From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Thu, 18 Nov 1993 17:51:55 -0500 (EST)
Subject: H-costume digest, Volume 3, Nov 18, 1993 

The Historic Costume List Digest, Issue 3, November 17, 1993

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).
Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

Enjoy!

----------------------------------------------
Topics:

Lots and Lots of Biographies
FAQs, including historical costuming FAQs
More Folkwear peeves
Subscriptions info for related lists
Various Requests
----------------------------------------------

Date: Wed, 17 Nov 93 16:00:00 PST  
From: "Teena Tuttle" <ttuttle@unr.edu>
Subject: Vintage Clothing

I tried to subscribe to the vintage clothing list as previously posted
(vintage-request@presto.ig.com.) and was unable to do so.  I am pretty
new at this e-mail stuff, and maybe I did something wrong?  I would also
be interested in subscribing to a quilting mailing if I knew how.

As for my history of historical clothing:  I learned to sew on a
treadle.  I currently own a Free brand treadle, complete with
accessories for sewing insertion, pintucking, ruffling, braiding, etc. 
Unfortunately, although I have an instruction manual, I am mechanically
inept and cannot make these attachments work.  I have sewn historical
clothing for my daughter as I always liked to dress her up but now that
she is grown and married, I will just have to lose weight and make gowns
for myself.

I am currently interested in millinery and have made myself a beaded
cocktail hat of rose silk, vintage black veiling and vintage black lace
appliques, a sort of Doris Day kind of hat.

Does anyone know of a source for millinery wire?

Thanks.

Jackie @ttuttle

------------------------------------------
Subject: FAQs, including historical costuming FAQ
Date: Wed, 17 Nov 93 18:49:00 -0500
From: Anne Louise Gockel <alg@cs.cornell.edu>

I assume that most of you are familiar with the textile-related FAQs
from the various newsgroups.  In case you're not here's the standard
info!
     -alg
----
There are four FAQs related to the textiles groups.  Each FAQ is a list
of Frequently Asked Questions and answers.  The textile FAQs include:

1) General textile and sewing question and answers, including:
   Where can I discuss xyzzy (weaving, spinning, flower arrangements,   
    dyeing etc)? 
   Where can I get material for outdoor gear or windsocks? 
   What's the best brand of sewing machine or serger? 
   What are the addresses of various places? 
   What are the best periodicals and sources for Heirloom Sewing (also known
        as French Hand Sewing) projects? 
   Where can I get natural fabrics by mail order?
   Would anyone like to exchange quilt blocks? Is there a quilting maillist?
   I've just been given my Great Grandmother's sewing machine. 
        Can anyone help me fix it or restore it?
   Where can I get an up to date copy of this FAQ?
This FAQ has a subject line of:
    Subject:  Textiles FAQ
and is currently available in the archives under:
    Archive-name: crafts/textiles/faq
    Last-modified: 29 Sept 1993

2) Questions and answers related to Historical Costuming.  This FAQ has a
subject line of:
    Subject: Historical Costuming FAQ
and is currently available in the archives under:
    Archive-name: crafts/historical-costuming
    Last-modified: 22 Jun 1993

3) A list of books about sewing and pattern making.  This FAQ is posted in
two parts.  This FAQ has subject lines of:
    Subject: Textile Related Books FAQ: Part 1 of 2
    Subject: Textile Related Books FAQ: Part 2 of 2
and is currently available in the archives under:
    Archive-name: crafts/textiles/books/part1
    Last-modified: 22 Jun 1993
    Archive-name: crafts/textiles/books/part2
    Last-modified: 22 Jun 1993

4) An index to quilting FAQs and compiled postings available from individuals 
by email request.  This Index a subject line of: 
 Subject:  Index of Quilting FAQs and Compiled Postings
and is current available in the archives under:
 Archive-name: crafts/quilting-faq-index
 Last-modified: 2 Sep 1993

            HOW TO GET FAQ LISTS (THREE AND A HALF METHODS)

When looking for an FAQ list, first do the obvious and check the
relevant newsgroup for articles with "FAQ" in the subject line.  If you
don't know how to check articles marked as read, your sysadmin can tell
you.

