From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Wed,  5 Apr 1995 18:50:15 -0400 (EDT)
Subject: H-Costume Digest, Volume 273, 4/5/95

The Historic Costume List Digest, Volume 273,  April 5, 1995

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).

Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

Enjoy!

------------------------------
Topics:
CD-ROM suggestion
Leg painting anecdote
ISO: Affordable silk stockings
CD-ROM vs Web page
Source for women's travelling clothes circa 19thC
Historic Costume in "Jefferson in Paris"
Source of lasts for reenactors
Question and answer: How to use  collar buttons
ISO:Carolyn Fraser
Historic dance events, SF Bay area
Sources for everyday costume
On Bloomers
What's a last?

----------------------------------------------------------------------
From: BEARLEE1@aol.com
Date: Thu, 30 Mar 1995 20:21:23 -0500
Subject: CD Rom.. Leg Painting..

Good "whatever it is wherever you are"!
The only trouble with getting lists in digest form is that you are
answering "new to you" posts that are all ready old hat to those
receiving direct.  Of course the good part is that you at least get to
them. Or at least I do... But late or not.  Let me add a vote for a CD
Rom on costuming. And PLEASE start with the premise that it be readable,
by both IBM and Mac users!   And that is another whole debate.... 

Then may I suggest that the museums that you visit first, be the ones
where sketches and drafts are available, but where if would be wonderful
to see the clothes that they were sketched from...  Like say Norah
Waugh's for instance, seeing how her books are out again in a new
reprint.   Or Janet Arnold's.
  That just happens to be the era I work in most, but would really enjoy
anything in that line.   And costumes from old  and/or new would be ever
so much fun too...  Then would come just how much you could show. The
thought is wonderfully mind boggling.... If there is any way I could be
of service.  Gulp!.

And to add a little antidote to the leg painting.  Told a cast of
"--------Jimmy Dean" a while back that where hose were so expensive in
the fifties, that we would wear while bobby socks over the hose in our
saddle shoes and when we couldn't afford a pair we would paint a seam on
our legs with ebrow pencil. So where the panty hose of today are
seamless, why not use an eyebrow pencil to draw the seam instead.  
Never accured to "old" me that they wouldn't get the drift, until I got
a fantic call that.......they drew the lines okay... got on their
pantyhose ok.....but when they had to go to the bathroom, they couldn't
match up the mark on the pantyhose with the one on their legs!  
Thus......either disaster or not potty stops allowed!... Never occured
to me that they would do both. It was good for a giggle for some time....
Carole in Connecticut

------------------------------
Date: Thu, 30 Mar 95 22:11 CST
From: tallison@mcs.com (Tim Allison)
Subject: Re: H-Costume Digest, Volume 266, 3/30/95

Does anyone know where to buy silk stockings for less than $25 a pair?
There used to be a place called FUNN in England that apparently went out
of business, and the only place I've found since is Garnet Hill (mail
order catalog) which is terribly expensive. Knee highs are available for
under
$10, so I don't understand the pricing.
Thanks
Carol Mitchell

------------------------------
Date: Fri, 31 Mar 95 10:40:02 BST
From: Alan Braggins <armb@setanta.demon.co.uk>
Subject: Re: CD-ROM, Web pages.

> WEB: Cons - excruciatingly slow access time prohibits the use of
> quicktime/sound as tutorials or examples, subject the whim of net
> problems, fairly pricey for the person(s) running the server(s).
Plenty of Web sites do have downloadable movies or sounds, so it needn't
be totally ruled out. Access time depends on the server, your machine,
and net traffic anywhere on the route between them.

> sale of title could be used to support some worthy cause, 
> CD: Cons - relatively expensive to mass produce, copyright issues for
> contributors
While CD production costs are dropping, this sounds like the most likely
"worthy cause" to support is "cover production costs". Copyright issues
apply just as much to a Web page (at least in theory).
However, contributors might want a share of CD proceeds (if any) which
wouldn't apply to a Web page.

The obvious compromise is to use a Web site while it's a work in
progress, and ask contributors for permission to use their work for a
possible later CD.

> publishers will listen. It could be marketed as an educational disk
> (education is the second biggest market for CD's, after porno).
Now that's a market sector where I can't really see any advantage for a
CD over a video - or are powerful index and query systems useful there
too ("Find me all scenes with chocolate sauce where at least 2...")? I
guess this better continue by email if at all.

>   CDROMs can now be mastered for a very low cost about $12.00 dollars
For what size production run?

> the disk. It take a lot of stuff to fill a 660MB CDROM.
Well, if we gather a few hours of video from various events, that would
more than do it. Especially if we have it in multiple formats.

------------------------------
From: BEARLEE1@aol.com
Date: Fri, 31 Mar 1995 07:28:20 -0500
Subject: Another worthless nickel's worth!

