| Composer | Title | Opus | Instrument(s) |
|---|
| F. Abt | Vocalise № 1 | | Voice, Piano |
| F. Abt | When the Swallows Homeward Fly (Agathe) | | Voice and Piano |
| A. Adam | Giselle - Pas de deux (1er Acte) | | Piano |
| A. Adam | Minuit Chrétiens | | Voice and Piano |
| S. Adams | The Blue Alsatian Mountains | | Voice and Piano |
| D. Aguado | 8 Petites Pièces for Guitar, No. 1 | Op. 3 No. 1 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 2 | Op. 3 No. 2 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 3 | Op. 3 No. 3 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 4 | Op. 3 No. 4 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 5 | Op. 3 No. 5 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 6 | Op. 3 No. 6 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 7 | Op. 3 No. 7 | Guitar |
| D. Aguado | 8 Petites Pièces for Guitar, No. 8 | Op. 3 No. 8 | Guitar |
| D. Aguado | Six Petites Pièces, No. 1 | Op. 4, No. 1 | Guitar |
| D. Aguado | Six Petites Pièces, No. 2 | Op. 4, No. 2 | Guitar |
| D. Aguado | Six Petites Pièces, No. 3 | Op. 4, No. 3 | Guitar |
| D. Aguado | Six Petites Pièces, No. 4 | Op. 4, No. 4 | Guitar |
| D. Aguado | Six Petites Pièces, No. 5 | Op. 4, No. 5 | Guitar |
| D. Aguado | Six Petites Pièces, No. 6 | Op. 4, No. 6 | Guitar |
| D. Aguado | Les Favorites | Op. 11 No. 1 | Guitar |
| D. Aguado | Les Favorites, No. 2 | Op. 11 No. 2 | Guitar |
| D. Aguado | Les Favorites, No. 3 | Op. 11 No. 3 | Guitar |
| D. Aguado | Les Favorites, No. 4 | Op. 11 No. 4 | Guitar |
| D. Aguado | Les Favorites, No. 5 | Op. 11 No. 5 | Guitar |
| D. Aguado | Les Favorites, No. 6 | Op. 11 No. 6 | Guitar |
| D. Aguado | Les Favorites, No. 7 | Op. 11 No. 7 | Guitar |
| D. Aguado | Les Favorites, No. 8 | Op. 11 No. 8 | Guitar |
| D. Aguado | Les Favorites, No. 9 | Op. 11 No. 9 | Guitar |
| D. Aguado | Les Favorites, No. 10 | Op. 11 No. 10 | Guitar |
| D. Aguado | Study in A Minor | | Guitar |
| D. Aguado | Allegro in G Major | | Guitar |
| I. M. F. Albéniz | Rumores de la Caleta | 71 | Piano |
| C.-V. Alkan | Prélude | op. 31,1 | Piano, Orgue |
| C.-V. Alkan | Prélude Nr. 2 | op. 31,2 | Piano, Orgue |
| C.-V. Alkan | Chanson de la Folle au Bord de la Mer | Op. 31, No. 8 | piano |
| C.-V. Alkan | Toccatina | Op.75 | Piano |
| G. Allegri | Miserere mei, Deus | | SSATB choir, SSAB Soli |
| A. Alyabyev | Cherubic Hymn | | Voice (SATB) |
| A. Amendola | Giacea nel proprio sangue, Cantata di Basso | | Voice (Bass) and Basso Continuo |
| J. André | Sonatine | Opus 34. I. | Piano |
| Anonymous | Easter Hymn | | Voice (SATB) |
| Anonymous | Good King Wenceslas | | Voice |
| Anonymous | Ich ruf zu dir, Herr Jesus Christ | | Organ |
| Anonymous | Leoni | | Voice (SATB) |
| Anonymous | Lobt Gott, ihr Christen, allzugleich | | Organ |
| Anonymous | Nuż my dziś krześcijani (Polish Christmas Carol) | 1586 | Voice (SATB) |
| Anonymous | Old 100th (original version) | | Voice (SATB) |
| Anonymous | Winchester New | | Voice (SATB) |
| Anonymous | Il Est de Bonne Heure Né | | Voice (SATB) |
| Anonymous | 2. Duke of Norfolk, or Paul's Steeple | | Violin |
| Anonymous | 4. Old Simon the King | | Violin |
| Anonymous | 23. Johnny Cock thy Beaver: A Scotch Tune to a Ground | | Violin |
| Anonymous | 27. Greensleeves to a Ground with Division | | Violin |
| Anonymous | Dundee (hymntune) | | Voice (SATB) |
| Anonymous | Ellacombe (hymntune) | | Voice (SATB) |
| Anonymous | Es ist ein' Ros (hymntune) | | Voice (SATB) |
| Anonymous | Es ist ein Ros’ entsprungen | | Voice (SATB) |
| Anonymous | Trio a due mandolini e Basso (Gimo 359) | | 2 Mandolins, Bass |
| Anonymous | La Native | | Piano |
| Anonymous | Les Graces | | Piano |
| Anonymous | Lobe den Herren (hymntune) | | Voice (SATB) |
| Anonymous | Mit Freuden Zart (hymntune) | | Voice (SATB) |
| Anonymous | New Britain (hymntune) | | Voice (SATB) |
| Anonymous | Spanish Romance | | Guitar |
| Anonymous | The Spirit of God | | Voice (SB) |
| Anonymous | Von Himmel Hoch (hymntune) | | Voice (SATB) |
| J.-B. Arban | Method for the Cornet. First Studies | | Trumpet |
| T. Arbeau | Pavan: Belle qui tiens ma Vie | Orchésographie | Voice (SATB) |
| A. Archangelsky | To the Mother of God Let Us Earnestly Hasten | | Voice (SATB) |
| O. A. Ariosti | Il Ratto di Proserpina, Cantata di Basso | | Voice (Bass), Basso Continuo |
| T. Arne | Hymn of Eve (Uxbridge) | | Voice (SATB) |
| J. Ascher | Alice, Where Art Thou? | | Voice and Piano |
| J. Ascher | Alice, Where Art Thou? | | Piano |
| C. P. E. Bach | Sonata in a minor for solo flute | Wq 132 | Flute |
| C. P. E. Bach | Rondo in E-flat Major | H.288 | Harpsichord, Piano |
| J. S. Bach | Geliebter Jesu - From Cantata No. 16 | BWV 16 | Oboe da Caccia or English Horn or Viola, Tenore, Basso Continuo |
| J. S. Bach | Die Freude Reget Sich | BWV 36b | Orchestra: Flute, Oboe, Violins, Viola, Choir (SATB), Soprano, Alto, Tenor, Continuo |
| J. S. Bach | Polonaise in F major | BWV Anh. 117a | Piano |
| J. S. Bach | Schafe Können Sicher Weiden (Sheep Will Safely Graze) | from BWV 208 | Two flutes, soprano, and basso continuo |
| J. S. Bach | Lobet den Herrn, alle Heiden (Psalm 117) | BWV 230 | Voice (SATB) and Continuo |
| J. S. Bach | B Minor Mass - Aria | BWV 232 | Ensemble: Horn, 2 Bassoons, Bass, Continuo |
| J. S. Bach | Brich an, o schönes Morgenlicht | BWV 248 | Choir (SATB) |
| J. S. Bach | Ach, was soll ich Sünder machen | BWV 259 | Harpsichord, Piano |
| J. S. Bach | Als der gütige Gott vollenden wollt' sein Wort | BWV 264 | Voice (SATB) |
| J. S. Bach | Aus meines Herzens Grunde (Chorale 1) | BWV 269 | Harpsichord, Piano |
| J. S. Bach | Christ Lag In Todesbanden | BWV 277 | Choir (SATB) |
| J. S. Bach | Ich dank dir, lieber Herre | BWV 347 | Harpsichord, Piano |
| J. S. Bach | Ermuntre dich, mein schwacher Geist | Schmellis Gesangbuch, No. 16 | Piano |
| J. S. Bach | Gott, wie gross ist deine Güte | Schmellis Gesangbuch, No. 26 | Piano |
| J. S. Bach | Aria Bist Du Bei Mir | BWV 508 | Trumpet |
| J. S. Bach | Chorale setting "Gib dich zufrieden und sei stille" in F major | BWV 510 | Piano |
| J. S. Bach | Chorale setting "Gib dich zufrieden und sei stille" in D minor | BWV 511 | Piano |
| J. S. Bach | Chorale setting "Gib dich zufrieden und sei stille" in E minor | BWV 512 | Piano |
| J. S. Bach | Aria | BWV 515 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Aria “Warum betrübst du dich” | BWV 516 | Piano |
| J. S. Bach | Trio Sonata IV in e minor | BWV 528 | Organ |
| J. S. Bach | Trio Sonata V in C major BWV 529 | BWV 529 | Organ |
| J. S. Bach | Prélude en mi mineur | BWV 533 | Organ |
| J. S. Bach | Prélude et fugue en la majeur | BWV 536 | Organ |
| J. S. Bach | Fantasia et Fuga in g | BWV 542 | Organ |
| J. S. Bach | Praeludium et Fuga b minor | BWV 544 | Organ |
| J. S. Bach | Prélude de Prélude et Fugue en Ut mineur | BWV 549 | Organ |
| J. S. Bach | Toccata and Fugue in D Minor | BWV 565 | Organ |
| J. S. Bach | BWV 568 | BWV 568 | Organ |
| J. S. Bach | Passacaglia | BWV 582 | String Quartet |
| J. S. Bach | Passacaglia | BWV 582 | Organ |
| J. S. Bach | Nun komm' der Heiden Heiland | BWV 599 | Organ |
| J. S. Bach | Gott durch deine Güte | BWV 600 | Organ |
| J. S. Bach | Herr Christ der ein'ge Gottes Sohn | BWV 601 | Organ |
| J. S. Bach | Lob sey dem allmächtigen Gott | BWV 602 | Organ |
| J. S. Bach | Puer natus in Bethlehem | BWV 603 | Organ |
| J. S. Bach | Gelobet seist Du, Jesu Christ | BWV 604 | Organ |
| J. S. Bach | Der Tag der ist so freudenreich | BWV 605 | Organ |
| J. S. Bach | Vom Himmel hoch, da komm' ich her | BWV 606 | Organ |
| J. S. Bach | Vom Himmel kam der Engel Schaar | BWV 607 | Organ |
| J. S. Bach | In dulci jubilo | BWV 608 | Organ |
| J. S. Bach | Lobt Gott, ihr Christen allzugleich | BWV 609 | Organ |
| J. S. Bach | Lobt Gott, ihr Christen allzugleich | BWV 609 | Organ |
| J. S. Bach | Jesu, meine Freude | BWV 610 | Organ |
| J. S. Bach | Christum wir sollen loben schon | BWV 611 | Organ |
| J. S. Bach | Wir Christenleut | BWV 612 | Organ |
| J. S. Bach | Helfft mir Gottes Güte preisen | BWV 613 | Organ |
| J. S. Bach | Das alte Jahr vergangen ist | BWV 614 | Organ |
| J. S. Bach | In dir ist Freude | BWV 615 | Organ |
| J. S. Bach | Mit Fried und Freud ich fahr dahin | BWV 616 | Organ |
| J. S. Bach | Herr Gott nun schleuß den Himmel auf | BWV 617 | Organ |
| J. S. Bach | O Lamm Gottes, unschuldig | BWV 618 | Organ |
| J. S. Bach | Christe, du Lamm Gottes | BWV 619 | Organ |
| J. S. Bach | Christus der uns seelig macht | BWV 620 | Organ |
| J. S. Bach | Da Jesus an dem Kreuze stund | BWV 621 | Organ |
| J. S. Bach | O Mensch, bewein dein' Sünde gross | BWV 622 | Organ |
| J. S. Bach | Wir danken dir, Herr Jesu Christ | BWV 623 | Organ |
| J. S. Bach | Hilf Gott, dass mir's gelinge | BWV 624 | Organ |
| J. S. Bach | Christ lag in Todesbanden | BWV 625 | Organ |
| J. S. Bach | Christ lag in Todesbanden | BWV 625 | Organ |
| J. S. Bach | Jesus Christus, unser Heiland | BWV 626 | Organ |
| J. S. Bach | Christ ist erstanden | BWV 627 | Organ |
| J. S. Bach | Erstanden ist der Heil'ge Christ | BWV 628 | Organ |
| J. S. Bach | Erschienen ist der herrliche Tag | BWV 629 | Organ |
| J. S. Bach | Heut triumphieret Gottes Sohn | BWV 630 | Organ |
| J. S. Bach | Komm Gott Schöpfer, Heiliger Geist | BWV 631a | Organ |
| J. S. Bach | Herr Jesu Christ, dich zu uns wend | BWV 632 | Organ |
| J. S. Bach | Liebster Jesu, wir sind hier | BWV 633 | Organ |
| J. S. Bach | Liebster Jesu, wir sind hier | BWV 634 | Organ |
| J. S. Bach | Dies sind die Heilgen zehn Gebot | BWV 635 | Organ |
| J. S. Bach | Vater unser im Himmelreich | BWV 636 | Organ |
| J. S. Bach | Durch Adams Fall ist ganz verderbt | BWV 637 | Organ |
| J. S. Bach | Es ist das Heil uns kommen her | BWV 638 | Organ |
| J. S. Bach | Ich ruf' zu dir, Herr Jesu Christ | BWV 639 | Organ |
| J. S. Bach | Ich ruf' zu dir, Herr Jesu Christ | BWV 639 | Organ |
| J. S. Bach | In dich hab' ich gehoffet, Herr | BWV 640 | Organ |
| J. S. Bach | Wenn wir in höchsten Nöten sein | BWV 641 | Organ |
| J. S. Bach | Wer nur den lieben Gott lässt walten | BWV 642 | Organ |
| J. S. Bach | Alle Menschen müssen sterben | BWV 643 | Organ |
| J. S. Bach | Ach wie nichtig, ach wie flüchtig | BWV 644 | Organ |
| J. S. Bach | Wachet auf, ruft uns die Stimme | BWV 645 | Organ |
| J. S. Bach | Wo soll ich fliehen hin ? | BWV 646 | Organ |
| J. S. Bach | Wer nur den lieben Gott lässt walten | BWV 647 | Organ |
| J. S. Bach | Meine Seele erhebt den Herren | BWV 648 | Organ |
| J. S. Bach | Ach bleib bei uns, Herr Jesu Christ | BWV 649 | Organ |
| J. S. Bach | Kommst du nun, Jesu, vom Himmel herunter | BWV 650 | Organ |
| J. S. Bach | Fantasia super: Komm Heiliger Geist, Herre Gott | BWV 651 | Organ |
| J. S. Bach | Komm, heiliger Geist, Herre Gott | BWV 652 | Organ |
| J. S. Bach | An Wasserflüssen Babylon | BWV 653 | Organ |
| J. S. Bach | An Wasserflüssen Babylon | BWV 653b | Organ |
| J. S. Bach | Schmücke dich, o liebe Seele | BWV 654 | Organ |
| J. S. Bach | Herr Jesu Christ, dich zu uns wend' | BWV 655 | Organ |
| J. S. Bach | O Lamm Gottes unschuldig | BWV 656 | Organ |
| J. S. Bach | Nun danket alle Gott | BWV 657 | Organ |
| J. S. Bach | Von Gott will ich nicht lassen | BWV 658 | Organ |
| J. S. Bach | Nun komm, der Heiden Heiland | BWV 659 | Organ |
| J. S. Bach | Nun komm, der Heiden Heiland | BWV 660 | Organ |
| J. S. Bach | Nun komm, der Heiden Heiland | BWV 661 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 662 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 663 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 664 | Organ |
| J. S. Bach | Jesus Christus, unser Heiland | BWV 665 | Organ |
| J. S. Bach | Jesus Christus, unser Heiland | BWV 666 | Organ |
| J. S. Bach | Komm Gott Schöpfer, Heiliger Geist | BWV 667 | Organ |
| J. S. Bach | Vor deinen Thron tret' ich | BWV 668 | Organ |
| J. S. Bach | Kyrie, Gott Vater in Ewigkeit | BWV 669 | Organ |
| J. S. Bach | Christe, aller Welt Trost | BWV 670 | Organ |
| J. S. Bach | Kyrie, Gott heiliger Geist | BWV 671 | Organ |
| J. S. Bach | Kyrie, Gott Vater in Ewigkeit | BWV 672 | Organ |
| J. S. Bach | Christe, aller Welt Trost | BWV 673 | Organ |
| J. S. Bach | Kyrie, Gott heiliger Geist | BWV 674 | Organ |
| J. S. Bach | Allein Gott in der Höh sei Ehr | BWV 675 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 676 | Organ |
| J. S. Bach | Allein Gott in der Höh' sei Ehr' | BWV 677 | Organ |
| J. S. Bach | Dies sind die heil'gen zehn Gebot' | BWV 678 | Organ |
| J. S. Bach | Dies sind die heil'gen zehn Gebot' | BWV 679 | Organ |
| J. S. Bach | Wir glauben all an einen Gott | BWV 680 | Organ |
| J. S. Bach | Wir glauben all an einen Gott | BWV 681 | Organ |
| J. S. Bach | Vater unser im Himmelreich | BWV 682 | Organ |
| J. S. Bach | Vater unser im Himmelreich | BWV 683 | Organ |
| J. S. Bach | Aus tiefer Noth schrei' ich zu dir. | BWV 687 | Organ |
| J. S. Bach | Ach Gott und Herr | BWV 693 | Organ |
| J. S. Bach | Ein' feste Burg ist unser Gott | BWV 720 | Organ |
| J. S. Bach | Erbarm dich mein, o Herre Gott | BWV 721 | Organ |
| J. S. Bach | Gelobet seist du, Jesu Christ | BWV 723 | Organ |
| J. S. Bach | Gottes Sohn ist kommen | BWV 724 | Organ |
| J. S. Bach | Herzlich thut mich verlangen | BWV 727 | Organ |
| J. S. Bach | Nun freut euch, lieben Christen g'mein | BWV 734 | Organ |
| J. S. Bach | Valet will ich dir geben | BWV 735 | Organ |
| J. S. Bach | In Dulci Jubilo | BWV 751 | Organ |
| J. S. Bach | Vom Himmel hoch, da komm ich her | BWV 769 | Organ |
| J. S. Bach | Invention 1 | BWV 772 | Harpsichord, Piano |
| J. S. Bach | Invention 2 | BWV 773 | Harpsichord, Piano |
| J. S. Bach | Invention 3 | BWV 774 | Harpsichord, Piano |
| J. S. Bach | Invention 4 | BWV 775 | Harpsichord, Piano |
| J. S. Bach | Invention 5 | BWV 776 | Harpsichord, Piano |
| J. S. Bach | Invention 6 | BWV 777 | Harpsichord, Piano |
| J. S. Bach | Invention 7 | BWV 778 | Harpsichord, Piano |
| J. S. Bach | Invention 8 | BWV 779 | Harpsichord, Piano |
| J. S. Bach | Invention 9 | BWV 780 | Harpsichord, Piano |
| J. S. Bach | Invention 10 | BWV 781 | Harpsichord, Piano |
| J. S. Bach | Invention 11 | BWV 782 | Harpsichord, Piano |
| J. S. Bach | Invention 12 | BWV 783 | Harpsichord, Piano |
| J. S. Bach | Invention 13 | BWV 784 | Harpsichord, Piano |
| J. S. Bach | Invention 14 | BWV 785 | Harpsichord, Piano |
| J. S. Bach | Invention 15 | BWV 786 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 1 | BWV 787 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 2 | BWV 788 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 3 | BWV 789 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 4 | BWV 790 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 5 | BWV 791 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 6 | BWV 792 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 7 | BWV 793 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 8 | BWV 794 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 9 | BWV 795 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 10 | BWV 796 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 11 | BWV 797 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 12 | BWV 798 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 13 | BWV 799 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 14 | BWV 800 | Harpsichord, Piano |
| J. S. Bach | Sinfonia 15 | BWV 801 | Harpsichord, Piano |
| J. S. Bach | Duetto I | BWV802 | Harpsichord |
| J. S. Bach | Duetto II (from the Clavierübung Part III) | BWV 803 | Harpsichord, Organ, Piano |
| J. S. Bach | Duetto III | BWV 804 | Harpsichord |
| J. S. Bach | Duetto IV | BWV 805 | Harpsichord |
| J. S. Bach | English Suite I: Bourree I | BWV 806 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite I: Bourree II | BWV 806 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite II: Bourree I | BWV 807 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite II: Bourree II | BWV 807 | Harpsichord, Piano, Clavichord |
| J. S. Bach | English Suite II: Gigue | BWV 807 | Harpsichord, Piano, Clavichord |
| J. S. Bach | French Suite no. 3 in B minor | BWV 814 | Harpsichord, Piano |
| J. S. Bach | French Suite no. 5 in G major | BWV 816 | Harpsichord, Piano |
| J. S. Bach | French Suite no. 6 in E major | BWV 817 | Harpsichord, Piano |
| J. S. Bach | Six Partitas (Clavierubung part I): No. 1 | BWV 825 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Six Partitas (Clavierubung part I): No. 2 | BWV 826 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Keyboard partita in A minor | BWV 827 | Piano |
| J. S. Bach | Partita 4 | BWV 828 | Harpsichord |
| J. S. Bach | Six Partitas (Clavierubung part I): No. 5 | BWV 829 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Keyboard partita in E minor | BWV 830 | Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga I | BWV 846 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Klavier I, Praeludium I | BWV 846 | 2 Guitars |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium I | BWV 846 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium II | BWV 847 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga II | BWV 847 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium III | BWV 848 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga III | BWV 848 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium IV | BWV 849 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga IV | BWV 849 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium V | BWV 850 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga V | BWV 850 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga VI | BWV 851 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium VI | BWV 851 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium VIII | BWV 853 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga VIII | BWV 853 | Harpsichord, Piano |