Next, try the group news.answers.  FAQ lists for many groups are cross-
posted there.  Subject lines usually contain the names of the base
newsgroups.  For instance, all the misc.consumers FAQ lists will have
"misc.consumers" in their subject lines.  Again, your sysadmin can tell
you the commands to use in searching.

The articles in news.answers are posted in such a way that each version
should stay around at each site until the new version is posted.  But
some sites are configured so that this does not occur.  If FAQ lists
that you're looking for have expired in news.answers at your site, you
can get copies of them by FTP or email.

Jonathan Kamens of MIT's Project Athena has kindly set up an archive of
periodic postings.  By way of example, I give specific instructions
below for getting the textile related FAQs plus some general material on
getting the most out of Usenet.

(For general instructions on the server, send email containing the
commands "help" and "send index" (no quotes, separate lines) to 
mail-server@rtfm.mit.edu

For a list of all periodic postings that are archives in news.answers,
email the command "send usenet/news.answers/index" to the server.)

via anonymous FTP
=================

Periodic postings including FAQs are archived at "rtfm.mit.edu"
(currently available at 18.70.0.209), in the directory "/pub/usenet". 
Multi-part FAQs, such as the FAQ for textile books, are stored in
separate directories such that subdirectory is a archive name, and the
files in the subdirectories are the periodic postings.  FAQs that are a
single posting, such as the sewing and historical costuming FAQs, are in
a file that is the archive-name

    /pub/usenet/news.answers/crafts/textiles/faq
    /pub/usenet/news.answers/crafts/historical-costuming
    /pub/usenet/news.answers/crafts/textiles/books/part1
    /pub/usenet/news.answers/crafts/textiles/books/part2
    /pub/usenet/news.answers/crafts/quilting-faq-index

via email server
================
The address of the server is mail-server@rtfm.mit.edu.  To retrieve
files, send email to the server with a blank subject and one or more of
these lines
in the body:

    send usenet/news.answers/crafts/textiles/faq
    send usenet/news.answers/crafts/historical-costuming
    send usenet/news.answers/crafts/textiles/books/part1
    send usenet/news.answers/crafts/textiles/books/part2
    send usenet/news.answers/crafts/quilting-faq-index

when other methods fail
=======================
I currently maintain the textiles FAQs and I can send you a copy of the
current FAQ (which may be slightly updated from the archived copies). 
Try the following addresses:

 Internet:  alg@cs.cornell.edu  Preferred Address
 UUCP:   cornell!alg
 Alternative: alg2@cornell.edu

(thanks to "brown@NCoast.ORG (Stan Brown)" for writing this intro!)

     -Anne Louise Gockel
     Cornell Computer Science

Internet: alg@cs.cornell.edu  UUCP: cornell!alg

------------------------------------------
Date: Wed, 17 Nov 1993 17:38:44 -0600 (CST)
From: Deb <BADDORF@BADORF.FNAL.GOV>
Subject: Bon jour, all!  My bio

