\version "2.16.1" \include "italiano.ly" %% Version 1.0 \header{ title = "Fugue à 5" subtitle = "" piece = "" instrument = "Pour orgue" composer = "Nicolas de Grigny (1671-1703)" copyright = "Public Domain" source = "Edition Schott 1877 Alexandre Guilmant" opus = "" enteredby = "G. Gréco" mutopiacomposer = "GrignyNd" mutopiainstrument = "Organ" mutopiastyle = "Baroque" maintainer = "Gérard Gréco" footer = "Mutopia-2013/03/23-539" tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-column { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \concat { \teeny www. \normalsize MutopiaProject \teeny .org } \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \concat { \teeny www. \normalsize LilyPond \teeny .org }} by \concat { \maintainer . } \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details \concat { see: \hspace #0.3 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } } } } global = { \key do \major \time 4/4 } soprano = \new Voice \relative do'' { s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 s1 \voiceOne r2 mi4^\mordent mi | \appoggiatura mi8 fa2^\mordent mi8[ sol fa mi] | %% 15 : re2^\prall sol^\prall | la4. si8 \appoggiatura si do4. si16[ do] | si2^\prall la2 ~ | la sol4.^\mordent la8 | \appoggiatura la si4.^\mordent la16[ sol] fad2^\prall | % D'après l'édition orginale -- according to the original printing : %% 20 : mi1 | %% mi2 | %% leçon d'Alexandre Guilmant s1 s1 s1 | r2 mi4.^\prall mi8 | %% 25 : \appoggiatura mi fa8[ la sol fa] mi2^\prall | re2. sol4 | sol2 re ~ | re2 r8 re8[ mi fad] | %re2 la'8\rest re,8[ mi fad] | \appoggiatura fad? sol2^\mordent ~ sol8[ fad! sol la] | %% 30 : si1 | la2 sol | sol8[ la] si4 do la | si2 mi,4 la8[sol] | fad4^\prall sol fad2^\prall | mi2 r2 | %% un moyen d'ajuster la hauteur d'une pause : % \once \override MultiMeasureRest #'extra-offset = #'(0 . 1) R1 | R1 | mi2^\mordent mi4.^\prall mi8 | \appoggiatura mi fa2^\mordent mi | re2 mi ~ | mi re | %% sic : re4 ~ re4 ~ re2 | do8[ mi re do] re2 ~ | re2 mi | re4 la' la4. sol8 | fa4^\prall re2 do4 ~ | do4 re mi2 | mi1 | } alto = \new Voice \relative do'' { %\set Staff.midiInstrument = "alto sax" R1 R1 si2^\mordent^"Cornet" si4.^\prall si8 \appoggiatura si8 do4^\mordent~do16[re do si] si4.^\prall la16[ si] %% 5 : la2 re | mi2^\mordent re | dod^\prall re8^\mordent do si^\prall la | sold4^\prall mi'4.^\mordent re8 do4^\mordent ~ | do4 re mi^\mordent fa8[ sol] | %% 10 : fad2^\prall sol4 re | do4.^\prall re8 \appoggiatura re8 mi2^\mordent | \voiceTwo la,2 re4^\mordent re8[ la] | \appoggiatura la8 si2_\mordent la2 ~ | la4 re sol,2 ~ | %% 15 : sol2 sol4 do8_\mordent[ si] | la4 re do2 | mi4 re do4._\prall re8 | si1 ~ | si1 | %% 20 : si2 r2 | \oneVoice R1 | si2^\mordent si4.^\prall si8 | \appoggiatura si do2^\mordent si | \voiceTwo la1 ~ | %% 25 : la2. sol4 | fa8_\prall[ sol] la4 sol2 ~ | sol1 | fad2 r2 | r r8 red'8[ mi fad] | %% 30 : \appoggiatura fad? sol1_\mordent | mi4_\prall re2 do4 | re8[ fa] mi2. | fad4 mi8[ re] dod[ si] do4 ~ | do4 si si2 | %% 35 : %% selon l'édition originale -- according to the original printing : mi2 si4._\prall si8 | %% si2 si4._\prall si8 | %% leçon d'Alexandre Guilmant \appoggiatura si do2_\mordent si_\mordent la1 ~ | la8[ si do_\mordent re] sol,4 sol8[ la] | si8_\mordent[ do si la] sol2_\prall ~ | %% 40 : sol1 | fad2_\prall sol | sol4. la8 \appoggiatura la8 si2_\mordent | la1 la1 | %% 45 : la2 sol | la2 si4 la | si1_\mordent | } tenor = \relative do' { % \set Staff.midiInstrument = "alto sax" mi2^\mordent^"Cromorne" mi4.