From: owner-h-costume-digest (Historic Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: Historic Costume Digest V3 #160
Reply-To: h-costume
Errors-To: owner-h-costume-digest@lunch.engr.sgi.com
Precedence: bulk


Historic Costume Digest     Thursday, August 10 1995     Volume 3, Number 160

Important Addresses:

  Submissions to the list:  h-costume@lunch.engr.sgi.com (or reply to
			     this message).
  Adds/removes/archives:    majordomo@lunch.engr.sgi.com
  Real, live person:        h-costume-request@andrew.cmu.edu

Topics:
    Re: numbering change
    Re:  H-Costume Digest, Volume 360, 8/9/95
    Not SCA not Dagor-Hi^r
    Adieu
    Re: Alcega's Tailors Pattern Book
    help!  Feather mites--!
    Civil War Era Clothiers
    help with SCA
    Re: Alcega's Tailors Pattern Book
    Re: Not SCA not Dagor-Hi^r
    Re: Not SCA not Dagor-Hi^r
    RE: Not SCA not Dagor-Hi^r
    Re: Horizontal Boning in 18th Century Stays
    Costume early 19th Century England
    To wash, or not to wash...?
    Hollywood Fashion History
    San Jose Hysterical Museum info
    Shoe info & bibliography

----------------------------------------------------------------------

Date: Thu, 10 Aug 1995 11:33:02 -0400 (EDT)
From: Gretchen Miller <grm+@andrew.cmu.edu>
Subject: Re: numbering change

Excerpts from mail: 10-Aug-95 numbering change by Tim Allison@mcs.com 
> Why did the numbering jump from 158 to 360? And which sequence is current?
> Is this related to the machine change? Inquiring minds want to know

The jump is due to the machine change--the 360 number was the "by-hand"
number scheme I was using.  The new numbers are the ones generated by
the automatic digester on the new machine.

toodles, gretchen
(h-costume list co-maintainer)

------------------------------

Date: Thu, 10 Aug 1995 09:13:21 -0700
From: Susan Fatemi <susanf@rock.eerc.Berkeley.EDU>
Subject: Re:  H-Costume Digest, Volume 360, 8/9/95

I don't know which pattern co. it was, maybe more than one, but definately
Big Four. Anyway there are patterns for choir robes/ pastoral robes etc.
in the section with costumes.  This works for the gown part of the basic
"cap and gown"

Susan Fatemii
 
susanf@eerc.berkeley.edu

------------------------------

Date: Thu, 10 Aug 1995 12:22:54 -0700
From: Crataegus@eworld.com
Subject: Not SCA not Dagor-Hi^r

Does anyone know of medieval/historical groups that wear their costuming
other than these two groups?  

Info would be much appreciated.
- --allen
- --------------------------------------------------------------
Crataegus@eworld.com
- --------------------------------------------------------------
Please send all replies, flames to crataegus@eworld.com
- --------------------------------------------------------------
L'enfer, c'est les autres.--Sartre
- --------------------------------------------------------------
Il faut que je practique le franc,ais.  S'il vous-plait, 
envoyez tous les re'ponses a`crataegus@eworld.com
- --------------------------------------------------------------

------------------------------

Date: Fri, 04 Aug 95 17:47:17 EST
From: kathleen@anstec.com
Subject: Adieu

Alas, friends whom I have met on this list, due to heavy traffic on the e-mail 
at work (where I have internet access), I must unscribe. If you want to contact 

me privately, my e-mail address is:

kathleen@anstec.com

I will be setting up an account soon on my home computer (as soon as I find the 

telephone jack for the modem!). 

It's been great fun and I've learned a lot.