A bio, hmm?
    I've been sewing since the obliatory A-line skirt in 6th grade. Did
a few suits back when I wore those to work (blue jeans are de rigueur
now), and a cloak for evening wear.  Another satin lined cloak for a
man, with the shoulder cape layer (what the heck are those called??),
plus a hooded Kinsale cloak for myself that I wear to work in the spring
and fall.  It gets lots of compliments!
    Lately I've been doing more "fun clothes" than modern ones ...
because modern blue jeans, etc.  all have to fit in a certain way ...
and I never look like the skinny waif models when I put them on.
    I do Revolutionary War re-enactment in a several-state area
(Illinois,Michigan,Wisconsin,Indiana,Ohio and Iowa just joined) and
enjoy showing off my work at the fashion show there.  I've done lots of
plain clothes (female and some male), plus corsets, a pelisse, a fancy
caraco* and a wool period suit*, both with lots of ruching. I've got
fabric already and schemes for a sack back short gown & skirt (a
pet-en-laire* (sp?)) but that'll be another year in the execution.  At
the moment there are 3 corsets awaiting the hand lacing-holes and edge
trim.  (We have to use hand sewing 
anywhere that it will show.)
    Outside of that time period, and just for the heck of it, I've done
a Houppeland gown** (think Richard II time period)  with (fake)
fur-trimmed sleeves reaching the floor, and a (fake) leather elf costume
with laced up to There slits on the leg seams. I've got more fabric
waiting to become a Civil War gown (~1860's with pagoda sleeves***)
though I've no idea where I'll wear that.   I used to wear these things
to Science Fiction conventions, but I'm going to fewer of those lately.

<===========================================================================>
Deb Baddorf                Fermilab, MS220       Arthurian,Inkling,&Regency
Baddorf@warner.fnal.gov    PO Box 500               buff
Baddorf@fnal.bitnet        Batavia, IL 60510     Costumer, RevWar re-enactor
                                                 MAC Q605 w/ IIe emulator

*from "Patterns of Fashion c. 1600-1870" by Janet Arnold.
Drama Book, London, 1964

** something like "Fashion through the Ages" showing Richard II
through 1920 flappers.  More details if requested.  It's in the
library.  

*** pattern from Amazon Dry Goods, though I forget the makers name
just now - it's at home, of course

------------------------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: Re: Questions -- general
Date: Wed, 17 Nov 1993 16:52:08 -0800 (PST)

> I've looked and can't find the alt.history.living anywhere.  Is this a new 
> group? on internet or listserv somewhere?

Some sites don't carry the alt groups as they tend to be too
"controversial" (ie. alt.sex.bizarre and stuff like that).  Many systems
carry only the mainline non-alt groups like rec.*, comp.*, soc.*, etc.

> I'm acquainted with the Folkwear patterns but where would you find out about 
> the museum replica-type patterns.  I get several museum catalogs but haven't 

The Taunton Press will send you a colour catalog for $3 or a black and
white version for nothing.  Their address is:

Folkwear
The Taunton Press
63 South Main Street
P.O. Box 5506
Newtown, CT  06470-5506

The "museum" line is a new line they are offering since they lost the
copyright battle to carry all of the older Folkwear patterns and must
now be content with what they currently offer.  This is an attempt to
flesh out and upgrade their current collection.

> Last but not least, I got the introductory mail but unfortunately for me, it 

Ya, it got hosed.  Gretchen is planning on sending a copy *to the whole
mailing list* sometime in the next couple weeks, after the rush of new
subscribers dies down.  (We are up past 100 already!!)  I'll send you a
copy via e-mail separately (and to anyone else that doesn't want to wait
until next week or so; this'll help take some of the load off of
Gretchen, I hope).
-- 
Diane Barlow Close
 close@lunch.asd.sgi.com
 I'm at lunch today.  :-)

------------------------------------------
Date: Wed, 17 Nov 93 17:10:10 PST
From: Art Kaufmann  <afk@tdat.ElSegundoCA.NCR.COM>
Subject: Bio

Hello out there in network land!

I'm not really the costumer of the family, just the one with net access.
 My biggest connection with costuming is wearing them!  My wife and I
belong to a living history performing group (weddings, bar-mitzvahs,
international tours, the usual); although geared towards the Elizabethan
(most of use are RenFaire(tm) performers), we'll try anything once.

I do some work on our costumes (besides marking hems): I did the
decoration on my two doublets (beads on one, ribbon chevrons on the
other), made some venetians and have made a couple of hats.  Someday
soon I'd like to try some gloves.

Like most of you (I think), we spend a lot of time drooling over the
Amazon Drygoods catalog, saying "Lets make this one..."  "If only I had
a place to wear.."

