From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Fri,  3 Jun 1994 18:57:03 -0400 (EDT)
Subject: H-Costume Digest, Volume 106, 6/3/94

The Historic Costume List Digest, Volume 106, June 3, 1994

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Enjoy!

---------------------------------------------------------------
Topics:

Book advice thanks
Seeking: "Handbook of Stitches"
Question and answers: Colonial American clothing
Wimples
Question and answer: Wigs
Shoes
More on soc.history.living
Announcement: Costume and dance workshop, SF Bay area

----------------------------
Subject: thanks- book advice
Date: Tue, 31 May 94 18:09:47 PDT
From: elizabeth <emiles@jarthur.cs.hmc.edu>

Hello to all-

 -and special thanks to Stella, Diane, Norah, Sarah, Dianna, Linda, and
Denise for their comments on _From the Neck Up_ and _Draping and
Designing With Scissors and Cloth_.  :)  

 If anyone is ever interested in some reviews of the same, y'all know
where to find me.

cheers,
beth
*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*%*
     emiles@jarthur.cs.hmc.edu

----------------------------
Date: Tue, 31 May 1994 18:50:29 -0700 (PDT)
From: Dianne Karp <dkarp@scs.unr.edu>
Subject: book search

I am looking for a copy of a book entitled "Handbook of Stitches" by
Grete Petersen and Elsie Svennas.  It was published by Van Nostrand
Reinhol Co. , NY.  I'm not sure when it was published but I think it was
in the early part of this century.  I have a Xerox of some of the pages
but would like to buy the entire book if I can find it.   Thanks.
Dianne

----------------------------
From: KeziaK@aol.com
Date: Wed, 01 Jun 94 07:34:43 EDT
Subject: historical costume group

Hello --

I am looking for information via this group about clothing in colonial
America.  This is in support of a novel I am writing.  I've done
extensive research on this topic, but I'm having trouble internalizing
the information.
 For example, I can't quite picture how all the parts of a woman's
costume were put on, or taken off.

If anyone would like to chat about this, I would be thrilled.  Or,
perhaps someone could explain to me how to find back issues of this list
which would help me out.

Thank you!

Beth

----------------------------
From: J.A.Bray@bnr.co.uk
Date: Wed, 1 Jun 94 13:33:44 BST
Subject: Re: Wimples

If you manage to find any documentation for wimples I'd be interested to
know about it.

I've seen a sewn version worn which is basically a cone of cloth with
the point of the cone missing. The face sticks through the hole in the
top of the cone and the rest drapes over the shoulders. I was told that
this was based on an original which was pinned, but nobody knew where
the original was from, so maybe someone just invented it.

The only surviving women's headgear I know of from around that period is
a number of silk caps from Viking  settlements in York Dublin and
lincoln, a sprang hairnet from tenth century layers in dublin, and
assorted gold brocaded tablet woven bands found around the skulls in
high status female burials. Maybe the gold bands held something like a
wimple in place?

I seem to recall several layers in some of the headgear pictured in Gale
Owen Crocker's book "dress in anglo saxon england" (or something like
that I'm not sure if I've remembered the title right) maybe there was a
tight fitting wimple with a floating veil over the top? I'd have to go
home & take another look at the book to be sure: it's a while since I've
looked at the relevant section.

Does anyone know how Nun's wimples are made. A lot of ecclesiastical
costume seems to have stayed essentially the same for hundreds of years
so maybe Nun's wimples could give us a clue?

Jennifer

----------------------------
From: JLIEDL@nickel.laurentian.ca
Date: Wed, 01 Jun 1994 10:50:14 -0500 (EST)
Subject: Wimples

I've done a lot of study, reading and examination on the subject of
wimples and I've yet to be convinced that the "hole in the piece of
cloth for your face to go through" method has any redeeming features
whatsoever!

Studying statuary, miniatures, etc. you can discern fold lines and
stress lines depicted in the fabric. This seems more consistent with
using fabric to wrap under the chin and fasten behind the head and
above. I suggest folding the fabric on the bias for best effect. 
Diagram below:

                    \@@@@
                  /  \@@@ `
                 /    \@@  `
                &      \   l
                l       \   >
                l        \ -
                l         \i
                l       --/
                l       \
                l        \

Where the bias runs parallel to the diagonal from chin to back of head. 
I often hem a large rectangle then fold it diagonally, wrap and pin as
shown then top it with another set of folded linen for an early
fourteenth century look.  (I'm still aiming for the day when I can
find/weave my own linen with a tight selvedge to get that ruffled look
so popular in the latter fourteenth century in England).

