\version "2.10.33" \header { title = "Fantaisie-Impromptu" composer = "Frédéric Chopin" opus = "Op. 66" copyright = "Public Domain" source = "Herrmann Scholtz (1845-1918)" style = "Classical" maintainer = "Guy D. Lederfein" maintainerEmail = "glederfein@gmail.com" mutopiacomposer = "ChopinFF" mutopiainstrument = "Piano" footer = "Mutopia-2009/09/05-1693" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } %%% NOTES %%% % I have divided the piece (exculding intro of 4 bars) into 4 sections : % % A : bars 5-40 % B : bars 41-82 % A : bars 83-118 % C : bars 119-138 %%%%%%%%%%%%% %%% RIGHT HAND %%% %% Part A %% partAright = \relative c'' { %bar 5&83 gis16\p( a gis fisis gis cis e dis cis dis cis bis cis e gis) | r16 gis,( a gis fisis gis cis e dis cis dis cis bis cis e gis) | r16 a,(\< cis dis fis a cis dis\! #(set-octavation 1) \once \override Staff.OttavaBracket #'padding = #2.0 b'\> a gis fis e dis fis cis)\! #(set-octavation 0) | bis( dis a gis fis a e dis) fis( cis bis dis a gis b a~) | %bar 9&87 a16\p gis( a gis fisis gis cis e dis cis dis cis bis cis e gis) | \setTextCresc r\< gis,( ais gis fisis gis cis e dis cis dis cis bis cis e gis\!) | \setHairpinCresc dis(\< e dis cisis dis b' ais gis fisis\!) e'(\> dis cis b ais gis fisis\!) | \setTextDim ais(\> gis b cisis,) e( dis gis ais,) cis( b dis fisis,) ais( gis fisis gis\!) | \break %bar 13&91 gis16->\f( gis' bis, cis) fis,->( fis' bis, cis) eis,->( eis' bis cis) fis,->( fis' bis, cis) | cis,->( cis' fis, a) dis,->( dis' fis, a) e->( e' gis, b) gis->( gis' b, e) | gis,->( gis' bis, cis) fis,->( fis' bis, cis) eis,->( eis' bis cis) fis,->( fis' bis, cis) | eis,->( eis' b dis) fis,->( fis' b, dis) a->( a' b, e) gis,->( gis' b, e) | %bar 17&95 gis,16(\p gis'-> bis, cis) fis,( fis'-> bis, cis) eis,( eis'-> bis cis) fis,( fis'-> bis, cis) | \once \override DynamicLineSpanner #'staff-padding = #4 \setTextCresc cis,\<( cis'-> fis, a) dis,( dis'-> fis, a) e( e'-> gis, b) gis( gis'-> b, e) | gis,( gis'-> bis, cis) fis,( fis'-> bis, cis) dis\!( dis'-> fis, a) cis,( cis'-> fis, a) | %bar 20&98 cis,\>( cis'-> dis, fis) bis,( bis'-> dis, fis\!) \setTextDim bis,\>( bis'-> dis, fis) bis,( bis'-> dis, fis) | c( c'-> dis, fis) b,( b'-> dis, fis) b,( b'-> dis, fis) ais,( ais'-> dis, fis) | ais,( ais'-> dis, fis) \repeat unfold 3 {a,( a'-> dis, fis)} | c\!( c' dis, fis) b,( b' dis, fis) b,( b' dis, fis) ais,( ais' dis, fis) | ais,( ais' dis, fis) \once \override DynamicLineSpanner #'staff-padding = #4 a,_\markup{\italic "rit."