 { \triolen es16 c! b a b c } \duolen d8 d,~ \times 2/3 { \triolen d16 e! f g f e } \duolen c'16 c, c' b %% Takt 40 ================================================== c8 f b, es \times 2/3 { \triolen a,16 b c d c d } \duolen \once \override Slur #'extra-offset = #'( -0.1 . 0.5 ) \appoggiatura c16 h8 c16 d es f g8~ \times 2/3 { \triolen g16 a g f e f~ f16 g f e f g} \duolen cis,8[ f b,! e] a,8 g16 a b8 d g,16 a b8~ \times 2/3 { \triolen b16 a g a b c~ c b a b c d~ d c b c d es~ %% Takt 45 ================================================== es16 c d } \duolen b'8~ \times 2/3 { \triolen b16 c, d e! f g a g f \hideTripletNumber e d c f16 e d c b a d c b a g f e g a b a g a16 g f g f e f a g f e d \tempo 4 = 60 c b \tempo 4 = 54 a b \tempo 4 = 48 a \tempo 4 = 36 g } \duolen \tempo 4 = 22 a4\mordent \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \mark \markup { \musicglyph #"scripts.ufermata" } } } alt = { \new Voice \relative f' { \global \halsdown \once \override MultiMeasureRest #'staff-position = #-6 R2. \override MultiMeasureRest #'staff-position = #-4 R2. \repeat volta 2 { R2. R2. %% Takt 5 ================================================== f2 g4 a2 b4 c2 b4 a4 g2 a2. %% Takt 10 ================================================== R2. c,4\rest c\rest a' a2 g8 a b4 a g f4 d e %% Takt 15 ================================================== f2. R2. \once \override MultiMeasureRest #'staff-position = #-6 R2. \once \override MultiMeasureRest #'staff-position = #-6 R2. } \alternative { { R2. R2. } { R2. } } %% Takt 20 ================================================== R2. * 5 %% Takt 25 =================================3================= \once \override MultiMeasureRest #'staff-position = #-6 R2. c4\rest c\rest f g2 a4 \once \override Tie #'staff-position = #2.3 \tieUp b4~ \times 2/3 { \triolen \once \override Beam #'positions = #'( -3.8 . -3.8 ) b16 c b a b g } \duolen a4 g4 fis2 %% Takt 30 ================================================== g2. R2. R2. c,4\rest c\rest g' a2 b4 %% Takt 35 ================================================== c2 b4 a4 g2 a2 e4\rest R2. \once \override MultiMeasureRest #'staff-position = #-6 R2. %% Takt 40 ================================================== c4\rest c\rest f g2 a4 b!4 a g f4 d e f2. %% Takt 45 ================================================== R2. R2. \once \override MultiMeasureRest #'staff-position = #-6 R2. c,4\rest \bar "|." } } tenor = { \new Voice \relative c' { \global R2. r4 c d \repeat volta 2 { e4. f16 g \times 2/3 { \triolen f e d e d c } \duolen f8 f, f'4. e8 %% Takt 5 ================================================== f8 a,16 g a8 d g, c f,4 r r r16 a, b c d e f8~ \times 2/3 { \triolen f16 e d e f g~ g16 f e f g a} \duolen b,8[ b'16 a] b8 d, cis16 a' h cis d e f8~ \times 2/3 { \triolen f16 e d e f g } \duolen %% Takt 10 ================================================== cis,8 f,16 e f8 b! e, a f8 d' g, gis a a, d16 f g! a b c d8~ \times 2/3 { \triolen d16 c b c d es } \duolen g,8 f16 e! f8 b e, a d,16 d, e f g a b8~ \times 2/3 { \triolen b16 a g a b c~ %% Takt 15 ================================================== c16 b a b c d~ d c b c d es~ es d c d es f~} \duolen f16 e! d c f8 a d, f b8 d g, b e, c \halsdown f8 c16 b a8 d g, c } \alternative { { f,4~ \times 2/3 { \triolen f16 g a b c d \hideTripletNumber e f g a b c } \duolen \showTripletNumber \halsneutral f,8 f, c''4 d } { \set Score.currentBarNumber = #19 \halsdown f,,4 c' d } } %% Takt 20 ================================================== \halsneutral es4. f16 g \times 2/3 { \triolen f es d es d c } \duolen d8 g, \once \override Tie #'staff-position = #4 g'2~ g8 f16 e! f8 b e, a d,8 d'~ d8[ c16 b] c8 f b,8 es a, a,~ \times 2/3 { \triolen a16 b c d c b } \duolen %% Takt 25 ================================================== g'8 g,~ \times 2/3 { \triolen g16 a b c b a } \duolen f'16 f, f'8~ \times 2/3 { \triolen f16 b c d c b \hideTripletNumber f' f, g a g f b d, c b c d } \duolen \showTripletNumber es4~ \times 2/3 { \triolen es16 d c b a g fis a g fis e! d } \duolen g8 g'16 fis g8 c f, b es,8 es' a,[ d16 c] d8 d, %% Takt 30 ================================================== g,16 g' a b c d es8~ \times 2/3 { \triolen es16 d c d es f } \duolen h,8 b,!16 a! b8 es a, d b8 g' c cis d d, g, r \times 2/3 { \triolen r16 g' a b c d } \duolen e,!8[ c] f,16 c' d e f g a8~ \times 2/3 { \triolen a16 g f g a b~ %% Takt 35 ================================================== b16 a g a b c f, a g f e f~ f g f e d e } \duolen f16 e d c b a b8~ \times 2/3 { \triolen b16 a g a b c } \duolen f,8 f'16 e f8 b e, a d,4~ \times 2/3 { \triolen d16 es f g f es } \duolen c'!8[ c,~] \times 2/3 { \triolen c16 d es f es d } \duolen b'16 b, b'8~ \times 2/3 { \triolen b16 g f e f g %% Takt 40 ================================================== a16 f e d e f g es d c d es } \duolen f16 f, f'8~ f8 es16 d c8 es a, d g,8 g'~ \times 2/3 { \triolen g16 f e! d cis d~ d e d cis! h cis } \duolen d16 d, e f g a b8~ \times 2/3 { \triolen b16 c! b a b c } \duolen f,8 f'16 es! d8 g c, f %% Takt 45 ================================================== b,8 g'16 f e!8 c f, g a8 f' b, d g, e' f8 c16 b a8 b c c, f4 \override Score.RehearsalMark #'break-visibility = #begin-of-line-invisible \override Staff.RehearsalMark #'direction = #-1 \mark \markup { \musicglyph #"scripts.dfermata" } } } right = { \clef "treble" << \sopran \alt >> } left = { \clef "bass" \tenor } \score { \new PianoStaff { << \context Staff = right { \context Voice = right \right } \context Staff = left { \context Voice = left \left } >> } \layout{ indent = 1.0\cm \context { \Score \remove "Mark_engraver" } \context { \Staff \consists "Mark_engraver" } } } \score { \unfoldRepeats { << \context Staff = right { \set Staff.midiInstrument = "church organ" \right } \context Staff = left { \set Staff.midiInstrument = "church organ" \left } >> } \midi { \context { \Score tempoWholesPerMinute = #(ly:make-moment 68 4) } } }