TTFN,

Kathleen

------------------------------

Date: Mon, 07 Aug 95 11:30:59 EST
From: kathleen@anstec.com
Subject: Re: Alcega's Tailors Pattern Book

I know that several years ago, a gentleman named Robert Trump put out a large 
paperback book based on one of Alcega's patterns that he had made up. It was 
heavily illustrated with layouts and construction of the garment. I have a copy 

at home. I'll try to find the citation. I have to unsubscribe because of traffic
 
on our server at work, but I will give it to some one else to post. Or maybe 
somebody here will recognize the reference.

Kathleen
_______________________________________________________________________________
>Subject: Alcega's Tailors Pattern Book
>From:    TheaG@aol.com at internet-mail
>Date:    8/7/95  8:24 AM

I have recently been able to ILL Juan de Alcega's Tailors Pattern Book.  To
have the diagrams is very useful in terms of seeing pattern shape and layout
but it would be nice to have a sketch or photo of the garment made up.

Does anyone know whether anyone has made the various garments Alcega gives
and make pictures of them?  

Just wondering,
Thea
TheaG@aol.com

------------------------------

Date: Mon, 07 Aug 95 09:55:27 PST
From: decampg@ngc.com
Subject: help!  Feather mites--!

Hello to all. I had a question about feather mites. I bought a nice 
bunch of guinea fowl feathers and some ostrich plumes several months 
ago, and recently pulled out the guinea fowl feathers, only to find 
bare spots on them. 

"Feather mites," said my friend. "That's terrible."

He recommended that I wash them in hot water (which I did) and steam 
them back to shape (which I haven't done yet). Just for ducks, I also 
microwaved the feathers.

Another friend recommended that I store them with cedar or bay leaves 
or some other form of "vermin repellent" which I will do.

My questions are:  (a) is there anything else I can do to kill the 
little beasties? (b) Do I also need to do it to the ostrich plumes 
with which the guinea feathers were stored? (c) is the water and 
microwave enough?

Thanks

Gail DeCamp
decampg@ngc.com

------------------------------

Date: Sun, 6 Aug 1995 15:59:00 -0400
From: arisaid@aol.com
Subject: Civil War Era Clothiers

Hi everyone,

I have noticed by the recent mail that there are a lost of SCA subscribers or
those interested in the era's covered by that group.  Are there any Civil War
era nuts out there who are interested in conversing about the era's clothing?

Hope so!

Karen

------------------------------

Date: Mon, 7 Aug 1995 16:21:17 -0400
From: eliza28@aol.com
Subject: help with SCA

I am new to researching historic costume and would like to contact the
closest SCA to me.  I am in Austin, Texas.  Also, can anyone recommend some
books to get my "library" started?  I have interests mostly in 17th and early
18th century Western European designs (maybe late 16th century).  Any help is
greatly appreciated!

Jennifer Parmerter
(Eliza28@aol.com)

------------------------------

Date: Thu, 10 Aug 1995 13:56:39 -0700 (PDT)
From: Margaret Griffith <peggieg@u.washington.edu>
Subject: Re: Alcega's Tailors Pattern Book

On Mon, 7 Aug 1995 kathleen@anstec.com wrote:

> I know that several years ago, a gentleman named Robert Trump put out a large 
> paperback book based on one of Alcega's patterns that he had made up. It was 
> heavily illustrated with layouts and construction of the garment. I have a copy 
> 
If I'm not mistaken, Robert Trump (who works for the St. Louis Opera 
costume shop, btw), published a paperback book called _The Annotated 
Arnold_, which deals with a garment he made up from Janet Arnold's 
Patterns of Fashion (The one with the Elizabethan stuff, sorry I don't 
remember the dates - it's long and thin with a brown cover).

If he published one about Alcega I'd be very interested in any information.

Meg Griffith

------------------------------

Date: Thu, 10 Aug 1995 16:21:19 -0500 (CDT)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Re: Not SCA not Dagor-Hi^r

There is a Black Prince Society that takes each year individually and 
does it for a year (It hasn't been around long enough to reach the death 
point yet).  At least I have had a reference to them.

Also Sealed Knot?  Perhaps there are others, these are just British.