I've seen some discussion about the Folkwear pattern instructions, what
are your experiences with the Medieval Miscelanea?  We've had some real
trouble trying to understand their directions, complicated by bad
production on the pattern (mis-marked pieces).

Regards,
   Art

------------------------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: Re: Vintage Clothing
Date: Wed, 17 Nov 1993 16:43:37 -0800 (PST)

> I tried to subscribe to the vintage clothing list as previously posted
> (vintage-request@presto.ig.com.) and was unable to do so.  I am pretty new

Try writing to the list's owner, Charleen Bunjiovianna, directly.  Her
address is: charleen@wiretap.Spies.COM

> interested in subscribing to a quilting mailing if I knew how.

The only quilting list available by e-mail is a listserv-based one that
focuses on chatty, fuzzy topics ala old fashioned quilting bees. It's
called QuiltNet.  There is also a newsgroup called rec.crafts.quilting
that discusses quilting in a more technical manner.

If you want information on QuiltNet, then send e-mail to Becky Bruner
(ISRLB@EMUVM1.CC.EMORY.EDU).  If you want to subscribe to QuiltNet, then:

      send a message to: LISTSERV@EMUVM1              (bitnet)
                     or: LISTSERV@EMUVM1.CC.EMORY.EDU (internet)

      in the body of the message:

                  SUBSCRIBE QUILTNET your full name

      the default status will send you a copy of your postings, so it's 
     not necessary to set a mail status.

> Does anyone know of a source for millinery wire?

 It's in Amazon Dry Good's catalog (whose address was posted earlier and
is part of the general textile FAQ's).  (Sorry I don't have it handy but
I'm sure you can find it easily enough.)
-- 
Diane Barlow Close
 close@lunch.asd.sgi.com
 I'm at lunch today.  :-)

------------------------------------------
Date: Wed, 17 Nov 93 17:29:59 PST
From: Linda.McAllister@Eng.Sun.COM (Linda McAllister)
Subject: Re: My pet peeve: Folkwear patterns

> From grm+@andrew.cmu.edu Wed Nov 17 15:09:57 1993
> Date: Wed, 17 Nov 93 14:08:57 PST
> From: Linda.McAllister@Eng (Linda McAllister)
> To: h-costume@andrew.cmu.edu
> Subject: Re: My pet peeve: Folkwear patterns
> Content-Length: 1029
> 
> Folkwear's always been quirky, and not for a novice.  I've been using their 
> patterns off and on since the late 70's, and there has been some improvement
> in instructions over time (or I've gotten used to them).  What bothers me the
> most about them is that they're neither completely accurate historically (or
> ethnically somethimes), nor do they follow current Big 4 conventions. 
> Occasionally they'll have something that sounds bizarre but works -
the sleeve 
> insertion sounded bizarre, but worked.  Haven't tried any of the Met patterns
> yet - I have the Russian uniform, but I'm still trying to figure out fitting
> mods.
> 
> 
Sorry - I'm in mondo interrupt mode (or is that interrupted mode) right
now and can't seem to manage more than a sentence an hour.

The pattern I referred to above is Folkwear's Hungarian szur, which is
my current winter coat.  The sleeve is your basic rectangle;  the
instructions call for sewing the sleeve seam to within ~6" of the sleeve
top, then using the unsewn part as the sleeve cap.  Essentially
eliminates the gusset. 

When did the shaped sleeve cap get popular?  

------------------------------------------
Date: Wed, 17 Nov 1993 20:26:59 +0500 (EST)
From: Brynda Watkins <watkins@gibbs.oit.unc.edu>
Subject: bio

Well, I'm one of those SCA people, who got warned by group name on the
list intro.  I do like to talk about costuming, as I am the arts and
sciences officer for my local group (North Carolina, Chapel Hill), and
often have garb workshops in my home... :)
I make t-tunics, heavy cloaks, I made a dress earlier that still needs
much work, but is doing quite well.  My best friend does more of the
sewing around our house (we are housemates as well), but that doesn't
mean I'm not interested, it means I have no time!  I am a senior in
college, and I am also applying to grad school, so who knows when I will
have time to sew next.  
Bryn 
Be good to dragons, for you are crunchy and go well with ketchup.