There has got to be a pun in there somewhere.
Took down a digest and read suggestions on Web and/or CD Rom.  Wrote a
worthless 2 cent reply and as I was posting in a flash session down came
another digest full of words of warning about either.  Well, there
always have to be the sensible one in and amongst the dreamers, but we
should always
remember that while the sensible ones of us keep the wheels turning, it
is the dreamers that smile when we say something can not be done, and
then do it!  Bless both kinds because that is what keeps the earth in
orbit.. It is fun to dream though isn't it.  I still hope that if the
dreamers keep dreaming there will come realities and that the realities
will be worked out with everyone in mind and that the imput will not be
too limited in its availablity.  I have worked on more than one project
to find that I don't have access to it when I'm done.  Not fun...... 
Enough for one nickel
      Carole

------------------------------
Date: Fri, 31 Mar 1995 08:53:53 -0500 (EST)
From: "Hope A. Greenberg" <hag@moose.uvm.edu>
Subject: Re: women and train travel

On 30 Mar 1995, Amy Underhill wrote:
> A friend of mine would like to research the history of
> travelling clothes for women. She is specifically interested in

You might wish to take a look at Brooke Kroeger's book:
 Nellie Bly : daredevil, reporter, feminist

Nellie, in an 1890s attempt to beat the record set by that very popular
book, traveled around the world in less than 80 days. The suit she wore
became as famous as her trip.

-----------------
Hope Greenberg           Hope.Greenberg@uvm.edu
Academic Computing       http://moose.uvm.edu/~hag   
Univ. of Vermont         Come visit The Hall's latest addition:
Burlington, VT 05405       The Ovid Project

------------------------------
From: "Cindy Abel" <BRUJNE@hslpharmacy.creighton.edu>
Date:          Fri, 31 Mar 1995 08:12:30 CDT
Subject:       historic costume in the movie "Jefferson in Paris"

Just caught a promo of the movie "Jefferson in Paris." For all fewllow
fans of late 18th c costume, this promises to be a treat for the eyes. 
A caraco with gilet worn by Greta Scacchi as Maria Cosway 
was right out of "Revolution in Fashion, 1715-1815" and I spotted
several vests on the men as copied from museum examples.  From the one
minute proma I saw, cut of the costumes appears to be exact and the
formal court wigs worn in one scene, appear to be the correct dirty
whitish-gray instead of Victorian-interpretation snow white.

USA Today panned the movie and Newsweek didn't like it much either,
although praising its look.  However I plan to see the movie to chech
out the accuracy and beauty of the costumes and to see which 
actors/actresses seem comfortable in costume and which don't at the very least.
Cindy Abel
Health Sciences Library
Creighton University
2500 California Plaza
Omaha NE 68178-0400
Phone: 402-280-5144

------------------------------
From: Gregory Stapleton <gregsta@microsoft.com>
Date: Fri, 31 Mar 95 13:00:06 PST
Subject: RE: Lasts

Capital Leather and Findings
580 King Street West
Toronto, Ontario, Canada  M5V 1M3
416-504-8563

Hope this helps,
gregory
----------
From: 2Lt Aryeh JS Nusbacher  <nusbache@hp.rmc.ca>
To:  <h-costume@andrew.cmu.edu>
Subject: Lasts
Date: Thursday, March 30, 1995 4:42PM

Lasts can be had from Capitol Leather and Findings in Toronto.  The
owners are re-enactment types, and they have zillions of lasts in all
shapes and sizes.  I don't have their address or phone number handy, but
I'm sure Directory Assistance in the 416 area will tell you.

Kel Rekuta, one of the partners, is also net-connected.  He posts
occasionally to rec.org.sca.

Best of luck,

Aryk Nusbacher       |   Spare me the history lesson ...
Post-Graduate War Studies Programme | Just release my ship!
Royal Military College of Canada    |  
Kingston, Ontario    - Capt J.T. Kirk

------------------------------
Subject: Re: Lasts 
Date: Fri, 31 Mar 1995 14:28:19 -0500
From: Babs Woods <babs@jfwhome.funhouse.com>

 Gregory,

I should have remembered to list my locale:  I'm in Eastern Central
Mass., so things in Canada aren't very useful.  Does anyone know of any
around Acton, Mass.?  I refuse to go into town (boston) for 
anything, as I can't reliably park to take the T anywhere and driving
there is a nightmare.  Are there any places that might do mail order
which handle lasts?  How much is too much for a pair of articulated
wooden lasts?  Are the old beaten up ones more expensive for being
older, or less for being used?  Does size make a difference in cost? 
(Boys'/Men's size 4D, Women's is a little harder to pin down.)

 Anything else I should know?  I think I can get leathers easily enough
(I hope).  