Teresa> 

------------------------------

Date: Thu, 10 Aug 1995 17:33:51 -0400 (EDT)
From: Gretchen Miller <grm+@andrew.cmu.edu>
Subject: Re: Not SCA not Dagor-Hi^r

Excerpts from mail: 10-Aug-95 Not SCA not Dagor-Hi^r by Crataegus@eworld.com 
> Does anyone know of medieval/historical groups that wear their costuming
> other than these two groups?  
> 
> Info would be much appreciated.


Wellll, there's Markland (this appears in the frontspiece of The Old
Norse Name)
The MARKLAND CONFEDERATION is a union of independent medievalist
educational organizations; its central administration, the MARKLAND
MEDIEVAL MERCENARY MILITIA, LTC., in in corporated as a non-profit
corporation in the State of Maryland.  Present constituent members of
the Confederation are the MARYLAND MEDIEVAL MERCENARY MILITIA
(UMd/College park), the WHITE COMPANY (Annapolis), THE LONGSHIP COMPANY
(Severn River), the MJOLLNIFIAN ORDER (Montgomery community
College/Rockville), the VIKING HORDE (Baltimore, and the MARCHE DE LA
WARR (university of Delaware/Newark). ...Among the public events are:
recreations of historic battles, feast and revels, participation in
medieval fairs and in parades, wars wtihin Markland and with other
medeivalist organizations.....There is an old address for info "Atli
jarl Vad\ason, MARKLAND MEDIEVAL MERCENARY MILITIA, 4998 Battery Lane
#203, Bethesda, Maryland 20014

There's the Sealed Knot folks, who do English Civil Wars.  Some of these
folks are on the list.

There's the Kingdom of Acre--an SCA spinoff, but more temporaily
consistent, i.e. a much narrower range of periods and places. 
Unfortunately, I don't have contact info on them.

I'm sure there's others as well, but I don't know their names.

toodles, gretchen

------------------------------

Date: Thu, 10 Aug 1995 15:50:00 -0400 (edt)
From: "Herriman, Karey" <HerrimaK@wash.candu.aecl.ca>
Subject: RE: Not SCA not Dagor-Hi^r

There is a group here in Maryland that is similar to SCA but is not 
affiliated with them.  I believe their name is the Brothers of the Mark or 
something like that.  I am sure someone out there should know it.  Also the 
State sport of Maryland is Jousting so they have tournaments that are 
publicly sponsored usually in conjunction with a Renfaire.

Karey

------------------------------

Date: Thu, 10 Aug 1995 19:44:23 -0400
From: Carodec@aol.com
Subject: Re: Horizontal Boning in 18th Century Stays

>>I am about to start work on a Period Impressions pattern for half-boned
>>1760's-1770's stays.  These stays have rows of horizontal boning at the top
>>front which must take and hold a curved shape (if you laid the stays down
on
>>a table, they would not lie flat; the front curve would stand up from the
>>table). Does anyone have any ideas on the most suitable boning material to
>>use? 
>
>I've never tried the horizontal boning in my 1770's stays, though
>it is there on the "source documentation"  from Diderot too.
>Nonetheless, if I used it,  I would use regular steel corset
>boning.  I haven't read your pattern instructions, but my take
>on the horizontal boning is that it maintains a curved shape
>while the corset is ON you -- and who cares that it lays flat
>when laid on the table.

Actually, I saw a set of these stays at the Winterthur museum at this
spring's symposium on eighteenth century women's clothing. They do not lie
flat, and it does seem to make a difference in the shape and support they
give your figure. The stays I've been using for the last few years don't have
this feature, but I wanted to try it out for use with more formal clothing. 

Thanks for the response!