| J. S. Bach | Praeludium IX | BWV 854 | Piano, Harpsichord |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium X | BWV 855 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga X | BWV 855 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XI | BWV 856 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XI | BWV 856 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XII | BWV 857 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XII | BWV 857 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XV | BWV 860 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XV | BWV 860 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XVI | BWV 861 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XVI | BWV 861 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XVII | BWV 862 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XVII | BWV 862 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XX | BWV 865 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium XX | BWV 865 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Praeludium 24 | BWV 869 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier I, Fuga XXIV | BWV 869 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Fuga I | BWV 870 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Praeludium I | BWV 870 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Fuga II | BWV 871 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Praeludium II | BWV 871 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Praeludium VI | BWV 875 | Harpsichord, Piano |
| J. S. Bach | Das Wohltemperierte Clavier II, Fuga IX | BWV 878 | Harpsichord, Piano |
| J. S. Bach | Spiritus Domini | BWV 878 | Voice (SATB) |
| J. S. Bach | Preludio con Fuga | BWV 895 | Harpsichord, Piano |
| J. S. Bach | Chromatic Fantasy and Fugue, BWV 903 (Fantasy) | BWV 903 | Harpsichord |
| J. S. Bach | Chromatic Fantasy and Fugue, BWV 903 (Fugue) | BWV 903 | Harpsichord |
| J. S. Bach | Toccata in f sharp minor | BWV 910 | Piano/Harpsichord/Clavichord |
| J. S. Bach | 9 Little Preludes - 1 - C Major | BWV 924 | Clavier |
| J. S. Bach | 9 Little Preludes - 1 - C Major (Alternate) | BWV 924a | Clavier |
| J. S. Bach | Prelude | BWV 924a | Harpsichord, Piano |
| J. S. Bach | Praeludium 2 | BWV 926 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Praeludium 10 | BWV 928 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Petite Prélude No. 9 | BWV 928 | Harpsichord, Piano |
| J. S. Bach | Praeludium Nr. 1 | BWV 933 | Clavier |
| J. S. Bach | Praeludium Nr. 2 | BWV 934 | Clavier |
| J. S. Bach | Praeludium Nr. 3 | BWV 935 | Clavier |
| J. S. Bach | Praeludium Nr. 4 | BWV 936 | Clavier |
| J. S. Bach | Praeludium Nr. 5 | BWV 937 | Clavier |
| J. S. Bach | Praeludium Nr. 6 | BWV 938 | Clavier |
| J. S. Bach | Praeludium Nr. 1 | BWV 939 | Clavier |
| J. S. Bach | Praeludium Nr. 2 | BWV 940 | Clavier |
| J. S. Bach | Praeludium Nr. 3 | BWV 941 | Clavier |
| J. S. Bach | Praeludium Nr. 4 | BWV 942 | Clavier |
| J. S. Bach | Praeludium C-Dur | BWV 943 | Clavier |
| J. S. Bach | Fantasia BWV 944 | BWV 944 | Clavier |
| J. S. Bach | Fuge A-moll BWV 944 | BWV 944 | Clavier |
| J. S. Bach | Fugue in C major | BWV 952 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Italian Concerto | BWV 971 | Piano |
| J. S. Bach | Goldberg Variations - Aria | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations for Guitar Ensemble | BWV 988 | Guitar |
| J. S. Bach | Goldberg Variations - 1 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 2 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 3 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 4 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 5 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 6 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 7 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 8 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 9 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 10 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 11 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 12 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 13 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 14 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 15 | BWV 988 | Harpsichord,Clavichord,Piano |
| J. S. Bach | Goldberg Variations - 16 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 17 | BWV 988 | Clavier |
| J. S. Bach | Goldberg Variations - 18 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 19 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 20 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 21 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 22 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 23 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 24 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 25 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 26 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 27 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 28 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 29 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Goldberg Variations - 30 | BWV 988 | Harpsichord,Clavichord |
| J. S. Bach | Applicatio | BWV 994 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Bourrée in E Minor | BWV996 | Lute or Lute-Harpischord (Lautenwerk) |
| J. S. Bach | Prelude to Suite in C Major | BWV 997 | Guitar |
| J. S. Bach | Lute Suite BWV 997: 1. Prelude | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 2. Fuga | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 3. Sarabande | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 4. Gigue | BWV 997 | Lute, Guitar |
| J. S. Bach | Lute Suite BWV 997: 5. Double | BWV 997 | Lute, Guitar |
| J. S. Bach | Fuge Es-Dur BWV 998 | BWV 998 | Clavier |
| J. S. Bach | Prelude in D Minor | BWV 999 | Lute, Guitar |
| J. S. Bach | BWV 1001 Adagio | BWV 1001 | Violine |
| J. S. Bach | BWV 1001 Fuga | BWV 1001 | Violine |
| J. S. Bach | BWV 1001 Siciliano | BWV 1001 | Violine |
| J. S. Bach | BWV 1001 Presto | BWV 1001 | Violine |
| J. S. Bach | Partita I for Solo Violin | BWV 1002 | Violin, Viola, 'Cello |
| J. S. Bach | BWV 1003 Grave | BWV 1003 | Violine |
| J. S. Bach | BWV 1003 Fuga | BWV 1003 | Violine |
| J. S. Bach | BWV 1003 Andante | BWV 1003 | Violine |
| J. S. Bach | BWV 1003 Allegro | BWV 1003 | Violine |
| J. S. Bach | BWV 1004 Allemande | BWV 1004 | Violine |
| J. S. Bach | BWV 1004 Courante | BWV 1004 | Violine |
| J. S. Bach | BWV 1004 Sarabanda | BWV 1004 | Violine |
| J. S. Bach | BWV 1004 Giga | BWV 1004 | Violine |
| J. S. Bach | BWV 1004 Chaconne | BWV 1004 | Violine |
| J. S. Bach | BWV 1005 Adagio | BWV 1005 | Violine |
| J. S. Bach | BWV 1005 | BWV 1005 | Violine |
| J. S. Bach | BWV 1005 | BWV 1005 | Violine |
| J. S. Bach | BWV 1005 | BWV 1005 | Violine |
| J. S. Bach | BWV 1006 - Preludio | BWV 1006 | Violine |
| J. S. Bach | BWV 1006 - Loure | BWV 1006 | Violine |
| J. S. Bach | BWV 1006 - Gavotte en Rondeau | BWV 1006 | Violine |
| J. S. Bach | BWV 1006 - Menuet I | BWV 1006 | Violine |
| J. S. Bach | BWV 1006 - Menuet II | BWV 1006 | Violine |
| J. S. Bach | BWV 1006 - Bourrée | BWV 1006 | Violine |
| J. S. Bach | BWV 1006 - Gigue | BWV 1006 | Violine |
| J. S. Bach | BWV 1006a - Prélude | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Preludio | BWV 1006a | Guitar |
| J. S. Bach | BWV 1006a - Loure | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Loure | BWV 1006a | Guitar |
| J. S. Bach | BWV 1006a - Gavotte en Rondeau | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Gavotte en Rondeau | BWV 1006a | Guitar |
| J. S. Bach | BWV 1006a - Menuet I | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Menuet I | BWV 1006a | Guitar |
| J. S. Bach | BWV 1006a - Menuet II | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Menuet II | BWV 1006a | Guitar |
| J. S. Bach | BWV 1006a - Bourrée | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Bourrée | BWV 1006a | Guitar |
| J. S. Bach | BWV 1006a - Gigue | BWV 1006a | Piano |
| J. S. Bach | Suite E-Dur - BWV 1006a - Gigue | BWV 1006a | Guitar |
| J. S. Bach | Suite 1 for Cello Solo | BWV1007 | Cello |
| J. S. Bach | Cello Suite II - BWV 1008 | BWV 1008 | Cello |
| J. S. Bach | Suite No. 3 in C Major | BWV 1009 | Cello |
| J. S. Bach | Suite 4 for Cello Solo | BWV1010 | Cello |
| J. S. Bach | Suite 5 for Cello Solo | BWV1011 | Cello |
| J. S. Bach | Suite 5 for Cello Solo | BWV1011 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Prélude | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Allemande | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Courante | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Sarabande | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Gavotte I | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Gavotte II | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 - Gigue | BWV 1012 | Cello |
| J. S. Bach | Cello Suite VI - BWV 1012 (Transposed) | BWV 1012 | Cello |
| J. S. Bach | Partita in a minor | BWV 1013 | Flute |
| J. S. Bach | Partita in a minor (Saxophone transposition) | BWV 1013 | Eb Alto Saxophone |
| J. S. Bach | Sonata for Violin and Clavier No.4 | BWV 1017 | Violin & Clavier |
| J. S. Bach | Sonata in B minor for flute and harpsichord | BWV 1030 | Flute and Harpsichord/Piano |
| J. S. Bach | Siciliano | BWV 1031 | Flute and Guitar |
| J. S. Bach | Violin Concerto Nº 1 - Violin Solo | BWV 1041 | Violin |
| J. S. Bach | Concerto in E major for violin and strings | BWV 1042 | Violin and String Orchestra: Two Violins, Viola, 'Cello |
| J. S. Bach | Concerto in D minor for two violins and strings | BWV 1043 | Violin Duet and String Orchestra: Two Violins, Viola, 'Cello |
| J. S. Bach | Brandenburg Concerto No. 1 (First Movement - Allegro) | BWV 1046 | Ensemble: Corno, Oboe, Fagotto, Violino piccolo, Violino, Viola, Violoncello, Violone grosso, Continuo |
| J. S. Bach | Brandenburg Concerto No. 1 (Second Movement - Adagio) | BWV 1046 | Ensemble: Oboe, Fagotto, Violino piccolo, Violino, Viola, Violoncello, Violone grosso, Continuo |
| J. S. Bach | Brandenburg Concerto No. 2 | BWV 1047 | Trumpet, Flute, Oboe, Violin, Violone, Viola, Violincello |
| J. S. Bach | Brandenburg Concerto No. 5 (3rd Movement: Allegro) | BWV 1050 | Ensemble: Flute, Two Violins, Violas, 'Cello, Bass and Harpsichord |
| J. S. Bach | Keyboard Concerto Nº 4 | BWV 1055 | Orchestra: Violins, Viola,'Cello, Continuo, Harpsichord, Clavichord, Piano |
| J. S. Bach | Arioso | BWV 1056 | Cello, Piano |
| J. S. Bach | Concerto in G minor | BWV 1056R | Violin, Viola, Basso Continuo, String Ensemble |
| J. S. Bach | Air, from Suite No.3 in D | BWV 1068 | Trombone Quartet |
| J. S. Bach | Air | BWV 1068, Mvmt. 2 | Orchestra |
| J. S. Bach | Air ('on the G string') | BWV 1068 | Flute and Guitar |
| J. S. Bach | Musicalisches Opfer, Ricercare | BWV 1079 | Harpsichord, Piano |
| J. S. Bach | Musikalisches Opfer, Ricercare a 6 | BWV 1079 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus I | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus II | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus III | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus IV | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus IX | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus V | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus VI | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus VII | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus VIII | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus X | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XI | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XII - Canon alla Ottava | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XIII - Canon alla Duodecima | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XIV - Canon alla Decima | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XIX, Fuga a 3 Soggetti | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XV - Canon per Augmentationem in Contrario Motu | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XVI a 3 (rectus, inversus) | BWV 1080 | String Ensemble |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XVII - Fuga a 2 Clav. (rectus, inversus) | BWV 1080 | Harpsichord, Piano |
| J. S. Bach | Die Kunst der Fuge, Contrapunctus XVIII a 4 (rectus, inversus) | BWV 1080 | String Ensemble |
| J. S. Bach | Contrapunctus XVI | BWV 1080 | Recorder trio |
| J. S. Bach | 14 Canons | BWV 1087 | Violin, Viola, Cello |
| J. S. Bach | 14 Canons - 1 | BWV 1087 | Guitar |
| J. S. Bach | 14 Canons - 1 | BWV 1087 | Viola and Cello |
| J. S. Bach | 14 Canons - 2 | BWV 1087 | Guitar |
| J. S. Bach | 14 Canons - 2 | BWV 1087 | Viola and Cello |
| J. S. Bach | 14 Canons - 3 | BWV 1087 | Guitar |
| J. S. Bach | 14 Canons - 3 | BWV 1087 | Violin and Viola |
| J. S. Bach | 14 Canons - 4 | BWV 1087 | Guitar |
| J. S. Bach | 14 Canons - 4 | BWV 1087 | Violin and Cello |
| J. S. Bach | 14 Canons - 5 | BWV 1087 | Violins, Viola and Cello |
| J. S. Bach | 14 Canons - 6 | BWV 1087 | Violins and Cello |
| J. S. Bach | 14 Canons - 7 | BWV 1087 | Violins and Cello |
| J. S. Bach | 14 Canons - 8 | BWV 1087 | Violin, Viola and Cello |
| J. S. Bach | 14 Canons - 9 | BWV 1087 | Violins and Cello |
| J. S. Bach | 14 Canons - 10 | BWV 1087 | Violins, Viola and Cello |
| J. S. Bach | 14 Canons - 11 | BWV 1087 | Violins, Viola and Cello |
| J. S. Bach | 14 Canons - 12 | BWV 1087 | Violins, Viola and Cello |
| J. S. Bach | 14 Canons - 13 | BWV 1087 | Violins, Viola and Cello |
| J. S. Bach | 14 Canons - 14 | BWV 1087 | Violins, Viola and Cello |
| J. S. Bach | Menuet | BWV Anh. 113 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Menuet in G | BWV Anh. 114 | Transcribed for Trumpet Duet |
| J. S. Bach | Menuet in G | BWV Anh. 114 | Guitar |
| J. S. Bach | Menuet in G | BWV Anh. 114 | Guitar |
| J. S. Bach | Menuet | BWV Anh. 114 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Menuet BWV Anh 114,115,116 pour violons ou altos | BWV Anh. 114, 115, 116 | Violin, Viola |
| J. S. Bach | Menuet | BWV Anh. 115 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Menuet | BWV Anh. 116 | Harpsichord, Piano, Clavichord |
| J. S. Bach | Polonaise in F major | BWV Anh. 117b | Piano |
| J. S. Bach | Minuet in B-flat major | BWV Anh. 118 | Piano |
| J. S. Bach | Polonaise in G minor | BWV Anh. 119 | Piano |
| J. S. Bach | Minuet in A minor | BWV Anh. 120 | Piano |
| J. S. Bach | Minuet in C minor | BWV Anh. 121 | Piano |
| J. S. Bach | Musette | BWV Anh. 126 | Harpsichord, Piano, Clavichord |
| J. S. Bach | March in E-flat major | BWV Anh. 127 | Piano |
| J. S. Bach | Polonaise in D minor | BWV Anh. 128 | Piano |
| J. S. Bach | Air | BWV Anh. 131 | Piano |
| J. S. Bach | Chorale prelude “Wer nur den lieben Gott läßt walten” | BWV Anh. 691 | Piano |
| J. S. Bach | 28. Nun komm, der Heiden Heiland. | | Voice (SATB) |
| J. S. Bach | Matthäus Passion, Choral 'O Haupt voll Blut und Wunde' | | Voice (SATB) and Piano |
| J. L. M. Bain | Brother James' Air Air (hymntune) | | Voice (SATB) |
| T. Baltzar | 13. A Prelude for the Violin | | Violin |
| A. Banchieri | SUONATA PRIMA, FVGA PLAGALE From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA SECONDA, FVGA TRIPLICATA From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA TERZA, FVGA GRAVE From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA QUARTA, FVGA CROMATICA From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA QUINTA, FVGA HARMONICA From Primo Registro of the Organo Suonarino | | Organ |
| A. Banchieri | SUONATA SESTA, FVGA TRIPLICATA From Primo Registro of the Organo Suonarino | | Organ |
| J. Banister | 19. A Division upon a Ground | | Violin |
| J. K. Banks | Alas! and Did My Savior Bleed? | | Voice (SATB) |
| J. K. Banks | Opus Dexter in C major | | Percussion, Bells/Glockenspiel |
| J. K. Banks | Opus Sinister in G minor | | Percussion, Bells/Glockenspiel |
| J. K. Banks | Prelude in G minor | | Percussion, Bells, Xylophone |
| E. Barbella | Sonata a Due Mandolini (Gimo 12) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini (Gimo 13) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini (Gimo 14) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini (Gimo 15) | | 2 Mandolins |
| E. Barbella | Sonata a Due Mandolini e Basso (Gimo 18) | | 2 Mandolins and Bass |
| B. Bartók | Romanian Folk Dance No.2 - Peasant Costume | | Harpsichord, Piano |
| L. V. Beethoven | Sonata No. 1 (1st Movement: Allegro) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 1 (2nd Movement: Adagio) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 1 (3rd Movement: Allegretto) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 1 (4th Movement: Prestissimo) | Op. 2, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 5 (1st Movement: Allegro molto e con brio) | Op. 10, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 5 (3rd Movement: Prestissimo) | Op. 10, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 6 (1st Movement: Allegro) | Op. 10, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 6 (2nd Movement: Allegretto) | Op. 10, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 6 (3rd Movement: Presto) | Op. 10, No. 2 | Piano |
| L. V. Beethoven | Piano Trio Opus 11 (1st Movement) | Op. 11 | Clarinet, 'Cello and Piano |
| L. V. Beethoven | Piano Trio Opus 11 (3rd Movement) | Op. 11 | Clarinet, 'Cello and Piano |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (1st Movement: Grave, Allegro molto e con brio) | Op. 13 | Piano |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (2nd Movement: Adagio cantabile) | Op. 13 | 2 Guitars |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (2nd Movement: Adagio cantabile) | Op. 13 | Piano |