    -babs

------------------------------
Date: Fri, 31 Mar 1995 15:09:56 -0500
From: Pat Seppeler <pld@acsu.buffalo.edu>
Subject: Shirt Collar Buttons

Hi all,

 I've been a lurker on this list for several months, and I am learning a
lot.  I don't do re-anactments, but I try to incorporate historical
fashions into my everyday wardrobe.  Which brings me to my question... 
I am making a shirt with a removeable collar and cuffs, so I can change
collars for different looks.  I ordered the collar-button set from
Amazon Dry Goods, but it's not what I expected.  One button is what I
would have thought - a ~1/2 inch diameter disk connected by a short stem
to a 1/4" diameter disk.  But the other button has a little pointy ball
at the end of the stem, instead of a disk.  I haven't made any
buttonholes in the collar or shirt yet, and I'm wondering what the point
(bad pun, I know...) is of the buttons being different.

Thanks in advance...

Pat Seppeler
University at Buffalo

------------------------------
From: RJRowoldt@aol.com
Date: Fri, 31 Mar 1995 20:44:50 -0500
Subject: Collar Buttons

I wear detachable collars, and hence collar buttons, most days. 
Traditionally, the button with the ball is worn in front (and called the
'front collar stud' as opposed to 'button') because it has to go through
four garment layers to keep the collar closed.  The button with the
short stem goes in back, and is usually referred to as the 'back collar
button' (rather than 'stud'.)  Go figure!  The front collar stud is
typically not seen because it is meant to be worn under the knot of the
tie--and this system
assumes that you always wear a tie in public.  The back collar button is
shorter and flatter so it doesn't buckle the tie (if wearing a wing
collar) or the back of the collar turndown.   I have been known to wear
the back collar button in the front on days I choose not to wear a tie
because it is often the more decorative of the two.  (If out dancing in
one's tux with a wing collar on, your partner may shift the neckband of
your tie on the back of your neck, revealing the back collar button! 
Foolish one for not choosing a wing collar with a tie loop at center
back to hold one's tie in place!)

Some people who choose to wear detachable collars on a regular basis
will not wear collar studs/buttons, instead sewing two small buttons
together much like a cuff link to replace them.  Or, even,  sewing a
small button to the center back of the shirt's neckband to hold the back
collar (and, rarer still, doing the same in front.)  They do this
because they insist the buttons are more comfortable.

I like wearing period garments, so I rarely leave a town without looking
into any place which may sell them.  I now have a collection of
different cufflinks, shirt studs, and collar studs, most bought from
people who didn't really know what the latter were.  Some of my favorite
are front collar studs
which have a flat, rather than round, head which can be tilted the
better to run through the buttonholes on the shirts and collars.  It
makes getting dressed in this fashion quite quick and easy.  And I don't
find them very uncomfortable, but, then, I have been wearing detachable
collars for long
enough to be used to them.

I hope, Pat, that this helps--I posted this generally because more
people might be interested.

-Randy

------------------------------
Date: Sat, 1 Apr 1995 19:05:10 -0500 (EST)
From: dbrowne <dbrowne@indiana.edu>
Subject: looking for Carolyn Fraser

 Hi Carolyn, my computer ate your e-mail address, so I'm having to put
this out on the net.
 Your description of weaving cord sounds interesting, but not quite like
lucet. In lucet there are only 2 prongs that you wrape around, not four
and you tie a knot with each loop that you take off.  I know 
that your in Brisborne but I'll be glad to send you the diagrame if you
send me yourr snail mail address.
 As far as the Rialto goes ther are over 100 messages aday and sometimes
as many as a 1000.  It is very heavey traffic, I scan through it and
read only those that I am interested in.  There is some on 
costuming, mostly people looking for help and most of those are refered
here. If your busy I wouldn't rrecomend it.  But you can make up your
own mind.
--Kathy B
--Katrinn

------------------------------
Date: Sat, 1 Apr 95 19:08:00 PST
From: aterry@Teknowledge.COM (Allan Terry)
Subject: Dance workshops and events in San Francisco Bay Area

There will be a workshop focusing on the ballroom minuet of the late
18th and very early 19th centuries in Berkeley on May 13, 1995.  It will
be held from 10:30 a.m. to 12:30 p.m. at

St. John's Presbyterian Church
2727 College Avenue, Room 203
Berkeley, CA

The price is $6/person.  It is not necessary to bring a partner. 
However, it would be helpful to bring dance shoes with soft, flexible
soles and either no heels or low ones. 

The workshop is sponsored by the East Bay Vintage Dance Society and will
be taught by Allan Terry and Frances Grimble.  For further information
call 510/223-8233 or 415/566-6259, or send e-mail to
aterry@teknowledge.com.