- --- Caroline

------------------------------

Date: Fri, 11 Aug 1995 10:56:13 +1000
From: M.Murray@gupsa.gu.edu.au (Meredith Murray)
Subject: Costume early 19th Century England

I invite comment from the H-COSTUME group on the following extract (1809)
from the soon-to-be-published Journals of Reverend William Greenwood
1778-1842.  I would appreciate any comments or references to the appearance
of the people in this extract. As Reverend Greenwood was a qualified
London-apprenticed draper his description of fabric is most-likely
accurate.

I am completing a detailed biographical study as part of a higher degree at
Griffith University, Australia.  Any comments received would be worked into
an annotation for the journal.

Scholars wishing to quote from the material presented here should
acknowledge its source thus:

Murray, Meredith (unpub.) Journals of the Reverend William Greenwood, 1809,
M.Phil thesis, Griffith University, 1996

'Accompanied Mrs Senier on a visit to some relations (maiden ladies who had
past the meridian of life) residing at Pilling - a large ancient looking
farmstead, situated on the banks of the estuary known by the name of
Cokerham Sands....... On arriving at our intended temporary abode I was not
less struck with the interior appearance, and the antique rude-looking
furniture, than I was with the exterior of the dwelling, and the drear
scenery round.  But the inmates were more like the inhabitants of a strange
land than of my own.  The elder of the two sisters, who was full and well
formed, wore a dress not unlike that seen in pictures of the female
peasantry two centuries ago:  a high-crowned cap - long-waisted chintz
print gown, one side looped up by the pocket-hole, displaying a twilled
petticoat;  high heeled shoes, and hair hanging down behind as low as the
waist, and tied in the centre with a little ribband:  this latter
appearance seemed to me a little grotesque and outlandish.  The younger
sister was similarly attired - with hair equally long;  but the features of
her face were fine and there was an intelligence in her eye that gave her
whole countenance a pleasing expression.  A brother, who seemed about fifty
years of age, dwelt with them.  He had been a man of dissipated habits.
Leaving his paternal home when young, he had past many years at sea;  and
since his return he had more the air of a Corsair Captain, or a Brigand
Chief, than anything else.  There was about him a sullen reserve;  a
moodiness of countenance, that betokened a heart brooding over some bold,
adventurous ruthless deed.  I did not feel so much prepossession in his
favour, as to his singularly-looking, oddly-dressed maiden sisters.  The
mode of living was also new to me;  loaves made of oatmeal, which they
called Bunnock, and their pancake-like bread, formed considerably thinner
than the oat-cake seen in the West Riding of Yorkshire, on which they
denominated bannock, appeared on the table at every meal.  The general
cooking was homely, plain and substantial and I possessed that improvement
in my appetite that I was led to esteem all that I eat, very good.  My
lodging room formed a singular contrast to some where I had recently slept;
it was spacious lofty - and un-underdrawn.  The bed was placed nearly in
the centre of the chamber;  and chests - boxes - and wardrobes were placed
round, not in the most regular order.  All were filled, as Mrs Senier
informed me with clothes, linen and other valuables which the ancient
ladies of the house had been collecting through a long series of years.
Feelings, not entirely divested of superstition, haunted me when I retired
to rest in this gloomy apartment, but my sleep was sound and undisturbed.'
end quote

Meredith Murray, M.Phil candidate, Griffith University
M. Murray@gupsa.gu.edu.au

if the above address does not work try

M.MURRAY@NGRIFFIN.ITC.GU.EDU.AU


Meredith Murray
POSTGRADUTE ORGANISER
#7602 (MON, TUES, FRI)

------------------------------

Date: Thu, 10 Aug 95 17:54:00 -0700
From: Carol Ann Krug <carolann@hpmfas3.cup.hp.com>
Subject: To wash, or not to wash...?

For the corset experts on this list, 

I recently finished my first corset, and would like to get your 
advice.  The instructor recommends not washing the corset.  She 
said she once washed and dried a corset by machine, and it rusted 
and was ruined.  I will wear the corset with a chemise and corset
cover, but would prefer to wash it, if possible.  I believe I've 
seen people on this list say that they wash their corsets.  Is 
there a method that works?  My corset has the standard (sprung steel?)
boning.  I spent a lot of effort to make this corset, so I don't 
want to ruin it!  Any advice?

