From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Thu, 18 Nov 1993 19:02:46 -0500 (EST)
Subject: H-costume digest, Volume 4, Nov 18, 1993 

The Historic Costume List Digest, Issue 4, November 18, 1993

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).
Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

Note: This is the second digest I've ever produced, so it'll be a few
days before the format stabilizes.  Please bear with me until then.

Thanks and Enjoy!

---------------------------------------------------------------
Topics:
Costume Con 12 announcement (repost)
Book list
Specialty Pattern Cos (Formerly Folkwear peeves)
Betty Kirke's book on Madelaine Vionnet
ICG Chapter Listings
Still More Biographies
Period Cotton Fabric Source
Books on Sale
Question about period shoe soles
Question about boys dressed as girls/women in Elizabethan Theatre

-------------------------------------------
Date: Wed, 17 Nov 93 21:18:31 PST
From: tjshadb@ecto.ca.sandia.gov (Troy J. Shadbolt)
Subject: CostumeCon12 flyer (repost)

since many people asked for it:
                 The Greater Bay Area Costumer's Guild
                       =Dreamer's of Decadence=
    present
 
   
        CostumeCon 12
   the Twelfth Annual Costumer's Convention
    February 18-21, 1994
     at the Santa Clara Marriott Hotel
   Santa Clara, California

*******************************************************************************
*******************************************************************************
**     Science Fiction & Fantasy Masquerade        **
**            Historical Masquerade         **
**               Dealer's Room         **
**     Exhibits, Panels, Workshops, Demos        **
**      Friday Night Social, the Space Platform Xanadu!       **
**            Future Fashion Design Competition        **
**         Fabric Design Competition        **
**         Doll Contest         **
**       Art-to-Wear Juried Exhibition        **
**      Folkwear Single Pattern Contest        **
**     and many, many others!         **
*******************************************************************************
*******************************************************************************

CostumeCon is, in a nutshell, an event for anyone and everyone who has
an interest in the art of Costuming.

Pricing Structure:
Until December 31, 1993
ICG Members: $45.00
others:  $55.00
January 1, 1994 to At-the-Door:
ICG Members: $50.00
others:  $60.00

Single-Day tickets will be sold at the door.

For more information, contact:
e-mail:  tjshadb@ecto.ca.sandia.gov

*******(print out below this line as an order form)**************
Please reserve ____ spaces for CostumeCon 12.  Enclosed is $____ to cover
____memberships at the current price.  I understand that memberships are not
refundable, but are transferable.  Each ICG member may purchase 2 memberships
at the discounted rate.  Other memberships must be purchased at the non-member 
rate.
Children rates: under 12 FREE. 12-16 HALF-PRICE.  Please check ___ if 
bringin children under 12 and number ___.

Name(s)______________________________________________________________

Address______________________________________________________________

City/State/ZIP_______________________________________________________

We require a phone number for contact (    )       -      .

Make checks payable to GBACG/Costume Con 12 and mail to:
Costume Con 12
5214-F Diamond Heights, suite 320
San Francisco, Ca 94131

do not write in this area:
$_____ DT____ CN____ ABA____ TR____ DB____ MN____
this is the internet form by Troy Shadbolt.

*********************
Troy J. Shadbolt
tjshadb@ecto.ca.sandia.gov
*********************

-----------------------------------
Date: Wed, 17 Nov 93 21:20:14 PST
From: tjshadb@ecto.ca.sandia.gov (Troy J. Shadbolt)
Subject: Book List

this is a partial list of my book collection:
The Greater Bay Are Costumer's Guild
Dreamers of Decadence

Books of Interest to Costumer's

_Antique Sewing Tools and Tales_
Barbara D. Gullers, Gullers Pictorial Partnership (1992)
$45.00

_Kimono:Fashioning Culture_
Liza Dalby, Yale University Press (1993)
$30.00

_Couture...The Art of Fine Sewing_
Roberta C. Carr, Palmer/Pletsch (1993)
$34.95

_Infra-Apparel_
Richard Martin and Harold Koda, Harry H. Abrams, Inc (1993)
$29.95