Some costumiing books suggest a fine gradation of wimpling (widows or
baron's wives were supposed to cover their chin when wimpling; unmarried
women or women of lower rank to leave their chins visible).  I have seen
no definitive documentation from the period 1100 onwards to support
that--but you might have luck running through studies on sumptuary laws
for further discussion on the issue.

--------------------------------
  Janice Liedl, Dept. of History  "Haud facile emergunt quorum            
  jliedl@nickel.laurentian.ca      virtutibus obstat res augusta
  Laurentian University            domi."  Juvenal _Satires_
  Sudbury, Ontario                 iii.164
--------------------------------  

----------------------------
From: HIST_PS@vax1.utulsa.edu
Date: Wed, 1 Jun 1994 8:26:04 -0500 (CDT)
Subject: RE: historical costume group

Kezia-
I tried to reach you directly via your America online address but
couldn't. If you can tell me how to do it, I can probably answer some of
your questions since my field is Colonial American dress and that of
certain Native American tribes. My name is Paula Sanders  and my
internet address is:
HIST_PS@VAX1.UTULSA.EDU.

----------------------------
Subject: Re: historical costume group 
Date: Wed, 01 Jun 94 09:17:10 PDT
From: Walter Nelson <Walter_Nelson@rand.org>

Beth
The best source I know for the everyday clothing of colonial America is
a book called Rural Pennsylvania Clothing.

It is available from a variety of sources, to include James Townsend &
Son at (219) 594-5852.

Good luck

                              Walter Nelson

----------------------------
From: Dawn Devine <shampoo@tcp.com>
Subject: WIGS
Date: Thu, 2 Jun 1994 14:53:22 -0700 (PDT)

Hello...

Two quick questions...

 1.  Does anyone out there know of a good basic book on wig making? 
Ventilating?  

  2.  Does anyone know of a resonable source for aquiring wig making
supplies?  Needles? Lace? Hair? Blocks?

I would really appreciate any suggestions.  I fully intend to make a wig
to go with my collection of recreated garments.  I find that my hair is
consistantly wrong!!!!  What frustration!!!

Thank you so much for all of your help!!!!

Dawn Devine

P.S.  Is anyone out there going to Westercon over Fourth of July Weekend
and if so.. Is anyone going to the Regency dance?  Lets met and talk....
 DD

----------------------------
Date: Thu, 2 Jun 1994 21:40:55 -0700
From: knowles@netcom.com (Sheryl Knowles)
Subject: Re: Wimples

I've a question about wimples:  in all my cursory perusal of artwork
(portraits, illuminations, etc.) depicting wimples being worn, I cannot
recall seeing any colour but white used.

I have some vague recollection that at least one order of nuns once wore
black whimples ... but no way to check on that at the present.

Do any of you know better whether any colour other than white is
"period" for whimples?

Thank you.
 ---Sheryl Knowles
    knowles@netcom.com

----------------------------
Date: Thu, 2 Jun 94 22:25:39 PDT
From: aterry@Teknowledge.COM (Allan Terry)
Subject: Shoes & Wigs

Somebody asked me about the height of Capezio's more-or-less
19th-century ankle boots (I tried to send her a message and it bounced).
 Mine come up to the bottom of the calf, no higher.

Dawn Devine asked for a book on wigmaking.  It's true that the right
hairstyle is necessary to look period.  But making a wig is truly
heroic, considering you can easily buy hairpieces and wigs.  And if you
want you can keep a permanently styled one for each costume or period.  

I bought some hair by mail from His Lady and the Soldier Sutlery.  They
sell natural-looking hairpieces and wigs at very reasonable prices.  I
don't know what they are made of; it looks like hair but behaves more
like thread. Some of this company's pieces are prestyled in historic
styles and the others are generic styles like braids.  Their service was
good.  Their address is:

His Lady and the Soldier Sutlery
851 Kaypat Drive
Hope, MI 48628
(517) 435-3518

Their catalog is $2.

I wear the hairpieces I bought to match my hair, but have a wig I don't
wear because I haven't figured out how to fit it.  It's too big for my
head, which I assume I can fix by taking tucks in the mesh underneath. 
But the real challenge is, I have a pronounced "widow's peak" (front
hair growing in a point over my forehead).  If I position the wig to
cover the peak, it is too low on my forehead to look natural.  And if I
position it at the rest of my hairline, the peak shows.  If anybody
experienced with wigs knows how to fix this (short of shaving my
forehead), please let me know.

