From: owner-h-costume-digest (Historic Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: Historic Costume Digest V3 #158
Reply-To: h-costume
Errors-To: owner-h-costume-digest@lunch.engr.sgi.com
Precedence: bulk


Historic Costume Digest     Wednesday, August 9 1995     Volume 3, Number 158

Important Addresses:

  Submissions to the list:  h-costume@lunch.engr.sgi.com (or reply to
			     this message).
  Adds/removes/archives:    majordomo@lunch.engr.sgi.com
  Real, live person:        h-costume-request@andrew.cmu.edu

Topics:
    Horizontal Boning in 18th Century Stays
    Commercial Patterns
    Re: SCA question
    Wet Nurse
    Re: help! Feather mites--!
    Boning Source Recomendation
    Tights vs Hose and a codpiece
    Drizabone
    Re: SCA question
    Re: SIGH
    Standards of Beauty
    Re: Pattern making
    Pattern drafting systems
    1880's garment making book
    Re: How to get on the digest or unsubscribe...
    Pattern making
    feather treatment
    RE: 12C Italian (ordering books)
    Re: corset bones, back necklines, cord, hose
    Re: Pattern drafting systems
    Re: comedia

----------------------------------------------------------------------

Date: Mon, 7 Aug 1995 17:46:05 -0400
From: Carodec@aol.com
Subject: Horizontal Boning in 18th Century Stays

I am about to start work on a Period Impressions pattern for half-boned
1760's-1770's stays.  These stays have rows of horizontal boning at the top
front which must take and hold a curved shape (if you laid the stays down on
a table, they would not lie flat; the front curve would stand up from the
table). Does anyone have any ideas on the most suitable boning material to
use? I'm leaning toward a thin, steam-bent  piece of wood, but would really
welcome other suggestions.

Has anyone else used this pattern? Have any advice on its eccentricities?

Thanks.   --- Caroline

------------------------------

Date: Mon, 07 Aug 95 15:21:41 PDT
From: Erin Harvey Moody <DCNSTAP@cmsa.Berkeley.EDU>
Subject: Commercial Patterns

Maurine: I have had consistent luck with Past Patterns Company patterns.  They
are sold via Amazon Dry Goods, Lacis, and Raiments.  The San Jose Historical Mu
seum does sell some patterns and will order for you.  They also carry Past Patt
erns.  I don't have their number but you can call directory assistance (San Jos
e is a 408 area code I believe).  The curator/manager just took my corset class
a couple of weeks ago, I know you will find her very helpful.  Her name is
Julie and her specialty is millinary.  Hope this helps.

Erin

------------------------------

Date: 7 Aug 1995 08:58:17 U
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: Re: SCA question

        Reply to:   RE>SCA question
Dennis,

You must not have discovered the Dark Horde.  The last weekend of
July I was at an SCA encampment, and there was a group of "Mongols"
across the way.

There are individuals I know who have chosen a persona from Byzantium,
the Middle East, and Japan.  There don't seem to be enough of them to form
individual households.

But I can only speak for Northern California, the area I am familiar with.

Carole Newson-Smith
(SCA: Cordelia Toser)

------------------------------

Date: Mon, 7 Aug 95 13:52 PDT
From: mholland@on-ramp.ior.com
Subject: Wet Nurse

        Does anyone have an understanding of to what extent the popular
notion of wet nursing had on the development of neckline styles in Europe
in the 17th-19th centureis?  I ran across an interesting book on the
subject this weekend and discovered fascinating facts about Renaissance and
Rococco thought.
        It seems as if it was common for wet nurses to "caravan" or to have
a form of a "bus" for transporting their charges back and forth.  Is there
a whole hearldry of style that went along with this practice?  And how did
that style bleed over into the mainstreem of fashion?
        Just curious,

Sharon

------------------------------

Date: Mon, 7 Aug 1995 16:53:52 -0400 (EDT)
From: Dave Wells <dwells@solar.rtd.utk.edu>
Subject: Re: help! Feather mites--!

I will have to check with the museum conservation folks to see how they 
deal with such infestations.  I would be reluctant to put the feathers in 
the microwave or to use a dryer on them since they are organic material, 
subject to deterioration by light, heat, and atmospheric conditions.

If you have a local museum or conservation group (most states have a 
historic preservation assn in the state capital), they would be a good 
resource for asking such a question.
 
