% Entered on Nov 1, 2007
\version "2.11.34"
%#(set-global-staff-size 17)
\paper {
% #(set-paper-size "a4")
% #(set-paper-size "letter")
left-margin = 0.75 \in
line-width = 7.0 \in
between-system-padding = #2.0
between-system-space = #2.0
ragged-last-bottom = ##t
ragged-bottom = ##f
}
\header {
title = "Nº. 2. Russian Air."
subtitle = ""
subsubtitle = "60 National Airs of Different Nations"
composer = \markup{\column \right-align
{\line {Felix Horetzky} 1796-1870}}
meter = ""
% MUTOPIA
mutopiatitle = "Nº. 2. Russian Air."
mutopiacomposer = "HoretzkyF"
mutopiapoet = ""
mutopiaopus = ""
mutopiainstrument = "Classical Guitar"
date = "unk"
source = "Boije collection #268"
style = "Classical"
copyright = "Public Domain"
maintainer = "Stan Sanderson"
moreInfo = "The Boije collection is found at http://www.muslib.se/ebibliotek/boije/"
footer = "Mutopia-2007/11/04-1091"
tagline = \markup { \override #'(box-padding . 1.0) \override #'(baseline-skip . 2.7) \box \center-align { \small \line { Sheet music from \with-url #"http://www.MutopiaProject.org" \line { \teeny www. \hspace #-1.0 MutopiaProject \hspace #-1.0 \teeny .org \hspace #0.5 } • \hspace #0.5 \italic Free to download, with the \italic freedom to distribute, modify and perform. } \line { \small \line { Typeset using \with-url #"http://www.LilyPond.org" \line { \teeny www. \hspace #-1.0 LilyPond \hspace #-1.0 \teeny .org } by \maintainer \hspace #-1.0 . \hspace #0.5 Reference: \footer } } \line { \teeny \line { This sheet music has been placed in the public domain by the typesetter, for details see: \hspace #-0.5 \with-url #"http://creativecommons.org/licenses/publicdomain" http://creativecommons.org/licenses/publicdomain } } } }
}
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
%%
%% Source & comments
%%
%% Felix Horetzky was born in Horyszów Ruski, Poland, January 1, 1796.
%% Little is known about he came to the guitar. He traveled to Vienna
%% to study under master guitarrist, Mauro Giuliani. He traveled
%% extensively in Europe as a concert performer and teacher. He wrote
%% between 100 and 150 pieces for the guitar. He died in Edinburgh
%% on October 6, 1870.
%%
%% This piece is from #268, "60 National Airs of Different Nations",
%% in the Boije collection and is in the public domain.
%%
%% Publisher: Chappell (London), no date given.
%%
%% Carl Boije (1849-1923) was an amateur guitarist whose vast collection
%% was donated to the State Library of Sweden after his death.
%%
%% The dynamic markings for the most part follow the original score; obvious
%% notation errors have been corrected.
%%
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
\include "english.ly"
%%%% shortcuts
dol = \markup { \smaller\italic "dolce."}
cres = \markup{\smaller\italic"cresc:"}
cress = \markup{\tiny\smaller\italic"cresc:"}
espr = \markup{\smaller\italic"espres:"}
rit = \markup{\smaller\italic"ritart:"}
atem = \markup{\smaller\italic"a tempo:"}
smz = \markup{\smaller\italic"smorz:"} % smorzando
showTup = { \override TupletNumber #'transparent = ##f
\override TupletBracket #'transparent = ##f }
hideTup = { \override TupletNumber #'transparent = ##t
\override TupletBracket #'transparent = ##t }
seg = \markup {\smaller \smaller \musicglyph #"scripts.segno"}
cod = \markup {\smaller \vcenter "to" \hspace #0.7 \smaller \vcenter \musicglyph #"scripts.coda"}
toseg = \markup { \bold \vcenter "to" \hspace #0.7 \vcenter \smaller \musicglyph #"scripts.segno" }
fin = \markup {\smaller \bold \italic "Fine."}
I = \once \override NoteColumn #'ignore-collision = ##t
%% End shortcuts
%%%%%%%%%%
%% Reminders
%
% \once \override DynamicText #'extra-offset = #'(-3.75 . 5.5)
% \once \override TextScript #'extra-offset = #'( 0.8 . -2.3 )
%
%%%%%%%%%%
upper = \relative c''{
\set Staff.instrumentName=\markup{
\column {\smaller\bold "Nº. 2 " \smaller\smaller\italic "ALLEGRETTO. "}}
8 |
d8 cs16 b a8 b16 cs |
d8 |
4-> -> |
8 |
fs e d! b |
a d 8. fs16 |
d4 r | \bar "||"
d8 d cs b |
a'4-> g-> |
cs,8 cs fs8. e16 |
e4-> d-> |
fs8 fs e d |
%% work-around- could not adjust stem length of first
%% stem using usual overrides so put 3 voices together
%% repeated below for similar problems.