_the Costume-Maker's Art: Cloaks of Fantasy, Masks of Revelation_
Thom Boswell, Lark Books
ISBN 0-937274-58-5
$34.95

**********
Troy J. Shadbolt
tjshadb@ecto.ca.sandia.gov
**********

-----------------------------------
From: Dave Uebele <daveu@cisco.com>
Subject: folkwear and other speciality patterns
Date: Wed, 17 Nov 93 22:43:29 PST

Its funny to hear everyone complain about Folkwear patterns. I've used
other smaller pattern companies that make Folkwear look quite good. I
haven't bought a Folkwear pattern since Tauton Press aquired them, but I
have made the victorian bib front shirt (its the shirt for my 1860's
formal),  several versions of the river boatmans shirt (including
getting married in one version), Kinsale cloak, and shirts of the Ukrain
(sp). While I agree the instructions are not up to pare with the big
pattern companies, their instructions are better than patterns by "Heidi
Marsh" or Past Patterns.  After a few early projects using Butterick and
Simplicty patterns, Folkwear was one of the first patterns I used. I
mostly learned what I needed to know to get each project done. I
generally ask my mom to explain what steps in the pattern meant until I
went to school where I usually puzzled it out on my own. I remember
Folkwear instructions to be pretty good for the most part.

I've also encountered pattern comapnies with wonderful instructions and
yet the pattern did not have the right cut to it. I don't personnally
think that trying to do period correct costuming with some of these
smaller pattern companies is a good first time project for someone with
no experience and no one to ask questions. A lot of these outfits seem
to assume that the person constructing the garment has some experience
(to say the least ;-).

Are there smaller speciality pattern companies that are on or close to
level of instructions of the large mainstream pattern companies?

-- 
Dave Uebele        daveu@cisco.com        (415) 688-7856

-----------------------------------
From: DGC3%RatesComm%FAR@cts27.comp.pge.com
Date: Wed, 17 Nov 93 16:47:22 PST
Subject: re:Request with a bio tacked on..

Yes, Kirsten, there are lots of historic costumers in the Bay Area. The
Greater Bay Area Costumers' Guild is very local to Northern California.
I just forwarded collected information about this newsgroup to 20
costumers this morning. They will be subscribing soon, I hope. 

Thanks to Troy for posting about Costume Con. The GBACG has sewing
circles around the Bay in various people's homes, plus occasional
seminars, and events like dining at the Pelican Inn by candlelight in
Elizabethans [last Thursday], or our open house at Preservation Park
[last Saturday]. But Costume Con is the event of the year. Do not miss
this one!

For more information about the Greater Bay Area Costumers' Guild, send
email to Agnes Gawne, Membership Chairman, at 74150.375@CompuServe.COM.

Danine Cozzens   Internet address: dgc3@pge.com 

(Capsule bio: Too busy with events (I help with English Regency dances,
Costumers' Guild events, etc.) and day job to sew at the moment, but
hoping to try my hand again soon on the great mound of fabric I have
accumulated.  
What a great newsgroup!)

-----------------------------------
From: J.A.Bray@bnr.co.uk
Date: Thu, 18 Nov 93 10:23:38 GMT

Since everyone seems to be doing bios. here's mine:

I did all the standard little girl textile things from dolls clothes to
weaving on lumps of card with zig zag edges, to the inevitable A line
skirt. I enjoyed making things like old english smocks and enormous
flowing capes but didn't really have anywhere to wear them (not that it
stopped me). At university I was recruited into a dark age reenactment
group (not the SCA) by one of the members who had fond dreams of me
sewing all his clothing.

I didn't make him anything, but I did make wear and sell replica dark
age clothing, shoes, pouches, belts, scabbards, braid.... Most of the
stuff I do now is tenth century clothing which is as accurate as I have
time for. That varies from hand finishing the bits that show to weaving
my own cloth on a warp weighted loom. Some day when I have the time I
want to start out with a fleece and a spindle and end up with a dress,
(so far I've only managed a belt).

Sometimes I get frustrated that I can't find the right strap end or hook
for a costume. So lately I've started experimenting with casting my own
fittings.

