From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Thu,  1 Jun 1995 12:41:34 -0400 (EDT)
Subject: H-Costume Digest, Volume 315, 6/1/95

The Historic Costume List Digest, Volume 315, June 1, 1995

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).

Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

Enjoy!

------------------------------
Topics:
Finding veiling materials
Costumes in Braveheart
Colonial women's dress
ISO: Jacqueline Herald book
Medieval costume books
ISO: Glove patterns 
Printed linens
Swatch books
ISO: HMSO's Knives and Scabbards book
Fabric and book sources
What is FIT

----------------------------------------------------------------------

Date: 29 May 1995 16:12:54 -0400 (EDT)
From: Library - Vineland Research Station <LIBRARY@ONRSVI.AGR.CA>
Subject: LACIS batiste used for veiling

Someone asked me if I thought the LACIS batiste would be appropriate for
early veiling. (Sorry, I've a hair-trigger delete key! - Got me in
trouble before.) If I remember the previous discussion correctly,
someone wanted "Renaissance veiling" and someone else said fine linen
was correct. The
LACIS batiste is cotton, but they also sell a transparent "handkerchief
linen" for $36.00 a yd (36" wide). I'd describe it as semi-transparent,
but a little "streaky" while the paintings of the period show veils as
quite even. Perhaps artistic license? LACIS sells a little package of
fabric samples for a few dollars, I keep it in my purse for convenience.

Sheridan 
Alder

------------------------------
Date: Mon, 29 May 95 16:30:21 PDT
From: aterry@teknowledge.com (Allan Terry)
Subject: Batiste and handkerchief linen

Many heirloom sewing suppliers carry batiste and other sheer cotton
fabrics, especially in white and pastels.  I've mentioned the Linen
Fabric World (not an heirloom sewing supplier, they carry linen in
several weights) several times on this list.  I've never bought from
them but have swatch samples. I keep meaning to buy some of their
handkerchief linen to have on hand, because it's the best quality I've
ever seen.  It is called Caracas, is available in several shades of
white and off-white, and is evenly woven.  It is 59" wide and sells at
$17.60/yard.  (I find that Lacis is generally pricey.)  I've posted the
Linen Fabric World address before, but here it is again:

Linen Fabric World
1246 Bird Road
Miami, FL 33146
(305) 663-1577

Britex Fabrics carries sheer cottons and linens as well as many other
fabrics.  I wasn't happy with the handkerchief linen I bought there a
few months ago because the weave was too uneven.  They have some good
batistes. They have lots of lightweight machine-embroidered cottons,
some of which are
small florals suitable for Regency dresses, and some of which are
eyelets suitable for Victorian dresses and petticoats.  They have a
swatching service as well as selling at the store.  Their address is:

Britex Fabrics
146 Geary Street
San Francisco, CA 94108
(415) 392-2910

Fran Grimble

------------------------------
From: KATHLEEN@ANSTEC.COM
Date: Tue, 30 May 95 10:00:00 EST
Subject: Re: Brave Heart

Depends on whether you are portraying a Lowlander or a Highlander.
Lowlanders wore what the English wore (surprise, surprise). I will check
my sources later today to see what I can find about 14th century
Highlanders and women's clothing. BTW, William Wallace was a Lowlander;
therefore, he WOULD NOT have been wearing tartan, woad or braided hair.
So much for poetic license. back to 
you later on the other stuff.

Kathleen
kathleen@anstec.com 

------------------------------
From: KATHLEEN@ANSTEC.COM
Date: Tue, 30 May 95 10:25:00 EST
Subject: Re: Colonial Lady's Day Dress

For Karri, regarding lady's day dresses:

First of all, a lady probably would not wera a wig, so stick to your own
hair and a mobcap.

Secondly, check drapery shops for materials and patterns. The patterns
they wore back then we now sit on and use as drapes. If you have access
to Barbara Johnson's book (I'm sure some one on the list will have the
citation; I'm at work and don't have access to it), check out the
materials and patterns shown in it. It's a swatch book the lady kept
from the 1740s or so into the 1820s. Invaluable for research. Polished
cottons were popular. Plain linens (it was difficult, if not impossible
to make printed linens at the time, which is why printed Indian cottons
were so popular); blends of linen/cotton, linen/wool, linen/cotton/wool,
all of the above woven with silk, etc. 

Hope this helps.

Kathleen
kathleen@anstec.com 

------------------------------
From: KATHLEEN@ANSTEC.COM
Date: Tue, 30 May 95 10:30:51 EST
Subject: Re[2]: Italian Ren. gowns?

As far as I know, the Jacqueline Herald book on Itlaian renaissance
dress has been out of print for a long time. If this is NOT the case,
please let me know. I'd like to get a copy of it. Thanks.

Kathleen
kathleen@anstec.com

------------------------------
From: KATHLEEN@ANSTEC.COM
Date: Tue, 30 May 95 10:41:00 EST
Subject: Re: Medieval Costume book

I've seen that book and it's interesting because it contains Eastern
European stuff, as well as the more common Western clothing and weapons.
Is it still or again in print? I thought it had been out of print for a
long time. Wagner also did a book on the Thirty Years War (1618-1648)
that's wonderful. It, alas, is also out of print.