<<
{d4 c}
\\
{\voiceThree
\once \override Beam #'positions = #'(1.0 . 1.6)
g8 b g4}
\\
{\voiceTwo e4 e,}
>>
fs'8 b 8. cs16 |
b4 r |
<<
{ fs8.-> e16}\\
{\voiceTwo
\I
\once \override Beam #'positions = #'(-2.0 . -2.4)
g,8 a
\I
\once \override Beam #'positions = #'(-2.0 . -2.4)
g8. a16 }\\
{\voiceTwo
\once \override DynamicText #'extra-offset = #'(-3.2 . 3.5)
a,4_\mf a}\\
{\voiceFour s4 cs'}
>>
%% 18-19 workaround
<<
{d2 }\\
{\voiceThree
\override Beam #'positions = #'(1.0 . 1.4)
fs,8 a fs a}\\
{\voiceTwo d,2 }
>>
<<
{ 4 fs8. e16}\\
{\voiceFour
\override Beam #'positions = #'(-2.6 . -2.0)
g,8 a a}\\
{\voiceTwo a,4 a}
>>
d'2 |
e8 g fs e |
|
fs, 8. 16 |
2 |
8 |
a4 g8. e16 |
a,8 d fs8.e16 |
d2
}
middle = \relative c'' {
\override Staff.NoteCollision
#'merge-differently-headed = ##t
%% middle voice can interfere... use the following
% \override Stem #'length-fraction = #0.6
s2*4 |
s8 b,[ cs ds] |
s2*4
b'8\rest b\rest |
s2*4 |
s2*2 |
s2 |
s2*2 |
s2 |
{\override Stem #'length-fraction = #0.6
cs4 as }|
s2*7 |
}
lower = \relative c' {
\override Staff.NoteCollision
#'merge-differently-headed = ##t
\once \override DynamicText #'extra-offset = #'(-2.2 . 3.5)
d8_\p a b cs |
4 |
|
|
e,2 |
4 |
|
r |
\once \override TextScript #'extra-offset = #'( 1.2 . 1.7 )
_\dol |
e e |
|
|
|
s2 |
fs,4 |
r |
s2 |
s2*2 |
2 |
as,4 fs |
g e |
fs4.. fs16 |
b2 |
\once \override DynamicText #'extra-offset = #'(-3.2 . 3.5)
a4._\f a'8 |
8 d, 4 |
|
2
}
staffClassicalGuitar = \new Staff {
\time 2/4
\key d \major
\set Staff.connectArpeggios = ##t
\set Staff.midiInstrument="acoustic guitar (nylon)"
<<
\new Voice = A { \voiceOne \upper }
\new Voice = B { \voiceTwo \middle }
\new Voice = C { \voiceFour \lower }
>>
\bar "||" %% "|."
}
\score {
<<
\staffClassicalGuitar
>>
}
\layout {\context {
\Staff
\consists Span_arpeggio_engraver
} }
\score {
%% \unfoldRepeats
\staffClassicalGuitar
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 90 4)
}
\context {
\Voice
\remove "Dynamic_performer"
}
}
}