(If you haven't guessed by now I've got a mind like a grasshopper, I
tend to jump about from one project to something else and back again all
the time)

Mostly I work out my own patterns based on a mix of archaeological finds
and folk garments, though sometimes things end up more as guesswork than
anything else, when remains of thousand year old textiles are scant.
 
I am fascinated by the way a piece of costume can be traced down the
ages sometimes going for hundreds of years unaltered, sometimes evolving
into something completely different.

I'm a hoarder and collect books, papers, patterns and raw materials to
the point where the house is starting to burst at the seams. I'm always
on the lookout for more ideas (I like the sound of the folkwear pattern
companies, I've not run across them before.)

I'm hoping this mailing list will make it to news group status as my
mailbox is going to get overwhelmed if it keeps on being as active as it
is right now, but it all looks interesting so I don't want it to slow
down!

Thanks to whoever started this.

Jennifer

-----------------------------------
Date: Thu, 18 Nov 1993 10:26:14 GMT
From: Susannah Gort <sjg@maths.warwick.ac.uk>
Subject: (Yet another) bio

I seem to be on the wrong side of the pond for this list, but never mind...

My name is Susannah Gort and I'm the computer assistant at Warwick
University Mathematics Institute, England.

I did a bit of (RL) dressmaking as a kid, but didn't start seriously
until I went to University.  Then I started on costumes for live-action
events and the occasional play.  However at the beginning of this year I
moved in with some re-enactors in Coventry, and naturally thought I'd
give it a go.

We're Living History types, so everything has to be exhaustively
researched and as authentic as possible (although I still use a machine
for anything that doesn't show).  The group I am with is the Stafford
Household, and it does events with 2 umbrella groups; Livery and
Maintenance (late Wars of the Roses, up to about 1495) and Bills and
Bows (Henry VIII/Anne Boleyn, ~1530s).  L&M are more military than B&B,
who usually do house events.  Increasingly, though, we're getting Henry
VII events as well.

You lot seem to have it good; we have to cut all of our own patterns as
there are no commercial ones that I know of, except the odd one or two
in books that are designed for theatres and aren't authentic enough.

So far this season I've made a couple of shifts, an 8-panel all-purpose
dress from unbleached 30% linen (looks much more), a pinkish-mushroom
wool overdress (1495), a French hood (one of those silly ones with a
schoolboy cap built in) and a puff-sleeved jacket thing.  This winter
I'm making a corset, farthingale and Henry VIII dress, basically dark
green wool with a peachy wool underskirt & undersleeves.  I'm thinking
how to decorate the underskirt; so far the suggestions are print it,
paint it, or embroider it.  I fancy a Tudor tree of life as the design. 
Embroidery sounds a bit rich, but less effort than making the tints.

If anybody knows how Flemish gowns of the period (1520-30) differed from
English I would much appreciate some tips.

All of my kit is pleb; the linen dress with its overdress just about make
middle servant rank, and the Tudor will do that comfortably.  For
battles etc. I just wear the linen (yes, I know, that makes me either a
guttersnipe or doing penance, but most of the others in our group wear
just one dress).

Also I've helped various of the blokes make their kit (hose, pourpoints,
doublets etc.).

Susannah

_______________________________________________________________________________

            Susannah Gort, Computer Assistant, Mathematics Institute
            sjg@maths.warwick.ac.uk          maaad@csv.warwick.ac.uk
 

-----------------------------------
Subject: Betty Kirke's book on Madelaine Vionnet
Date: Thu, 18 Nov 93 07:55:28 -0500
From: Anne Louise Gockel <alg@cs.cornell.edu>

Has anyone seen Betty Kirke's book on Madelaine Vionnet?  It's supposed
to be about $250, and when I checked the Inter-Library Loan program I
was told that all libraries tha thad a copy had it in the
non-circulating section.  I've half considered purchasing the book, but
not sight-unseen.

If anyone has a copy of the book or has read it, would you supply a
simple "review" for those of us who haven't had the pleasure?  Does
Kirke given enough information that you can actually learn techniques or
copy patterns from the outfits in the book?  Or does the book
concentrate on fashion pictures of completed garments.