| L. V. Beethoven | Sonata No. 8 “Pathétique” (3rd Movement: Rondo) | Op. 13 | Piano |
| L. V. Beethoven | Sonata for Piano with Horn, Op. 17 | Op. 17 | Horn and Piano |
| L. V. Beethoven | Quartet No. 4 in C Minor: 1. Allegro ma non tanto | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Quartet No. 4 in C Minor: 2. Andante scherzoso quasi allegretto | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Quartet No. 4 in C Minor: 3. Menuetto. Allegretto | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Quartet No. 4 in C Minor: 4. Allegro - Prestissimo | Op. 18 No. 4 | String Quartet: Violins, Viola, 'Cello |
| L. V. Beethoven | Sonata No. 14 “Moonlight” (1st Movement: Adagio sostenuto) | | 2 Guitars |
| L. V. Beethoven | Sonata No. 14 “Moonlight” | Op. 27, No. 2 | Piano |
| L. V. Beethoven | Violin Sonata No. 7 in C Minor, 1st Movement: Allegro con brio | Op. 30, No. 2 | Violin |
| L. V. Beethoven | Violin Sonata No. 7 in C Minor, 4th Movement: Finale: Allegro | Op. 30, No. 2 | Violin |
| L. V. Beethoven | Sonata No. 17 (1st Movement: Largo - Allegro) | Op. 31, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 17 (2nd Movement: Adagio) | Op. 31, No. 2 | Piano |
| L. V. Beethoven | Piano Concerto No. 3 in C Minor (1st Movement: Allegro con brio) | Op. 37 | Piano and Orchestra |
| L. V. Beethoven | Romanze - Opus 40 | Op. 40 | Violin, Orchestra |
| L. V. Beethoven | Violin Sonata No. 9 in A Minor, 1st Movement: Adagio sostenuto - Presto - Adagio | Op. 47 | Violin and Piano |
| L. V. Beethoven | Violin Sonata No. 9 in A Major, 3rd Movement: Presto | Op. 47 | Violin and Piano |
| L. V. Beethoven | Sonata No. 19 (1st Movement: Andante) | Op. 49, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 19 (2nd Movement: Rondo-Allegro) | Op. 49, No. 1 | Piano |
| L. V. Beethoven | Sonata No. 20 (1st Movement: Allegro, ma non troppo) | Op. 49, No. 2 | Piano |
| L. V. Beethoven | Sonata No. 20 (2nd Movement: Tempo di Menuetto) | Op. 49, No. 2 | Piano |
| L. V. Beethoven | Romanze | Op. 50 | Violin, Orchestra |
| L. V. Beethoven | Symphony No. 3 in Eb Major (Eroica) | Op. 55 | Orchestra |
| L. V. Beethoven | Sonata No. 23 “Appassionata” (2nd Movement: Andante con moto) | Op. 57 | Piano |
| L. V. Beethoven | Sonata No. 23 “Appassionata” (3rd Movement: Allegro, ma non troppo - Presto) | Op. 57 | Piano |
| L. V. Beethoven | String Quartet Opus 59 No. 3 - Part II | Op. 59 | String Quartet |
| L. V. Beethoven | Concerto for Violin and Orchestra in D Major (1st Movement) | Op. 61 | Violin and Orchestra |
| L. V. Beethoven | Concerto for Violin and Orchestra in D Major (2nd Movement) | Op. 61 | Violin and Orchestra |
| L. V. Beethoven | Concerto for Violin and Orchestra in D Major (3rd Movement) | Op. 61 | Violin and Orchestra |
| L. V. Beethoven | Ouverture Coriolan | O62 | Orchestra: Flutes, Oboes, Clarinets, Bassoons, French Horns, Trumpets, Percussion (Timpani), Violins, Violas, 'Cello, Double Bass |
| L. V. Beethoven | Variations - Opus 66 | Op. 66 | Cello and Piano |
| L. V. Beethoven | Symphony No. 5 - Opus 67 (1st Movement) | Op. 67 | Orchestra |
| L. V. Beethoven | Symphony No. 5 - Opus 67 (2nd Movement) | Op. 67 | Orchestra |
| L. V. Beethoven | Symphony no. 5, Piano reduction | Op. 67 | Piano |
| L. V. Beethoven | Symphony No. 5 - Movement 1 | Op. 67 | 2 Guitars |
| L. V. Beethoven | Cello Sonata No. 3 in A Major, Op. 69 | Op. 69 | Cello |
| L. V. Beethoven | Cello Sonata No. 3 in A Major, Op. 69 | Op. 69 | Cello |
| L. V. Beethoven | Cello Sonata No. 3 in A Major, Op. 69 | Op. 69 | Cello |
| L. V. Beethoven | Fidelio Nr. 4 Aria - Hat man nicht auch Gold beineben | Op. 72b | Voice (Bass) and piano |
| L. V. Beethoven | Fidelio Overture | Op. 72b | Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Tenor Trombone, Bass Trombone, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Six Variations | Op. 76 | Piano |
| L. V. Beethoven | Sonata No. 24 (1st Movement: Adagio cantabile) | Op. 78 | Piano |
| L. V. Beethoven | Sonata No. 24 (2nd Movement: Allegro vivace) | Op. 78 | Piano |
| L. V. Beethoven | Sonata No. 25 (1st Movement: Presto alla tedesca) | Op. 79 | Piano |
| L. V. Beethoven | Sonata No. 25 (2nd Movement: Andante) | Op. 79 | Piano |
| L. V. Beethoven | Sonata No. 25 (3rd Movement: Vivace) | Op. 79 | Piano |
| L. V. Beethoven | Sextet for 2 horns and 4 strings | Op. 81b | Horn, 2 Bassoons, Bass, Continuo |
| L. V. Beethoven | Overture to Egmont | Op. 84 | Orchestra: Flutes, Oboe, Clarinet, Bassoon, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Sonata No. 27 (1st Movement: Mit Lebhaftigkeit) | Op. 90 | Piano |
| L. V. Beethoven | Sonata No. 27 (2nd Movement: Nicht zu geschwind) | Op. 90 | Piano |
| L. V. Beethoven | Symphony No. 7 in A Major (1st Movement: Poco sostenuto - Vivace) | Op. 92 | Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Symphony No. 7 in A Major (2nd Movement: Allegretto) | Op. 92 | Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| L. V. Beethoven | Sonata No. 32 (1st Movement) | Op. 111 | Piano |
| L. V. Beethoven | Rondo A Capriccio | Op. 129 | Piano |
| L. V. Beethoven | Quartet No. 14 in C Sharp Minor | Op. 131 | String Quartet: Two Violins, Viola, 'Cello |
| L. V. Beethoven | Fuge - Opus 137 | Op. 137 | String Quintet: Violins, Violas, 'Cello |
| L. V. Beethoven | Marsch - WoO 29 | WoO 29 | Wind Ensemble |
| L. V. Beethoven | Drei Equali | WoO 30 | Trombone |
| L. V. Beethoven | Prelude Op. WoO 55 | WoO 55 | Piano |
| L. V. Beethoven | Für Elise | WoO 59 | 2 Guitars |
| L. V. Beethoven | Für Elise | WoO 59 | Piano |
| L. V. Beethoven | Seven Variations - Opus WoO 78 | WoO 78 | Piano |
| L. V. Beethoven | Menuett Op. WoO 82 | WoO 82 | Piano |
| L. V. Beethoven | Ode to Joy | | Voice (SATB) |
| F. Behr | In May | | Harpsichord, Piano |
| J. A. Benda | 3. Satz aus der Sonate in G-Dur | | Piano |
| P. Benoit | Ave Maria | Opus 1 | Voice (SATB) |
| P. Benoit | Magnificat | | Three Voices and Organ |
| H. R. Bishop | Home, Sweet Home | | Voice and Piano |
| G. Bizet | Entr'acte | | Piano |
| G. Bizet | Carmen - Prelude | | Piano |
| B. Blake | A Second Sett of Six Duetts for a Violin & Tenor: No. 1 | Op. 2 No. 1 | Violin, Viola |
| B. Blake | A Second Sett of Six Duetts for a Violin & Tenor: No. 2 | Op. 2 No. 2 | Violin, Viola |
| B. Blake | A Second Sett of Six Duetts for a Violin & Tenor: No. 3 | Op. 2 No. 3 | Violin, Viola |
| B. Blake | A Second Sett of Six Duetts for a Violin & Tenor: No. 4 | Op. 2 No. 4 | Violin, Viola |
| B. Blake | A Second Sett of Six Duetts for a Violin & Tenor: No. 5 | Op. 2 No. 5 | Violin, Viola |
| B. Blake | A Second Sett of Six Duetts for a Violin & Tenor: No. 6 | Op. 2 No. 6 | Violin, Viola |
| P. P. Bliss | Ville de Havre (hymntune) | | Voice (SATB) |
| J. Blumenthal | Les Deux Anges | | Piano |
| J. B. de Boismortier | Sonata I. | Op. 40, No. 1 | 2 Bassoons |
| J. B. de Boismortier | Sonata II. | Op. 40, No. 2 | 2 Bassoons |
| J. B. de Boismortier | Sonata Ⅲ. | Op. 40, No. 3 | 2 Bassoons |
| J. B. de Boismortier | Sonata IV. | Op. 40, No. 4 | 2 Bassoons |
| J. B. de Boismortier | Premier Balet de Village | Op. 52 | Flute, violin and guitar |
| D. Bortniansky | Kontakion of Christmas | | Voice (SATB) |
| L. Bourgeois | Old 100th | | Voice (SATB) |
| W. B. Bradbury | Bradbury (hymntune) | | Voice (SATB) |
| W. B. Bradbury | He Leadeth Me (hymntune) | | Voice (SATB) |
| W. B. Bradbury | Woodworth (hymntune) | | Voice (SATB) |
| J. Brahms | In stiller Nacht | | Choir (SATB) |
| J. Brahms | Cancion de Cuna | | Recorder, Guitar |
| J. Brahms | Vals no. 3 | O 39 | Guitar |
| J. Brahms | Vals no. 9 | O 39 | Guitar |
| J. Brahms | Waltz No. 10 | Op. 39 | Piano |
| J. Brahms | Waltz No. 15 | Op. 39 | Piano |
| J. Brahms | Brahms Horn Trio | O 40 | Ensemble: Horn, Violin, Piano |
| J. Brahms | Wiegenlied | Op. 49, No. 4 | Voice and Piano |
| J. Brahms | Sapphische Ode | O 94 | Voice and Piano |
| J. Brahms | Nachtwache 1 | Op. 104 | Voice (SATB) |
| J. Brahms | 2. Intermezzo | Op. 118, No. 2 | Piano |
| C. Brey | Cadenza for Haydn Cello Concerto in D major, 1st movement | | Cello |
| C. J. Brown | In a Summer Garden | | Flute |
| C. J. Brown | A Tango Trifle | | Flute |
| C. J. Brown | Bridge of Bows | | 2 violins, viola, cello, double bass, and B-flat bell |
| C. J. Brown | Ebb and Flow | | Flute and Piano |
| C. J. Brown | Lullaby to an Eastern Child | | Flute, and 'Cello or Guitar |
| C. J. Brown | September Song | | Flute and Piano |
| C. J. Brown | Toccatina | | Piano |
| C. J. Brown | A Little Tune Book | | Cello |
| C. J. Brown | Wedding Music | | Trumpet and organ, or flute and piano |
| M. Bruch | Waisenklage | | Choir (SATB) |
| M. Bruch | Wiegenlied der Hirten | | Choir (SATB) |
| A. Bruckner | Perger Präludium | WAB 129 | Organ |
| J. F. F. Burgmüller | La Candeur | Opus 100. | Piano |
| J. F. F. Burgmüller | l'Arabesque | Opus 100. | Piano |
| J. F. F. Burgmüller | La Pastorale | Opus 100. | Piano |
| J. F. F. Burgmüller | La Petite Réunion | Opus 100. | Piano |
| J. F. F. Burgmüller | Innocence | Opus 100. | Piano |
| J. F. F. Burgmüller | Progrès | Opus 100. | Piano |
| J. F. F. Burgmüller | Le Courant Limpide | Opus 100. | Piano |
| J. F. F. Burgmüller | La Gracieuse | Opus 100. | Piano |
| J. F. F. Burgmüller | La Chasse | Opus 100. | Piano |
| J. F. F. Burgmüller | Tendre Fleur | Opus 100. | Piano |
| J. F. F. Burgmüller | La Bergeronnette | Opus 100. | Piano |
| J. F. F. Burgmüller | L'Adieu | Opus 100. | Piano |
| J. F. F. Burgmüller | Consolation | Opus 100. | Piano |
| J. F. F. Burgmüller | La Styrienne | Opus 100. | Piano |
| J. F. F. Burgmüller | Ballade | Opus 100. | Piano |
| J. F. F. Burgmüller | Douce Plainte | Opus 100. | Piano |
| J. F. F. Burgmüller | La Babillarde | Opus 100. | Piano |
| J. F. F. Burgmüller | Inquiétude | Opus 100. | Piano |
| J. F. F. Burgmüller | EL PERDÓN DE PLOËRMEL | | Piano |
| D. Burns | Two | | 2 Guitars |
| D. Buxtehude | Membra Jesu nostri | | SSATB, 2 Violini, 5 Viole da gamba, Violone e Basso Continuo |
| D. Buxtehude | Alles was ihr tut | BuxWV 4 | a9. C.A.T.B Con 5 Viole |
| D. Buxtehude | Ciaconna: Laudate pueri Dominum | BuxWV 69 | 2 Soprano, 5 Viola di gamba, Violone, Basso Continuo |
| D. Buxtehude | Erhalt uns, Herr, bei deinem Wort | BuxWV 185 | Organ |
| D. Buxtehude | Nun bitten wir den heiligen Geist | BuxWV 208 | Organ |
| D. Buxtehude | Nun bitten wir den heiligen Geist | BuxWV 209 | Organ |
| D. Buxtehude | Toccata | BuxWV 155 | Organ |
| M. Carcassi | Trois Sonatines, No. 1 | Op. 1 No. 1 | Guitar |
| M. Carcassi | Trois Sonatines, No. 2 | Op. 1 No. 2 | Guitar |
| M. Carcassi | Trois Sonatines, No. 3 | Op. 1 No. 3 | Guitar |
| M. Carcassi | Six Caprices, No. 1 | Op. 26, No. 1 | Guitar |
| M. Carcassi | Six Caprices, No. 2 | Op. 26 No. 2 | Guitar |
| M. Carcassi | Six Caprices, No. 3 | Op. 26 No. 3 | Guitar |
| M. Carcassi | Six Caprices, No. 4 | Op. 26 No. 4 | Guitar |
| M. Carcassi | Six Caprices, No. 5 | Op. 26 No. 5 | Guitar |
| M. Carcassi | Six Caprices, No. 6 | Op. 26 No. 6 | Guitar |
| M. Carcassi | Preludes in Progressive Keys from Méthode complète pour Guitare | Op. 59 | Guitar |
| M. Carcassi | Two Minor Preludes from Méthode complète pour Guitare | Op. 59 | Guitar |
| M. Carcassi | Etude 1 | O 60 | Guitar |
| M. Carcassi | Etude 2 | O 60 | Guitar |
| M. Carcassi | Etude 3 | O 60 | Guitar |
| M. Carcassi | Etude 4 | O 60 | Guitar |
| M. Carcassi | Etude 5 | O 60 | Guitar |
| M. Carcassi | Etude 6 | O 60 | Guitar |
| M. Carcassi | Etude 7 | O 60 | Guitar |
| M. Carcassi | Etude 8 | O 60 | Guitar |
| M. Carcassi | Etude 9 | O 60 | Guitar |
| M. Carcassi | Etude 10 | O 60 | Guitar |
| M. Carcassi | Etude 11 | O 60 | Guitar |
| M. Carcassi | Etude 12 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 13 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 14 | O 60 | Guitar |
| M. Carcassi | Etude 15 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 16 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 17 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 18 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 19 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 20 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 21 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 22 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 23 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 24 | O 60 | Guitar |
| M. Carcassi | 25 Studies: No. 25 | O 60 | Guitar |
| M. Carcassi | Guitar-Skole no. 15 : Allegretto | | Guitar |
| M. Carcassi | Guitar-Skole no. 19 : Allegretto | | Guitar |
| M. Carcassi | Guitar-Skole no. 22 : Allegretto | | Guitar |
| H. Carey | Sally in Our Alley | | Voice and Piano |
| F. Carulli | Duet in G | | Guitar Duet |
| F. Carulli | Fughetta | | Guitar Duet |
| F. Carulli | Guitar-Skole no. 1 : Waltz, op. 241, no 1 | | Guitar |
| F. Carulli | Guitar-Skole no. 6 : Waltz, op. 241, no. 4 | | Guitar |
| F. Carulli | Guitar-Skole no. 8 : Andantino, Andante, op. 241, no. 5 | | Guitar |
| F. Carulli | Guitar-Skole no. 11 : Tempo di Valse | | Guitar |
| F. Carulli | Guitar-Skole no. 13 : Andante grazioso | | Guitar |
| F. Carulli | Guitar-Skole no. 17 : Tempo di Valse | | Guitar |
| F. Carulli | Guitar-Skole no. 20 : Poco Allegro | | Guitar |
| D. Caudioso | Concerto di mandolino a solo con Violini e Basso (Gimo 58) | | Ensemble: Mandolin, 2 Violins, 'Cello |
| E. Cavallini | Thirty Caprices: No. 1 | | Clarinet |
| E. Cavallini | Thirty Caprices: No. 3 | | Clarinet |
| E. Cavallini | Thirty Caprices: No. 4 | | Clarinet |
| E. Cavallini | Thirty Caprices: No. 7 | | Clarinet |
| E. Cavallini | Thirty Caprices: No. 8 | | Clarinet |
| C. Cecere | Concerto di Mandolino con Violini, e Basso (Gimo 60) | | Ensemble: Mandolin, 2 Violins, 'Cello |
| G. Ceresini | Vorrei baciarti | | Voice (TB), Basso Continuo |
| E. A. Chabrier | Larghetto for Horn and Orchestra | | Horn |
| M.-A. Charpentier | David et Jonathas | H490 | Voice, Orchestra |
| F. F. Chopin | Trois Nouvelles Etudes, No. 1 F Minor | B.130 | Piano |
| F. F. Chopin | Mazurka: Op.6, No.1 | Op. 6, No. 1 | Piano |
| F. F. Chopin | Nocturne | Op. 9, No. 2 | Piano |
| F. F. Chopin | Nocturne No. 3 | Opus 9, No. 3 | Piano |
| F. F. Chopin | Nocturne No. 1 in B-flat minor | Op. 9, No. 1 | Piano |
| F. F. Chopin | Etüde a-moll | Op. 10, No. 2 | Piano |
| F. F. Chopin | Etüde f-moll | Op. 10, No. 9 | Piano |
| F. F. Chopin | Etüde C-Dur | Opus 10, No. 1 | Piano |
| F. F. Chopin | Etüde Ges-Dur | Opus 10, No. 5 | Piano |
| F. F. Chopin | Etüde c-moll | Opus 10, No. 12 | Piano |
| F. F. Chopin | Première Ballade | Op.23 | Piano |
| F. F. Chopin | Etüde f-moll | Op. 25, No. 2 | Piano |
| F. F. Chopin | Etüde As-Dur | Op. 25, No. 1 | Piano |
| F. F. Chopin | Nocturne 8 in Db Major | O 27 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 1 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 2 | Op. 28 | Piano |
| F. F. Chopin | Prélude 3 | Op 28, No 3 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 4 ('Suffocation') | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 4 (from Peters source) | Op. 28 | Piano |
| F. F. Chopin | Prélude 5 | Op 28, No 5 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 6 | Op. 28 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 7 | Op. 28 | Piano |
| F. F. Chopin | Prélude 8 | Op 28, No 8 | Piano |
| F. F. Chopin | Prélude 9 | Op 28, No 9 | Piano |
| F. F. Chopin | Prélude 10 | Op 28, No 10 | Piano |
| F. F. Chopin | Prélude 11 | Op 28, No 11 | Piano |
| F. F. Chopin | Prélude 12 | Op 28, No 12 | Piano |
| F. F. Chopin | Prélude 13 | Op 28, No 13 | Piano |
| F. F. Chopin | Prélude 14 | Op 28, No 14 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 15 | Op. 28 | Piano |
| F. F. Chopin | Prélude 16 | Op 28, No 16 | Piano |
| F. F. Chopin | Prélude 17 | Op 28, No 17 | Piano |
| F. F. Chopin | Prélude 18 | Op 28, No 18 | Piano |
| F. F. Chopin | Prélude 19 | Op 28, No 19 | Piano |
| F. F. Chopin | Prelude: Op. 28, No. 20 | Op. 28 | Piano |
| F. F. Chopin | Prélude 21 | Op 28, No 21 | Piano |
| F. F. Chopin | Prélude 22 | Op 28, No 22 | Piano |
| F. F. Chopin | Prélude 23 | Op 28, No 23 | Piano |
| F. F. Chopin | Prélude 24 | Op 28, No 24 | Piano |
| F. F. Chopin | Mazurka: Op.33, No.1 | Op. 33, No. 1 | Piano |
| F. F. Chopin | Sonate 2 b-moll | Op. 35 | Piano |
| F. F. Chopin | Prelude | Op. 45 | Piano |
| F. F. Chopin | Ballade number 4 | O 52 | Piano |
| F. F. Chopin | Valse Op. 64, No. 1 ('Minute Waltz') | Op. 64 | Piano |
| F. F. Chopin | Fantaisie-Impromptu | Op. 66 | Piano |
| F. F. Chopin | Walzer h-moll | Op. 69, No. 2 | Piano |
| F. F. Chopin | Nocturne No. 19 in E minor | Op. 72, No. 1 | Piano |
| Claribel [C. A. Barnard | I Cannot Sing the Old Songs | | Voice and Piano |
| F. S. Clark | Marche aux Flambeaux | | Harmonium |
| M. Clementi | Sonatina | O 36 | Piano |
| M. Clementi | Clementi's Art of Playing on the Piano Forte | Op. 42 | Piano, Pianoforte, Harpsichord, Clavichord |
| G. Cocchi | Sinfonia a due mandolini e Basso (Gimo 76) | | 2 Mandolins, Bass |
| O. Comeau | Ellen's Song | | Piano |
| A. Corelli | Concerto grosso op.6 no.8 Christmas concerto | Op. 6, No. 8 | String Quartet: Violins, Viola, 'Cello |
| P. Cornelius | Grablied | Op. 9, No. 4 | Choir (TTBB) |
| P. Cornelius | Ein Ton | | Voice and Piano |
| N. Coste | Guitar-Skole no. 10 : Menuett, fra det 17de Aarhundrede | | Guitar |
| N. Coste | Guitar-Skole no. 23 : Allegro | | Guitar |
| N. Coste | Guitar-Skole no. 24 : Gavotte, fra. det 17de Aarhundrede | | Guitar |
| F. Couperin | L'Art de toucher le clavecin | | Harpsichord |
| F. Couperin | Aspiratio mentis ad Deum | | Haute-contre, Taille, Basse Continue |