Raven
Canton of Kappellenburg, Windmaster's Hill
Atlantia

------------------------------------------
From: waltz@mprgate.mpr.ca
Subject: Bio
Date: Wed, 17 Nov 93 18:35:34 pst

Hello, all!

Well, unlike most of you who have posted bios so far, I haven't been
sewing for very long.  My mother was a seamstress and she always sewed
my clothes when I was young.  She frequently tried to teach me how to
sew, but my attitude was that I wasn't going to make my own clothes, I
was going to buy them all, so why bother learning.  (Foolish child! 
I've smartened up since. :))

Well, about 5 or 6 years ago, I discovered the SCA. I very quickly came
to the conclusion that I needed a sewing machine and I needed to learn
how to sew. For the first time ever, my mother was delighted to lend me
money.  I wanted it for a sewing machine.

During the time I've been involved with the SCA I've learned a great
many things from a lot of the very talented people involved, and my
interest in
historical costume has grown along with my skill level.  To date I've
worked on Tudor, Elizabethan, Italian Renaissance and Cavalier styles. 
I'm also 
very interested in time periods outside of the SCA period, and I would
love to do some Victorian clothing at some point in time.  I don't think
it's something I'm likely to do in the very near future though, as I
don't have any place to wear it.

Janet Arnold was here on the west coast a short while ago and gave a
lecture on foundation garments on one evening and Elizabeth's wardrobe
the next.  Unfortunately, I wasn't able to make it on the second night,
but the
first lecture was absolutely fascinating.  I hear I missed some really
wonderful things during that second lecture. :(

This list looks like it's going to be very interesting. I'm looking
forward to participating.

Regards,

Marina Waltz
Vancouver, BC

------------------------------------------
From: JLIEDL@nickel.laurentian.ca
Date: Wed, 17 Nov 1993 21:49:02 -0500 (EST)
Subject: Bio et cetera

Greetings to everyone in this most active of groups 

(I look forward to learning the options for this list so that when I go
out of town for a few days I can digest or nomail and avoid overflowing
my email privileges!)

I've been doing historical costuming for years.  As a child, I served as
a figure for historical costume (French-American "voyageur" culture at
Fort Ouieatnon in W. Lafayette, IN). When I reached university, I too
fell into the clutches of the SCA.  I have since sewn historical costume
for a variety 
of men and women for periods ranging from 600-1650 (and occasional,
technical forays into Victorian dress and fashion).  

Professionally I am a professor of early modern European history. My
professional and hobby interests have overlapped many times-- ask me
about my Renaissance costume lectures I used to deliver in full dress to
bemused university students (in my younger, grad-school days).  I am
keenly interested in authenticity of technique and accessory, but also
enjoy the fun of dress-up!

Most recently I completed an English Civil War-period outfit for myself
(a self-consciously simple and "merchant-class" black linen bodice and
skirt) and a uniform coat for my husband who does ECW battle
recreations.  My first love in historical costuming remains the period
1350-1600, however, and 
I have an extensive library on that era.  My husband has expressed an
interest in American Civil War recreation-- I might be seeking the
list's expertise there in the near future!

I've sewn hundreds of variations on the Folkwear "Missouri
Riverboatman's Shirt" which works an awful lot like late medieval/early
Renaissance shirts (see the bible of geometric cutting in historical
costume:  _Cut My Cote_).  I can gusset in my sleep by now!