Betty Kirke is speaking about Vionnet in early Dec in NYC.  Does anyone
plan to attend that talk?  I think it's Sun Dec 4th; it was listed in
the most recent issue of Threads.

     -Anne
Anne Louise Gockel   Cornell Computer Science
Internet: alg@cs.cornell.edu  UUCP: cornell!alg

-------------------------------------

Date: Thu, 18 Nov 93 07:58:44 PST
From: tjshadb@ecto.ca.sandia.gov (Troy J. Shadbolt)
Subject: ICG Chapters

Thought some of you might like this:

=regional chapter list=
current as of 11/01/93

#Costumer's Guild West#
c/o Liz & Martin Gerds
8124 Loyola Blvd.
Westchester, CA 90045
dues: $14.00/year

#the Greater Bay Area Costumer's Guild#
5214-F Diamond Heights, suite 320
San Francisco, CA 94131
dues: $20.00/year

#Great Lakes Costumer's Guild#
3268 Goodrich
Ferndale, MI 48220-1012

#Great White North Costumer's Guild#
c/o Costumer's Workshop
Box 784 Adelaide St. PO
Toronto, Canada M5C 2K1
dues: $12.00(can)/year

#Greater Columbia Fantasy Costumer's Guild#
P.O. Box 683
Columbia, MD 21045
dues: $15.00/year

#Heartland Costumer's Guild#
c/o Shirley Schaaf
1818 Washington 
Kansas City, MO 64108
dues: $10.00/year

#The Lunatic Phrynge Costumer's Guild#
c/o Vickie Warren
1139 Woodmere Rd
Pottstown, PA 19464

#Midwest Costumer's Guild#
c/o Pierre Pettinger
2709 Everett
Lincoln, NE 68502
dues: $12.00/year

#New England Costumer's Guild#
(aka the Boston Tea Party & Sewing Circle)
c/o Eastlake
925 Dedham St.
Newton Center, MA 02159
dues: $15.00/year

#NY/NJ Costumer's Guild (Sick Pups)#
c/o Mami
85 West McClellan Ave
Livingston, NJ 07039
dues: $20.00/year

#North Star Costumer's Guild#
(the Minnesota Mafia)
c/o Sherrin Houtman
3237 Garfield Avenue South, Upper
Minneapolis, MN 55408

#the People Your Mother Warned You About#
c/o Animal X
7201 Meade St
Pittsburgh, PA 15208
dues: $8.00/year

#Rocky Mountain Costumer's Guild#
7121 South Webster St
Littleton, CO 80123

#Southwest Costumer's Guild#
c/o Kim Martin
P.O. Box 39504
Phoenix, AZ 85069

#St. Louis Costumer's Guild#
c/o Nora & Bruce Mai
7835 Milan
University City, MO 63130

#Wild and Woolley Western Costumer's Guild#
c/o Katherine Jepson
19 Taraglen Court NE
Calgary, Alberta Canada T3J 2M6
dues: $20.00(can)/year

Please note that most of the chapters are going through elections right now
and the addresses may change around February.

*****************************
Troy J. Shadbolt
tjshadb@ecto.ca.sandia.gov
*****************************

-----------------------------------------
Date: Thu, 18 Nov 1993 8:56:51 -0600 (CST)
From: JENNIFER CARLSON <JLC@vax2.utulsa.edu>
Subject: Other side of the pond and a bio

In answer to Susannah Gort's comment that she may be on the wrong side
of the pond: my dear lady, I do envy you for being where you are!  I
spent part of my summer Interlibrary Loaning several books on costume,
and one them was a listing of English museums with costume collections! 
It was wonderful and 
frustrating at the same time. 

If anyone knows of any collections of medieval or renaissance clothing
in the U.S., please post it. I'm in Tulsa, Oklahoma, and exhibits of
vintage clothing never come here, although we do have a National
Registry of Linens 
headquartered here (it is concerned mostly with tablecloths and the like).  
Susannah may think herself "on the wrong side of the pond," but I'm in the 
wrong part of the country! All of the conventions and exhibits and seminars
and such seem to take place on the coasts or way up in the north.