}\>( a' dis, fis) a,( a' dis, fis) gis,( gis' dis fis\!) | \break %bar 25&103 \once \override TextScript #'staff-padding = #2.5 r16^\markup{\italic "a tempo"} gis,\p( a gis fisis gis cis e dis cis dis cis bis cis e gis) | r16 gis,( a gis fisis gis cis e dis cis dis cis bis cis e gis) | r16 a,(\< cis dis fis a cis dis\! #(set-octavation 1) \once \override Staff.OttavaBracket #'padding = #2.0 b'\> a gis fis e dis fis cis)\! #(set-octavation 0) | bis( dis a gis fis a e dis) fis( cis bis dis a gis b a~) | %bar 29&107 a gis( a gis fisis gis cis e dis cis dis cis bis cis e gis) | e( dis e dis cisis dis fis a) fis( eis fis eis disis eis gis cis) | r cis,( d cis bis cis fis a fis eis fis eis disis eis gis cis) | gis( fis gis fis eis fis a cis) a( gis a gis fisis gis bis dis) | gis,( a gis fisis gis) e'->( dis d cis c b ais a gis g fis) | e( fis e dis e) e'->( dis d cis c b ais a gis g fis | %bar 35&113 gis\f) r gis'->( g fis eis e dis d cis c b ais a gis g | fis\< eis e dis d cis c b ais a gis g fis e dis cis\! | %avoid collision by increasing space between staves \overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . 3)) \break %bar 37&115 gis8)-|\sf r #(set-octavation 1) \once \override Staff.OttavaBracket #'padding = #2.0 a'''16->(\ff gis e' e,) fis->( e cis' cis,) dis->( cis gis' gis,) #(set-octavation 0) | a( gis e' e,) fis( e cis' cis,) dis( cis gis' gis,) a( gis e' e,) | fis( e cis' cis,) dis( cis gis' gis,) dis'( cis gis' gis,) dis'( cis a' a,) | dis( cis gis' gis,) dis'( cis fisis fisis,) dis'( cis gis' gis,) dis'( bis gis' gis,) | } %% Part B %% partBright = \relative c'' { %Largo \tempo 4 = 60 \key des \major \break %bar 41 r1^\markup{\huge \bold "Largo"}_\markup{\large \italic "pesante"} | \set decrescendoText = "poco dim." \set decrescendoSpanner = #'dashed-line r1\> | \tempo 4 = 90 aes2\!^\markup{\huge \bold \pad-markup #2.0 "Moderato cantabile"}_\markup{\large \italic "sotto voce"}( bes8\trill aes\< des ees | f2) aes\!->( | ges4 f ees f8.-> des16 | aes2) bes~->( | bes ces8\trill bes\< ees f) | ges4\!( f ees f) | des2( \grace{c32[ des ees des]} f4.\> ees8\! | ees1->) | %bar 51 aes,2^\markup{\italic "a tempo"}( bes8\trill aes\< des ees | f2) aes\!->( | ges4 f ees \grace{f16[ ees des ees]} f8.->\> des16\! | aes2) bes~->( | bes ces8\trill bes\< ees f) | ges4\!( f ees f | des4.) g,32( aes bes aes f'4.\> ees8\!) | ees2->( des4) r8 aes'8( | %bar 59 aes,2)\sf bes8.(\trill a16\< bes8. c16 | aes8)\! r8 c'4~(\sf \once \override DynamicLineSpanner #'staff-padding = #2 \times 4/7 {c8\> bes aes fes des bes8.)\! aes'16(} | ees,2)-> \acciaccatura{c'8} bes8.(\> a16 bes8. ees16 | aes,4)\! r4 bes4(\pp \once \override DynamicLineSpanner #'staff-padding = #3 \times 2/3 {des8\> c bes\!)} | %bar 63 aes2( bes8\trill aes\< des ees | f2) aes\!->( | ges4 f ees \grace{f16[ ees des ees]} f8.->\> des16\! | aes2) bes~->(\rfz | bes ces8\trill bes\< ees f) | ges4\!( f ees f | des4.) g,32( aes bes aes f'4.\> ees8\!) | ees2->( des4) r8 aes'8( | %bar 71 aes,2)\sf bes8.