| F. Couperin | Dialogus inter Jesum et hominem | | Haute-contre, Basse, Basse Continue |
| F. Couperin | Precatio ad Deum | | Ensemble: Basse-tailles, Basse, Basse Continue |
| F. Couperin | Salve Regina | | Haute-contre, Basse Continue |
| F. Couperin | Salvum me fac Deus | | Ensemble: Basse, Violons, Flûtes, Basse Continue |
| F. Couperin | Usquequo Domine | | Haute-contre, Basse Continue |
| W. Croft | St. Anne (hymntune) | | Voice (SATB) |
| Arcangelo Crotti | Sancta Maria | | Voice (S), 2 Cornetts (Violins), Trombone, Basso Continuo |
| J. Cruger | Jesus, meine Zuversicht (hymntune) | | Voice (SATB) |
| C. Czerny | 50 Melodische Übungsstücke, No. 1 | Op. 840, No. 1 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 2 | Op. 840, No. 2 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 3 | Op. 840, No. 3 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 4 | Op. 840, No. 4 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 5 | Op. 840, No. 5 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 6 | Op. 840, No. 6 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 7 | Op. 840, No. 7 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 8 | Op. 840, No. 8 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 9 | Op. 840, No. 9 | Piano |
| C. Czerny | 50 Melodische Übungsstücke, No. 10 | Op. 840, No. 10 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 1 | Op. 821, No. 1 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 2 | Op. 821, No. 2 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 3 | Op. 821, No. 3 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 4 | Op. 821, No. 4 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 5 | Op. 821, No. 5 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 6 | Op. 821, No. 6 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 7 | Op. 821, No. 7 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 8 | Op. 821, No. 8 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 9 | Op. 821, No. 9 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 10 | Op. 821, No. 10 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 11 | Op. 821, No. 11 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 12 | Op. 821, No. 12 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 13 | Op. 821, No. 13 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 14 | Op. 821, No. 14 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 15 | Op. 821, No. 15 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 16 | Op. 821, No. 16 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 17 | Op. 821, No. 17 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 18 | Op. 821, No. 18 | Piano |
| C. Czerny | 160 Eight-Measure Exercises, No. 19 | Op. 821, No. 19 | Piano |
| J.-F. Dandrieu | Offertoire | | Organ |
| J.-F. Dandrieu | Fugue sur l'hymne de la Vierge, Ave Maris Stella | | Organ |
| C. Debussy | Première Arabesque | L66 No.1 | Piano |
| C. Debussy | Deuxième Arabesque | L66 No.2 | Piano |
| C. Debussy | Suite Bergamasque: Clair de Lune | L75 | Piano |
| C. Debussy | Prélude 4: Les sons et les parfums tournent dans l'air du soir | CD 125; L.117 | Piano |
| C. Debussy | Debussy Préludes, Book 1 | CD 125; L.117 | Piano |
| P. Delmet | Envoi de Fleurs | | Organ |
| F. Devienne | Oboe Sonata No. 2 in F (Rondeau) | from Opus 70 | Oboe and Bassoon (or other unfigured basso continuo) |
| F. Devienne | Oboe Sonata No. 5 in D minor | Opus 71 | Oboe and Bassoon |
| A. Diabelli | 28 melodische Übungsstücke (No. 1) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 2) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 3) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 4) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 5) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 6) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 7) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 8) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 9) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 10) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 11) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 12) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 13) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 14) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 15) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 16) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 17) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 18) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 19) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 20) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 21) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 22) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 23) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 24) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 25) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 26) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 27) | Op. 149 | Piano Duet |
| A. Diabelli | 28 melodische Übungsstücke (No. 28) | Op. 149 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-1 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-1 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-1 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-1 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-2 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-2 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-2 | Piano Duet |
| A. Diabelli | Jugendfreuden - Sechs Sonatinen | Opus 163-2 | Piano Duet |
| C. J. Dickinson | Agape (hymntune) | | Voice (SATB) |
| W. H. Doane | Near the Cross | | Voice and Piano |
| W. H. Doane | To God be the Glory | | Voice (SATB) |
| W. H. Doane | I Am Thine (hymntune) | | Voice (SATB) |
| W. H. Doane | More Love to Thee (hymntune) | | Voice (SATB) |
| W. H. Doane | To God Be the Glory (hymntune) | | Voice (SATB) |
| G. Donizetti | String Quartet nr. 18 in E minor | | String Quartet: Two Violins, Viola, 'Cello |
| S. C. Doonan | Enchanted Island | | Piano |
| J. Dowland | Unquiet Thoughts | Ayres and Lute Songs I | Voice (SATB) |
| J. Dowland | Come Again | Ayres and Lute Songs XVII | Voice (SATB) |
| P. Dukas | Villanelle | | Horn and Piano |
| J. L. Dussek | Six sonates faciles pour le Piano Forte (I) | Opus 46 no. 1 (Craw 17) | Piano |
| J. L. Dussek | Six sonates faciles pour le Piano Forte (II) | Opus 46 no. 2 (Craw 18) | Piano |
| J. L. Dussek | Six sonates faciles pour le Piano Forte (III) | Opus 46 no. 3 (Craw 19) | Piano |
| J. L. Dussek | Six sonates faciles pour le Piano Forte (IV) | Opus 46 no. 4 (Craw 20) | Piano |
| J. L. Dussek | Six sonates faciles pour le Piano Forte (V) | Opus 46 no. 5 (Craw 21) | Piano |
| J. L. Dussek | Six sonates faciles pour le Piano Forte (VI) | Opus 46 no. 6 (Craw 22) | Piano |
| F. Van Duyse | Here Halewijn sanc een liedekijn | | SATB and Harmonium |
| F. Van Duyse | Het daghet in den Oosten | | SATB and Harmonium |
| F. Van Duyse | Het wasser te nacht also soete nacht | | SATB and Harmonium |
| F. Van Duyse | Er was een maegdetje zuiver en net | | Women's choir and Harmonium |
| F. Van Duyse | Willen wy 't haesken jagen door de hei? | | Men's choir and Harmonium |
| A. Dvořák | 4 Romantic Pieces, Op. 4 | Op. 4, B. 150 | Violin, Piano |
| A. Dvořák | Als die alte Mutter | O 55 | Voice and Piano |
| A. Dvořák | Symphony Nr. 7 | Op.70 | Orchestra |
| A. Dvořák | Symphony No. 9 in E minor | Op. 95 | Orchestra |
| A. Dvořák | String Quartet No.12 | O 96 | violin, viola, cello |
| J. B. Dykes | Melita (hymntune) | | Voice (SATB) |
| J. B. Dykes | Nicaea (hymntune) | | Voice (SATB) |
| J. B. Dykes | St. Agnes (hymntune) | | Voice (SATB) |
| H. Eccles | Sonata in G minor | | Violin |
| E. Elgar | There is Sweet Music | Op. 53, No. 1 | Voice (S.S.A.A.T.T.B.B.) |
| J. Ellor | Diadem | | Voice (SATB) |
| G. J. Elvey | Diademata | | Voice (SATB) |
| D. D. Emmett | Oh! Boatman, Haste! | | Mixed Voices and Piano |
| M. Farinel | 5. Faronell's Division on a Ground | | Violin |
| G. Fauré | Les matelots | O 2 | Voice and Piano |
| G. Fauré | Après un Rêve | Op. 7 | Voice, Piano |
| G. Fauré | Les Djinns | O 12 | Voice and Piano |
| G. Fauré | Aurore | Op. 39, №1 | Voice and Piano |
| G. Fauré | Fleur jetée | Op. 39, №2 | Voice and Piano |
| G. Fauré | Le pays des rêves | Op. 39, №3 | Voice and Piano |
| G. Fauré | Les roses d’Ispahan | Op. 39, №4 | Voice and Piano |
| G. Fauré | Pavane | Op. 50 | flute, guitar |
| G. Fauré | Berceuse | Op. 56 | Flute and Guitar |
| G. Fauré | Sicilienne | O 78 | Guitar |
| J. Field | Nocturne | H.37 | Piano |
| J. K. F. Fischer | Erato Allemande | Muse of poetry, erotic poetry in particular (Erato) | Harpsichord, Piano |
| J. K. F. Fischer | Erato Praeludium | Muse of poetry, erotic poetry in particular (Erato) | Harpsichord, Piano |
| S. C. Foster | Hard Times Come Again No More | | Voice and Piano |
| S. C. Foster | The Old Folks At Home (Swanee River) | | guitar |
| S. C. Foster | Slumber My Darling | | Voice and Piano |
| C. Franck | Prélude | FWV 30 | Organ |
| C. Franck | Ave Maria | FWV 62 | Mezzo-soprano or Baryton and Organ |
| R. Franz | Gute Nacht! | O 5 | Voice and Piano |
| R. Franz | Es hat die Rose sich beklagt | Op 42, No 5 | Voice and Piano |
| Friedrich II of Prussia | Sinfonia | | Ensemble: Flutes, Oboes, Horns, Strings, Basso Continuo |
| J. J. Froberger | Suite VII in E minor | | Harpsichord |
| R. Fuchs | Des Kindleins Wiegenlied | | Choir (SATB) |
| G. Gabellone | Concerto di mandolino con Violini e Basso obligati (Gimo 88) | | Ensemble: Mandolin, 2 Violins, 'Cello |
| V. Galilei | Saltarello | | Guitar |
| G. Gastoldi | Al mormorar de' liquidi cristalli, Madrigale a 6 voci | | Voice (SSAATB) |
| H. J. Gauntlett | Irby (hymntune) | | Voice (SATB) |
| G. Gershwin | Rialto Ripples | | Guitar |
| G. B. Gervasio | Sonata Per Camera di Mandolino e Basso (Gimo 141) | | Mandolin and Bass |
| G. B. Gervasio | Sonata Per Camera di Mandolino e Basso (Gimo 142) | | Mandolin and Bass |
| G. B. Gervasio | Sonata Per Camera di Mandolino e Basso (Gimo 144) | | Mandolin and Bass |
| G. B. Gervasio | Sonata per Mandolino e Basso (Gimo 145) | | Mandolin and Bass |
| G. B. Gervasio | Duetto à Due Mandolini (Gimo 147) | | 2 Mandolins |
| G. B. Gervasio | Sonata per Camera di Mandolino è Basso (Gimo 149) | | 2 Mandolins, Bass |
| G. B. Gervasio | Trio a Due Mandolini e Basso (Gimo 150) | | 2 Mandolins, Bass |
| C. Gesualdo | Dolcissima mia vita | | Voice (SSATB) |
| Felice de Giardini | Italian Hymn (hymntune) | | Voice (SATB) |
| O. Gibbons | The Silver Swan | | Voice (SAATB) |
| E. Gigout | Dix Pièces pour orgue : Toccata | | Organ |
| G. Giordano | Caro Mio Ben (Come Once Again) | | Voice and Piano |
| M. Giuliani | Étude 1 | Opus 1 | Guitare |
| M. Giuliani | Étude 2 | Opus 1 | Guitare |
| M. Giuliani | Étude 3 | Opus 1 | Guitare |
| M. Giuliani | Étude 4 | Opus 1 | Guitare |
| M. Giuliani | Étude 5 | Opus 1 | Guitare |
| M. Giuliani | Étude 6 | Opus 1 | Guitare |
| M. Giuliani | Etudes, No. 10 | Op. 1 No. 10 | Guitar |
| M. Giuliani | Sonate Brilliant | Op. 15 | Guitar |
| M. Giuliani | Six Variations for Guitar | Op. 38 | Guitar |
| M. Giuliani | Opus 50 No. 1 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 2 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 3 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 4 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 5 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 6 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 7 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 8 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 9 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 10 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 11 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 12 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 13 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 14 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 15 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 16 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 17 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 18 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 19 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 20 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 21 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 22 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 23 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 24 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 25 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 26 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 27 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 28 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 29 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 30 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 31 | Op. 50 | Guitar |
| M. Giuliani | Opus 50 No. 32 | Op. 50 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 1 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 2 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 3 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 4 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 5 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 6 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 7 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 8 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 9 | Op. 51 | Guitar |
| M. Giuliani | 18 Progressive Lessons, No. 10 | Op. 51 | Guitar |
| M. Giuliani | 16 Studies for the Guitar | Op. 59 No. 1 | Guitar |
| M. Giuliani | 16 Studies for the Guitar | Op. 59 No. 2 | Guitar |
| M. Giuliani | 16 Studies for the Guitar | Op. 59 No. 3 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: 4 | Op. 59 No. 4 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 5 | Op. 59 No. 5 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 6 | Op. 59 No. 6 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 7 | Op. 59 No. 7 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 8 | Op. 59 No. 8 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 9 | Op. 59 No. 9 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 10 | Op. 59 No. 10 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 11 | Op. 59 No. 11 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 12 | Op. 59 No. 12 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 13 | Op. 59 No. 13 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 14 | Op. 59 No. 14 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 15 | Op. 59 No. 15 | Guitar |
| M. Giuliani | 16 Studies for the Guitar: No. 16 | Op. 59 No. 16 | Guitar |
| M. Giuliani | Divertissements, No. 1 | Op. 78 No. 1 | Guitar |
| M. Giuliani | Divertissements, No. 2 | Op. 78 No. 2 | Guitar |
| M. Giuliani | Divertissements, No. 3 | Op. 78 No. 3 | Guitar |
| M. Giuliani | Divertissements, No. 4 | Op. 78 No. 4 | Guitar |
| M. Giuliani | Divertissements, No. 5 | Op. 78 No. 5 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 1 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 2 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 3 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 4 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 5 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 6 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 7 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 8 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 9 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 10 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 11 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 12 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 13 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 14 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 15 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 16 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 17 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 18 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 19 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 20 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 21 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 22 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 23 | Op. 100 | Guitar |
| M. Giuliani | 24 Studies for the Guitar, No. 24 | Op. 100 | Guitar |
| M. Giuliani | Serenade op.127 nr.1: Maestoso | O 127 | Flute, Violin |
| G. Giuliano | Sonata in E Per Mandolino, e Basso | | Mandolin and Bass |
| G. Giuliano | Sonata in Ess Per Mandolino, e Basso | | Mandolin and Bass |
| G. Giuliano | Sinfoni per Mannolino con Più Istromenti (Gimo 153) | | Ensemble: Mandolin, Violin, 'Cello, Bass |
| C. G. Glaser | Azmon (hymntune) | | Voice (SATB) |
| A. Glazunov | Rêverie | Op.24 | Horn and Piano |
| C. W. Glover | Do They Think of Me At Home? | | Voice and Piano |
| L. Streabbog | Les étoiles d'or, No. 1 Valse | | Piano |
| J. Goss | Lauda Anima (hymntune) | | Voice (SATB) |
| F.-J. Gossec | Symphonie n°2 | | Orchestra: Oboe, Horn, Violin, Alto, Bass |
| F.-J. Gossec | Symphonie n°1 | | Orchestra: Oboe, Horn, Violin, Alto, Bass |
| L. M. Gottschalk | The Dying Swan | Op. 100 | Piano |
| C. Gounod | Ave Maria: Meditation on the First Prelude in C by J. S. Bach | | Piano, Violin |
| C. Gounod | Ave Maria: Meditation on the First Prelude of J. S. Bach | | Transcribed for Trumpet |
| Enrique Granados | Danzas Españolas No. 2, Oriental | Op. 37 | 2 Guitars |
| A. Grandi | Litania | | Voices (SSA), Basso Continuo |
| H. W. Greatorex | Gloria Patri (Greatorex) (hymntune) | | Voice (SATB) |
| M. Greiter | Old 113th (hymntune) | | Voice (SATB) |
| E. Grieg | Ich liebe dich | O 5 | Voice and Piano |
| E. Grieg | Albumblatt in E minor | Op 12, No 7 | Piano |