Anyway, my bio:
My first costume was for my brother when he portrayed Sam Adams (1776)
in a school play.  The outfit went together much more easily that I
thought it would - I was 14 and had only been sewing for a year - and
found myself fascinated with it.  I found the SCA when I was 17 and have
been in hog heaven ever since. I've been doing embroidery since I was
six, and really love to do elaborate needlework and to hand-sew
garments, although time restrictions usually require using the sewing
machine.  I'm especially fond of studying the small details and finishes
of historical clothing, and studying accessories. 

Anyone have any good shoes patterns for 1550-1600?

Jennifer Carlson
JLC@vax2.utulsa.edu

-----------------------------------------
From: "Carol E. Newby" <ladybug@hydra.unm.edu>
Subject: my bio
Date: Thu, 18 Nov 1993 11:46:26 -0700 (MST)

Well, I *love* this list, though tonight is Opening Night so I haven't
had much of a chance to read the other bios.  I am pursuing my BFA in
Technical/Theatre Design specializing in Costume Design at the Univ. of
New Mexico.  I work in the Costume Shop as a first hand and also as a
Student Computer Consultant.

I have been sewing for about 20 years (I'm 29) and have just recently
gone back to school to get that darn piece of paper (and all those
debts!).  I'm married and have 2 kids, but I promise to keep all the
halloween costume discussions on alt.sewing. :)

Currently I am writing a paper for a class theorizing how a boy in
Shakespeare's company would have been costumed to play a female.  Any
ideas?  -- Carol 
 *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *
               "Unless you are the lead dog,  /\_/\
                   The view is always the same."       >     <
                                                      >  ^ ^  <
   source: bumper sticker         >(_o_)<
         U 

-----------------------------------------
From: ritchiek@sage.cc.purdue.edu (unknown)
Subject: Bio
Date: Thu, 18 Nov 93 15:10:07 EST

 Just popping in to say Hi and to see if I am able to post here.  I tend
to be email handicapped sometimes. It is not always my fault.  I have
been interested in historical costume for a long time but did not really
get started until I joined the SCA over a year ago.  My time period is
fourteenth century German but I have also made a Man's elizabethan,
Celtic t-tunic, cloaks ect. My next big project is going to be a silk
14th century cote-hardie type dress (I don't know the German Word for
that style+ I got some beautiful raw silk for 1.49 a yard off a bargain
table because it came in unmarked so they could not sell it at regular
prices. Sigh-But this has to wait until I finish my Wedding dress and
brides maids dresses(June 18 victorian/edwardian styles) Which I can't
start until after Christmas because I need to have four horses in
appropriate Caparison (thats historic horse costumes) for a christmas
parade my equestrian guild is participating in.  All this and I work
full time/school part time too.
 Karen Ritchie known in SCA as Isabeau Pferdebandiger, Barony of Rivenstar

-----------------------------------------
Date: Thu, 18 Nov 93 13:27:55 PST  
From: "Teena Tuttle" <ttuttle@unr.edu>
Subject: Period cotton fabrics

Patchworks:  126 E. Main, Bozeman, Montana  59715, (406) 587-2112
carries reproduction vintage cotton fabrics.  I quote from their Fall,
1993, catalog:  "There are currently over 600 bolts in our reproduction
department
which span all three time periods:  Pre-1890's, Turn-of-the-Century, and the
Depression Era.  These fabrics are ideally suited for antique quilt repairs,
reproduction quilt making, or vintage clothing."

They have swatches from which fabric can be ordered and have been very
helpful when I have called them.

Jackie

-----------------------------------------
Date: Thu Nov 18 15:26:04 1993
From: i000347@disc.dla.mil (Felicia Ciaudelli)
Subject: Greetings!!

Good afternoon, everyone!!  I'm a new subscriber, so let me introduce
myself. My name is Felicia Ciaudelli, just turned 30 (10/28, to be
exact), and a single mom - Joseph will be 10 on December 31st.  I'm an
Accounting Technician for DFAS (Defense Finance and Accounting Service)
in Philadelphia.  I've always had an interest in crafts of all sorts,
but especially interested in Fashion, design and illustration.  So far
I've really enjoyed the postings!!  Keep 'em coming!!  