The Period Events & Entertainments Recreation Society is holding a Jane
Austen Fete and Assembly on May 13.  The assembly, which will be held in
Kensington, will open with a minuet played by the Divertimento Dance
Orchestra.  The fete includes a picnic in Berkeley which starts at 1:00;
that is soon after the minuet workshop.  For more information, call
James and Cathleen Myers at 415/593-2940 or send e-mail to
loki@netcom.com.

The East Bay Vintage Dance Society holds vintage dance classes every
Saturday at the same time and location as the minuet workshop.  The
April classes will focus on 1920s dance including blues, fox-trot, and
Charleston. The May and June classes--aside from the minuet
worskhop--will focus on Victorian dance including 5/4 waltz, La
Hungroise, and galop.  The instructors research dances from original
sources as well as having studied with a number of instructors.  For
more information, call 510/223-8233 or 415/566-6259, or send e-mail to
aterry@teknowledge.com.

Allan Terry

------------------------------
Date: Sat, 1 Apr 95 19:31:32 PST
From: aterry@Teknowledge.COM (Allan Terry)
Subject: Everyday dress

Re Ed's request for books with information on everyday dress and
hairstyles: I'm not sure whether this request is for lower
class/occupational dress or middle/upper class dress as really worn, as
opposed to fashion plates.  If the latter, I can recommend several good
books of Victorian photos.  There is also an enormous book titled
_Fashions in Hair: The First Five Thousand Years_, which has many
redrawings of period pictures of various types.  It is the only book I
can think of offhand which has substantial information on men's hair as
well as women's.  It was written by Richard Corson and
published by Peter Owen in London in 1965, but I bought my copy last year.

Has anyone suggested putting a book list on the projected Web costuming
page?  Because many requests and suggestions are for books I think this
would be very useful.  Would it be acceptable and useful to start with
the h-costume FAQ?

Fran Grimble

------------------------------
Date: Sun, 02 Apr 1995 18:19:00 -0400
From: longwave@mail.north.net (E. Cheung)
Subject: Re: Everyday dress

I would like to thank everyone for their book suggestions.  To clearify
a few things, I am interested in the way ordinary people really dressed.
 For example, we could look at a catalog say from l.l. beans and see how
the clothes were designed.  But when we meet the people who actually
wear the clothes, it may be normal to wear some styles several sizes
larger.  In the 1960s, some people wore jeans several sizes smaller. 
For a short time, it was trendy for youths to wear baseball caps with
the price sticker attached. I guess I am more interested in how people
wear their clothes than how they
are designed, although the design is important.  Right now, I am
limiting my fashion searches to the West.  By the way, does anyone know
the history of the Bloomer costume of the 1860s?

Ed

------------------------------
Date: Sun, 2 Apr 1995 21:14:14 -0500 (CDT)
From: Marjory Duehmig <cfmad@eiu.edu>
Subject: Re: Everyday dress

Ed, 

According to my recollections...did a paper on this in college YEARS
ago...Amelia Bloomer, witnessed her sister tumble down the stairs
holding her infant in her arms because she couldn't manage in her bulky
dress.  That's when Amelia began designing turkish trousers for women. 
They got their name from her later, but I believe her original concept
was based on the turkish trouser costume.

If I can find my research, I'll dig it out and forward to you... don't
think I can, though as it was over 14 years ago, eek!

Hope this helps, Marjorie 

  "You do not dismiss a muse at whim"---Nick Bantock                    
  Marjorie Duehmig, Associate Professor of Theatre, cfmad@eiu.edu    
  Eastern Illinois University, (217) 581-5958/FAX (217) 581-6027     

On Sun, 2 Apr 1995, E. Cheung wrote:

> I would like to thank everyone for their book suggestions.  To clearify a
> few things, I am interested in the way ordinary people really dressed.  For
> example, we could look at a catalog say from l.l. beans and see how the
> clothes were designed.  But when we meet the people who actually wear the
> clothes, it may be normal to wear some styles several sizes larger.  In the
> 1960s, some people wore jeans several sizes smaller.  For a short time, it
> was trendy for youths to wear baseball caps with the price sticker attached.
> I guess I am more interested in how people wear their clothes than how they
> are designed, although the design is important.  Right now, I am limiting my
> fashion searches to the West.  By the way, does anyone know the history of
> the Bloomer costume of the 1860s?
> 
> Ed
> 

------------------------------
From: Esante1958@aol.com
Date: Mon, 3 Apr 1995 00:08:34 -0400
Subject: Lasts

My dear knowledgable friends;
Please excuse my ignorance, but what are Lasts?
I read with interest your postings and try to follow these threads.  But
I guess I need to go back to the books again.
Thank you for sharing,
Mary Gobet
esante1958@aol.com  

------------------------------ End of Volume 273 -----------------------