| E. Grieg | Aase's Death from Peer Gynt Suite I | O 46, No. 2 | String Quartet: Violins, Viola, Cello, Double Bass |
| E. Grieg | Ases Tod | O 46, No. 2 | Piano |
| E. Grieg | Anitra's Dance (Tanz) from Peer Gynt Suite I | O 46, No. 3 | String Ensemble: Violins, Violas, Cello, Double Bass, Triangle |
| E. Grieg | In the Hall of the Mountain King | Op. 46, No. 4 | Piano |
| E. Grieg | Troldtog (March of the Dwarfs) | Op. 54, No. 3 | Piano |
| E. Grieg | Hjemkomst | Op. 58, No.1 | Piano, Voice |
| E. Grieg | Wedding-day at Troldhaugen | O 65 | Piano |
| E. Grieg | Lualåt (The Mountaineer's Song) | Op. 73, No. 7 | Piano |
| N. de Grigny | Fugue à 5 | | Organ |
| F. X. Gruber | Stille Nacht | | Guitar |
| F. X. Gruber | Stille Nacht | | Voice (SA) and Guitar |
| F. X. Gruber | Stille Nacht (hymntune) | | Voice (SATB) |
| R. B. Hall | Tenth Regiment March | | Concert Band: Flutes, Oboe, Bassoon, Clarinets, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Trumpets, Cornets, Horns, Trombones, Euphonium, Basses, Drums, Bells, Timpani |
| G. F. Handel | Ouvertüre | | Harpsichord, Piano |
| G. F. Handel | Entrée | | Harpsichord, Piano |
| G. F. Handel | Gavotte | | Harpsichord, Piano |
| G. F. Handel | Toccata | | Harpsichord, Piano |
| G. F. Handel | Fuga | | Harpsichord, Piano |
| G. F. Handel | Impertinence | | Harpsichord, Piano |
| G. F. Handel | Concerto | | Harpsichord, Piano |
| G. F. Handel | Preludio | | Harpsichord, Piano |
| G. F. Handel | Menuet I | | Harpsichord, Piano |
| G. F. Handel | Menuet II (Trio) | | Harpsichord, Piano |
| G. F. Handel | Allegro | | Harpsichord, Piano |
| G. F. Handel | Menuet | | Harpsichord, Piano |
| G. F. Handel | Air | | Harpsichord, Piano |
| G. F. Handel | Menuet I | | Harpsichord, Piano |
| G. F. Handel | Menuet II (Trio) | | Harpsichord, Piano |
| G. F. Handel | Air | | Harpsichord, Piano |
| G. F. Handel | Allemande | | Harpsichord, Piano |
| G. F. Handel | Passepied (et Menuet) | | Harpsichord, Piano |
| G. F. Handel | Menuet (Trio) | | Harpsichord, Piano |
| G. F. Handel | Sonatina | | Harpsichord, Piano |
| G. F. Handel | La Réjouissance des Feux d'Artifice Royaux (Royal Fireworks) | HWV 351 | Trumpet, Organ/Piano |
| G. F. Handel | Cara sposa, amanta cara , Aria from Rinaldo | HWV 7 | Voice (Soprano), String Ensemble, Basso Continuo |
| G. F. Handel | Solo dal brando , Aria from Rinaldo | HWV 7 | Voice (Alto), String Ensemble, Basso Continuo |
| G. F. Handel | Sulla ruota di fortuna , Aria from Rinaldo | HWV 7 | Voice (Alto) and Basso Continuo |
| G. F. Handel | La vendetta e un cibo , Aria from Silla | HWV 10 | Voice (Alto), String Ensemble, Basso Continuo |
| G. F. Handel | Giulio Cesare | HWV 17 | Dramatis Personae (Voice: 2 Sopranos, 3 Alto Castratos, Contralto, 2 Basses) and Orchestra (2 Recorders, Flute, 2 Oboes, 2 Bassoons, 4 Horns, Solo Violin, Violins, Violas, Viola da Gamba, Cellos, Harp, Theorbo (Large Lute), Continuo) |
| G. F. Handel | Agitato da fiere tempeste , Aria from Riccardo primo | HWV 19 | Voice (Alto), Oboes, String Ensemble, Basso Continuo |
| G. F. Handel | Io già t'amai , Aria from Rodelinda | HWV 19 | Voice (Tenor), String Ensemble, Basso Continuo |
| G. F. Handel | No! Risolvo abbandonar , Aria from Alessandro | HWV 21 | Voice (Alto), String Ensemble, Basso Continuo |
| G. F. Handel | La gloria sola , Aria from Admeto | HWV 22 | Voice (Bass), Oboes, String Ensemble, Basso Continuo |
| G. F. Handel | Non pensi quell'altera , Aria from Lotario | HWV 26 | Voice (Tenor), String Ensemble, Basso Continuo |
| G. F. Handel | Gavotta from Atalanta | HWV 35 | Ensemble: Trumpets, Timpani |
| G. F. Handel | Impara, ingrata , Aria from Atalanta | HWV 35 | Voice (Basso), String Ensemble, Basso Continuo |
| G. F. Handel | Corri, vola, a' tuoi trofei , Aria from Giustino | HWV 37 | Voice (Soprano), Oboes, String Ensemble, Basso Continuo |
| G. F. Handel | Sol la brama di vendetta , Aria from Faramondo | HWV 39 | Voice (Basso), String Ensemble, Basso Continuo |
| G. F. Handel | Vado a recar la morte , Aria from Faramondo | HWV 39 | Voice (Basso), String Ensemble, Basso Continuo |
| G. F. Handel | Voglio che sia l'indegno, Aria from Faramondo | HWV 39 | Voice (Soprano), String Ensemble, Basso Continuo |
| G. F. Handel | Signor, Signor, lasciate far a me (Serse) | | Voice (Bass), Piano |
| G. F. Handel | Se potessero i sospir' miei , Aria from Imeneo | HWV 41 | Voice (Alto), String Ensemble, Basso Continuo |
| G. F. Handel | Al tardar della vendetta , Aria from Deidamia | HWV 42 | Voice (Bass), String Ensemble, Basso Continuo |
| G. F. Handel | Grecia tu offendi , Aria from Deidamia | HWV 42 | Voice (Alto), String Ensemble, Basso Continuo |
| G. F. Handel | Marche from Deidamia | HWV 42 | Trumpets, Horns, Kettledrum, String Ensemble, Basso Continuo |
| G. F. Handel | Nelle nubi intorno al Fato , Aria from Deidamia | HWV 42 | Voice (Bass), String Ensemble, Basso Continuo |
| G. F. Handel | Ecco il sol , Aria from La Resurrezione | HWV 47 | Voice (Tenor), String Ensemble, Basso Continuo |
| G. F. Handel | Messiah | HWV 56 | Voice and Orchestra |
| G. F. Handel | Fra l'ombre e gl'orrori , Aria from Aci, Galatea e Polifemo | HWV 72 | Voice (Bass), String Ensemble, Basso Continuo |
| G. F. Handel | Precipitoso nel mar , Aria from Aci, Galatea e Polifemo | HWV 72 | Voice (Bass), String Ensemble, Basso Continuo |
| G. F. Handel | Tanti strali, Duetto XII | HWV 197 | 2 Voices (Soprano, Alto), Basso Continuo |
| G. F. Handel | Nine German Arias | HWV 202-210 | Soprano, Violin/Oboe/Flute, Basso Continuo |
| G. F. Handel | Sonata II, from Op. 1 | HWV 360 | Recorder and Basso Continuo |
| G. F. Handel | Sonata for Violin and Piano HWV 361 | HWV 361 | Violin and Piano |
| G. F. Handel | Sonata VII, from Op. 1 | HWV 365 | Recorder and Basso Continuo |
| G. F. Handel | Sonata XI, from Op. 1 | HWV 369 | Recorder and Basso Continuo |
| G. F. Handel | Sonata for Violin and Piano HWV 370 | HWV 370 | Violin and Piano |
| G. F. Handel | Sonatina in B-flat Major | HWV 585 | Piano |
| G. F. Handel | Gloria in Excelsis Deo | HWV deest. | Soprano, 2 Violins, Basso Continuo |
| G. F. Handel | Antioch (hymntune) | | Voice (SATB) |
| G. F. Handel | Hallelujah Chorus from Messiah | HWV 56 | Voice (SATB), Orchestra: Strings (Violins, Viola, Cello, Bass), Oboes, Bassoons, Trumpet, Timpani |
| C. L. Hanon | The Virtuoso Pianist (Part I) | | Piano |
| J. A. Hasse | Se del fiume , Aria from Artaserse | | Voice (Soprano), String Ensemble, Basso Continuo |
| T. Hastings | Toplady | | Voice (SATB) |
| J. Hatton | Duke Street | | Voice (SATB) |
| F. J. Haydn | Austria | | Voice (SATB) |
| F. J. Haydn | Das Lied der Deutschen | | Choir (SATB) |
| F. J. Haydn | Der Greis | | Choir (SATB) |
| F. J. Haydn | Sonate I, I - Allegro con brio | Hob. XVI:27 | Harpsichord, Piano |
| F. J. Haydn | Sonate I, II - Menuetto | Hob. XVI:27 | Harpsichord, Piano |
| F. J. Haydn | Sonate I, III - Presto | Hob. XVI:27 | Harpsichord, Piano |
| F. J. Haydn | Sonate II, I - Allegro moderato | Hob. XVI:28 | Harpsichord, Piano |
| F. J. Haydn | Sonate II, II - Menuetto | Hob. XVI:28 | Harpsichord, Piano |
| F. J. Haydn | Sonate II, III - Presto | Hob. XVI:28 | Harpsichord, Piano |
| F. J. Haydn | String Quartet in B-flat major | Op. 1 No. 1 | String Quartet |
| F. J. Haydn | String Quartet in E-flat major | Op. 1 No. 2 | String Quartet |
| F. J. Haydn | String Quartet in D major | Op. 1 No. 3 | String Quartet |
| F. J. Haydn | String Quartet in G major | Op. 1 No. 4 | String Quartet |
| F. J. Haydn | String Quartet in G major | Op. 76 No. 1 | String Quartet |
| F. J. Haydn | String Quartet in D minor | Op. 76 No. 2 | String Quartet |
| F. J. Haydn | String Quartet in C major | Op. 76 No. 3 | String Quartet |
| F. J. Haydn | String Quartet in B-flat major | Op. 76 No. 4 | String Quartet |
| F. J. Haydn | String Quartet in D major | Op. 76 No. 5 | String Quartet |
| F. J. Haydn | String Quartet in E-flat major | Op. 76 No. 6 | String Quartet |
| F. J. Haydn | Air (Raphael) | Hob. XXI:2 | Voice (Bass) and piano |
| F. J. Haydn | Tantum Ergo Sacramentum | | Voice (SATB) |
| J. M. Haydn | Lyons (hymntune) | | Voice (SATB) |
| P. Heise | Gravsang af Shakespeare's Cymbeline | | Male choir TTBB |
| E. Hildach | Im Volkston | O 13 | Voice and Piano |
| G. T. Holst | Terzetto | H158 | Flute, Oboe, Viola |
| G. T. Holst | Thaxted | | Voice (SATB) |
| G. T. Holst | Cranham (hymntune) | | Voice (SATB) |
| F. Horetzky | Nº. 1. March by Rossini. | | Classical Guitar |
| F. Horetzky | Nº. 2. Russian Air. | | Classical Guitar |
| F. Horetzky | Nº. 3. Andante by Beethoven. | | Classical Guitar |
| F. Horetzky | Nº. 4. The Last Rose of Summer. | | Classical Guitar |
| F. Horetzky | Nº. 5. French Air. | | Classical Guitar |
| F. Horetzky | Nº. 6. Un Noel. | | Classical Guitar |
| F. Horetzky | Nº. 7. Le Petit Tambour. | | Classical Guitar |
| F. Horetzky | Nº. 8. Russian Air. | | Classical Guitar |
| F. Horetzky | Nº. 9. Polish National Air. | | Classical Guitar |
| F. Horetzky | Nº. 10. Untitled. | | Classical Guitar |
| F. Horetzky | Nº. 11. German Air. | | Classical Guitar |
| F. Horetzky | Nº. 12. Russian Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 13. John Anderson, My Jo. | | Classical Guitar |
| F. Horetzky | Nº. 14. Tyrolian Air. | | Classical Guitar |
| F. Horetzky | Nº. 15. Danish Air. | | Classical Guitar |
| F. Horetzky | Nº. 16. Cherubini's Air. | | Classical Guitar |
| F. Horetzky | Nº. 17. Polish Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 18. Kelvin Grove. | | Classical Guitar |
| F. Horetzky | Nº. 19. Podolian Air. | | Classical Guitar |
| F. Horetzky | Nº. 20. Fra Tante Angoscie. | | Classical Guitar |
| F. Horetzky | Nº. 21. Au Clair De la Lune. | | Classical Guitar |
| F. Horetzky | Nº. 22. Dutch Air. | | Classical Guitar |
| F. Horetzky | Nº. 23. Portuguese Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 24. Air by Gelinek. | | Classical Guitar |
| F. Horetzky | Nº. 25. Pyrenese Melody. | | Classical Guitar |
| F. Horetzky | Nº. 26. Polish Air. | | Classical Guitar |
| F. Horetzky | Nº. 27. Scotch Air. | | Classical Guitar |
| F. Horetzky | Nº. 28. Pleyel's Hymn. | | Classical Guitar |
| F. Horetzky | Nº. 29. Scotch Air. “Donald.” | | Classical Guitar |
| F. Horetzky | Nº. 30. Sicilian Mariner's Hymn | | Classical Guitar |
| F. Horetzky | Nº. 31. Auld Lang Syne. | | Classical Guitar |
| F. Horetzky | Nº. 32. German Air. | | Classical Guitar |
| F. Horetzky | Nº. 33. Scots Wha Hae Wi' Wallace Bled. | | Classical Guitar |
| F. Horetzky | Nº. 34. Vive Henri Quatre. | | Classical Guitar |
| F. Horetzky | Nº. 35. Air from the Ballet of Nina. | | Classical Guitar |
| F. Horetzky | Nº. 36. Danish Air. | | Classical Guitar |
| F. Horetzky | Nº. 37. Post Horn Waltz. | | Classical Guitar |
| F. Horetzky | Nº. 38. Old German Air. | | Classical Guitar |
| F. Horetzky | Nº. 39. Air. | | Classical Guitar |
| F. Horetzky | Nº. 40. Polish Air . Krakoviak. | | Classical Guitar |
| F. Horetzky | Nº. 41. Scotch Air. | | Classical Guitar |
| F. Horetzky | Nº. 42. Swedish Air. | | Classical Guitar |
| F. Horetzky | Nº. 43. Danish Air. | | Classical Guitar |
| F. Horetzky | Nº. 44. Il Pleut, Il Pleut, Bergère. | | Classical Guitar |
| F. Horetzky | Nº. 45. Rule Britannia. | | Classical Guitar |
| F. Horetzky | Nº. 46. “C'est L'Amour” a French Air. | | Classical Guitar |
| F. Horetzky | Nº. 47. Scotch Air. | | Classical Guitar |
| F. Horetzky | Nº. 48. An Alexis. | | Classical Guitar |
| F. Horetzky | Nº. 49. March by Rossini. | | Classical Guitar |
| F. Horetzky | Nº. 50. Je Suis Lindor. | | Classical Guitar |
| F. Horetzky | Nº. 51. Scotch Air. Kelso. | | Classical Guitar |
| F. Horetzky | Nº. 52. Polish Air. Krakoviak. | | Classical Guitar |
| F. Horetzky | Nº. 53. German Air. | | Classical Guitar |
| F. Horetzky | Nº. 54. March by Gallenberg. | | Classical Guitar |
| F. Horetzky | Nº. 55. Rousseau's Dream. | | Classical Guitar |
| F. Horetzky | Nº. 56. Chanson Des Marseillois. | | Classical Guitar |
| F. Horetzky | Nº. 57. Old Saxon Air. | | Classical Guitar |
| F. Horetzky | Nº. 58. Sul Margine D'un Rio. | | Classical Guitar |
| F. Horetzky | Nº. 59. Venetian Air. “La Biondina”. | | Classical Guitar |
| F. Horetzky | Nº. 60. Care Pupille By Blangini. | | Classical Guitar |
| C. E. Horsley | All My Heart This Night Rejoices | | Voice (SATB) and Organ or Piano |
| J. Hughes | Cwm Rhondda | | Voice (SATB) |
| J. Hullah | The Three Fishers | | Voice and Piano |
| J. Hullah | The Storm | | Voice and Piano |
| E. Humperdinck | Ein geistlich Abendlied | | Choir (SATB) |
| E. Humperdinck | Mädchenpreis | | Choir (SATB) |
| E. Humperdinck | Mädchenpreis des fahrenden Sängers | | Choir (TTBB) |
| C. Hunter | Possum And Taters | | Piano |
| G. K. Iliev | A Child's Wish | | Piano |
| J. Inalls | Fillmore (hymntune) | | Voice (SATB) |
| M. Ippolitov-Ivanov | Divine Liturgy of St. John Chrysostom | Op. 37, No. 1 | Voice (SATB) |
| J. James | Hen Wlad Fy Nhadau | | Voice |
| C. Janequin | Le Chant des Oyseaux | (Attaignant 1529(?) ) | Choir |
| J. Japart | Tmeiskin | | Recorder |
| T. Jarman | Lyngham (Nativity) | | Voice (SATB) |
| J. Jeffreys | Dyfrdwy | | Quartet and Piano |
| D. Johnson | Receive The Body Of Christ | | Voice (SATB) |
| D. Johnson | The Wise Thief | | Voice (SSA) |
| D. Joly | Tyrolienne | | Guitar |
| S. Joplin | Elite Syncopations | | Piano |
| S. Joplin | Pineapple Rag | | Piano |
| S. Joplin | Something Doing | | Piano |
| S. Joplin | The Strenuous Life | | Piano |
| S. Joplin | Wall Street Rag | | Piano |
| S. Joplin | A Breeze From Alabama | | Piano |
| S. Joplin | Bethena | | Piano |
| S. Joplin | The Entertainer | | Piano |
| S. Joplin | Eugenia | | Piano |
| S. Joplin | Magnetic Rag | | Piano |
| S. Joplin | Maple Leaf Rag | | Piano |
| S. Joplin | Original Rags | | Piano |
| S. Joplin | Peacherine Rag | | Piano |
| S. Joplin | Search-Light Rag | | Piano |
| S. Joplin | Solace | | Piano |
| S. Joplin | Sugar Cane | | Piano |
| S. Joplin | Sun Flower Slow Drag | | Piano |
| S. Joplin | The Easy Winners | | Piano |
| W. H. Jude | Galilee (hymntune) | | Voice (SATB) |
| Franz Joseph Keyper | Romance and Rondo | | Double Bass, Chamber Orchestra |
| G. F. Kiallmark | The Old Oaken Bucket | | Voice and Piano |
| P. P. Knapp | Blessed Assurance (hymntune) | | Voice (SATB) |
| F. Knjze | Six Progressive Studies: No. I | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. II | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. III | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. IV | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. V | | Classical Guitar |
| F. Knjze | Six Progressive Studies: No. VI | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 1 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 2 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 3 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 4 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 5 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 6 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 7 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 8 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 9 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 10 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 11 | | Classical Guitar |
| F. Knjze | Twelve Monferrine: No. 12 | | Classical Guitar |
| C. Kocher | Dix (hymntune) | | Voice (SATB) |
| J. B. Koenig | Franconia (hymntune) | | Voice (SATB) |
| G. Kopprasch | 60 Studies for Low Horn | Op.6 | Horn |
| A. Kopylov | Gladsome Light | | Voice (SATB) |
| Kruetzer | Ladoiska | | Piano |
| J. Küffner | Air varié | | Guitar |
| F. Kuhlau | Sonatine I - Allegro | O 20, No. 1: 1 | Piano |
| F. Kuhlau | Sonatine I - Andante | O 20, No. 1: 2 | Piano |
| F. Kuhlau | Sonatine I - Rondo | O 20, No. 1: 3 | Piano |
| J. Kuhnau | Uns ist ein Kind geboren: 2. Coro | BWV 142 | Voice (SATB) |
| J. Kuhnau | Uns ist ein Kind geboren: 4. Coro | BWV 142 | Voice (SATB) |
| J. Kuhnau | Uns ist ein Kind geboren: 8. Choral | BWV 142 | Voice (SATB) |
| A. Kuhnel | Sonata a due viola da gamba n°6 | | Ensemble: Basso, viola da gamba, viola da gamba |
| R. Kumar | Prelude | | Piano |
| R. Kumar | Flat | | Piano |
| R. Kumar | Jumelle qui joue | | Piano |
| R. Kumar | Lace | | Piano |
| R. Kumar | Lani | | Piano |
| R. Kumar | Unfixed | | Piano |
| R. Kumar | Valse | | Piano |
| R. Kumar | Vase | | Piano |
| F. Lachner | Psalm 42 | | SATB choir |
| E. Lalo | L'Esclave | | Voice and Piano |
| O. de Lassus | Sibylla Samia | | Voice (SATB) |
| F. Laub | Romanze für Violine und Klavier | Op. 7 | Violin, Piano |
| L. Leo | Misero pargoletto, Aria from Demofoonte | | Voice (Soprano), String Ensemble, Basso Continuo |
| F. Liszt | Consolation, S.172 No.1 | S.172 | Piano |
| F. Liszt | Consolation, S.172 No.3 | S.172 | Piano |
| F. Liszt | Consolation, S.172 No.4 | S.172 | Piano |
| F. Liszt | Second Ballade | | Piano |
| J. B. Loeillet | Trio Sonata No. 12 | Op. 2 | Flute, violin and guitar |
| A. Lotti | Crucifixus a 10 voce | | 3 Soprani, 2 Alti, 2 Tenori, 3 Bassi |
| R. Lowry | Hanson Place (hymntune) | | Voice (SATB) |
| J. B. Lully | Le ballet de la revente des habits du ballet et comédie | LWV05 | Orchestra, Voice |
| J. B. Lully | Ballet de l'amour malade | LWV08 | Orchestra, Voice |
| J. B. Lully | Les Plaisirs de l'Île Enchantée | LWV22 | Voice, Orchestra |
| J. B. Lully | Le Bourgeois Gentilhomme | LWV43 | Voice, Orchestra |
| J. B. Lully | Psyché | LWV56 | Voice, Orchestra |
| J. B. Lully | Phaéton | LWV61 | Voice, Orchestra |
| J. B. Lully | Acte II, Scene III from Armide | LWV 71 | Voice (Tenor), String Ensemble, Basso Continuo |
| J. B. Lully | Armide | LWV71 | Voice, Orchestra |