Fran Grimble

----------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: Living History Newsgroup: a compromise at last!
Date: Fri, 3 Jun 1994 07:53:44 -0700 (PDT)

A little while ago I wrote telling everyone about a then-failing, very
botched attempt to create some type of living history newsgroup.  At
that time I was against the creation of the group, as it stood, because
it was so poorly presented and messed up.  After MUCH discussion and
net-arguing :-), the proposer, John Desmond, has FINALLY compromised and
produced a real, genuinely good living history RFD!

I support this last RFD, and will reproduce an abbreviated copy of it
below.  I ask everyone on this list to vote YES, when the time comes in
30 days.  I've asked that this mailing list be put on the notification
list for the first CFV for that newsgroup.  That means you should see
ONE announcement, no more, when that newsgroup comes up for a vote.  As
I said, I hope you'll vote yes! :-)

All followups to the newsgroup news.groups, please!

>From: "J.Desmond" <jd10@ukc.ac.uk>
>Subject: 3rd RFD: soc.history.living
>Followup-To: news.groups
>Date: 2 Jun 1994 14:58:17 -0400

Name of Group: soc.history.living

Charter

This group shall provide a platform for clubs, associations groups and
societieswho are engaged in the practice of historical reenactment and
living-history to advertise themselves, share information or debate
issues relevent to all manner of reenactment or living history in any
period. The group will also provide the opportunity for international
contact for reenactment and living history groups.

Moderation: the group will be unmoderated.
-- 
Diane Close 
   close@lunch.asd.sgi.com
   Soon to be close@lunch.engr.sgi.com
   I'm always at lunch; only the location changes! :-)

----------------------------
From: HIST_PS@vax1.utulsa.edu
Date: Wed, 1 Jun 1994 16:43:07 -0500 (CDT)
Subject: Re: historical costume group 

Walter-
I saw your answer to Beth in which you gave her the name of the book -
"Rural Pensylvania Clothing". I'd appreciate it if you could tell me the
author and date of publication. Also, if you know, I'd like to know the
period covered and does it deal with all groups in rural Pa. or just the
Quakers.
Thanks a lot
Paula Sanders HIST_PS@VAX1.UTULSA.EDU

----------------------------
From: "Lassman, Linda" <LASSMAN@bldgdafoe.lan1.umanitoba.ca>
Subject: Wimples
Date: Thu, 02 Jun 94 08:31:00 PDT

Janice Liedl talks about wanting to re-create the ruffling along the
edges of wimples.

Have you tried putting the face edge on the bias and stretching it as
you do a very narrow folded-and-overcast hem?  That technique often
results in a ruffled effect.  The same works well (but on the straight
of the grain) if you're using a fabric like cotton gauze.

- Linda Lassman

----------------------------
From: "Lassman, Linda" <LASSMAN@bldgdafoe.lan1.umanitoba.ca>
Subject: Re: Wimples
Date: Fri, 03 Jun 94 09:48:00 PDT

I'm assuming you include off-white with white!?  I've never seen
anything except white depicted either, although I haven't done really
extensive research either.  I always thought that might be a function of
"it's expensive to keep something really nice and white and clean so
that's proof of how much money we have" and/or "I keep my nice white one
for special occasions, and if having my picture painted isn't special, I
don't know what is."  Of course, it's also difficult to know what colour
the clothes on that effigy were in real life!

- Linda Lassman

----------------------------
Subject: Re: historical costume group 
Date: Fri, 03 Jun 1994 13:51:10 -0400
From: Elizabeth Lear Newman <eliz@world.std.com>

>I saw your answer to Beth in which you gave her the name of the book -
>"Rural Pensylvania Clothing". I'd appreciate it if you could tell me 
>the author and date of publication. Also, if you know, I'd like to
>know the period covered and does it deal with all groups in rural Pa.
>or just the Quakers.

I have the Jas. Townsend & Sons, Inc, catalog here, which lists this
book and some others:

Rural Pennsylvania Clothing, Ellen J, Gehret.  Softbound, 309 pages,
$30.00 (BK-842)
 Late 18th and early 19th century clothing worn by common people, not
just in PA.  Informative text with accurate drawings and good clear
photos of original garments.  Detailed cutting and sewing instructions
for men's and women's outfits.  Essential reference and guide.

The Workman's Guide.  Softbound, 303 pages.  $30.00 (BK-840)
 Published in 1838, this is packed with patterns and instructions for
hundreds of items: bonnets, cloaks, baby clothes, shirts, household
goods, knitting, and more.

