From: owner-h-costume-digest (H-Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: H-Costume Digest V3 #169
Reply-To: h-costume
Errors-To: owner-h-costume-digest@lunch.engr.sgi.com
Precedence: bulk


H-Costume Digest         Tuesday, August 29 1995         Volume 3, Number 169

Important Addresses:

  Submissions to the list:  h-costume@lunch.engr.sgi.com (or reply to
			     this message).
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  Real, live person:        h-costume-request@andrew.cmu.edu

Topics:
    RE: Bleaching unbleached linen
    Mastif's
    Re: Mastif's
    RE: Bleaching unbleached linen
    linen dyes
    Re: linen dyes
    Re: Bleaching unbleached linen
    list
    Re: h-costume bibliograpy -- re
    Re:  H-Costume Digest V3 #168
    Re: linen dyes
    Mastiffs, etc.
    Re: Bleaching unbleached linen
    Re: 13th Century Buttons (was list)
    Re: linen dyes
    RE: Bleaching unbleached linen
    Costume bibliography
    Re: linen dyes
    Corsets & reenacting vs. vintage
    16th century insults
    Re: list

----------------------------------------------------------------------

Date: Mon, 28 Aug 95 10:52:44 TZ
From: Edward Wright <edwright@microsoft.com>
Subject: RE: Bleaching unbleached linen

| Is there a way to bleach unbleached linen?
|
| My friends who are trying this, used Clorox, which apparently did
| not work.

Clorox certainly will work.  I used it on a unbleached linen shirt that 
had some nasty stains that nothing else would touch.  It didn't get the 
stains out completely, but it did a great job of whitening the linen.

You may need to experiment to get the right concentration.  It takes 
more bleach than what the manufacturer recommends for a typical wash.  
Your friends probably did not use enough.

------------------------------

Date: Sun, 27 Aug 95 00:50:04 CDT
From: bednarek@tidalwave.med.ge.com (Dennis Bednarek Mfg 4-6971 ~BHOSVWZ#097)
Subject: Mastif's

| Edward Wright wrote:
| :In his Description of England, Harrison wrote about mastiffs that were
| :kept indoors and so gentle that children could play with and climb upon
| :their backs to ride them.
| :
| :I would hardly call a mastiff a lap dog.
|

Well if anyone knows dog breeds, they will realize that size of dog
does not mean they cannot be gentle.  Actually Mastifs and St.Bernard's
are probably two of the most gentle breeds there are and both are
large enough for children to ride on there backs.  Other gentle breeds
around children are Bull Mastif's, and Boxers, again not lap sized.

If you look at acurate statistics on dog bites you will find that the
smaller breeds that are lap size are really the most viscious.  Can you
imagine if some of breeds like little necvious dogs got up in size to
a masif?

Dennis

------------------------------

Date: Mon, 28 Aug 1995 15:11:57 -0500
From: aboleyn@wichita.fn.net (Sarah Anne Russell)
Subject: Re: Mastif's

>
>
>
>Well if anyone knows dog breeds, they will realize that size of dog
>does not mean they cannot be gentle.  Actually Mastifs and St.Bernard's
>are probably two of the most gentle breeds there are and both are
>large enough for children to ride on there backs.  Other gentle breeds
>around children are Bull Mastif's, and Boxers, again not lap sized.
>
>
I agree! As a Pembroke Welsh Corgi owner, I know the traits of these sly and
fey dogs.  They can either be vicious with a smirk on their faces, or open
their mouths and "smile" at you like you were their very best friends!


Sarah - whose Pem (Brix' Anne's Li'l Magic) is a fey AND sly little lover
who can turn vicious to threatening people, and when I get into SCA cotuming
(1530's Anne Boleyn Style) the Pem cannot stop barking at me/her. . . 

