From: owner-h-costume-digest (H-Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: H-Costume Digest V3 #199
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H-Costume Digest        Friday, September 22 1995        Volume 3, Number 199

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
  Adds/drops/archives:   majordomo@lunch.engr.sgi.com
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Topics:
    Progression
    Re: Comments and a Report
    Re: Fabric Questions/Musings
    Re: Comments and a Report
    Re: origin of "tabby"
    Re: French hood
    Marriage Ages
    Dealing with the Consequences
    RE: Authenticity 
    FWD>University Humor
    Re: Dealing with the Consequences
    Re: Comments and a Report
    Re: Italian Boning
    Re: Renaissance Ribbons
    When Mores Were Less

----------------------------------------------------------------------

Date: Fri, 22 Sep 1995 16:15:13 -0700 (PDT)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Progression

> The expense of being a 16thC courtier is directly attached to the expense
> of maintaining the wardrobe (and other expenses), and is well documented
> for that period. In fact, many nobles during Elizabeth's reign tried to
> stay away from court and out of her eye in order to save their money and
> maintain their estates in the country. Elizabeth in turn, took her entire
> entourage "On Progress" to the country and descended upon the nobles who
> had stayed away from court and made them feed and house her household
> during their stay.

This also had the useful effect of using up various noble's money and 
keeping them from spending it on other things, like rebellions (although 
Liza only did this in a minor way--it's the French who turned it into a 
fine art!).

------------------------------

Date: Fri, 22 Sep 1995 16:22:04 -0700 (PDT)
From: Tracy Miller <tmiller@haas.berkeley.edu>
Subject: Re: Comments and a Report

On Fri, 22 Sep 1995, Deborah Sweet wrote:

> 3) If the pregnancy was unwanted, frequently friends of the man or the 
> man himself would physically assault the woman, *specifically* in order 
> to cause a miscarriage.
> 
Hi, everyone! (I'm going to de-lurk for a moment then crawl back into my 
cave.)

If memory serves me well, abortion was known for a long time before the the 
17th c.  This seems a little extreme even if abortion was too expensive.  It 
seems more likely that the woman would just attempt it herself using fairly 
common plants (unless she wanted the baby for some reason).  Posilby fear of 
poisoning herself would keep her from trying it, but given the morals of the 
time, she might just be desparate enough.  Just a thought...

Tracy

------------------------------

Date: Fri, 22 Sep 95 15:39:53 PST
From: Kat@grendal.rain.com (June Russell)
Subject: Re: Fabric Questions/Musings

:The earliest examples I know of actual printing on cloth are from the 
:late 16th Century, but these prints were intended as patterns to be 
:embroidered over, not worn as is.

In _A History of Printed Textiles_ by Stuart Robinson (MIT Press, 1969) he 
says  that the first known example in Europe (since Asia and Polynesia were 
way ahead in the fabric printing business) was in the 6th century in the 
tomb of st. Caesarius of ARles (502-43) in France. Most of the early stuff 
seems to have been either imported or in use for ecclesiastic stuff. More 
information shows up in Italy in the 13th century in the monasteries. In the 
15th century there are documents discussing copying of flowers and animals 
from the magnificent imported brocades in gold paint, but these were not of 
a quality for clothing. They were used for churches, monasteries and middle 
class houses. Evidently they weren't colorfast enough to use in clothing.

Although I can't find the reference at hand, colorfastness in printed 
textiles improved enough by the 16th century that were mostly used by middle 
class people who couldn't afford brocades but wanted to look like they did 
(sort of like a lot of us). They show up in England for clothing use late.

It looks, from the reading I've done, that one reason why printing didn't 
advance as quickly as one would think it could is that the guilds were 
lobbying for laws preventing its use and study. If you wanted to print 
textiles, you were part of the painters or of the goldsmiths guilds. The 
weavers guilds may not have let you have fabric to do your printing on.

Kat

Kateryne of Hindscroft ( June Russell )
pacifier.com!grendal!kat    kat@grendal.rain.com   
Heu! Tintinnuntius meus Sonat!

------------------------------

Date: Fri, 22 Sep 95 16:11:08 PST
From: Kat@grendal.rain.com (June Russell)
Subject: Re: Comments and a Report

Kathleen (Catriona) wrote:
:        Actually, my Shakespeare prof agrees with Mrs. Yeldham.  He says
:that the English audience would have found the marriage age of Romeo and
:Juliet to be very exotic and foreign.  (Remember, it is set in Italy)
:
:        He also said that due to different nutrician, women would have
:reached reproductive maturity at a later age.  I believe he was referring to
:the "masses", not the nobility.
:
:        I suggest that may be different in Italy of the period, with a
:longer growing season.

If you look at the works by such people as Christiane Klapisch-Zuber and 
David Herlihy about Italy in the 15th century (_Tuscans and their Families_ 
and _Women, Family, and Ritual in Renaissance Italy_), it sounds very much 
like the average age for women was about 17-18, with less than 2% marrying 
prior to 14 years of age and the median age about the same as the average 
age of 17-18. For men it was much later (about 25). About 48.5% of all men 
were married by 25, only 75% by 33. (Fascinating book, but be ready for lots 
of facts and figures.)

Kat

Kateryne of Hindscroft ( June Russell )
pacifier.com!grendal!kat    kat@grendal.rain.com   
Heu! Tintinnuntius meus Sonat!