Dave

------------------------------

Date: Mon, 7 Aug 1995 15:08:32 -0400 (EDT)
From: cpecourt@mhv.net
Subject: Boning Source Recomendation

Hello all
	With all the recent posts on boning and where to get it I decided 
to drop my two cents in and highly recomend the people at Hedgehog 
Handworks. The woman there is very nice and their service is quick and 
pleasant! They have the spring steel boning as well as the spiral boning 
and everything in the way of sewing supplies, millniry (sp?) supplies, 
embroidery supplies and more. No patterns, but lots of books.
	Their address is PO Box 45394, Westchester CA 90045
They take credit card orders over the phone, no minimum and no surcharge. 
THeir ## is (310)670-6040
  I highly recommend them, all my dealings with them have been fantastic.

Thats my 2 cents :-)

Chantal

------------------------------

Date: Thu, 03 Aug 95 21:52:19 PDT
From: ke6isf@outlander (Dennis Allen Carr)
Subject: Tights vs Hose and a codpiece

Catriona:
Thank you, despite your blushed face that was visible on my 286! =D

Checked into it after finally deciding to do some homework on the period. 
In a book pub'd by Eyewitness Books called "Costume" (ISBN 
0-679-81680-1), the following quote is found:

"A decorated codpiece (which sometimes doubled as a purse)"....

Ah.....
I think I'll pass on that, thank you.

Fa! 

Still not part of the SCA but interested anyway,


KE6ISF           uublip!outlander!ke6isf@ccss.com   Just say NO.J.!
              The only true Ben Franklin look-alike!
               Driving people insane since 1974....

------------------------------

Date: Sun, 6 Aug 1995 15:12:48 +0800
From: writan@vianet.net.au (Writan Consulting)
Subject: Drizabone

Edward Wright wrote:

| >From memory, oilcloth is treated with boiled linseed oil -
| that's how you make a Drizabone (sound cool - use
| the real word for those coats).

No, no. Drizabone is not "the real word" for an oilskin coat -- it's 
just a trademark for one particular brand.

*********************************************
Yes, Drizabone *is* one particular brand; but there are lots of instances
where a brand name became the accepted name of an object.

Besides, why on earth would I call it an 'Australian Drover's Coat'? 
That's just what Folkwear call it. If you want to be really pedantic, you
could call it an oilskin, but that includes other types of jackets too.

/anne...

------------------------------

Date: Tue, 08 Aug 95 09:45:00 EST
From: "Hicks, Melissa" <MAH@cbr.smtpgate.amsa.gov.au>
Subject: Re: SCA question

>Let me know if you'd like a copy of my Eastern Europe/Middle East/Asia
>booklist (this goes for anyone out there.  I've been busy since the
>last verion I posted here!).  I'll be bringing copies to Pennsic as
>well.  If you (and other interested people) are going to Pennsic,
>there's a class you might want to take:
>
>                                               ...eliz
>                                               (Yelizaveta Medvedeva)


Yes please, there are a few newcomers in my local SCA group that are trying 
to handle this style of research at the moment.  Unfortunately they do not 
seem to be having much success.  A list like this might just give them the 
help-along they need.

Melissa Hicks
SCA: Meliora de Curci
mah@amsa.gov.au

------------------------------

Date: Sun, 6 Aug 1995 22:22:00 -0500 (CDT)
From: Robin Findlay <findlay@griffon.mwsc.edu>
Subject: Re: SIGH

I'd like that information too

Best Wishes

Robin

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Walter Robin Findlay
Associate Professor of Theatre
Missouri Western State College
4525 Downs Drive
St. Joseph, Mo. 64507
Phone: 816-271-4452
E-mail: findlay@mwsc.edu
Fax: 816-232-0978


			is that all there is........
					peggy lee

On Sun, 6 Aug 1995 b.mai@genie.geis.com wrote:

>  
>      I must have written soemthing down wrong, or I'm an idiot or
> something.  What is the address to send to, and the command to get
> this list on digest?  I asked Diane, but I got it wrong somehow,
> 'cause my messages keep bouncing back.
>  
>                                 Drowning in e-mail,
>  
>                                 Bruce
> 

------------------------------

Date: Mon, 07 Aug 95 12:39:56 PDT
From: Erin Harvey Moody <DCNSTAP@cmsa.Berkeley.EDU>
Subject: Standards of Beauty

In response to period beauty and Lillie Langtry:

Every age has several types of beauty trends (just look at the range of ashion
models today- Kate Moss to Cindy Crawford to Naomi Campbell).  Lillie Langtry
embodied many    of the pre-Raphaelite ideals of beauty.  You are right, many o
f her photographs are not exceptional (although some are).It's in her portraits
that  her beauty was truly displayed.  There are many, many paintings of Lillie
 Langtry (both as herself and her as a model in allegorical/theme paintings) as
 well as pencil drawings where you can see why her (Victorian) beauty was so
famous.
Biographical reports and contempoary writing also mention that her coloring was
her most distinguishing/valued feature.  She was said to have (naturally) red
hair that was exceptionally lusturous, porceline/peaches and cream/translucent
skin with a perfect complexion and used no makeup.

------------------------------

Date: Sun, 6 Aug 1995 19:55:45 -0700 (PDT)
From: "William M. Sunlin" <sunl@svpal.org>
Subject: Re: Pattern making

On Sun, 6 Aug 1995, Allan Terry wrote:
> How did they do pattern making in the old days?  It depends greatly on what
> you mean by the old days.  
	I meant that in a sort of rhetorical manner. I don't think people 
300 years ago used a computer (or even paper, for that matter).
	I saw something once about ethnic costume wherein live 
measurements were converted into clothing measurements (eg, chest 
measurement is 36" so torso size is 36+ something or x somwthing) rather 
than our current scheme of laying everything out. 
	There's also favorite book of mine on costume in AngloSaxon 
England where the width of the loom equals the width of the garment, period.
	So where did we change to our present technique? Did it come with 
the Industrial Age? Just curious.

------------------------------

Date: Sun, 6 Aug 95 16:32:26 PDT
From: Allan Terry <aterry@Teknowledge.COM>
Subject: Pattern drafting systems

I'm doing some research on 19th- and early 20th-century patent drafting
systems, a subject that has always fascinated me.  The authors of these
systems provided a set of sizes (this is before pattern sizes were
standardized), sometimes special drafting tools (which could take a variety
of forms), and often books or magazines with patterns to be drafted with
their system.  

If anybody on these lists has original drafting tools or publications, I'd
be interested in seeing copies of them (I think some of the tools could be
photocopied).  Right now I'm looking at an early 20th-century tool used for
_The American Garment Cutter_ and _The American Modiste_.  I do have a copy
of the patent application, but this does not fully explain the tool.  But
I'm interested in other tools and publications, too.

I already have Claudia Kidwell's book _Cutting a Fashionable Fit_, which
discusses such systems.

Thanks,

Fran Grimble

------------------------------

Date: Mon, 7 Aug 1995 17:51:04 -0500 (CDT)
From: BPH3213@ACS.TAMU.EDU
Subject: 1880's garment making book

I haven't seen this and my library doesn't have it, but I thought some on the
list might find it useful.  I believe the only source for it is the Univ. of
Chicago, but it's on microfilm so they might copy or loan it out.  The 
original's in London. 

Bryan H. 
___________________________________________________________________
ACCESSION: 27461560
    TITLE: Garment making
           a treatise, embracing the whole subject of practical tailoring, 
           giving special and detailed instructions upon the making of every 
           modern garment made by tailors : a book of reference equally 
           adapted for the cutting room or workshop /
    PLACE: London :
PUBLISHER: J. Williamson,
     YEAR: ? 1880 1889
 PUB TYPE: Book
   FORMAT: viii, 113 p., 7 leaves of plates : ill. ; 26 cm.
    NOTES: Microfilm. Chicago : University of Chicago Library, 1992. 1 
           microfilm reel ; 35 mm. (MN 01390.1).
  SUBJECT: Tailoring.
           Garment cutting.
    OTHER: Williamson, J. (John)

------------------------------

Date: Sun, 6 Aug 1995 22:26:49 -0500 (CDT)
From: Robin Findlay <findlay@griffon.mwsc.edu>
Subject: Re: How to get on the digest or unsubscribe...