------------------------------

Date: Mon, 28 Aug 1995 13:45:43 -0700 (PDT)
From: Carol Cannon <cjcannon@ucdavis.edu>
Subject: RE: Bleaching unbleached linen

     So just what concentration of bleach to water is 'safe' for linen 
and for what amount of time should it be left on--such that it won't 
cause the fibers to weaken/disintegrate?  And thanks for the thoughts.  
Thanks also to the original poster for bringing the topic up.  I just 
bought several yards of linen at $3.00/yd...in a rather vivid teel green 
that I doubt could pass for medieval... .  Thanks again to everyone.

Carol

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Cannon, Carol J. Bell       cjcannon@ucdavis.edu        Grannia [in the SCA]
'Life is so short, the craft so long to learn.'--Hippocrates' Aphorisms. 
I.i.,  5th cent. BC
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

------------------------------

Date: Mon, 28 Aug 1995 14:16:40 -0700 (PDT)
From: Margaret Griffith <peggieg@u.washington.edu>
Subject: linen dyes

I was told that linen was really difficult to dye with "natural" dyes.  
Can anyone tell me what colors linen could be dyed say pre-seventeenth 
century?

Specifically, I am two pieces of linen - one is a reddish brown 
(chestnut), and the other is pale pink.  Could these colors have been 
produced with natural dyes in before around 1650?

Thanks,

Meg Griffith

------------------------------

Date: Mon, 28 Aug 95 14:39:35 PDT
From: Friday Valentine <VALENTIN@BNAMF.BLACKWELL.COM>
Subject: Re: linen dyes

Since we're on this thread ( ;) sorry) does anyone have citations for
books that *show* reliable results of period dyes? I have a beautiful
poster from Navajo country that shows Native American vegetable dyes
that I use to extrapolate for period stuff. I've seen many discussions
and recipes for period dyes but no really good books with swatches or
pix.

Friday K. Valentine           *  Sr. Table of Contents Editor
Blackwell North America, Inc. *  valentin@bnamf.blackwell.com

------------------------------

Date: Mon, 28 Aug 1995 14:47:40 -0700 (PDT)
From: Kimberly Smay <smay@lclark.edu>
Subject: Re: Bleaching unbleached linen

I've never done it, but try sunlight.

------------------------------

Date: Mon, 28 Aug 95  10:16:10 EDT
From: Bryan Kennedy <SIPED300@SIVM.SI.EDU>
Subject: list

I am planning a late-13th-century Burgundian wedding and am interested
in joining to obtain any information you may have on men's and women's
buttons from this period.             Thanks!

        %-------------------------------------------------%
        % Bryan Kennedy        202-287-3738 (313)         %
        % Smithsonian Books  470 L'Enfant Plaza           %
        %-------------------------------------------------%

------------------------------

Date: 29 Aug 95 08:37:08 EDT
From: AWILSON%ABRSCBR.ANCA@roris.erin.gov.au (Wilson, Annette)
Subject: Re: h-costume bibliograpy -- re

"A Visual History of Costume: the Sixteenth Century, Jane Ashelford" is 
also titled "Dress in the Age of Elizabeth"

Annette Wilson
Email: awilson.abrscbr@anca.erin.gov.au

------------------------------

Date: Mon, 28 Aug 1995 16:29:17 -0700
From: Susan Fatemi <susanf@rock.eerc.Berkeley.EDU>
Subject: Re:  H-Costume Digest V3 #168

bleaching linen:  based on my exp., be very, very careful with chlorine bleach
and linen. It ate a hole in something I was practising on.  In addition to
the advice already given, which sounds quite reasonable, people used to spread
linen in the sun to dry. Sunlight is certainly an excellent bleach.  I would
tend to use clorox2 (hydrogen peroxide) in pref. to chlorine bleach.

2 c. only!

