From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Fri, 10 Dec 1993 13:53:44 -0500 (EST)
Subject: H-Costume Digest, Volume 16, 12/10/93 

The Historic Costume List Digest, Volume 16, December 10, 1993

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).

Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

For archives of this digest, send mail to close@lunch.asd.sgi.com

Thanks and Enjoy!

---------------------------------------------------------------
Topics:

Ordering "After A Fashion"
Questions and answers about LaVolta Press
Biography

-----------------------------------
Date: Wed, 8 Dec 93 17:52:30 PST
From: aterry@Teknowledge.COM (Allan Terry)
Subject: New book on making historic costumes
 
 
My book After a Fashion:  How to Reproduce, Restore, and Wear Vintage
Styles has just been published.  About half focuses on reproducing
historic styles from medieval through Art Deco.  The other half focuses
on buying, restoring, and altering vintage clothes from Victorian
through Art Deco. Both men's and women's clothes are discussed.  The
step-by-step instructions are suitable for beginning to advanced sewers.
 The book was written specifically for performers and others who make
their own costumes.
 
The book's vital statistics are:
 
After a Fashion:  How to Reproduce, Restore, and Wear Vintage Styles
by Frances Grimble
8 1/2" X 11" quality paperback
352 pages 
147 line drawings by Folkwear cover artist Deborah Kuhn
Bibliography, resource list, metric conversion table, index
Copies available:  Now
ISBN:  0-9636517-0-6
Publisher:  Lavolta Press, 20 Meadowbrook Drive, San Francisco, CA 94132
Price:  $35 + sales tax for CA residents + $3 shipping
 
After a Fashion is now available by mail from Lavolta Press.  
 
Fran Grimble

-----------------------------------
From: J.A.Bray@bnr.co.uk
Date: Thu, 9 Dec 93 17:45:06 GMT
Subject: ordering Lavolta press books
 
The book "After a fashion" sounded interesting so I rang international
enquiries so I could find a number to talk to Lavolta Press about mail
order from England.
 
San Francisco directory enquiries had no listing for Lavolta Press.
 
Is this a small outfit with no business line or did I get the name wrong?
 
Anyone know how I'd set about ordering from the U.K.?
 
(If I go through a U.K. bookshop tyhe book travels surface as part of a
bulk order and could take up to SIX MONTHS to get here!)
 
Jennifer

------------------------------------------
From: kimk@ichips.intel.com
Subject: Lavolta Press
Date: Thu, 09 Dec 93 11:02:48 -0800
 
I also tried calling the assistance in San Francisco and found no
listing for Lavolta Press. I tried from Oregon thinking it may be
different from in the U.S.... :-) it wasn't.
 
Any news would also be greatly appreciated.
 
 
   Kim 

---------------------------------------------
Date: Thu, 9 Dec 1993 11:55:24 -0800
From: cep@taligent.com (Christophe Pettus)
Subject: Book orders ...
 
I can probably be persuaded to handle some UK orders, since I have a
checking account maintained in Pounds, and thus can deposit UK checks
without a conversion fee.  Since I live in SF, I'll see if I can find a
way to contact the publisher directly.
 

-- C

-----------------------------------------
From: Gregory Stapleton <gregsta@microsoft.com>
Date: Thu,  9 Dec 93 15:29:03 TZ
Subject: RE: Lavolta Press Phone Number
 
Lavolta Press
(415) 566-6259

--------------------------------------------------
Date: Thu, 9 Dec 93 18:43:21 PST
From: aterry@Teknowledge.COM (Allan Terry)
Subject: Lavolta Press phone
 
 
Lavolta Press accepts only mail orders, not phone.  The address is:
 
Lavolta Press 
20 Meadowbrook Drive
San Francisco, CA 94132
 
Orders are to be prepaid by personal check, cashier's check, or money
order in U.S. dollars.  Normal shipping is book post and costs $3 for
the first book, $1.50 for each subsequent book.  Foreign shipping is 50%
more.  
 
-------------------------------------------
From: Martha Stanley <stanlem@freenet.scri.fsu.edu>
Subject: Unlurking-bio
Date: Fri, 10 Dec 93 7:43:48 EST
 
 
Hello, all and a big thanks to Diane and Gretchen for the amazing time
spent on maintaining this list!  I got into this by hanging around the
alt.sew board .  On and off for years, I have sewn, mostly when I was
feeling cheap.  Just lately however, I've been enjoying the creative
aspects of sewing.  I think this has been fostered because of my job. I
teach music and performing arts to gifted kids in Tallahassee, Florida
(you know , home of the NOLES!) I decided to offer a semester of
instruction to my middle schoolers of "how to be a costume designer" and
boy, did I have to hit the books.  About the time I was deep into it,
this list started and I'm officially hooked now.

        My hats off to all you folks who do the costume designing for
theaters and reenactment groups.  It is so fascinating!  My students
have discovered that too.  They had to pick a play or story, discover or
invent a time period, do a character analysis, select a color palette,
research for historically accurate styles, and design costumes for at
least three of the characters. Then they had to build the costuems in
miniature.  Some chose cloth, some used paper. Then they had to do a
written report outlining the processes used, a bibliography, and what
they learned.  THEN. each gave an oral presentation to the class
explaining what they learned, telling about
the costumes (material, names of parts ...doublet, rufff, etc.)and any
little interesting things they learned along the way.  I have enjoyed
listening to kids -over and over- say they had no idea how hard and
involved thosed pretty clothes in the movies were!  Many said they'll
never be able to see another pla/yperformance without noting the palette
used, the time period and how involved the costumes are.  A couple of
students have decided to pursue this activity more extensively.  And I
really got tickled  with one young lady who did a superb job on the
whole task, who admitted that she really enjoyed doing the project and
one thing she learned was that there was NO WAY she was going to be a
costume designer!

        Now, a question:  one of my young-uns asked me if I knew what
happens to the costumes in TV and films after they're used.  Perhaps
some of you fine folks can help me out here.  Claire is seriously
pursuing costume design as a career and I want to support her efforts.
        Love this (almost) newsgroup!

------------------------End of Volume 16----------------------------- 