Kathleen
kathleen@anstec.com

------------------------------
From: KristieGr@aol.com
Date: Tue, 30 May 1995 12:47:26 -0400
Subject: Gloves

I am looking for information on making gloves.  I have tried and tried
to make my own pattern, but I am not succeeding too well.

Can anyone help?

Kristie  

------------------------------
Date: 30 May 1995 13:31:09 -0400 (EDT)
From: Library - Vineland Research Station <LIBRARY@ONRSVI.AGR.CA>
Subject: more batiste, linen and thanks to Fran

Thanks for the information about Linen Fabric World. I've roved 'round
many Canadian fabric stores, but find that their "heirloom" batiste is
nowhere near as fine and transparent as the LACIS fabric. Guess I'll
have to check out Linen Fabric World's swatches. I've been interested in
handkerchief linen too. One concern - most machine embroidered cottons
I've seen are obviously using shiney polyester thread. I also find
machine embroidered fabrics usually look it - nothing like hand
embroidery. Thanks for the information again, Fran.

Sheridan Alder

------------------------------
From: BPH3213@ACS.TAMU.EDU
Date: Tue, 30 May 1995 13:23:35 -0500 (CDT)
Subject: Printed linen, 18th century

Cottons (especially from India) were certainly the most commonly printed
cloth of the 18th century, and easier to print than linen, but linens
were also printed.

Among the evidence for linen printing is a report on the premiums paid
in Ireland for textile production in 1765.  Both wood block and copper
plate printers were given cash rewards for certain production amounts.

These can be found on page 20 of _The Application of the Money Granted
by Parliament in the Year 1765, to the Dublin Society, for the
Encouragement of Certain Trades and Manufactures_. The Royal Dublin
Society, S. Powell, printer, Dublin 1766.
  (available on microfilm through Goldsmith's Library series). 

Bryan H
bph3213@acs.tamu.edu  

------------------------------
From: BPH3213@ACS.TAMU.EDU
Date: Tue, 30 May 1995 13:38:48 -0500 (CDT)
Subject: B. Johnson's swatch book (1746-1823)

Kathleen mentioned Barbara Johnson's swatch book. Here is a citation for
anyone who would like to track it down:

Johnson, Barbara. Album, England, 1746-1823. Victoria and Albert Museum,
T219-1973, London.  This would be for the original, I don't know about a
reprint but if anyone knows an ISBN for a reprint, I'd like to see it
posted. 

There are also several swatch books listed in Florence Montgomery's
_Textiles in America_.  Some of those may be available in (photographic)
reprints. 

Having just returned from a trip to Williamsburg and examining original
clothing with Linda Baumgarten (textile curator there), I can say no
photo in the world can replace being able to see the cloth with your
eyes, and perhaps feel the texture. So, I pose this question to the
list. Is there anywhere one can obtain swatch samples from a modern
manufacturer, who makes cloths similar to those we discuss on the list? 
If not, is there any single (photo) swatch book that is in print that
anyone highly recommends for mid 18th c cloth types? 

Thanks, Bryan H  bph3213@acs.tamu.edu

------------------------------
Date: Tue, 30 May 1995 12:56:03 -0700 (PDT)
From: Gwen Carnegi <gcarnegi@netcom.com>
Subject: Book search (14th cent?)

Saluations all;

I'm on a search for a copy of a book from the V&A (published by Her
Majesty's Stationary?) on pouchs, belts and sword hangers from 13th to
15th century. It had some of the best documention I've seen yet. 

I have had a chance to view it some months ago by haven't found it in
print anywhere.....sigh;) I know it's part a series that includes a
wonderful book on footwear.  Does anyone know of a way to order 
it or should I just put it in my mental filing cabinet called "out of print"?

Thanks-
Gwyn Carnegie  
"Unexpected changes in travel plans are dancing lessons from God". 

------------------------------
From: VICKI@lib.uttyl.edu
Date: Tue, 30 May 1995 15:54:47 -0500 (CDT)
Subject: 19th century swatches, too

Some of the best 18th century swatches for unprinted fabrics that I have
seen have come from Kathleen Smith's Textile Reproductions.

I would like to extend Bryan H's request to also include mid-19th
century fabrics, particularly silks, woolens, and something that would
pass for silk/wool blends.  I think that I can come up with white or
black solid silk taffetas from places like Thai silks, but what about
those gorgeous stripes, plaids, and woven ribbon silks, and also those
border printed airy cotton muslins?  How about cotton, woolen, or
cotton/woolen homespuns of good weight and weave, for those who do
Confederate reproduction dresses?  Is all of that (pardon the saying)
"gone with the wind"? :-)
(I just couldn't help it! :-) )

Vicki Betts
University of Texas at Tyler
vicki@lib.uttyl.edu

------------------------------
Date: Tue, 30 May 95 20:26:29 PDT
From: aterry@teknowledge.com (Allan Terry)
Subject: Books, cloth, and supplies

Someone (I no longer have the message) inquired about fabric for
informal 18th-century day dresses.  I'd recommend a printed cotton. 
Appropriate prints are, as someone mentioned, most available as drapery
fabrics.  I think the best procedure would be to look at books to get an
idea of
appropriate prints; go to a sewing store that sells drapery fabrics, or,
if there is none such locally, an upholstery/drapery shop willing to let
you order fabric without hiring them to make curtains; and buy a pattern
that both resembles one of the right date in a book _and_ is not too
large for the human body in terms of motif and repeat.