^\prall mi8 | \appoggiatura mi fa4_\mordent ~ fa16[ sol fa mi] mi4._\prall re16[ mi] | re2 sol4 fa | mi fad sol2 ~ | %% 5: \voiceOne sol2 fad8^\prall[ la sol fa] | mi4 la2 sol4 ~ | sol2 fad8^\prall[ mi] fa4 | mi4. fad8 sol2 | la2 sol | %% 10 : la2 sol8[ la] si4 | la2 sol4. la8 | fad2^\prall si4 fad | \appoggiatura fa8 mi2 mi | re2 do | %% 15 : si8^\mordent[ si do re] mi2^\mordent | mi4 re mi2 | mi2 mi4. mi8 | red2^\prall mi ~ | mi2 red2^\prall | %% 20 : mi2 mi4.^\prall mi8 | \oneVoice \appoggiatura mi fa2^\mordent mi4.^\prall re8 | re2 sol | mi4 la2 sol4 ~ | sol4 fa mi dod8^\prall[ dod] | %% 25 : \appoggiatura dod re^\mordent[ fa mi re] dod4.^\prall re8 | \voiceOne re1 | mi2 re | re8[ re mi fad] \appoggiatura fad sol4.^\mordent la8 | si4 la sol2 ~ | %% 30 : sol1 ~ | sol4 fa2 mi4 | \appoggiatura mi8 re4 re8[ mi] do4^\prall do8[ re] | si4. sol'8 sol4 fad8^\prall[ mi] | red4^\prall mi red4.^\prall mi8 | %% 35 : \oneVoice mi1 | R1 | R1 | R1 | s1 %% 40 : s1 s1 s1 | \voiceOne r2 mi4. mi8 | fa2 \afterGrace mi2^\prall {fa16[ fa mi]} | re8[ re16 mi] fa4 ~ fa8[ mi] mi4 ~ | mi8[ re] re2 do8[ re] | \override NoteColumn #'force-hshift = #'2 si1^\prall } basso = \relative do' { %\set Staff.midiInstrument = "alto sax" \voiceTwo s1 s1 s1 s1 %% 5 : r2 si4. si8 | do4 ~ do16[ re do si] si4._\prall la16[ si] | la2 re ~ | re4 do8[ re] si4_\prall mi ~ | mi4 re2 do4 ~ | do4. si16[ do] si4 sol' ~ | sol fa mi2 | re2 re4. re8 | re2 do | la4 sol sol4. la8 | si8[ sol la si] \appoggiatura {re8} do4. do8 | do4 la2. | sold2_\prall la4. sol8 | fad2 mi | \appoggiatura sol8 fad2. sol8[ la] | sold2_\prall r2 | s1 s1 s1 s1 s1 r2 si4._\prall si8 | \appoggiatura si8 do2_\mordent si2_\prall | la2 r2 | r8 si8[dod red] mi2 ~ | mi2 ~ mi8[ re16 do] si8[ mi] | dod4 re8[ do] si4_\prall do4 ~ | do4 si2 la4 ~ | la4 sol8[ si] ~ si4 la ~ | la sol8[ la] si2 | mi,1 | s1 s1 s1 | si'2^\mordent si4. si8 | \appoggiatura{ si8} do2^\mordent si2^\prall | la2 re | \appoggiatura{re8} mi4.^\mordent fad8 sol4 sol,8[ sol] | \appoggiatura sol8 la4_\mordent la8_\prall[ si] \appoggiatura si8 do4 dod | re2. dod4 | re4 re8[ do] si4_\prall do8[si] | \appoggiatura si8 la4. re8 sold,4_\prall la ~ | la2 sold2_\prall | } pedale = \relative do { R1*7 | mi2_"Pédalle" mi | fa mi | re sol | la4. si8 do2 ~ | do2 si4 la | %>> sold2 la4 la, | re si do8[ re mi fa] | sol4. fa8 mi2 | fa2 mi | mi,2 la | si1 ~ | si1 | mi8[ fa mi re] dod[ si dod la] | re[ do si sol] do[ re mi fa] | sol[ la sol fa] mi[ fad sol mi] | la[ sol fad re] sol[ sol, si do] | re2 dod8[ mi la sol] | fa8[ re sib' sol] la4 la, | re8[ mi fad re] sol4. fa8 | mi8[ do mi fa] sol[ sol, si do] | re8[ mi re do] si8[ sol do la] | mi'1 ~ | mi8[ red mi fad] sol4 mi | la4 re, sol do, | sol' sold la2 | red,4 mi8[ mi,] la2 | si2. la4 | sold2 ~ sold8 [mi fad sold] | la8[ si do re ] mi8[ fa mi re] | dod[ re mi re] do[ si do la] | re8[ re' la si] do8[ do, mi fa] | sol[ la sol fa] mi[ fa mi re] | do[ re mi fa ] sol[ sol, si do] | re[ mi re do] si[ la sol fa] | mi[ do' si la] sol2 | fad4 fa mi la | re,8[ mi fa sol] la2 | re2 sol4 do, | fa2 mi4 la, | mi1 | } \score { { << \new PianoStaff \with { % Separate staff group from last staff \override StaffGrouper #'staffgroup-staff-spacing #'minimum-distance = #13 \override StaffGrouper #'staffgroup-staff-spacing #'basic-distance = #13 } << \context Staff = "dessus" << \global \clef violin \set Staff.midiInstrument = "Church organ" \soprano \alto >> \context Staff = "basse" << \global \clef violin \set Staff.midiInstrument = "Church organ" \tenor \basso >> >> \context Staff = "pedale" << \global \set Staff.midiInstrument = "Church organ" \clef bass \pedale >> >> \bar "|." } \layout {} \midi { \tempo 4 = 100 } }