(\trill a16\< bes8. c16 | aes8)\f r8 c'4~(\sf \once \override DynamicLineSpanner #'staff-padding = #2 \times 4/7 {c8\> bes aes fes des bes8.)\! aes'16(} | ees,2)-> \acciaccatura{c'8} bes8.(\> a16 bes8. ees16 | aes,4)\! r4 bes4(\pp \once \override DynamicLineSpanner #'staff-padding = #3 \times 2/3 {des8\> c bes\!)} | %bar 75 aes2( bes8\trill aes\< des ees | f2) aes\!->( | ges4 f ees \grace{f16[ ees des ees]} f8.->\> des16\! | aes2) bes~->(\rfz | bes ces8\trill bes\< ees f) | ges4\!( f ees f | des4.) g,32( aes bes aes f'4.\> ees8\!) | \once \override TextSpanner #'edge-text = #'("riten." . "") ees1\p\startTextSpan | } %% Part C %% partCright = \relative c' { %bar 119 \repeat unfold 2 { dis16( cis gis' gis,) a'(\ff gis e'-> e,) a( gis e'-> e,) a( gis dis'-> dis,) | a'( gis dis'-> dis,) a'( gis cis-> cis,) e(\p dis gis-> gis,) e'( dis gis-> gis,) | } %bar 123 dis'( cis gis'-> gis,) a'(\ff gis e'-> e,) fis( e cis'-> cis,) a'( gis e'-> e,) | dis( cis gis'-> gis,) a'( gis e'-> e,) fis( e cis'-> cis,) a'( gis e'-> e,) | \setTextDim fis(\> e cis' cis,) a'( gis cis cis,) fis( e cis' cis,) a'( gis cis cis,) | fis( e cis' cis,) a'( gis cis cis,) fis( e cis' cis,) a'( gis cis cis,) | dis( cis gis' gis,) dis'( cis gis' gis,) dis'(\p cis gis' gis,) dis'( cis gis' gis,) | dis'( cis gis' gis,) dis'( cis gis' gis,) dis'( cis gis' gis,) dis'( cis gis' gis,) | %bar 129 dis'(\pp^\markup{\italic "poco a poco più tranquillo"} cis gis' gis,) dis'( cis gis' gis,) dis'( cis gis' gis,) dis'( cis gis' gis,) | \repeat unfold 5 { dis'( cis gis' gis,) dis'( cis gis' gis,) dis'( cis gis' gis,) dis'( cis gis' gis,) | } dis'( cis gis' eis,) dis'( cis gis' eis,) dis'( cis gis' eis,) dis'( cis gis' eis,) | \tempo 4 = 120 \once \override TextSpanner #'edge-text = #'("riten." . "") eis'(\startTextSpan dis gis gis,) eis'( dis gis gis,) eis'( dis gis gis,) eis'( dis gis gis,) | 1~(\stopTextSpan\ppp\arpeggio | 1)\arpeggio | } %% Total %% upper = \relative c'' { \clef treble \key cis \minor \time 4/4 \override Score.MetronomeMark #'transparent = ##t \tempo 2 = 84 r1 | r1 | r1 | r1 | %bar 5 r16 \partAright %bar 41 \partBright \key cis \minor \tempo 2 = 84 %bar 83 r16^\markup{\huge \bold \pad-markup #2.5 "Presto"}\stopTextSpan \partAright %bar 119 \partCright } %%% LEFT HAND %%% %% reoccurring phrases & shortcuts %% fixTuplets = { \set tupletSpannerDuration = #(ly:make-moment 1 2) \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t } %pedal shortcuts pd = \sustainDown pu = \sustainUp multipleOne = \relative c' { << \relative c'{ s2. \change Staff=upper aes'4-> \change Staff=lower | ges4-> f-> ees-> des-> | } \\ \relative c'{ \fixTuplets \times 4/6 {des,8[(\pd aes' des f des aes)]\pu des,[(\pd aes' f' \change