I'd like to get on the digest list and off this one

Best Wishes

Robin

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

Walter Robin Findlay
Associate Professor of Theatre
Missouri Western State College
4525 Downs Drive
St. Joseph, Mo. 64507
Phone: 816-271-4452
E-mail: findlay@mwsc.edu
Fax: 816-232-0978


			is that all there is........
					peggy lee

On Sun, 6 Aug 1995, Diane Barlow Close wrote:

> > ... What is the address to send to, and the command to get
> > this list on digest?  I asked Diane, but I got it wrong somehow,
> 
> To get the digest version, or to unsubscribe completely from the list,
> send your request to Gretchen Miller via:
> 
>    h-costume-request@andrew.cmu.edu
> 
> and she'll take care of it for you.
> -- 
> Diane Close
>    close@lunch.engr.sgi.com
>    I'm at lunch all day. :-)
> 

------------------------------

Date: Mon, 7 Aug 95 23:41:29 PDT
From: Allan Terry <aterry@Teknowledge.COM>
Subject: Pattern making

William,

Although people didn't use a computer to make patterns 100 years ago, they
certainly had paper patterns.  

There is evidence that starting in the 12th century, garment makers had
roughly sized templates of pattern pieces, made of durable substances.  By
the end of the 14th century, most professional garment makers had sets of
patterns.  

Publication of books containing patterns began in 1589 with Juan de Alcega's
Libro de Geometrica Practica y Traca_.  

There was a proliferation of manuals with patterns and methods for drafting
them, from the early 19th century through the early 20th.

Magazine publication of patterns for amateurs (and professionals) started
around the same time.  I have several patterns for 1820s _detachable_ men's
shirt collars, reprinted in the _Cutters' Research Journal_.

The first graded and sized pattern patterns were produced beginning in the
1860s, by the Butterick company.  McCall's pattern company was founded in
the 1870s.  There were many other Victorian paper pattern companies
that have since gone out of business.

Fran Grimble

------------------------------

Date: Mon, 7 Aug 1995 17:41:25 -0500 (CDT)
From: BPH3213@ACS.TAMU.EDU
Subject: feather treatment

According to my conservation literature, it is still recommened to wash 
feathers with water and a mild detergent.  They can be air dried with a
blower, but should use cool air.  This keeps the barbules from sticking
together.  

Rather than heat (alias the microwave mentioned) I would be more inclined to
use the opposite.  Freezing organics is commonly used to control insects.
I don't recall the temp and time necessary, but I seem to think it was 48
hours at below the freezing point. 

The other method is to put the objects in a sealed container with biocide.
We use Dowicide 1 (ortho-phenylphenol) which is, believe it or not, best
obtained by buying a can of Lysol (tm). 

For storage, a sealed container is best, and if infestation is still a
problem, moth balls work well, but aren't used much anymore as they are too
toxic to humans. I don't recall what the chemical equivalent used now is. 

Now, having said all this I should confide I've never conserved a feather 
in the lab  (though some have been through the conservation lab here at 
Tex. A&M). I have tried this on modern feathers with success though.

Bryan H     
Baloo@tamu.edu

------------------------------

Date: Mon, 07 Aug 95 15:02:00 PDT
From: "Tobey, Pam" <L80008TB@washpost.com>
Subject: RE: 12C Italian (ordering books)

I ordered Norah Waugh's book through Borders last week. It cost $45 (yipes)
and I got it in 3 days! It's a wonderful book!!!!!! BTW, I also ordered the
Cut of Women's Clothes, also. It took 5 days, and cost $65! But they are both
worth it for the wonderful reference materials and pattern diagrams, etc,
they contain! Borders has been able to get most of what I bring them to find.
And they smile when doing it and thank you when you're done.
Tobey
Tobeypam@washpost.com
_______________________________________________________________________________
_
<<...remember their titles.  The one that I have with me that devotes a great
deal to males in general is Patterns for Theatrical Costumes, by Katherine
Strand Holkeboer.  ISBN number 0-89676-125-8, Drama Book Publishers New York,
29.95.
 It recommends Men's Garments by R.L. Davis same publisher, The Cut of Men's
Clothes by Norah Waugh, London:Faber and Faber..  I know that this is a
difficult book to get and if you are not a prof you cannot order it directly.
Barnes and Noble will order them for you at the cover cost. It will take 6
weeks to get.  Book Stop hates this publisher and refuses to order from
them,...>>
Ciao
Ches

------------------------------

Date: Mon, 7 Aug 1995 00:46:53 -0500 (CST)
From: Cindy Johnson <cindyj@nuchat.sccsi.com>
Subject: Re: corset bones, back necklines, cord, hose

On Sat, 5 Aug 1995, June Russell wrote: 
> Thea wrote: 
> :Corset bones: Someone mentioned Greenberg & Hammer (NY) as a source but I 
> :didn't seementioned that they sell the steel boning in rolls.  This is not 
> :mentioned in their catalog; you have to ask for it.  It's sold by
> :the pound, 
> :not the yard, but there's lots in a roll.  Bought this way, you
> :can cut every 
>
> G&H Fall 1994 catalog page 4 lists steel hoop bonign $9.85 for a 12 foot
> roll. I loved it when they started their 800 number (800-955-5135). 