Have a great day!! Felicia ;-)

-----------------------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: Books on sale
Date: Thu, 18 Nov 1993 13:41:51 -0800 (PST)

Open Chain Publishing, Inc., has several of their older books on sale
for half price.  Three of these titles might interest historic costume
readers:

Sewing and Collecting Vintage Fashions for $7.48.

The Button Lover's Book (doing things with buttons and creating your own
buttons) for $8.98.

Jane Asher's Costume Book (ya, it's non-sew and mostly little kids but
perhaps someone here wants that type of thing) for $9.98.

Most of the other sale books are quilting and general sewing books.  Add
8.25% sales tax if you live in California and add $2.50 shipping and
handling for the first book and $0.50 for each additional book for them
to ship it book rate.  Other postal rates vary (they do UPS and 1st
Class). They have a money-back guarantee and their address is:

Open Chain Publishing, Inc.
P.O. Box 2634-F
Menlo Park, CA  94206

(415) 366-4440
FAX (415) 366-4455

I'm not affiliated with them; I'm just a happy customer.
-- 
Diane Barlow Close
 close@lunch.asd.sgi.com
 I'm at lunch today.  :-)

-----------------------------------------
From: ASMITH@charlie.usd.edu
Date: Thu, 18 Nov 1993 16:59:38 -0600 (CST)
Subject: queries@minibio

first, my questions.  Where can I get an Amazon Dry Goods catalogue?
What were shoe soles made of in the years 500-1200?  Are there any good
modern substitutes for said materials?  When will this be changed to a
newsgroup? (It is making me nervous to get this much mail)

bio:  member of SCA as of this year, theatre costuming, special interest
in wool, spinning and weaving.

-----------------------------------------
From: "Carol E. Newby" <ladybug@hydra.unm.edu>
Subject: looking for help for paper
Date: Thu, 18 Nov 1993 16:02:12 -0700 (MST)

I think I mentioned in my bio earlier today that I am doing a costume
related research paper. (I don't remember, it's been one of those days)
Anyway, the paper is about how boys/men would have been dressed to
portray girls/women in Elizabethan England.  If any of you know of good
sources to point me in, please point away!  I think I have enough to get
the paper going, but I'd really like to impress the professor with what's
available via computers.  Thanks  -- Carol 
 *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *  *
               "Unless you are the lead dog,  /\_/\
                   The view is always the same."       >     <
                                                      >  ^ ^  <
   source: bumper sticker         >(_o_)<
         U 

-----------------------------------------
Date: Thu, 18 Nov 1993 15:59:29 -0600 (CST)
From: "Lee Forgue" <eilis@haas.berkeley.edu>
Subject: Yet another bio...

Boy, am I glad this list finally got started...

My name's Lee Forgue (SCA Eilis O'Boirne) and I live and work in
Berkeley. As you can tell from the previous sentence, I'm active in the
SCA.  That's currently the main focus of my costuming, and I mainly do
Saxon-Norman stuff -- in fact, a friend calls me "Queen of the Comfy
Camping Clothes".  My daughter does later-stuff, primarily Germans. 
However, in the past I've done Edwardians, Victorians, Regencies,
Ren-Faire, etc.

My mother's second cousin (but we called her Aunt Connie) was a
seamstress and early member of the ILGWU.  There was always a sewing
machine, and I had the most stunning dresses built from the left-over
fabric she brought home from her job at the Dior atelier in New York. 
(Everyone envied my doll clothes!)  My mother was one of those natural
seamstresses who can cut a garment (ruffles, pleats, and all) by
throwing the fabric at the scissors. I didn't learn to sew until my late
20's, and my early lessons came from a male friend from Trinidad.

BTW, has anyone else heard about the warehouse that opened recently out
on Hegenberger near the Oakland Airport?  My daughter and a friend were
out there the other day and got some "Originally $100+ per yard" brocade
for $14/yd.  If people want it, I'll get the address and post it.

  --- Lee Forgue (eilis@haas.berkeley.edu)

-----------------End of Volume 4------------------------