18th Century Clothing at Williamsburg.  $12.95 (BK-473)
 Many color examples of original garments in Williamsburg's collection. 
Accessories and clothing for men, women, children.

Everyday Dress of Rural America, 1783-1800.  129 pages, 54 Illus. $7.95 
(BK-818)
 Describes the clothing worn in New England.  Includes scaled patterns
and full instructions.

Historic Colonial French Dress.  $8.50  (BK-409)
 How to make the clothes of the French colonists, 1710-1770. Common
people's clothes for the whole family.

In addition, Townsend offers colonial patterns from Eagle's View, J.P.
Ryan, Past Patterns, Period Impressions, and Folkwear.  I can list them
if people are interested.  The company sells essentially everything you
need for colonial-era re-creation, from finished clothing and patterns
to shoes, buckets, tents, and candle molds.

Call to order or if you want to get on their mailing list:
   800-338-1665

      ...eliz

----------------------------
Subject: Re: historical costume group 
Date: Fri, 03 Jun 94 11:53:49 PDT
From: Walter Nelson <Walter_Nelson@rand.org>

As someone who has repeatedly mentioned James Townsend and Son as a
source for things, and as a regular customer, I would like to give a
little info to those who are contemplating making use of their services.

Good Stuff:

1.  They are extremely fast and efficient.  They respond more quickly,
and maintain a better inventory than any other company I have dealt
with.  In fact, I would say that their customer service is probably the
best in the business.

2.  They have a broad range of goods, and update their catalog
regularly. Their catalog includes photographs of most of their stuff.

3.  I have been very pleased with their ready-made shirts, sashes and trousers.

Not so good stuff:

1.  Much of their ready-to-wear stuff, especially their woolens, are
made of pretty light material, and don't really have a good,
well-fitted, finished, period look to them.  Of course, they are machine
sewn, so if that is an issue for you, you will not want their stuff. 
They are not unique in their clothing being made below the standards of
the originals. Most off the shelf colonial and Victorian stuff, from any
source, should be regarded as suspect unless proven otherwise.

2.  I do not assume that, just because Jas Townsend carries something,
it is correct.

On the balance though, they are still my first choice for colonial and
early American stuff, while I go to other sources for things which I
don't think they can do up to standard.

Cheers,

                              Walter Nelson

----------------------------
Subject: RURAL PENNSYLVANIA CLOTHING
Date: Fri, 03 Jun 94 11:09:26 PDT
From: Walter Nelson <Walter_Nelson@rand.org>

This book does not emphasize the Quakers, and is not so much a review of
the clothing of Pennsylvania and the Chesapeake area as it is a review
of rural clothing throughout North America in the late Colonial and
early Republican period.  While the original pieces which it presents in
diagrams and photographs are mostly from Pennsylvania, they are
universal enough that this book is really an essential resource for
anyone costuming common folk around the era of the Revolution.

The full bib info I have for it is as follows:

Author:  Ellen J. Gehret
Title:  Rural Pennsylvania Clothing: being a study of the wearing
apparel of the German and English inhabitants, both men and women, who
resided in Southeastern Pennsylvania in the late 18th and early 19th
Century.
Date:  1990
Publisher: Shumway

I do not have a ISBN, since it was not included in the Bib record in the
local university Library catalog, and I don't have the book in front of
me (it's at home, I'm at work).

Cheers,

                              Walter Nelson

----------------------------
Date: Fri, 3 Jun 94 13:43:50 PDT
From: "SNORTON.US.ORACLE.COM" <SNORTON@us.oracle.com>
Subject: Workshop

For those in the SF Bay Area: 
 
The Greater Bay Area Costume's Guild and Bay Area Regency Society are
jointly sponsoring a Sunday Soriee this Sunday, June 5. 
 
2-6 pm, Robinson House, Classroom B 
1204 Preseration Park Way, Oakland 
 
2-4 pm "Late 18th and Early 19th Century Costume" featuring costumes
from BBC productions (War and Peace, Sense and Sensibility, Poldark,
Northanger Abby, and Silas Marner).  Talk, film clips, fashion show, and
an opportunity to examine the costumes up close. 
 
4-6 pm English country dance instruction with Alan Winston 
 
Light refreshments will be served.  $5 per session or $8 for both
sessions. Pay at the door.  Preservation Park is located in downtown
Oakland.  Take the 17th St. exit off Hwy 980, just off Hwy 880.  You can
take BART to the 12th Street station.  Free parking.  
 
Call BAERS at 510/528-1153 or GBACG at 415/665-6766. 
 
 
---------------------------- End of Volume 106 -----------------------