Susan Fatemi

------------------------------

Date: Mon, 28 Aug 1995 17:12:46 -0700 (PDT)
From: Heather Rose Jones <hrjones@uclink.berkeley.edu>
Subject: Re: linen dyes

On Mon, 28 Aug 1995, Margaret Griffith wrote:

> I was told that linen was really difficult to dye with "natural" dyes.  
> Can anyone tell me what colors linen could be dyed say pre-seventeenth 
> century?
> 
> Specifically, I am two pieces of linen - one is a reddish brown 
> (chestnut), and the other is pale pink.  Could these colors have been 
> produced with natural dyes in before around 1650?

The common wisdom holds that linen doesn't hold dyes well and tends to 
fade easily. The common wisdom is supported by the fact that early linen 
articles _tend_ to be undyed and that when colors are specifically wanted 
(e.g. for tapestries and embroideries) linen is not used. But that isn't 
to say that linen was _never_ dyed. The Museum of London clothing book 
makes reference to skeins of dyed linen thread (I believe in a 
late-medieval inventory, rather than an actual find). In addition, I 
recently acquired a book that shows the lining of the 15th century Golden 
Fleece vestments, and that lining is of a rose-colored linen. (A little 
lighter than an "old rose" but not as orangey as a "salmon".)

Heather Rose Jones

------------------------------

Date: Mon, 28 Aug 1995 22:17:30 EDT
From: bglickman@eckert.acadcomp.monroecc.edu
Subject: Mastiffs, etc.

I have a great photo from around 1920 of an English woman and her daughter in 
South Africa sitting on a wall and posing with their pet LEOPARD!!!  I've been 
thinking of it as I've been reading the debate about pets...  Just wanted to 
share...  B)

- -------------------------------------------------|=|=|--------
 Bonnie Glickman                                 =|=|=
 Bio. Dept.; Monroe Comm. Coll.                  |=|=|
 Rochester, NY  14623   (716) 292-2725           =|=|=  
 email:  bglickman@eckert.acadcomp.monroecc.edu  |=|=|

------------------------------

Date: Mon, 28 Aug 1995 23:24:41 -0400
From: MarieD0108@aol.com
Subject: Re: Bleaching unbleached linen

You could alwyas try the old-fashioned way, if you had the time.  Wash it to
remove sizing, and spread out on the snow (you will probably have to wait for
winter for this one).  Should bleach fine.  The snow acts as a natural
magnifier and reflector of sunlight, which is really good for bleaching.

This also works for stains on white cotton garments.  Wash, then lay out on
the snow.

Marie

------------------------------

Date: Mon, 28 Aug 1995 23:20:50 -0400
From: MarieD0108@aol.com
Subject: Re: 13th Century Buttons (was list)

You would think they were natural materials (of course!) and basically
shaped.  You don't say what class you would belong to, so I will try to be
helpful.

Remember the old adage - the higher the class the better the clothes (and the
more work).  Lower classes might use acorns or cross sections of bone or
antler.  Round leather buttons would also be nice.  Probably no metal.

There was no real middle class in the 13th century, but a little higher
(merchant) would be a little nicer made, perhaps more work on them.  Rolled
cord buttons would work.  The buttons would be smaller.

The high classes could have metal buttons, smaller yet, or very large.  Still
the basics - metal, leather or fabric.

A good base for making buttons are the cover-your-own buttons.  They are
ready-made to be embellished and reasonable.

Good luck!

Marie

------------------------------

Date: Tue, 29 Aug 1995 08:12:53 -0500 (CDT)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Re: linen dyes

On Mon, 28 Aug 1995, Heather Rose Jones wrote:

> 
> Heather Rose Jones

Would you be willing to post the book showing the Golden Fleece vestment 
lining with information on anything else it may cover.  It sounds 
wonderful and useful since it does portray an actual medieval dyed-linen 
sample, as well as fifteenth century (or 16th?) lining.

Thank you
Teresa> 

------------------------------

Date: Tue, 29 Aug 1995 14:46:38 +0100 (BST)
From: Dorothy Stein <dstein@sas.ac.uk>
Subject: RE: Bleaching unbleached linen

For those interested in 'environmentally friendly' processes (and 
historically authentic ones), the traditional Indian dyer used to bleach 
his cottons in a dung bath!