| J. B. Lully | Salve Regina | LWV 77 | Voice and Bass |
| M. Luther | Ein' Feste Burg (hymntune) | | Voice (SATB) |
| M. Luther | Luther | | Voice (SATB) |
| P. C. Lutkin | The Lord Bless You and Keep You | | 2 trumpets, trombone and tuba |
| P. C. Lutkin | The Lord Bless You and Keep You | | 2 guitars and 2 optional voices |
| S. Magnenat | To hope | | Voice (SATB) |
| S. Magnenat | Variations d'automne | | Piano |
| J. Major | Britain's Favored Isle | | Voice and Piano |
| F. Mancini | Ebra d'Amor fuggia, Cantata a voce sola di Soprano | | Voice (Soprano) and Basso Continuo |
| A. H. Mann | Angel's Story (hymntune) | | Voice (SATB) |
| B. Marcello | Ciaccona | Op. 2, No. 13 | Recorder and Basso Continuo |
| L. Marenzio | Solo e pensoso, Madrigale a 5 voci | | Voice (SATTB) |
| S. B. Marsh | Martyn (hymntune) | | Voice (SATB) |
| G. B. Martini | Gavotte | | Piano, Violin |
| L. Mason | Boylston (hymntune) | | Voice (SATB) |
| L. Mason | Nearer My God to Thee | | Voice (SATB) |
| L. Mason | Olivet (Mason) (hymntune) | | Voice (SATB) |
| W. T. Matiegka | Nº. 2. Rondo | | Classical Guitar |
| W. T. Matiegka | Nº. 3. Andante | | Classical Guitar |
| W. T. Matiegka | Nº. 4. Menuetto. | | Classical Guitar |
| W. T. Matiegka | Nº. 5. Siciliano. | | Classical Guitar |
| E. N. Méhul | Symphonie en sol mineur | | Orchestra: Flute, Oboe, Clarinet, Bassoon, Horn, Timpani, Violin, Alto, Cello, DoubleBass |
| F. Mendelssohn-Bartholdy | Scherzo in E minor | Op. 16, No. 2 | Piano |
| F. Mendelssohn-Bartholdy | Inquiétude | Op. 19, No. 5 | Piano |
| F. Mendelssohn-Bartholdy | Lieder ohne Worte: Venetianisches Gondellied, Op.19 No.6 | Op.19 | Piano |
| F. Mendelssohn-Bartholdy | Octet | O 20 | Violin, Viola, Cello |
| F. Mendelssohn-Bartholdy | Aus tiefer Not schrei’ ich zu dir | 23 | SATB, Organ |
| F. Mendelssohn-Bartholdy | Lieder ohne Worte: Venetianisches Gondellied, Op.30 No.6 | Op. 30, No. 6 | Piano |
| F. Mendelssohn-Bartholdy | Allein Gott in der Höh sei Ehr | O 36 | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Dir, Herr, dir will ich mich ergeben | O 36 | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Praeludium und Fuge c-Moll | Op. 37 | Organ |
| F. Mendelssohn-Bartholdy | Praeludium und Fuge G-Dur | Op. 37 | Organ |
| F. Mendelssohn-Bartholdy | Praeludium und Fuge d-Moll | Op. 37 | Organ |
| F. Mendelssohn-Bartholdy | Psalm 42 | O42 | Orchestra |
| F. Mendelssohn-Bartholdy | Es ist bestimmt in Gottes Rat | Op. 47 | Choir (TTBB) |
| F. Mendelssohn-Bartholdy | Gottes Rat und Scheiden | Op. 47 | Choir (SATB) |
| F. Mendelssohn-Bartholdy | Lied Ohne Worte - Opus 53, No. 5 - Volkslied | Op. 53 | Piano |
| F. Mendelssohn-Bartholdy | MARCHE NUPTIALE (Wedding march) | O 61 | Organ |
| F. Mendelssohn-Bartholdy | Ein Sommernachtstraum - No.5 | O 61 | Orchestra: Flute, Oboe, Clarinet, Bassoon, French Horn, Violins, Viola, 'Cello, Double Bass |
| F. Mendelssohn-Bartholdy | Final de la sixième sonate | Opus 65 n°6 | Organ |
| F. Mendelssohn-Bartholdy | Herr, nun lässest du deinen Diener in Frieden fahren | 69 | SATB, Organ |
| F. Mendelssohn-Bartholdy | Wer bis an das Ende beharrt | Opus 70, Nr. 32 | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Lieder ohne Worte, Op.85 No.1 | Op. 85, No. 1 | Piano |
| F. Mendelssohn-Bartholdy | Lied Ohne Worte - Opus 102, No. 3 | Op. 102 | Piano |
| F. Mendelssohn-Bartholdy | Zwei geistliche Chöre - Beati mortui | Op. 115 | Voice (TTBB) |
| F. Mendelssohn-Bartholdy | Zwei geistliche Chöre - Periti autem | Op. 115 | Voice (TTBB) |
| F. Mendelssohn-Bartholdy | Vespergesang | Op. 121 | Voice (TBB) |
| F. Mendelssohn-Bartholdy | Consolation (Mendelssohn) (hymntune) | | Voice (SATB) |
| F. Mendelssohn-Bartholdy | Mendelssohn (hymntune) | | Voice (SATB) |
| S. Mercadante | Nel seggio placido | From Opera Andronico (1821) | 2 Voices, Piano |
| J. K. Mertz | Guitar-Skole no. 4 : Andante | | Guitar |
| J. K. Mertz | Guitar-Skole no. 5 : Andantino | | Guitar |
| J. K. Mertz | Guitar-Skole no. 7 : Andante (Studies in Style, no. 3) | | Guitar |
| J. K. Mertz | Guitar-Skole no. 9 : Adagio | | Guitar |
| J. K. Mertz | Guitar-Skole no. 12 : Cantabile | | Guitar |
| J. K. Mertz | Guitar-Skole no. 14 : Andantino | | Guitar |
| J. K. Mertz | Guitar-Skole no. 16 : Moderato | | Guitar |
| J. K. Mertz | Guitar-Skole no. 21 : Tempo di marcia | | Guitar |
| J. K. Mertz | Etude in A minor | | Guitar |
| A. H. Messiter | Marion (hymntune) | | Voice (SATB) |
| A. Methfessel | Deutsches Weihelied | | Choir (SATB) |
| L. Milan | Pavan 2 | | Vihuela, Guitar |
| L. A. Minkus | La Bayadère - Acte II | | Piano |
| L. A. Minkus | La Bayadère - Allegretto delicato | | Piano and Flute |
| L. A. Minkus | La Bayadère - Variation de Nikya | | Piano, Flute and Horn |
| L. A. Minkus | La Bayadère - Variation des Ombres | | Piano, Flute and Percussion |
| W. H. Monk | Eventide (hymntune) | | Voice (SATB) |
| P. de Monte | 1. Amor, che sol dei cor leggiadri ha cura | | Voice |
| P. de Monte | 2. O beata colei, ch'al fin puo dire | | Voice |
| P. de Monte | 3. Oime dov'è'l mio core? | | Voice |
| P. de Monte | 4. Chi non sà come altrui duo chiari lumi | | Voice |
| P. de Monte | 5. Vostro fui, vostro son, e sarò vostro | | Voice |
| P. de Monte | 6. Ne pur si duro esilio & lontanza | | Voice |
| P. de Monte | 7. Mentr'ameranno i nudi pesci l'onde | | Voice |
| P. de Monte | 8. Vago monte, fiorite ombrose piagge | | Voice |
| P. de Monte | 9. O mia lieta ventura, hor quale stella (prima parte) | | Voice |
| P. de Monte | 10. Io so, che non m'inganna sogno, od ombra (seconda parte) | | Voice |
| P. de Monte | 11. Non vedete voi donna il mio tormento? | | Voice |
| P. de Monte | 12. Volentier canterei de vostri honori | | Voice |
| P. de Monte | 13. O chi potra mai ben chiuder'in versi | | Voice |
| P. de Monte | 14. S'io odo alcun felice, e lieto amante | | Voice |
| P. de Monte | 15. Vissimi un tempo in dolce foco ardendo | | Voice |
| P. de Monte | 16. Dico, che da quel punto, ch'infiammarsi | | Voice |
| P. de Monte | 17. Dolce mia vita, da cui vivo & moro | | Voice |
| P. de Monte | 18. La bocca, onde l'asprissime | | Voice |
| P. de Monte | 19. Poi c'hor è dolce ogni passato scempio | | Voice |
| P. de Monte | 20. Spesso à consiglio i miei pensier convoco | | Voice |
| P. de Monte | 21. Ahi dove (lasso me) prieghi & parole | | Voice |
| P. de Monte | 22. Qual più scontento amante alberga in terra | | Voice |
| P. de Monte | 23. Ove lontan da la mia fida luce (prima parte) | | Voice |
| P. de Monte | 24. Così d'un Olmo sospirando a l'ombra (seconda parte) | | Voice |
| P. de Monte | 25. Quel desir, c'hebbi in sù la vista prima | | Voice |
| P. de Monte | 26. Piango, che Amor con disusato oltraggio | | Voice |
| P. de Monte | 27. Satiati Amor, ch'à piu doglioso amante | | Voice |
| P. de Monte | 28. Ardo, sospiro, & piango, & sì mi piace (prima parte) | | Voice |
| P. de Monte | 29. Et son del mio languir così contento (seconda parte) | | Voice |
| C. Monteverdi | Duo Seraphim | | Voices (TTT), Basso Continuo |
| C. Monteverdi | Musiche per la Maddalena | | Voices (SSATTB), Strings, Basso Continuo |
| C. Monteverdi | Laudate Dominum, Motet for Soprano or Tenor | | Voice (S/T), Basso Continuo |
| C. Monteverdi | O come sei gentile, Madrigale a 2 Soprani | | Voice (SS), Basso Continuo |
| C. Monteverdi | T'amo mia vita | SV 105 | Voices (SSATB), Basso Continuo |
| C. Monteverdi | Sestina | SV 111 | Voice (SSATB), Basso Continuo |
| C. Monteverdi | Et resurrexit | SV 260 | Voices (SS or TT), 2 Violins, Basso Continuo |
| C. Monteverdi | Beatus vir | SV 268 | Voices (SSATTB), 2 Violins, Basso Continuo |
| C. Monteverdi | Ecce sacrum paratum convivium | SV 299 | Voice (T), Basso Continuo |
| C. Monteverdi | O tu ch'innanzi morte (L'Orfeo) | | Voice (Bass), Reed Organ |
| C. Monteverdi | Salve Regina | SV 327 | Voice (T), Basso Continuo |
| T. Moore | The Last Rose of Summer (Martha) | | Voice and Piano |
| C. Moreland | My Mother's Old Red Shawl | | Voice and Piano |
| T. Morley | O Mistress Mine | | Voice and Piano |
| W. A. Mozart | Fugue fragment Anh. 41 (375g) | Anh. 41 (375g) | Piano |
| W. A. Mozart | Ave, verum corpus | | Choir (TTBB) |
| W. A. Mozart | Sonata in C major (fragment) | K6 deest | Piano |
| W. A. Mozart | Menuett N°2 fûr das Pianoforte Kôch Verz N°2 | KV 2 | Pianoforte |
| W. A. Mozart | Symphony nr. 18 in F major K. 130 | KV 130 | Orchestra: Flutes, Horns, Violins, Viola, Cello and Bass |
| W. A. Mozart | Divertimento in Bb Major | K. 137 | 2 Violins, Viola, 'Cello |
| W. A. Mozart | Fugue in E-flat Major KV 153/375f | KV 153/375f | Piano |
| W. A. Mozart | Fugue in G Minor KV 154/385k | KV 154/385k | Piano |
| W. A. Mozart | Funftes Quartett | KV 158 | String Quartet |
| W. A. Mozart | Symphony No. 25 - KV183 (1st Movement) | KV 183 | Orchestra: Oboes, Horns, Violins, Viola, 'Cello, Bass |
| W. A. Mozart | Symphony No. 25 - KV183 (2nd Movement) | KV 183 | Orchestra: Oboes, Horns, Violins, Viola, 'Cello, Bass |
| W. A. Mozart | Concerto for Bassoon and Orchestra in B flat major | KV 191 | Bassoon and Orchestra: Horns, Oboes, Violins, Viola, Cello and Bass |
| W. A. Mozart | Divertimento II | KVA 229 | Ensemble: Oboe, Clarinet, Bassoon |
| W. A. Mozart | Serenade in D | KV250 | Flute, Oboe, Bassoon, Horn, Trumpet, Violin, Viola, Cello |
| W. A. Mozart | Ah Vous Dirai-Je Maman | | 2 Guitars |
| W. A. Mozart | Ah Vous Dirai-Je Maman Var. V | | 2 Guitars |
| W. A. Mozart | Concerto in C for Flute and Harp | K.299 | Flute and Harp |
| W. A. Mozart | Piano Sonata in C Major - KV 309 (1st Part) | KV 309 | Piano |
| W. A. Mozart | Andante in C Major K. 315 | KV 315 | Flute and Orchestra: Violins, Viola, Cello, Horns, Oboes and Bass |
| W. A. Mozart | Sonate Opus KV 331 - Tema | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 1 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 2 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 3 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 4 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 5 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Variation 6 | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Menuetto | KV 331 | Piano |
| W. A. Mozart | Sonate Opus KV 331 - Rondo Alla Turca | KV 331 | Piano |
| W. A. Mozart | Die Zufriedenheit | KV 349 | Voice and Piano |
| W. A. Mozart | Die Zufriedenheit | KV 349 | Voice and Mandolin |
| W. A. Mozart | Komm, liebe Zither, komm | KV 351 | Voice and Mandolin |
| W. A. Mozart | Sonate for Violin and Piano K 379 | KV 379 | Violin and Piano |
| W. A. Mozart | String Quartet KV. 387 (nr. 14) | KV 387 | String Quartet: Two Violins, Viola, 'Cello |
| W. A. Mozart | Fantasy in D minor | KV 397 | Piano |
| W. A. Mozart | Fugue in G Minor KV 401/375e | KV 401/375e | Piano |
| W. A. Mozart | Horn Quintet, K.407 | K.407 | Ensemble: Horn, Violin, 2 Violas, Cello |
| W. A. Mozart | Mozart Horn Concerto No. 1 | K 412 | Horn, Orchestra |
| W. A. Mozart | Mozart Horn Concerto No. 2 | K 417 | Horn, Orchestra |
| W. A. Mozart | String Quartet KV. 421 (nr. 15) | KV 421 | String Quartet: Two Violins, Viola, 'Cello |
| W. A. Mozart | String Quartet KV. 428 (nr. 16) | KV 428 | String Quartet: Two Violins, Viola, 'Cello |
| W. A. Mozart | Mozart Horn Concerto No.3 | K 447 | Horn, Orchestra |
| W. A. Mozart | Horn Concerto No. 3 | KV 447 | Horn in F |
| W. A. Mozart | Marche funebre KV 453a | KV 453a | Piano |
| W. A. Mozart | Piano Sonata in C Minor - KV. 457 (1st Movement) | KV 457 | Piano |
| W. A. Mozart | Piano Sonata in C Minor - KV. 457 (2nd Movement) | KV 457 | Piano |
| W. A. Mozart | Piano Sonata in C Minor - KV. 457 (3rd Movement) | KV 457 | Piano |
| W. A. Mozart | String Quartet KV. 458 (nr. 17) "Hunt" | KV 458 | String Quartet: Two Violins, Viola, 'Cello |
| W. A. Mozart | String Quartet KV. 464 (nr. 18) | KV 464 | String Quartet: Two Violins, Viola, 'Cello |
| W. A. Mozart | String Quartet KV. 465 (nr. 19) "Dissonances" | KV 465 | String Quartet: Two Violins, Viola, 'Cello |
| W. A. Mozart | Masonic Funeral Music KV 477 | KV 477 | Orchestra: Basset Horn, Clarinet, Oboes, Horns, Violins, Viola, 'Cello |
| W. A. Mozart | Piano Quartet KV 478 | KV 478 | Ensemble: Violin, Viola, Cello, Piano |
| W. A. Mozart | 12 Duets (No. 1: Allegro) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 2: Menuetto) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 3: Andante) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 4: Polonaise) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 5: Larghetto) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 6: Menuetto) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 7: Adagio) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 8: Allegro) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 9: Menuetto) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 10: Andante) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 11: Menuetto) | KV 487 | Horn Duet |
| W. A. Mozart | 12 Duets (No. 12: Allegro) | KV 487 | Horn Duet |
| W. A. Mozart | Piano Concerto № 23 | KV 488 | Orchestra: Flute, Clarinet, Bassoon, French Horn, Piano, Violins, Viola, Cello and Bass |
| W. A. Mozart | Mozart Horn Concerto No.4 | K 495 | Horn, Orchestra |
| W. A. Mozart | Trio in E-flat Major KV. 498 | KV 498 | Clarinet (or Violin), Viola and Piano (also Piano solo) |
| W. A. Mozart | Die Alte | KV 517 | Voice and Piano |
| W. A. Mozart | Die Verschweigung | KV 518 | Voice and Piano |
| W. A. Mozart | Das Lied der Trennung | KV 519 | Voice and Piano |
| W. A. Mozart | Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte | KV 520 | Voice and Piano |
| W. A. Mozart | Ein Musikalischer Spass (A Musical Joke) Mv 1 | KV 522 | Orchestra: Horns, Violin, Viola, 'Cello |
| W. A. Mozart | Abendempfindung | KV 523 | Voice and Piano |
| W. A. Mozart | Eine Kleine Nachtmusik | KV525 | Orchestra: Violins, Viola, Cello |
| W. A. Mozart | Eine kleine Nachtmusik (1st movement) | KV 525 | String Quartet: Violins, Viola, Cello or Double Bass |
| W. A. Mozart | Notte e giorno (Don Giovanni) | | Voice (Bass), Piano |
| W. A. Mozart | Canzonetta "Deh vieni alla finestra" from Don Giovanni | KV 527 | Ensemble: Baritone, Mandolin, Violin, Viola, 'Cello |
| W. A. Mozart | Sonata Facile - First movement | K 545 | Piano |
| W. A. Mozart | Sonata Facile - Second movement | K 545 | Piano |
| W. A. Mozart | Sonata Facile - Third movement | K 545 | Piano |
| W. A. Mozart | Adagio and Fugue in C minor | KV 546 | String Quartet |
| W. A. Mozart | O du eselhafter Martin (Jakob) | KV 560b | Voice |
| W. A. Mozart | Gigue in G Major | KV 574 | Piano |
| W. A. Mozart | Clarinet Quintet KV. 581 | KV 581 | Clarinet, 2 Violins, Viola, Cello |
| W. A. Mozart | Fantasia | KV 594 | Piano Duet |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - Ouverture | KV 620 | Orchestra: Flute, Oboe, Clarinet, Bassoon, French Horn, Trumpet, Trombone, Violins, Viola, Cello, Double Bass |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 4 Arie | KV 620 | Orchestra: Oboe, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice (Soprano) |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 7 Duett | KV 620 | Orchestra: Clarinet, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice duet (Soprano and Bass) |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 9 Marsch der Priester | KV 620 | Orchestra: Flute, Bass French Horn, Bassoon, French Horn, Tenor Trombone, Alto Trombone, Bass Trombone, Violins, Viola, Cello, Double Bass |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 13 Arie | KV 620 | Orchestra: Piccolo, Flute, Clarinet, Bassoon, Violins, Viola, Cello, Double Bass, Voice (Soprano) |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 14 Arie | KV 620 | Orchestra: Flute, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice (Soprano) |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 15 Arie | KV 620 | Voice (Bass) and piano |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 15 Arie | KV 620 | Orchestra: Flute, Bassoon, French Horn, Violins, Viola, Cello, Double Bass, Voice (Bass) |
| W. A. Mozart | Die Zauberflöte (The Magic Flute) - No. 17 Arie | KV 620 | Orchestra: Flute, Oboe, Bassoon, Violins, Viola, Cello, Double Bass, Voice (Soprano) |
| W. A. Mozart | Clarinet concerto | KV 622 | Orchestra: Flute, Bassoon, Horn, Violin, Alto, Cello, DoubleBass |
| W. A. Mozart | Dies Irae | KV 626 | Voice (SATB), Orchestra: Basset Horns in F, Bassoon, Trumpet in D, Timpani, Violins, Viola, Cello, Organ/Bass |
| W. A. Mozart | Abendruhe | KV ANH C 9.10 | Voice (SATB) |
| A. E. Müller | Siciliano | | Piano |
| W. Müller | Abschied von der Heimat | | Choir (SATB) |
| W. Müller | Abschied von der Heimat | | Voice (TTBB) |
| G. Muffat | Toccata prima | | Organ |
| J. W. Mullen | Afterwards | | Voice and Piano |
| J. R. Murray | Mueller (hymntune) | | Voice (SATB) |
| M. Mussorgsky | Night on Bald Mountain | | Piano |
| M. Mussorgsky | Pictures at an Exhibition | | Piano |
| J. Naujalis | Caligaverunt | Op. 7, No. 1 | Voice (SATB) |
| J. Naujalis | Popule Meus | Op. 7, No. 2 | Voice (SATB) |
| J. Naujalis | Vexilla Regis Prodeunt | Op. 7, No. 3 | Voice (SATB) |
| A. Neithardt | Heimat, süßer Ort | Op. 141, No. 1 | Voice (SATB) |
| A. Neithardt | Die blauen Glöckchen von Schottland | Op. 141, No. 2 | Voice (SATB) |
| A. Neithardt | Des Sommers letzte Rose | Op. 141, No. 3 | Voice (SATB) |
| A. Neithardt | Rule Britannia | Op. 141, No. 4 | Voice (SATB) |
| G. Neumark | Wer nur den lieben Gott läßt walten | | Choir (SATB) |
| G. Neumark | Bremen (hymntune) | | Voice (SATB) |
| P. Nicolai | Wie schoen leuchtet (hymntune) | | Voice (SATB) |
| C. A. Nielsen | Canto Serioso | FS 132 | Horn and Piano |
| Jeffrey Olson | Recuerdos de la Luna | | Guitar |
| J. Pachelbel | Canon in D | | Violin |