Janice Liedl
Laurentian University, Canada
JLIEDL@NICKEL.LAURENTIAN.CA

------------------------------------------
From: sclark@epas.utoronto.ca (Susan Clark)
Subject: Jumping on the bio bandwagon
To: h-costume+
Date: Wed, 17 Nov 1993 22:11:44 -0500 (EST)

Hello all--
 This seems to be a trend, so here goes.
 I've been doing a variety of crafts (embroidery, etc.) since I  was
very young.  I got into costuming when a student group I  was part of as
an undergrad needed "medieval" costumes. I  promptly went and looked
some up at the library, and made them.  Learned a lot in t  process
about how not to make medieval  costumes.  When I came up to Toronto to
do my MA in history,,  I joined the SCA, and since then, I've tried just
about everything in the book.  My specialties are the thirteenth and
sixteenth centuries (I've don a great deal of research on the former).
In fact, my wedding dress was made on the pattern in Janet Arnold's
_Patterns of Fashion_ of the dress worn b by Eleanor of Toledo.  (I am
currently making a friend a male outfit from Arnold, too).
  I a also into 17th centu(ECW) re-enactment, and have made three New
Model Army Coats, and a doublet or two.  (I sew 3/4 of the time for
men--my husband, and people who comission me). I have also done some War
of 1812-era costuming.
  Current project:  Research into Kievan Rus' costume.  Not many sources
out there in English.  My SCA group hopes to do a Kievan theme event
next year.  And if anyone knows good sources for Byzantine costume circa
1100--give me a shout!

 Cheers
 Susan Carroll-Clark
 sclark@epas.utoronto.ca
 

------------------------------------------
Date: Wed, 17 Nov 93 19:25:56 PST
From: aterry@Teknowledge.COM (Allan Terry)
Subject: Bio

I didn't know we were supposed to give bios--apologies for jumping into
the discussion without introducing myself.
 
I've been involved with vintage clothes and historic costumes since 1972
for a variety of reasons.  My parents are antique collectors who took me
to lots
of auctions when I was a child.  I got a degree in history, which I
loved, but few jobs were available.  I wanted to own, and make,
beautiful things. 

So I started collecting vintage clothes, from the 1810s through the
1920s. I'd collect earlier periods but they're hard to find in the U.S. 
Decades after the 1920s are too modern for my taste, though I do have
some 1930s hats.  

I originally learned sewing in college clothing design classes, but
preferred older styles and techniques.  Especially since I like
time-consuming handwork and the modern clothes I made usually went out
of style before I felt I had got full value out of them.  

I've also done historic and folk dance since 1974.  Currently I do
Renaissance, baroque, early 19th-century, Victorian, ragtime, and 20s
dance. I mostly wear vintage clothes and costumes to dance events--I
don't belong to any reenactment group.  This means I seldom wear vintage
clothes from before the 1890s--they wouldn't stand the strain.

I've earned my living as a writer since 1983, and up until the last few
years was also an editor.  I've worked for book publishers, magazine
publishers, and as a technical writer in Silicon Valley. I've written
many articles on vintage/historic clothes for magazines like Threads,
Sew News, and Antique Trader Weekly.  

I've spent the last two years writing, and seeing through publication, a
book on reproducing historic styles and buying, mending, and altering
vintage clothes.  It's called After a Fashion:  How to Reproduce,
Restore, and Wear Vintage Styles.  It is illustrated by Deborah Kuhn,
one of the Folkwear cover artists.  I can give details to anyone who is
interested, or to the whole list if this is not considered a violation
of net ethics.  You can reach me by sending e-mail to
aterry@teknowledge.com.

Fran Grimble

------------------------------------------
Date: Wed, 17 Nov 93 23:09:10 -0500
From: Zach Kessin <zkessin@cs.brandeis.edu>
To: h-costume
Subject: Yet another Bio...