------------------------------

Date: Tue, 29 Aug 1995 08:50:26 -0500 (CDT)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Costume bibliography

Silk Textiles of Spain Eigth to Fifteenth Century
by Florence Lewis May
Hispanic Notes and Monographs
Essays, studies, and brief biographies issued by the Hispanic Society of 
America
Peninsular series


Printed by The Hispanic Society of America
New York 1957

No isbn#, no library of congress # listed in this book.  It was privately 
printed by the Hispanic Society of America.  

Survey of contents, techniques, and textiles in moorish and christian 
spain from the 8-15th centuries with photographs, including whole 
garments and notes on sumptuary legislation, mixed fabrics, weaving 
techniques and sericulture.


Joan Thirsk,
"The fantastical folly of fashion; the English stocking knitting 
industry, 1500-1700." _Textile History and Economic History:  Essays in 
Honour of Miss Julia de Lacy Mann_.  Eds. N.B. Harte and K.G. Ponting. 
University of Manchester: Manchester University Press, 1973.
uk isbn 0 7190 0538 8

Note: Copyright belongs to individual authors.


Hope this helps,
Teresa

------------------------------

Date: Tue, 29 Aug 1995 14:51:25 +0100 (BST)
From: Dorothy Stein <dstein@sas.ac.uk>
Subject: Re: linen dyes

On Mon, 28 Aug 1995, Friday Valentine wrote:

> Since we're on this thread ( ;) sorry) does anyone have citations for
> books that *show* reliable results of period dyes? I have a beautiful
> poster from Navajo country that shows Native American vegetable dyes
> that I use to extrapolate for period stuff. I've seen many discussions
> and recipes for period dyes but no really good books with swatches or
> pix.
> 
Mattiebelle Gittinger, Master Dyers to the World, is lavishly illustrated 
with historic Indian cottons (many of which were made for the European 
and SE Asian trade and don't look at all Indian - in fact, some 18th 
century Indian cottons are still eagerly bought up in England by Dutch 
buyer who think of them as part of traditional Dutch folk wear). 

------------------------------

Date: Tue, 29 Aug 1995 09:35:28 -500
From: "Carol Kocian" <CKOCIAN@epe.org>
Subject: Corsets & reenacting vs. vintage

    I am a corset/stay-wearing reenactor. I feel that I get a better 
look & posture when wearing the correct undergarments. They are 
also very handy to wear when teaching people what was worn 
historically. To answer the questions posed:

1.    I have not done that many 19th century events to judge if I 
could wear a corset all day, every day. For the 18th Century, I have 
worn stays all day for three-day events. Admittedly by the third day 
it can get uncomfortable, but then I find the best approach is to 
change into another set of stays.
3.    When does sensible lacing become tight lacing? When it feels 
like one side of my ribs is folding under the other side, it's too 
tight. If I feel numb anywhere, it's too tight. I've never tried to 
lace tighter & tighter over time to become progressively smaller.