| J. Pachelbel | Canon per 3 Violini e Basso | | 3 Violins, Cello |
| J. Pachelbel | Ein feste Burg ist unser Gott | | Organ |
| J. Pachelbel | Gigue | | 3 Violins, Continuo |
| J. Pachelbel | Fugues on the Magnificat III. 7. | | Piano |
| N. Paganini | 24 Caprices for Solo Violin: 01 | O 1 | Violin |
| N. Paganini | 24 Caprices for Solo Violin: 02 | O 1 | Violin |
| N. Paganini | 24 Caprices for Solo Violin: 03 | O 1 | Violin |
| N. Paganini | 24 Caprices for Solo Violin: 23 | O 1 | Violin |
| N. Paganini | 24 Caprices for Solo Violin: 24 | O 1 | Violin |
| N. Paganini | Sonata No. 10 in A | Op. Posth. | Violin, Cello |
| R. Papezik | Recuerdos | Op. 2 | Guitar |
| R. Papezik | 12-tone blues | | Clarinet, Guitar |
| A. L. Peace | St. Margaret (hymntune) | | Voice (SATB) |
| A. H. Pease | Amaryllis | | Piano |
| D. Pejacsevich | Gondellied | Op. 4 | Piano |
| G. B. Pergolesi | Glory to God in the highest | | Voice (SATB) and Organ |
| J. Pezelius | Sonata 21 | | Brass Ensemble |
| J. Pezelius | Sonata 24 | | Brass Ensemble |
| I. J. Pleyel | Rondo | | Piano |
| N. Porpora | Bel piacer, Aria from Semiramide riconosciuta | | Voice (Soprano), String Ensemble, Basso Continuo |
| N. Porpora | Calcante ed Achille, Cantata a due Voci per Soprano e Basso | | Voice (Soprano), Basso, String Ensemble, Basso Continuo |
| N. Porpora | Parto ti lascio, Aria from Il Germanico | | Soprano, Strings, Basso Continuo |
| N. Porpora | Passaggier che su la sponda, Aria from Semiramide riconosciuta | | Voice (Soprano), String Ensemble, Basso Continuo |
| N. Porpora | Semiramide riconosciuta | | Dramatis personae (Voice: 2 Soprano Castratos, Soprano, Alto Castrato, Contralto, Tenor) and Orchestra (2 Flutes, 2 Oboes, 2 Trumpets, 2 Horns, Strings, Basso Continuo) |
| N. Porpora | Senti se l'ingannai, Aria from Agrippina | | Voice (Alto), String Ensemble, Basso Continuo |
| N. Porpora | Solfeggio | | Voice (Soprano) and Basso Continuo |
| Mr. Powlwheel | 3. Mr. Powlwheel's Division on a Ground | | Violin |
| J. des Prés | El Grillo | | Voice (SATB) |
| G. Priuli | Ave dulcissima Maria | | Voice (S), Basso Continuo |
| H. Purcell | Fairest Isle | | Voice (SATB) |
| H. Purcell | Jehova, quam multi sunt hostes mei | Z135 | SSATB, Continuo |
| H. Purcell | What power art thou (King Arthur) | | Voice (Bass), Piano |
| J. J. Quantz | Allegro | | Flute and Basso Continuo |
| J. J. Quantz | Capricio | | Flute |
| J. J. Quantz | Minuetto | | Flute |
| S. Rachmaninoff | Prelude in C# minor | Op. 3, No. 2 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 1 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 2 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 3 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 4 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 5 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 6 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 8 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 9 | Op. 23 | Piano |
| S. Rachmaninoff | Prelude Op. 23, No. 10 | Op. 23 | Piano |
| J. P. Rameau | Hippolyte et Aricie | | Voice, Orchestra |
| J. P. Rameau | Les Fêtes de Ramire | | Voices, Orchestra |
| J. P. Rameau | Les Tendres Plaintes | | Harpsichord, Piano |
| J. P. Rameau | Les Sauvages | | Harpsichord, Piano |
| J. P. Rameau | Tambourin | | Harpsichord, Piano |
| Mr. Reddings | 1. Select Divisions upon a Ground | | Violin |
| L. H. Redner | St. Louis (hymntune) | | Voice (SATB) |
| M. Reger | Sonata 1 for Unaccompanied Violin | 42, Heft 1 No. 1 | Violin |
| M. Reger | Sonata 2 for Unaccompanied Violin | 42, Heft 1 No. 1 | Violin |
| M. Reger | Sonata 3 for Unaccompanied Violin | 42, Heft 2 No. 3 | violin |
| M. Reger | Großer Gott, wir loben dich | op. 135a, No. 10 | Organ |
| M. Reger | Nachtlied | Op. 138, Nr. 3 | für fünfstimmigen Chor a cappella |
| M. Reger | Untreue | | Choir (SATB) |
| O. Rieding | Concerto in B minor | Opus 35 | Violin & Clavier |
| F. Ries | Wiegenlied | | Voice and Piano |
| N. Rimsky-Korsakov | Impromptu | Op. 11, Nr. 1 | Piano |
| N. Rimsky-Korsakov | Novellette | Op. 11, Nr. 2 | Piano |
| N. Rimsky-Korsakov | Scherzino | Op. 11, Nr. 3 | Piano |
| N. Rimsky-Korsakov | Etude | Op. 11, Nr. 4 | Piano |
| N. Rimsky-Korsakov | Fugue sur le nom de Bach | | Piano |
| C. Ritter | Sonatina d moll | | Organ |
| F. Roberday | Fugue 1re | | Organ |
| F. Roberday | Fugue 4me | | Organ |
| F. Roberday | Fugue 5e | | Organ |
| A. Rolla | 6 Duetti a Due Viole: No. 1 | Duetto No.1. (BI 9) | Viola |
| A. Rolla | 6 Duetti a Due Viole: No. 2 | Duetto No.2. (BI 19) | Viola |
| A. Rolla | Sei Duetti a Due Viole | (Torinesi manuscript, BI uncatalogued) | Viola |
| A. Rolla | Sei Duetti a Due Viole | (Torinesi manuscript, BI uncatalogued) | Viola |
| G. F. Root | There's Music in the Air | | Voice (SATB) and Piano |
| G. F. Root | The Vacant Chair | | Voice and Piano |
| G. F. Root | There's Music in the Air | | Voice and Piano |
| G. F. Root | O Morning Star! | | Quartet and Piano |
| G. Rossini | Eduardo e Cristina, ouverture | | Orchestra: Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Trombon, Timpani, Drum, Violin, Alto, Cello, DoubleBass |
| C. J. Rouget de Lisle | Chant de guerre pour l'Armée du Rhin | | harpsichord, voice |
| J.-N.-P. Royer | Premier livre de pièces de clavecin | | Harpsichord |
| E. Rudorff | Sandmännchen | | Choir (TTBB) |
| C. Saint-Saëns | Romance | Op.36 | Horn and Piano |
| C. Saint-Saëns | Morceau de Concert pour cor | O94 | Horn |
| G. F. Sances | Dialogo a due. Pastor e Ninfa | | Voice (Soprano, Tenor) and Basso Continuo |
| G. F. Sances | Cantata. Non sia chi mi riprende | | Voice (Soprano) and Basso Continuo |
| G. Sanz | Preludio | | Guitar |
| L. Sardain | Complainte | | Clarinet, Piano |
| L. Sardain | La petite fille aux allumettes | | Voice (SATB) |
| E. Satie | Celle qui parle trop | | Piano |
| E. Satie | Le porteur de grosses pierres | | Piano |
| E. Satie | Regrets des Enfermés (Janas et Latude) | | Piano |
| E. Satie | Danse maigre | | Piano |
| E. Satie | Españaña | | Piano |
| E. Satie | Tyrolienne turque | | Piano |
| E. Satie | Gnossienne No. 1 | | Piano |
| E. Satie | Gnossienne No. 2 | | Piano |
| E. Satie | Gnossienne No. 3 | | Piano |
| E. Satie | Sa Taille | | Piano |
| E. Satie | Ses Jambes | | Piano |
| E. Satie | Son Binocle | | Piano |
| E. Satie | Enfantillages Pittoresques | | Piano |
| E. Satie | Gymnopédie No. 1 | | Piano |
| E. Satie | Gymnopédie No. 2 | | Piano |
| E. Satie | Gymnopédie No. 3 | | Piano |
| D. Scarlatti | Sonata XI from the Essercizi per Gravicembalo | K 11 | Harpsichord, Piano |
| D. Scarlatti | Keyboard Sonata in G Major | K.455 | Piano |
| D. Scarlatti | Keyboard Sonata in D Major | K.491 | Piano |
| D. Scarlatti | Sonata in C major | | Harpsichord, Piano |
| H. Scheidemann | Praeambulum no.3 in d | WV 31 | Organ |
| H. Scheidemann | Praeambulum no.4 in d | WV 32 | Organ |
| H. Scheidemann | Praeambulum no.5 in d | WV 33 | Organ |
| H. Scheidemann | Praeambulum no.13 in G | WV 73 | Organ |
| J. H. Schmelzer | Sacro-Profanus Concentus, Sonata XXII | Sacro-Profanus Concentus | 2 Cornettinos, 2 Trumpets,3 Trombones, Continuo |
| J. Schop | Ermuntre Dich (hymntune) | | Voice (SATB) |
| G. Schreck | Der grimmig Tod | | Choir (SATB) |
| G. Schreck | Vom Himmel hoch, da komm ich her | | Choir (SATB) |
| G. Schreck | Wer nur den lieben Gott läßt walten | | Voice (SATB) |
| F. Schubert | Gretchen am Spinnrade | D.118 (Op. 2) | Voice and Piano |
| F. Schubert | Trost in Thränen | D.120 | Voice and Piano |
| F. Schubert | Nähe des Geliebten | D.162 | Voice and Piano |
| F. Schubert | Sängers Morgenlied | D.163 & D.165 | Voice and Piano |
| F. Schubert | Die Liebe | D.210 | Voice and Piano |
| F. Schubert | Heidenröslein | D.257 (Op. 3, No. 3) | Voice and Piano |
| F. Schubert | An den Mond | D.259 | Voice and Piano |
| F. Schubert | An den Mond | D.296 | Voice and Piano |
| F. Schubert | Erlkönig | D.328 (Op. 1) | Voice and Piano |
| F. Schubert | Erlkönig (alternative typesetting) | D.328 (Op. 1) | Voice, Piano |
| F. Schubert | Der Wanderer | D.493 (Op. 4, No. 1) | Voice and Piano |
| F. Schubert | Wiegenlied | D.498 (Op. 98, No. 2) | Voice and Piano |
| F. Schubert | Der Tod und das Mädchen | D.531 (Op. 7, No. 3) | Voice and Piano |
| F. Schubert | An die Musik | D.547 (Op. 88, No. 4) | Voice and Piano |
| F. Schubert | Die Forelle | D.550 (Op. 32) | Voice and Piano |
| F. Schubert | Frühlingsglaube | D.686B (Op. 4, No 1) | Voice and Piano |
| F. Schubert | Die Vögel | D.691 (Op. 172, No. 6) | Voice and Piano |
| F. Schubert | Streichquartett No. 12 “Quartettsatz” in c-moll | D.703 | String Quartet |
| F. Schubert | Psalm 23 | D.706 | Choir SSAA, Piano |
| F. Schubert | Suleika 2 | D.717 (Op. 31) | Voice and Piano |
| F. Schubert | Suleika 1 | D.720 (Op. 14, No 1) | Voice and Piano |
| F. Schubert | Trois Marches militaires | D.733-1 (Op. 51) | Piano |
| F. Schubert | Trois Marches militaires | D.733-2 (Op. 51) | Piano |
| F. Schubert | Trois Marches militaires | D.733-3 (Op. 51) | Piano |
| F. Schubert | Selige Welt | D.743 (Op. 23, No 2) | Voice and Piano |
| F. Schubert | Schwanengesang | D.744 (Op. 23, No 3) | Voice and Piano |
| F. Schubert | Die Liebe hat gelogen | D.751 (Op. 23, No 1) | Voice and Piano |
| F. Schubert | Der Musensohn | D.764 (Op. 92, No. 1) | Voice and Piano |
| F. Schubert | Auf dem Wasser zu singen | D.774 (Op. 72) | Voice and Piano |
| F. Schubert | Du bist die Ruh | D.776 (Op. 59, No. 3) | Voice and Piano |
| F. Schubert | Lachen und Weinen | D.777 (Op. 59, No 4) | Voice and Piano |
| F. Schubert | Moments Musicaux No. 3 in F Minor | D.780 (Op. 94, No. 3) | Piano |
| F. Schubert | Ungarische Melodie | D.817 | Piano |
| F. Schubert | Nacht und Träume | D.827 (Op. 43, No. 2) | Voice and Piano |
| F. Schubert | Die junge Nonne | D.828 (Op. 43, No. 1) | Voice and Piano |
| F. Schubert | Ave Maria (Ellens dritter Gesang) | D.839 (Op. 52, No. 6) | Voice and Piano |
| F. Schubert | Fischerweise | D.881B (Op. 96, No 4) | Voice and Piano |
| F. Schubert | Im Frühling | D.882 | Voice and Piano |
| F. Schubert | An Sylvia (Who is Sylvia) | D. 891 | Voice and Piano |
| F. Schubert | Impromptu in c-moll | D.899 (Op. 90, No. 1) | Piano |
| F. Schubert | Impromptu in Es-dur | D.899 (Op. 90, No. 2) | Piano |
| F. Schubert | Impromptu in Ges-dur | D.899 (Op. 90, No. 3) | Piano |
| F. Schubert | Impromptu in As-dur | D.899 (Op. 90, No. 4) | Piano |
| F. Schubert | Einsamkeit | D.911-12 (Op. 89) | Voice and Piano |
| F. Schubert | Impromptu in f-moll | D.935 (Op. 142, No. 1) | Piano |
| F. Schubert | Impromptu in As-dur | D.935 (Op. 142, No. 2) | Piano |
| F. Schubert | Impromptu in B-dur | D.935 (Op. 142, No. 3) | Piano |
| F. Schubert | Impromptu in f-moll | D.935 (Op. 142, No. 4) | Piano |
| F. Schubert | Auf dem Strom | D.943 | Voice, Horn and Piano |
| F. Schubert | Tantum ergo | D.962 | Voice (Choir SATB), Orchestra |
| F. Schubert | Der Hirt auf dem Felsen | D.965 | Voice, Clarinet and Piano |
| F. Schubert | Liebe | D.983A (Op. 17/2) | Voice |
| F. Schubert | Zum Rundetanz | D.983B (Op. 17/3) | Voice |
| F. Schubert | Die Nacht | D.983C (Op. 17/4) | Voice |
| F. Schubert | Jünglingswonne | D.983 (Op. 17/1) | Voice |
| J. A. P. Schulz | Der Mond ist aufgegangen | | Organ, Voice |
| R. Schumann | Kinderscenen - Von fremden Ländern und Menschen | O 15 N 1 | Piano |
| R. Schumann | Kinderscenen - Curiose Geschichte | Op. 15, No. 2 | Piano |
| R. Schumann | Kinderscenen - Hasche-Mann | Op. 15, No. 3 | Piano |
| R. Schumann | Kinderscenen - Bittendes Kind | Op. 15, No. 4 | Piano |
| R. Schumann | Kinderscenen - Glückes genug | Op. 15, No. 5 | Piano |
| R. Schumann | Kinderscenen - Wichtige Begebenheit | Op. 15, No. 6 | Piano |
| R. Schumann | Kinderscenen - Traümerei | O 15 N 7 | Piano |
| R. Schumann | Freisinn | Op. 25, No. 2 | Voice and piano |
| R. Schumann | Du bist wie eine Blume | Op. 25, No. 24 | Voice and piano |
| R. Schumann | Widmung (low voice) | O 25 | Voice and Piano |
| R. Schumann | Widmung | O 25 | Voice and Piano |
| R. Schumann | Romanzen | Op. 28, No. 2 | Piano |
| R. Schumann | Ich grolle nicht | Op. 48, No. 7 | Voice, Piano |
| R. Schumann | Ich will meine Seele tauchen | Op. 48, No. 5 | Voice and piano |
| R. Schumann | Album pour la jeunesse - 1.Mélodie | O 68 n°1 | Piano |
| R. Schumann | Album pour la jeunesse - 2.Marche militaire | O 68 n°2 | Piano |
| R. Schumann | Album pour la jeunesse - 3.Chanson fredonnée | O 68 n°3 | Piano |
| R. Schumann | Album pour la jeunesse - 4.Un choral | O 68 n°4 | Piano |
| R. Schumann | Album pour la jeunesse - 5.Petite pièce | O 68 n°5 | Piano |
| R. Schumann | Album pour la jeunesse - 6.Pauvre orpheline | O 68 n°6 | Piano |
| R. Schumann | Album pour la jeunesse - 7.Chanson du chasseur | O 68 n°7 | Piano |
| R. Schumann | Album pour la jeunesse - 8.Le cavalier sauvage | O 68 n°8 | Piano |
| R. Schumann | Album pour la jeunesse - 9.Chanson populaire | O 68 n°9 | Piano |
| R. Schumann | Album pour la jeunesse - 10.Le gai laboureur | O 68 n°10 | Piano |
| R. Schumann | Album pour la jeunesse - 11.Sicilienne | O 68 n°11 | Piano |
| R. Schumann | Album pour la jeunesse - 12.Le Père Fouettard | O 68 n°12 | Piano |
| R. Schumann | Album pour la jeunesse - 13.Mai, cher Mai, ... | O 68 n°13 | Piano |
| R. Schumann | Album pour la jeunesse - 14.Petite Etude | O 68 n°14 | Piano |
| R. Schumann | Album pour la jeunesse - 16.Premier chagrin | O 68 n°16 | Piano |
| R. Schumann | Album pour la jeunesse - 18.Chant des moissonneurs | O 68 n°18 | Piano |
| R. Schumann | Album pour la jeunesse - 25.Echos du Théâtre | O 68 n°25 | Piano |
| R. Schumann | Album pour la jeunesse - 26. * * * * * | O 68 n°26 | Piano |
| R. Schumann | Album pour la jeunesse - 32.Sheherazade | O 68 n°32 | Piano |
| R. Schumann | Album pour la jeunesse - 36.Chant de marins italiens | O 68 n°36 | Piano |
| R. Schumann | Feuilles d'album - 16. | O 124 n°16 | Piano |
| C. H. F. Scott | Open My Eyes (hymntune) | | Voice (SATB) |
| A. Scriabin | Etude | Op. 2, No. 1 | Piano |
| A. Scriabin | Prelude | Op. 11 | Piano |
| A. Scriabin | Préludes opus 16 - 1. | O 16 n°1 | Piano |
| A. Scriabin | Préludes opus 16 - 2. | O 16 n°2 | Piano |
| A. Scriabin | Préludes opus 16 - 3. | O 16 n°3 | Piano |
| A. Scriabin | Préludes opus 16 - 4. | O 16 n°4 | Piano |
| A. Scriabin | Préludes opus 16 - 5. | O 16 n°5 | Piano |
| A. Scriabin | Prelude | Op. 59, No. 2 | Piano |
| W. F. Sherwin | Bread of Life (hymntune) | | Voice (SATB) |
| A. Sidwell | Little Toy Lost | | Piano |
| A. Sidwell | Miniature No.2 | | Piano |
| F. Silcher | In der Ferne | | Choir (SATB) |
| F. Silcher | In der Ferne | | Choir (TTBB) |
| F. Silcher | Die Soldatenbraut | | Choir (SATB) |
| F. Silcher | Ännchen von Tharau | | Choir (SATB) |
| F. Silcher | Untreue | | Choir (TTTB) |
| F. Silcher | Anke van Tharaw | | Voice (SATB) |
| F. Silcher | The Loreley | | Voice and Piano |
| H. Sitt | 100 Etudes | 32 | Violin |
| W. Smallwood | The Harebell | | Piano |
| H. T. Smart | Regent Square (hymntune) | | Voice (SATB) |
| F. Sor | Divertissements pour la guitare, n°1 Andante | O 1.1 | Guitar |
| F. Sor | Divertissements pour la guitare, n°2 Waltz | O 1.2 | Guitar |
| F. Sor | Divertissements pour la guitare, n°3 Allegretto | O 1.3 | Guitar |
| F. Sor | Divertissements pour la guitare, n°4 | O 1.4 | Guitar |
| F. Sor | Divertissements pour la guitare, n°5.1 | O 1.5.1 | Guitar |
| F. Sor | Divertissements pour la guitare, n°5.2 | O 1.5.2 | Guitar |
| F. Sor | Divertissements pour la guitare, n°5.3 | O 1.5.3 | Guitar |
| F. Sor | Divertissements pour la guitare, n°6 | O 1.6 | Guitar |
| F. Sor | Six divertissements pour la guitare, n°1 Minuetto | O 2.1 | Guitar |
| F. Sor | Six divertissements pour la guitare, n°2 Waltz | O 2.2 | Guitar |
| F. Sor | Six divertissements pour la guitare, n°3 Andantino | O 2.3 | Guitar |
| F. Sor | Six divertissements pour la guitare, n°4 Menuetto | O 2.4 | Guitar |
| F. Sor | Six divertissements pour la guitare, n°5 Valse | O 2.5 | Guitar |
| F. Sor | Six divertissements pour la guitare, n°6 Siciliana | O 2.6 | Guitar |
| F. Sor | Andante Largo | Op. 5 No. 5 | Guitar |
| F. Sor | 12 Etudes, No. 1 | Op. 6 No. 1 | Guitar |
| F. Sor | 12 Etudes, No. 2 | Op. 6 No. 2 | Guitar |
| F. Sor | 12 Etudes, No. 3 | Op. 6 No. 3 | Guitar |
| F. Sor | 12 Etudes, No. 4 | Op. 6 No. 4 | Guitar |
| F. Sor | 12 Etudes, No. 5 | Op. 6 No. 5 | Guitar |
| F. Sor | 12 Etudes, No. 6 | Op. 6 No. 6 | Guitar |
| F. Sor | 12 Etudes, No. 7 | Op. 6 No. 7 | Guitar |
| F. Sor | 12 Etudes, No. 8 | Op. 6 No. 8 | Guitar |
| F. Sor | 12 Etudes, No. 9 | Op. 6 No. 9 | Guitar |
| F. Sor | 12 Etudes, No. 10 | Op. 6 No. 10 | Guitar |
| F. Sor | 12 Etudes, No. 11 | Op. 6 No. 11 | Guitar |
| F. Sor | 12 Etudes, No. 12 | Op. 6 No. 12 | Guitar |
| F. Sor | Grande Sonate, Op. 22 | Op. 22 | Guitar |
| F. Sor | Opus 29, No. 13 | O 29, No 13 | Guitar |
| F. Sor | No. 14: Etude | Opus 35, No. 14 | Guitar |
| F. Sor | Op. 35, Study No. 1 | Op. 35 No. 1 | Guitar |
| F. Sor | Op. 35, Study No. 2 | Op. 35 No. 2 | Guitar |
| F. Sor | Op. 35, Study No. 3 | Op. 35 No. 3 | Guitar |
| F. Sor | Op. 35, Study No. 4 | Op. 35 No. 4 | Guitar |
| F. Sor | Op. 35, Study No. 5 | Op. 35 No. 5 | Guitar |
| F. Sor | Op. 35, Study No. 6 | Op. 35 No. 6 | Guitar |
| F. Sor | Op. 35, Study No. 7 | Op. 35 No. 7 | Guitar |
| F. Sor | Op. 35, Study No. 8 | Op. 35 No. 8 | Guitar |
| F. Sor | Op. 35, Study No. 9 | Op. 35 No. 9 | Guitar |
| F. Sor | Op. 35, Study No. 10 | Op. 35 No. 10 | Guitar |
| F. Sor | Op. 35, Study No. 11 | Op. 35 No. 11 | Guitar |
| F. Sor | Op. 35, Study No. 12 | Op. 35 No. 12 | Guitar |
| F. Sor | Op. 35, Study No. 13 | Op. 35 No. 13 | Guitar |
| F. Sor | Op. 35, Study No. 15 | Op. 35 No. 15 | Guitar |
| F. Sor | Op. 35, Study No. 16 | Op. 35 No. 16 | Guitar |