Some titles of books with lots of pictures of 18th- and 19th-century
fabrics (which someone else asked about):

_Fabric of Society:  A Century of People and Their Clothes 1770-1870_,
by Jane Tozer and Sarah Levitt.  Manchester:  Laura Ashley 1983.

_The Victoria and Albert Museum's Textile Collection: Woven Textile
Design in England to 1750, by Natalie Rothstein.  New York: Abbeville
Press, 1994.

_The Victoria and Albert Museum's Textile Collection:  Design for
Printed Textiles in England from 1750 to 1850_, by Wendy Hefford.  New
York: Abbeville Press, 1992.

_The Victoria and Albert Museum's Textile Collection: Woven Textile
Design in England from 1750 to 1850_, by Natalie Rothstein.  New York:
Abbeville Press, 1994.

_The Victoria and Albert Museum's Textile Collection: British Textiles
from 1850 to 1900_, by Linda Parry.  New York: Abbeville Press, 1993.

You can tell the last four books are part of a series.  They are
full-color quality paperbacks, quite available and, at about $25 apiece,
reasonably priced.

Another reprinted swatch book is _18th-Century Textiles in the Anders
Berch Collection at the Nordiska Museet_ edited by Elisabeth
Stavenow-Hidemark. It is in the Tidy's Storehouse catalog, described as
280 pages, 368 color photos of fabric swatches, $195.00.  I remember a
review saying the swatches were from several European countries.  I
ordered the book from Tidy's when I saw it in their catalog.  They held
onto my check for several months and, after I'd inquired twice about my
order, returned the check uncashed with a note saying they'd get the
book in sometime this summer.  However, Moe's Books in Berkeley actually
has this book in the flesh.  They give a 10% discount on all new books
and don't charge shipping if you go there.  They have a WEB site called
"Virtual Moe's" so I assume they sell by mail, but I didn't keep the net
address.

About Regency fabrics: Many of the Britex embroidered cottons don't
look, at least, as though they were embroidered with synthetic thread. 
And not all of them look mechanical; in any case simple machine
embroidery was done during this period.  You do have to tell the Britex
staff exactly what you want, even when you're in the store.  They know
nothing about historic fabrics.  Last time I told a helpful employee I
was looking for a Regency style fine white cotton with a small floral or
geometric motif, they pulled out a fine white cotton with cute little
kittens all over it.

One source of authentic-looking Regency fabrics is hand- and
machine-embroidered fabrics of the early 20th century.  "Edwardian
whites" consciously imitated Regency fabrics and styles.  I know one
dealer in antique textiles who sells Edwardian fabrics, including
unpicked Edwardian dresses and very sophisticated machine embroidery, as
_real_ Regency.

I have some very fine Regency-looking plain batiste yardage I bought
years ago from a mail-order company called Testfabrics.  They
specialized in all-cotton untreated fabrics for fiber artists.  I've
seen their ads, in the fairly recent past, in _Sew News_ and _Threads_,
so they may still be in
business.

About Victorian fabrics: Some of the Thai silks (as a type, not just
from the store of that name) are very good.  I've seen a wide range of
plain colored silks, many stripes and plaids, and not all Thai silks are
slubby. I recently bought a Thai silk plaid, which I was not shopping
for, because it screamed "1850s day dress."

One way to get a border fabric for flounces and so on is to piece a
patterned fabric to a plain fabric the same color as one of the colors
in the pattern.  I've seen this in photos of more than one surviving
1850s dress (I could see the piecing seams in the photos).  The pieced
borders were stripes and plaids and looked quite convincing.  I'd think
a more irregular design would be harder to piece, but maybe you could
applique it on top of the plain fabric rather than using a straight seam.

Someone asked about a book, part of a series, on medieval pouches, etc.
This may be _Dress Accessories c. 1150-c. 1450_, by Geoff Egan and
Frances Pritchard.  The series is Medieval Finds from Excavations in
London and is published by Her Majesty's Stationery Office (HMSO) in
London.  Other books in the series, with different authors, are _Shoes
and Pattens_, _Textiles and Clothing_, and _Knives and Scabbards_.  Your
best bet for getting these is to special order through a bookstore that
will order from England (university bookstores are most willing to deal
with foreign orders).  

Fran Grimble

------------------------------
From: KristieGr@aol.com
Date: Tue, 30 May 1995 23:40:28 -0400
Subject: Re: Gloves

Thanks for the information.  But, what is FIT in NY???

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