    When I was aged 10 to 16, I wore a back brace for the treatment 
of scoliosis. (Curvature of the spine) Part of the brace was a section 
that was strapped tightly around the waist & hips. Generally, women 
with scoliosis are tall & thin as I was. The brace probably kept my 
waist smaller than it would have become normally. (As a teenager I 
received many comments on my small waist.)
    I didn't have much problem with the constriction of the brace, 
only with welts caused by chafing in the lower hip. (The hip area 
of the brace was leather and then plastic) Perhaps for this reason I 
didn't have any problem adjusting to corsets. They may have gotten 
painful on the third day of an event because it's tiring to be on my 
feet for three days straight!
    I have one friend who is a speech therapist. She finds stays 
particularly uncomfortable because they do not allow her to breathe 
correctly. Some women find them very comfortable, due to the extra 
back support.
    For most historic costuming, the corset is used to reshape the 
body to the silhouette of the time. Different corsets can be compared 
to the difference between a sports bra and a Wonderbra. The corset 
does not need to be tight to do the job!
    I assume one benefit of a corset for a large busted woman is that 
the breast weight can be supported from the waist & hips instead of 
hanging on the shoulders from bra straps.
    I don't wear vintage clothing, so I don't need to find a way to 
fit into it. I'm sure it is far more difficult to corset someone to 
fit an existing garment than to make a new dress for a corseted 
figure! I also don't like the idea of vintage clothing being altered 
and worn, because this destroys an item that I would like to study 
and reproduce! (But that's why I'm in this group & not the vintage 
list.) 
    As for the fit of vintage clothing on an improperly-underweared 
body of today, has anyone compared this against period photographs? 
What about comparing it to someone in a recreated garment complete 
with the underwear? Has anyone considered that the lack of a corset 
may cause stress on a vintage garment, damaging or stretching it out 
of shape? (More problems for me when I study a dress.)

    -Carol Kocian

------------------------------

Date: 29 Aug 95 16:06:00 BST
From: Mrs C S Yeldham <csy20688@ggr.co.uk>
Subject: 16th century insults

Re:  the Radio 4 Programme

I have written to the producer asking for a tape/transcript, and details of
a couple of books being published on the subject next year.  I'll let you
know developments!

Re:     Pets

I had indeed forgotton the range of pets owned by women - but will stand by
the statement that the most usual pet was a lapdog. (I wouldn't have
thought a parrot or a monkey would last long in an uncentrally-heated house
in England).

Most of the references I have come across to men keeping dogs well (as
opposed to women spoiling them!), eg feeding them special diets, like bread
soaked in milk, come from manuals on hunting and these are supposed to be
techniques to improve the animals' skill or keenness.  Has anyone any other
references?  BTW I'm not convinced feeding a hunting dog on bread and milk
would be good for it, there are also references to bread and gravy.  I
assumed this diet would make them keener to catch the prey!

All the information on bestiality I've come across (not that I've
researched it fully!) indicates that the death penalty was the usual
penalty for man and beast, not being 'understood' at all - what references
have you? - I haven't seen anything on women and bestiality in the 16th
century (which I suppose is a bit odd, given the period view of women's
sexuality) - the perceived perversion seems to be 'false motherhood' - as
mentioned, references to feeding lapdogs at the breast.

Re:  Books

Roy Strong's Book 'The Elizabethan Icon' is full of black and white (only
occasional colour) photographs of 16th century pictures, divided into
putative artists.  Lots of unusual pictures I've never seen reproduced
elsewhere.  Difficult to see much costuming detail, but does give a feel
for what was 'common' in any decade eg shapes and decorations.

Ashelford's pictures are good - all colour, but all of commonly reproduced
pictures, her costuming information is dodgy!

Caroline

------------------------------

Date: Tue, 29 Aug 1995 08:09:18 -0500 (CDT)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Re: list

On Mon, 28 Aug 1995, Bryan Kennedy wrote:

> Date: Mon, 28 Aug 95 10:16:10 EDT
> From: Bryan Kennedy <SIPED300@SIVM.SI.EDU>
> To: h-costume-request@andrew.cmu.edu
> Subject: list
> 
> 
> I am planning a late-13th-century Burgundian wedding and am interested
> in joining to obtain any information you may have on men's and women's
> buttons from this period.             Thanks!
> 
The only evidence I have on buttons and buttonholes are fourteenth 
century and up, in England, as far as anyone can tell, there were no 13th 
century buttons, but perhaps French archaeology turns up something 
different?  If anyone does give you a reference, or if you find any 
evidence, pictures, references etc., would you please post it to the group?
Thank you.
Teresa

------------------------------

End of H-Costume Digest V3 #169
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