Staff=upper aes \change Staff=lower f aes,)]\pu} | \set tupletSpannerDuration = #(ly:make-moment 1 4) \times 2/3 {ges'(\pd ees aes,)\pu f'(\pd des aes)\pu ees'(\pd c aes)\pu des(\pd aes f)\pu} | } >> \times 4/6 { aes,8(\pd ees' aes c aes ees)\pu ges,(\pd ges' bes des bes ges)\pu | bes,(\pd f' bes d bes f)\pu bes,(\pd bes' d aes' d, bes)\pu | ees,[(\pd ges' bes,)]\pu f(\pd f' a,)\pu ges[(\pd ees' bes)]\pu aes(\pd ges' c,)\pu | } } multipleTwo = \relative c' { aes,(\pd ees' aes c aes ees)\pu aes,(\pd ees' g des' g, ees)\pu | aes,(\pd ees' aes c aes ees)\pu des(\pd aes' des fes des aes)\pu | ees,(\pd ees' aes c aes ees)\pu ees,(\pd ees' g des' g, ees)\pu | aes,(\pd ees' aes c aes ees)\pu ges,(\pd ges' bes des bes ges)\pu | } %% part A %% partAleft = \relative c { \times 4/6 { %bar 5&83 cis(\pd gis' cis e cis gis) e( gis cis e cis gis)\pu | cis,(\pd gis' cis e cis gis) e( gis cis e cis gis)\pu | dis(\pd a' cis fis cis a) fis( cis' dis a' dis, cis)\pu | gis,(\pd dis' fis bis fis dis gis, dis' fis bis fis dis)\pu | %bar 9&87 cis(\pd gis' cis e cis gis) e( gis cis e cis gis)\pu | cis,(\pd gis' ais e' ais, gis)\pu e(\pd gis ais cis ais gis)\pu | dis(\pd gis b dis b gis)\pu dis(\pd ais' cis fisis cis ais)\pu | gis,(\pd dis' gis b gis dis)\pu gis,(\pd dis' gis b gis dis)\pu | %bar 13&91 \repeat unfold 3 { a(\pd cis fis a fis cis)\pu a(\pd cis fis a fis cis)\pu | b(\pd fis' a b a fis)\pu \stemDown e,(\pd b' e gis e b)\pu | } %bar 19&97 a(\pd cis fis a fis cis)\pu a(\pd dis fis a fis dis)\pu | gis,(\pd dis' fis bis fis dis) gis,( dis' fis bis fis dis)\pu | a->(\pd dis fis b fis dis)\pu ais->(\pd dis fis ais fis dis)\pu | bis->(\pd dis fis a fis dis) bis( dis fis a fis dis)\pu | a->(\pd dis fis b fis dis)\pu ais->(\pd dis fis ais fis dis)\pu | b->(\pd dis fis a fis dis)\pu bis->(\pd dis fis gis fis dis)\pu | %bar 25&103 cis(\pd gis' cis e cis gis) e( gis cis e cis gis)\pu | cis,(\pd gis' cis e cis gis) e( gis cis e cis gis)\pu | dis(\pd a' cis fis cis a) fis( cis' dis a' dis, cis)\pu | gis,(\pd dis' fis bis fis dis gis, dis' fis bis fis dis)\pu | %bar 29&107 cis(\pd gis' cis e cis gis) e( gis cis e cis gis)\pu | fis(\pd cis' dis a' dis, cis)\pu \clef treble gis(\pd cis eis b' eis, cis)\pu | a(\pd cis fis a fis cis)\pu gis(\pd cis eis b' eis, cis)\pu | a(\pd cis fis a fis cis)\pu \clef bass bis,(\pd fis' gis dis' gis, fis)\pu | cis(\pd gis' cis e cis gis)\pu dis(\pd gis bis fis' bis, gis)\pu | cis,(\pd gis' cis e cis gis)\pu fis(\pd cis' dis a' dis, cis)\pu | } %bar 35&113 8 r8 r4 4\pd r4\pu | r1 | %bar 37&115 8-|\pd r \clef treble 4 | \clef bass | \pd \pd | \pd \pd 2\pd | } %% part B %% partBleft = \relative c, { %Largo \key des \major \times 4/6 { %bar 41 des8(\<\pd aes' des f aes des\! f\> des aes f des aes)\! | des,( aes' des f aes des f des aes f des aes~)\pu | \pd aes''[( c ees c aes)] des,( aes' c ges' c, aes)\pu | } \multipleOne \times 4/6 { %bar 49 des,(\pd aes' des f des aes)\pu ees(\pd g des' ees des g,)\pu | } << \relative c'{ s2 s4^\markup{\large \italic "riten."