I was tought to sew in the 4th grade (or was it before that) but only to
the put on a button level. When I got here to Brandeis I was introduced
to the SCA threw the campus Buro (Fenmeir). A few friends helped me make
my first bit of garb (a very bad t-tunic) the night before mayday last
year. Since then I have started trying to expand my collection of garb.
And have acquired a sewing machine. What I would like would be
recomandations and ideas for patterns and fabric choice for garb. My
persona is from about 1200ce England/Wales/Cornwall. Thanks for any
help. I probably should call the head of the neadleworkers. (I'm in
Carolingia)

--- Zachary Kessin zkessin@cs.brandeis.edu  
For a good Prime, call:
29819592777931214269172453467810429868925511217482600306406141434158089

------------------------------------------
Date: Wed, 17 Nov 93 21:21:20 PST
From: tjshadb@ecto.ca.sandia.gov (Troy J. Shadbolt)
Subject: a Bio

Hello there;
now that i've dumped all of my flyers at you, I thinks it's about time
to introduce myself.  My name is Troy Shadbolt, and I'm a costumer. :-)
I was alsways the oddball,while the other kids were playing football; I
was learning the fine art of tailoring Victorian cloths.  I have been a
member of the Greater Bay Area Costumer's Guild since it was a year old,
and have watched it grow the monster it is now.  My specialy tends
toward the more 'artistic' non-standard costuming, but I still love to
get my Regency duds on for a dance.  I think I'll apologize now for the
habit which I'm setting up- ads, ads, ads.

Vitals: 
age: 22
sex: male (am I the odd one?)
education: BFA Music, BS/MS Computational Chemistry
  with minor in textiles.

As always, I am:

********************
Troy J. Shadbolt
tjshadb@ecto.ca.sandia.gov
********************

It's a quickie.

------------------------------------------
Date: Wed, 17 Nov 93 21:30:14 PST
From: tjshadb@ecto.ca.sandia.gov (Troy J. Shadbolt)
Subject: Folwear Patterns

gee, a mesage from me; bet your suprised :-)

anyway, about Folwear; you have to take into account that everything
about them is 'new' since the original Folwear folded in 1985.  Tauton
Press bought the rights, and has made it into a pure $$$ product. Old
Folwear patterns tended to be poorly written; well the new ones are
worse. The Metropolitan Museum of Art Collection (number series 5XX) is
so bad that
most people give up and do it their own way (like me).  I've worked with
the 501 pattern (Algerian Suit) the new Scottish Kilts (152) and many,
others and have found them all to lack clear direction.  They aren't for
the novice!

Do you know I just noticed I've spelled Folkwear wrong everywhere?

Anyway; the best place to buy historical patterns is _Raiments_; Janet
has every known pattern in the world.

send e-mail if ya want CC12 or GBACG info!

*************
Troy J. Shadbolt
tjshadb@ecto.ca.sandia.gov
*************

------------------------------------------
Date: Wed, 17 Nov 1993 23:33:42 -0500 (CDT)
From: At first I was afraid <HERMOSIA@carleton.edu>
Subject: another bio
To: h-costume@andrew.cmu.edu

This will be a short one. . . .

My name is Tony Hermosillo. 

I'm an undergraduate English major at a school without a theatre
major--which may actually have been a good thing for me because then I'd
have an even more unmarketable degree. So when I was fourteen I ended up
helping out with the costumes for a high-school production of _Carnival_
and never quite got out of the sewing room completely, even though I got
dragged back onstage more times than I care to remember after that. 

 Though I've costumed fifteen shows since I came to college, I found
that the ones I enjoyed most were _Into the Woods_, _Musical Comedy
Murders_
 and _Evita_--the ones that allowed me to have fun with wierdo
materials. I've also had a stint as the costume designer for an Equity
house in Wisconsin, but  the demands of the professional theatre got to
be a little much for me. Aside from the strictly theatrical, I've also
made more than one formal dress--my sister finds me very convenient to
keep in good graces--and made various silly custom shirts, usually with
foofy sleeves, and many, many period shirts, usually from those annoying
Folkwear patterns.

 Anyway, I can be reached at HERMOSIA@carleton.edu.

-------------------------End of Volume 3-----------------