Thanks,
Carol Ann Krug
carolann@cup.hp.com

------------------------------

Date: Thu, 10 Aug 95 09:42:32 TZ
From: Edward Wright <edwright@microsoft.com>
Subject: Hollywood Fashion History

FYI -- American Movie Classics (AMC) is advertising a new series on 
Hollywood Fashion History.  It's called Hollywood Fashion or something 
like that and will premiere Tuesday, Aug 22 at 8 PM Eastern (make the 
appropriate adjustments elsewhere).

------------------------------

Date: Thu, 10 Aug 1995 19:34:10 -0700
From: cynthia@caere.com
Subject: San Jose Hysterical Museum info

San Jose Historical Museum 
info. 408.287.2290  
The "costume shop" is called Vintage Reflections

           --cin
           
   Cynthia Barnes
   internet: Cynthia@caere.com

    "Sorry I haven't been around much.  I'm easily
    distracted by shiny objects." --The Tick

------------------------------

Date: Thu, 10 Aug 1995 19:48:07 -0700
From: cynthia@caere.com
Subject: Shoe info & bibliography

   Couldnt help but notice all the request for SHOE
   info.  I posted several sections on the topic Make
   Your Own Shoes (prior to Feb this year) that should
   still be available in the archives.

   From the upcoming revised h-costume bibliography, I
   offer, for your perusal, the new SHOE section.  As
   always, I'm happy to add your suggestions to the
   bibliography.  (Yup, the biblio is in the archives,
   too.)

               --cin
           
   Cynthia Barnes
   internet: Cynthia@caere.com



SHOES (history, make your own)
- -=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-

    Instructional:

        _Custom Make Your Own Shoes & Handbags_, Mary Wales Loomis
        (earlier editions are Mary Wales), Crown Publishers, NY, 1978,
        ISBN 0.517.53138.9

        _The Make It Yourself Shoe Book_, Christine Clark, Alfred
        Knopf, NY, 1977, ISBN 0.394.41057.2

        _Every Lady Her Own Shoemaker_, by A Lady, 1855, reprinted by
        Amazon Vinegar.

    Inspirational:

        _Put Your Foot Down: a treatise on the history of shoes_.
        Florence E.  Ledger.  Meksham, Wiltshire, U.K.: C.  Venton,
        1985.  214p.  An illustrated history of shoes.  ISBN
        0854751114.

        _Shoes: Fashion & Fantasy_, Colin McDowell, Rizzoli, NY, 1989.
        Voted best of the lot!

        _(The Costume Accessories Series) Shoes_, June Swann, gen.  ed.
        Aileen Ribeiro, Butler & Tanner Ltd, Fromm, Somerset, 1982,
        ISBN 0.7134.0942.8

        _Schuhe, Drei Jahrtausende in Bildern_, Paul Weber, AT Verlag,
        Aarau, Stuttgart. Color plates every other page.

        _Heavenly Soles, Extrodinary 20th Century Shoes_, Mary Trako,
        Abbeville Press, NY.

        _Un Passo Dopo L'Altro, shoes from Italy_, SF exhibition
        catalog, B/W photos, examples from 17th thru the 20th century.

        annual calendars from the Bata Shoe Museum Collection, Firefly
        Books, 250 Sparks Av, Willowdale Ontario M2H 2S4.

        Issues of "Godey's Lady's Book" & "Petersen's Magazine" often
        have patterns, especially for decorating the uppers.

    Just Plain Silly:

        _Cinderella's Revenge_, Samuel Mazza, Chronicle Books, SF,
        1994, ISBN 0.8118.0681.2,  by the author of _Brahaus_

------------------------------

End of Historic Costume Digest V3 #160
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