Umm, Thea and June are talking about two different things.  The steel
boning in rolls is either 1/4" or 1/2" steel boning coated with white
paint for making corsets.  The steel _hoop_ boning is 1/2" wide hooping
comprised of two flat steel wires encased in buckram (the wires are at the
edges of the hooping) and specifically designed for hoops of whatever
variety.  I'd not recommend using it in a corset.  And the steel boning
(not listed in rolls, listed in cut sizes in the catalog) is far cheaper. 

Cindy Johnson

------------------------------

Date: Sun, 6 Aug 1995 20:26:10 -0700 (PDT)
From: Heather Rose Jones <hrjones@uclink.berkeley.edu>
Subject: Re: Pattern drafting systems

On Sun, 6 Aug 1995, Allan Terry wrote:

> I'm doing some research on 19th- and early 20th-century patent drafting
> systems, a subject that has always fascinated me.  The authors of these
> systems provided a set of sizes (this is before pattern sizes were
> standardized), sometimes special drafting tools (which could take a variety
> of forms), and often books or magazines with patterns to be drafted with
> their system.  
> 
> If anybody on these lists has original drafting tools or publications, I'd
> be interested in seeing copies of them (I think some of the tools could be

I have a fascinating contraption that I picked up at a garage sale that 
you might be interested in. It's a set of adjustable pattern-making ... 
"things" made out of brass strips with adjustable sliders marked 
according to various body measurements. (This is really hard to explain 
without pictures.) It's fairly self-explanatory -- each slider is 
numbered for the order you need to measure in and labeled as to what the 
measurement is (e.g. "front length less underarm", "hip", etc.). Several 
patent dates are marked on it: '85, '86 and '01. There are five pieces: 
front, side front, side back, back, and sleeve (obviously, it's for 
jackets or bodices). I've made a couple of garments based on it and 
simply using the settings according to your measurements seems to work 
fairly well -- although I'm large enough that I just barely make the end 
of some of the scales and a _few_ of the proportions seem to get messed 
up at that end. It's a really fascinating contraption.

Heather Rose Jones

------------------------------

Date: Mon, 7 Aug 1995 10:19:11 -0400
From: eliz@world.std.com (Elizabeth Lear)
Subject: Re: comedia

<Hi out there!  I was wondering if anyone out there could help me!  Now my 
<director is thinking about doing a play in the "Comedia" style of Italy.  
<I'm not exactly sure what this means.  If anyone has a reference for me, as 
<to what the costumes would look like, I'd be eternally grateful.  Also, if 
<anyone knows of anything on the WWW!
<Thanks in advance,
<Laura Bach

The Commedia style means the actors are given a general outline of the
story, and the dialogue is improvised.  Things are fairly fast-paced,
and can be quite bawdy.  Most of the stories involve a case of
mistaken identity or someone impersonating someone else.  The
characters are pretty much sterotypes, and remain the same from play
to play.

In general, the costumes are Italian, and based on the character - the
servants wear very basic peasant garb, the lovers wear noble styles
and fabrics, the fathers wear scholarly clothes or rich merchant garb,
and Arlechino (the clown) wears some version of the typical patchwork
clothing.

There are a number of references you can pick up at your local
library/bookstore that give you a lot of information.

A search of my local univeristy's online card catalog showed:

     1   Commedia  ..............................................    1 entry
     2   Commedia Dellarte --> See Related Subjects  ............    2 entries
     3   Commedia Dellarte  .....................................   20 entries
     4   Commedia Dellarte Exhibitions  .........................    1 entry
     5   Commedia Dellarte History  .............................    1 entry
     6   Commedia Dellarte History And Criticism  ...............    6 entries
     7   Commedia Dellarte Pictorial Works  .....................    1 entry
     8   Commedia Dellarte Songs And Music  .....................    1 entry


						..eliz

------------------------------

End of Historic Costume Digest V3 #158
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