| F. Sor | Op. 35, Study No. 17 | Op. 35 No. 17 | Guitar |
| F. Sor | Op. 35, Study No. 18 | Op. 35 No. 18 | Guitar |
| F. Sor | Op. 35, Study No. 19 | Op. 35 No. 19 | Guitar |
| F. Sor | Op. 35, Study No. 20 | Op. 35 No. 20 | Guitar |
| F. Sor | Op. 35, Study No. 21 | Op. 35 No. 21 | Guitar |
| F. Sor | Op. 35, Study No. 22 | Op. 35 No. 22 | Guitar |
| F. Sor | Op. 35, Study No. 23 | Op. 35 No. 23 | Guitar |
| F. Sor | Op. 35, Study No. 24 | Op. 35 No. 24 | Guitar |
| F. Sor | Six Petites Pièces, No. 1 | Op. 45 No. 1 | Guitar |
| F. Sor | Six Petites Pièces, No. 2 | Op. 45 No. 2 | Guitar |
| F. Sor | Six Petites Pièces, No. 3 | Op. 45 No. 3 | Guitar |
| F. Sor | Six Petites Pièces, No. 4 | Op. 45 No. 4 | Guitar |
| F. Sor | Six Petites Pièces, No. 5 | Op. 45 No. 5 | Guitar |
| F. Sor | 25 Leçons Progressives, no 1 | O 60 | Guitar |
| F. Sor | 25 Leçons Progressives, no 2 | O 60 | Guitar |
| F. Sor | 25 Leçons Progressives, no 3 | O 60 | Guitar |
| F. Sor | 25 Leçons Progressives, no 4 | O 60 | Guitar |
| F. Sor | 25 Leçons Progressives, no 5 | O 60 | Guitar |
| F. Sor | 25 Progressive Studies, No. 6 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 7 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 8 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 9 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 10 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 11 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 12 | | Guitar |
| F. Sor | 25 Progressive Studies, No. 13 | | Guitar |
| F. Sor | Andantino | | Guitar |
| F. Sor | Guitar-Skole no. 2 : Andante, op. 35, no. 1 | | Guitar |
| F. Sor | Guitar-Skole no. 3 : Allegretto, op. 44, no. 2 | | Guitar |
| F. Sor | Guitar-Skole no. 18 : Landler | | Guitar |
| J. P. Sousa | El Capitan | | Piano |
| J. P. Sousa | Hail to the Spirit of Liberty | | Piano |
| J. P. Sousa | Hands across the Sea | | Piano |
| J. P. Sousa | The Fairest of the Fair | | Concert Band: Piccolo, Flute, Oboe, Bassoon, Clarinets, Alto Clarinet, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Baritone Saxophone |
| J. P. Sousa | King Cotton | | Piano |
| J. P. Sousa | The Gladiator | | Piano |
| J. P. Sousa | The Invincible Eagle | | Piano |
| J. P. Sousa | The Liberty Bell March | | Piano |
| J. P. Sousa | The Stars and Stripes Forever | | Piano |
| J. P. Sousa | Transit of Venus March | | Piano |
| J. P. Sousa | The Washington Post | | Piano |
| Spagnoletti | The Countess of Farnham's Waltz | | Piano |
| Spagnoletti | La Dorset | | Piano |
| D. Speer | Sonata in a for 2 cornets and 3 sackbuts and basso continuo | | Brass Ensemble |
| L. Spohr | Das Lied | | Choir (TTBB) |
| J. Stainer | Love Divine | | Voice (SATB) |
| A. V. Stanchinsky | Prelude in Lydian Mode | | Piano |
| F. Strauss | Nocturno, Op.7 | Op.7 | Horn and Piano |
| J. Strauss Jr. | Ich lade gern mir Gäste ein (Aria from Die Fledermaus) | | Voice and Piano |
| J. Strauss Jr. | The Blue Danube Waltz (main theme) | Op. 314 | Piano |
| J. Strauss Jr. | Thunder and Lightning | Op. 324 | Piano |
| A. Sullivan | I've found a Friend | | Voice (SATB) |
| H. Suter | Der gute Kamerad | | Choir (SATB) |
| A. Szervác | Ostia | | baritono, oboa (|flauto[dolce]), violino, violoncello |
| A. Szervác | REMIX AE I | | 2 solo instruments |
| A. Szervác | Tritto | | oboa/flauto[dolce], viola, violoncello, tamburo |
| T. Tallis | If Ye Love Me | | Voice (SATB) and Piano |
| T. Tallis | Tallis' Ordinal | | Organ |
| T. Tallis | O nata lux de lumine | | Voice (SATB) |
| F. Tarrega | Recuerdos de la Alhambra | | Violin and Organ |
| F. Tarrega | Adelita | | 2 Guitars |
| F. Tarrega | Adelita | | Guitar |
| F. Tarrega | Capricho Árabe | | Guitar |
| F. Tarrega | Claro de Luna (Beethoven's Moonlight Sonata) | | Guitar |
| F. Tarrega | Lágrima | | 2 Guitars |
| F. Tarrega | Recuerdos de la Alhambra | | Guitar |
| P. I. Tchaikovsky | Violin Concerto in D Major (All three movements) | Op. 35 | Violin, Orchestra: Flutes, Oboes, Clarinets, Bassoons, Horns, Trumpets, Timpani, Violins, Viola, 'Cello, Bass |
| P. I. Tchaikovsky | The Seasons: January | O 37,1 | Piano |
| P. I. Tchaikovsky | The Seasons: February | O 37,2 | Piano |
| P. I. Tchaikovsky | The Seasons: August | O 37,8 | Piano |
| P. I. Tchaikovsky | Morning Prayer | Op. 39, No. 1 | Piano |
| P. I. Tchaikovsky | March of the Wooden Soldiers | Op. 39, No. 5 | Piano |
| P. I. Tchaikovsky | Old French Song | Op. 39, No. 16 | Piano |
| P. I. Tchaikovsky | Doumka | Op. 59 | Piano |
| P. I. Tchaikovsky | Napolitan Dance (Swan Lake) | | Trumpet, Percussion and Piano |
| G. P. Telemann | Concerto in D major for four violins | TWV 40:202 | Violin |
| G. P. Telemann | Concerto in G major for four violins | TWV 40:201 | Violin |
| G. P. Telemann | Sonatas for two recorders | | Recorder duet |
| G. P. Telemann | Sonata in C major for four violins | TWV 40:203 | Violin |
| G. P. Telemann | Duett - (TWV 40:107) | TWV 40:107 | Recorder duet |
| G. P. Telemann | Concerto à 8 | TWV 51:G8 | Violin, Viola, Cello, Oboe, Harpsichord |
| G. P. Telemann | Première sonate en duo | | Violin, Viola |
| G. P. Telemann | Seconde sonate en duo | | Violin, Viola |
| M. Teschner | St. Theodulph (hymntune) | | Voice (SATB) |
| M. Tiddeman | Ibstone (hymntune) | | Voice (SATB) |
| J. Titelouze | Annue Christe (2e verset) | | Organ |
| J. Titelouze | Annue Christe (AMEN) | | Organ |
| J. Titelouze | Ave Maris Stella (1er verset) | | Organ |
| J. Titelouze | Ave Maris Stella (2e verset) | | Organ |
| J. Titelouze | Ave Maris Stella (3e verset) | | Organ |
| J. Titelouze | Ave Maris Stella (4e verset) | | Organ |
| J. Titelouze | Conditor alme siderum (3e verset) | | Organ |
| J. Titelouze | Pange Lingua (2e verset) | | Organ |
| J. Titelouze | A solis ortus (1er verset) | | Organ |
| J. Titelouze | A Solis ortus (2e verset) | | Organ |
| J. Titelouze | Conditor alme siderum (1er verset) | | Organ |
| J. Titelouze | Sanctorum meritis (2e verset) | | Organ |
| J. Titelouze | Urbs Jerusalem (1er verset) | | Organ |
| J. Titelouze | Urbs Jerusalem (2e verset) | | Organ |
| J. Titelouze | Urbs Jerusalem (3e verset) | | Organ |
| J. Titelouze | Ut queant laxis (3e verset) | | Organ |
| J. Titelouze | Veni Creator (1er verset) | | Organ |
| J. Titelouze | Veni Creator (2e verset) | | Organ |
| J. Titelouze | Veni Creator (3e verset) | | Organ |
| J. Titelouze | Veni Creator (4e verset) | | Organ |
| J. Titelouze | Ad Cœnam (2e verset) | | Organ |
| J. Titelouze | Ad Cœnam (3e verset) | | Organ |
| J. Titelouze | Iste Confessor (2e verset) | | Organ |
| L. E. Tourjee | Wellesley (hymntune) | | Voice (SATB) |
| D. B. Towner | Trust and Obey | | Voice (SATB) |
| Traditional | Aamulla varhain | | Voice and Piano |
| Traditional | Foundation | | Voice (SATB) |
| Traditional | Greensleaves | | Lute, Guitar, Vihuela |
| Traditional | Greensleeves | | Accordion |
| Traditional | Banza-Bushi | | Shamisen |
| Traditional | Yanreso Hoi | | Shamisen |
| Traditional | Noue Bushi | | Shamisen |
| Traditional | Umewa Saitaka | | Shamisen |
| Traditional | Doujan | | Shamisen |
| Traditional | Saakorasa | | Shamisen |
| Traditional | Chidori Meimei | | Shamisen |
| Traditional | Nisshin Danpan | | Shamisen |
| Traditional | Shashari | | Shamisen |
| Traditional | Soushi-Bushi | | Shamisen |
| Traditional | Shigin-Cho, Nanagon Zeku | | Shamisen |
| Traditional | Gonbe ga Tanemaku | | Shamisen |
| Traditional | Toka-Ebisu | | Shamisen |
| Traditional | O-Edo-Nihonbashi | | Shamisen |
| Traditional | Suiryo-Bushi | | Shamisen |
| Traditional | Riukiu-Bushi | | Shamisen |
| Traditional | Sedo no Danbatake | | Shamisen |
| Traditional | Inshu-Inaba | | Shamisen |
| Traditional | Kappore | | Shakuhachi |
| Traditional | Yube-Yonda | | Koto |
| Traditional | K Honen | | Koto |
| Traditional | Sakura-Miyotote | | Koto |
| Traditional | Kuro-Kami | | Koto |
| Traditional | Waga-Koiwa | | Koto |
| Traditional | Kosunoto | | Koto |
| Traditional | Kayo-Kami | | Koto |
| Traditional | Horete-Kayouni | | Koto |
| Traditional | Doteo-Toruwa | | Koto |
| Traditional | Otsue-Bushi | | Koto |
| Traditional | Asaku-Tomo | | Koto |
| Traditional | Iyo-Bushi | | Koto |
| Traditional | Oki No Taisen | | Koto |
| Traditional | Gosho no Oniwa | | Koto |
| Traditional | Murasaki | | Koto |
| Traditional | Na No Ha | | Koto |
| Traditional | Echigo Jishi | | Koto |
| Traditional | Echigo Jishi | | Koto |
| Traditional | Fuku-Ju-So | | Koto |
| Traditional | Ukiyo-Bushi | | Koto |
| Traditional | Schön ist die Jugend | | Choir (SATB) |
| Traditional | Red Apple Rag | | Violin, Guitar |
| Traditional | Taivas on sininen ja valkoinen | | Voice and Piano |
| Traditional | Sing Ivy | | Voice and Piano |
| Traditional | St Columba | | Voice (SATB) |
| Traditional | Amazing Grace | | Scottish Bagpipes |
| Traditional | Crusader's Hymn (hymntune) | | Voice (SATB) |
| Traditional | The First Noel (hymntune) | | Voice (SATB) |
| Traditional | Flee As A Bird | | Voice and Piano |
| Traditional | Greensleeves (hymntune) | | Voice (SATB) |
| Traditional | Greensleeves | | Voice, Guitar |
| Traditional | It's a me, Oh Lord | | Voice (SATB) |
| Traditional | John Barleycorn | | Voice, Piano |
| Traditional | Lindormen | | Voice and Piano |
| Traditional | Nº1. Halling. | Verk 24 | Piano, Violin |
| Traditional | Nº2. Bruralaat. | Verk 24 | Piano, Violin |
| Traditional | Nº1. Nöring. | Verk 24 | Piano, Violin |
| Traditional | Oats and Beans | | Voice and Piano |
| Traditional | Soldier's Joy | | Violin, Guitar |
| Traditional | St. Denio (hymntune) | | Voice (SATB) |
| Traditional | Terra Beata (hymntune) | | Voice (SATB) |
| Traditional | Holly and the Ivy, The | | Voice |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 1 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 2 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 3 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 4 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 5 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 6 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 7 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 8 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 9 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 10 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 11 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 12 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 13 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 14 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 15 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 16 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 17 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 18 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 19 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 20 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 22 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 23 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 26 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 27 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 29 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 30 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 31 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 33 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 1st part, nr 34 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 2nd part, nr 15 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 2nd part, nr 27 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 2nd part, nr 30 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 2nd part, nr 31 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 2nd part, nr 36 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 1 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 2 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 3 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 4 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 5 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 6 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 7 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 8 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 9 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 11 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 12 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 13 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 14 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 15 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 16 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 17 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 18 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 19 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 21 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 22 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 23 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 24 | | Piano |
| Traditional | Traditioner af Swenska Folk-Dansar, 3rd part, nr 34 | | Piano |
| Traditional | Tryggare Kan Ingen Vara (hymntune) | | Voice (SATB) |
| Traditional | Veni Emmanuel (hymntune) | | Voice (SATB) |
| Traditional | The Water of Tyne | | Voice and Piano |
| T. Turpin | The St. Louis Rag | | Piano |
| T. Turpin | The Harlem Rag | | Piano |
| V. Ugolino | Concerto Per Mandolino, Violino Primo, Violino Secondo e Basso (Gimo 297) | | Ensemble: Mandolin, 2 Violins, 'Cello |
| Nicola Vaccai | Lesson I, The Diatonic Scale | | Voice (Baritone), Piano |
| G. Valentini | Vulnerasti cor meum | | Voices (TTB), Basso Continuo |
| L. G. Valvasensi | Brevi concerti ecclesiastici | | Voise (S), Basso Continuo |
| A. Veliumov | Great Doxology | | Voice (SATB) |
| G. Verdi | La Traviata - N1 Introduzione | | Piano |
| G. Verdi | La Traviata - N2 Brindisi | | Piano |
| G. Verdi | La Traviata - N3 Valzer e duetto | | Piano |
| G. Verdi | La Traviata - N4 Streta dell'introduzione | | Piano |
| G. Verdi | La Traviata - N5 Scena ed aria | | Piano |
| G. Verdi | La Traviata - N6 Scena ed aria | | Piano |
| G. Verdi | La Traviata - N7 Scena e duetto | | Piano |
| G. Verdi | La Traviata - N8 Scena e duettino | | Piano |
| G. Verdi | La Traviata - N9 Scena ed aria | | Piano |
| G. Verdi | La Traviata - N10 Finale del Atto II | | Piano |
| G. Verdi | La Traviata - N11 Coro di zingari | | Piano |
| G. Verdi | La Traviata - N12 Coro di mattadori spagnuoli | | Piano |
| G. Verdi | La Traviata - N13 Seguito del Finale II | | Piano |
| G. Verdi | La Traviata - N14 Largo del Finale II | | Piano |
| G. Verdi | La Traviata - N15 Scena ed Aria | | Piano |
| G. Verdi | La Traviata - N16 Coro baccanale | | Piano |
| G. Verdi | La Traviata - N17 Scena e duetto | | Piano |
| G. Verdi | La Traviata - N18 Scena finale | | Piano |
| G. Verdi | La Traviata - Preludio | | Piano |
| G. Verdi | Ah! Was It Him My Heart Foretold, from La Traviata | | Mandolin |
| T. L. de Victoria | O Magnum Mysterium | | Voice |
| P. A. Vidal | Air des folies d’Espagne | | Classical Guitar |
| L. Vinci | Al fiero mio sospetto, Aria from Caduta dei Decemviri | | Voice (Bass), Viola, Bassoon and Basso Continuo |
| L. Vinci | Di rabbia, di sdegno, Aria from Semiramide | | Ensemble: Alto, Strings, Basso Continuo |
| L. Vinci | Ride il ciel per me sereno, Aria from Siface | | Voice (Soprano), String Ensemble, Basso Continuo |
| L. Vinci | Voi che le mie vicende, Aria from Semiramide | | Voice (Tenor), String Ensemble, Basso Continuo |
| F. Vitali | T'amo mia vita | | Voice (SS), Basso Continuo |
| A. Vivaldi | L'estro Armonico, Op. 3 | RV 549, 578, 310, 550, 519, 356 | Violin, Viola, Cello, Viol, Cembalo |
| A. Vivaldi | Autumno / Autumn | Op. 8, No. 3 | Violin, Strings |
| A. Vivaldi | La Primavera / Spring | Op. 8, No. 1 | Violin, Strings |
| A. Vivaldi | Estate / Summer | Op. 8, No. 2 | Violin, Strings |
| A. Vivaldi | L'Inverno / Winter | Op. 8, No. 4 | Violin, String |
| A. Vivaldi | Concerto in D Minor for Viola d'amore and Lute | | Viola d'amore, Lute, String Ensemble: Violins, Viola, Cello, Basso Continuo |
| A. Vivaldi | Quell'alma superba, Aria from Serenata a tre | RV 690 | Voice (Tenor), Bassoon, String Ensemble, Basso Continuo |
| A. Vivaldi | Del destin non vi lagnate, Aria from L'Olimpiade | RV 725 | Voice (Tenor), String Ensemble, Basso Continuo |
| A. Vivaldi | Mentre dormi amor, Aria from L'Olimpiade | RV 725 | Voice (Soprano), Horn, String Ensemble, Basso Continuo |
| A. Vivaldi | Siam navi all'onde algenti, Aria from L'Olimpiade | RV 725 | Voice (Soprano), String Ensemble, Basso Continuo |
| A. Vivaldi | Sta piangendo la tortorella, Aria from L'Olimpiade | RV 725 | Voice (Soprano), Horns, String Ensemble, Basso Continuo |
| R. Volkmann | Abendlied | | Choir (SATB) |
| R. Volkmann | Abendlied | op. 30, Nr. 2 | Choir (TTBB) |
| R. Volkmann | Ich halte ihr die Augen zu | Op. 30, No. 3 | Choir (TTBB) |
| J. F. Wade | Adeste Fideles | | Voice (SATB) |
| J. F. Wade | Adeste Fideles (hymntune) | | Voice (SATB) |
| J. Wanhal | Rondo | Opus 42, No. 1 | Piano |
| M. Weckmann | Praeambulum A. 5. Vocum | | Organ |
| M. Weckmann | Praeambulum Primi toni a 5 | | Organ |
| M. Weckmann | Fantasia d moll | | Organ |
| T. Weelkes | O How Amiable Are Thy Dwellings | | Voice (SATB) |
| H. Werner | Heidenröslein | | Choir (SATB) |
| H. Werner | Heidenröslein | | Choir (SATB) |
| C. Widor | Adagio | O 42-1 | Organ |
| R. Williams | Llanfair (hymntune) | | Voice (SATB) |
| R. H. Williams | Dymuniad | | Quartet and Piano |
| R. S. Willis | Carol (hymntune) | | Voice (SATB) |
| C. F. Witt | Stuttgart (hymntune) | | Voice (SATB) |
| H. Worrall | Spanish Fandango | | Guitar |
| J. Wyeth | Netteton (hymntune) | | Voice (SATB) |
| Yaniewicz | Les Lanciers | | Piano |
| M. Zanoni | Ave Maria | | Vocal |