} bes4-> | } \\ \relative c'{ \fixTuplets \times 4/6 {aes,8[(\pd ees' aes c aes ees)]\pu aes,[(\pd ees' ges bes ges ees)]\pu} | } >> %bar 51 \times 4/6 {aes,(\pd ees' aes c aes ees)\pu aes,(\pd aes' c ges' c, aes)\pu} | \multipleOne \times 4/6 { des,(\pd aes' des f des aes)\pu des,(\pd aes' c ges' c, aes)\pu | des,(\pd aes' c ges' c, aes)\pu des,(\pd aes' des f des aes)\pu | %bar 59 \multipleTwo %bar 63 aes,(\pd aes' c ees c aes)\pu ees(\pd aes c ges' c, aes)\pu | } \multipleOne \times 4/6 { des,(\pd aes' des f des aes)\pu des,(\pd aes' c ges' c, aes)\pu | des,(\pd aes' c ges' c, aes)\pu des,(\pd aes' des f des aes)\pu | %bar 71 \multipleTwo %bar 75 aes,(\pd ees' aes c aes ees)\pu aes,(\pd aes' c ges' c, aes)\pu | } \multipleOne \times 4/6 { des,(\pd aes' des f des aes)\pu des,(\pd aes' c ges' c, aes)\pu | des,(\pd aes' c ges' c, aes)\pu des,(\pd aes' c ges' c, aes)\pu | } } %% part C %% partCleft = \relative c { %bar 119 \repeat unfold 4 { cis,8(\pd e' cis gis)\pu cis,(\pd fis' bis, gis)\pu | } %bar 123 \repeat unfold 2 { cis,(\pd e' cis gis)\pu cis,(\pd gis'' cis, gis)\pu | } \repeat unfold 2 { cis,(\pd e' cis gis)\pu cis,(\pd e' cis gis)\pu | } cis,4\pd r4 r2\pu | r1| %avoid collision by increasing space between staves \overrideProperty #"Score.NonMusicalPaperColumn" #'line-break-system-details #'((fixed-alignment-extra-space . 3)) \break %bar 129 1(\pd^\markup{\italic "il canto un poco marcato"} | ais'4\pu gis cis\< dis | eis1)\! | gis1->(\pd | fis2\pu eis | dis2 eis4 cis | gis1)\pd | 1\pd | 1\arpeggio\pd | 1\arpeggio\pd | } %% Total %% lower = \relative c { \clef bass \key cis \minor \time 4/4 %create automatic beams every 1/2 note #(revert-auto-beam-setting '(end 1 12 4 4) 1 4) #(revert-auto-beam-setting '(end 1 12 4 4) 3 4) \set tupletSpannerDuration = #(ly:make-moment 1 2) \dynamicUp 1~\sf\pd | \pu | \times 4/6 { 8\f\pd gis''([ cis e cis gis] \once \override DynamicLineSpanner #'staff-padding = #3 cis,\> gis' cis e cis gis | cis, gis' cis e cis gis cis, gis' cis e cis gis\!)\pu | %remove all tumplet numbers and brackets from now on \override TupletNumber #'transparent = ##t \override TupletBracket #'transparent = ##t } %bar 5 \partAleft %bar 41 \partBleft \key cis \minor \time 4/4 %bar 83 \partAleft %bar 119 \partCleft } %%% SCORE %%% \score { \new PianoStaff << \set PianoStaff.connectArpeggios = ##t \new Staff = "upper" \upper \new Staff = "lower" \lower >> \midi { \context { \Score midiMinimumVolume = #0.4 } } \layout{} }