------------------------------

Date: Fri, 22 Sep 1995 19:54:22 -0400
From: MerrimacGA@aol.com
Subject: Re: origin of "tabby"

To Margritte:

I never thought this book of mine would come in handy for this. According to
The Cat Lover's Yearbook by Joan Moore, published by Smithmark in 1993:

"The name 'tabby', used to describe the markings of a striped or brindled
cat, comes from the name of the Attibiah district of Baghdad. Jews living
there once made a high-quality silk with black and white watery pattern.
Exported to Britain, the fabric became known as 'tabbi' silk."

I wonder, is this the same story you heard before? Anyway, glad to help.

Mary Macdonald

------------------------------

Date: Fri, 22 Sep 1995 19:54:24 -0400
From: MerrimacGA@aol.com
Subject: Re: French hood

To Kathleen Leggat:

In 1987, I made a Rennaissance gown and some time after that (but I forget
how long) I made a French hood to go with it. What I used was a wedding veil
hood which I bought at a local Hancock's Fabrics. The construction consisted
of a heavy wire framework with the hood part filled with stiff net material.
I simply covered this over with some of the remaining dress fabric (both
sides, with handstitching), attached some brocade and pearl trims I had left
over, and applied a veil to it. It worked really well.

As I recall, it wasn't expensive and I should imagine any of a number of
places should still carry it. If a local fabric store doesn't carry it, try
some local bridal shops and see if they will sell you one.

Mary Macdonald

------------------------------

Date: Fri, 22 Sep 1995 17:35:42 -0700 (PDT)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Marriage Ages

I knew an anthro background would be useful for something sometime!

The appropriate age for marriage varies greatly depending on when and 
where (and who--it's not uncommon for for the norm to be men of 35 
wedding girls of 18).  You have to go research your specific period and 
place, as well as anything that might be ideocyncratic about the 
character (religion, inheritance, other obligations, etc.).

>         He also said that due to different nutrician, women would have
> reached reproductive maturity at a later age.  I believe he was referring to
> the "masses", not the nobility.

A statistic that has always stuck in my mind, although it's come
completely unhinged from it's supporting references, is that the average
age at which a Swedish woman began menstruation changed from 18 to 12
between 1860 and 1960.  As I remember this as attributed primarily to
protein in the diet of girls.  I'm not sure to what extent the day to day
diet of the masses differed (especially when it came to the feeding of
children and more especially of girl-children) from that of the upper
classes, at various points in the past, but I'd be willing to bet almost
no-one ate the percentage of protein common in modern western cultures on
a daily basis. 

>         Another reason for later marriages was the prohibitive cost of
> establishing a household.

Hence the occasional instutionalization of women marrying men 15 or so 
years their senior--HE has had time to become established and she is 
the right age to breed.

I do know that, in rural Ireland of 150 years ago or so, it was expected 
that a man own his farm before he married, which often meant he waited 
until the old man died.

>         Here's a related question.  I know that there was a great deal of
> extra-marital relations in 16th century Britain.  How about pre-marital
> sexual relations?  Is there any evidence of that, or did the fear of
> pregnancy keep women chaste into their twenties?

Well, there were cautionary ballads about the bad things that happened to 
girls who didn't, and one assumes (as Heather pointed out vis a vi 
sumptuary laws) that people don't try to stop behavior unless it's going 
on!  However, I don't know that there is any way you could get 
evidence, since it wasn't the kind of thing people (or at least ladies) 
admitted to.

My guess, based solely on my memories of what the women a half a 
generation before me (and pre-"pill") have told me, would be that some 
did and some didn't, and those that did worried a lot about it.

It might be interesting to do a run on parish records to see how many
women who had stopped bearing children suddenly had a baby at just about
the point where their daughters could be assumed to have start their
menses.  Also, in my youth there were certainly a lot of reasonably large
prematurely born children concienved on their parent's wedding nights!

------------------------------

Date: Fri, 22 Sep 1995 18:00:00 -0700 (PDT)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Dealing with the Consequences

> If memory serves me well, abortion was known for a long time before the the 
> 17th c.  This seems a little extreme even if abortion was too expensive.  It 
> seems more likely that the woman would just attempt it herself using fairly 
> common plants (unless she wanted the baby for some reason).  Posilby fear of 
> poisoning herself would keep her from trying it, but given the morals of the 
> time, she might just be desparate enough.  Just a thought...

	'Why pu's though the rose, Janet,
	Amang the groves sae green,
	And a' to kill the bonny babe
	That we gat us between?"

I think in most versions it's yarrow, but I could be wrong.  I just 
happen to have a novelization of Tam Lin with me and the above is the only 
version of the song she quotes.

Yes, methods of abortion were known, chemical (usually herbal) and 
surgical, then (and for several thousand years before).  They are 
specifically listed (and forbidden by) the Hypocratic Oath.  Midwives 
also had their potions and brewes. (And given the concepts of antiseptsis 
at the time I'd MUCH rather trust a midwife on this one.)

How well they worked and how safe they were is another story.  (The one 
method I remember rumors of from my youth involved massive doses of 
laxatives and purgatives, along with several hours of sit-ups and running 
up and down stairs.  Yech!  There is a reason I fight to keep abortion 
legal!)

------------------------------

Date: Fri, 22 Sep 1995 16:45:31 -0700 (PDT)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: RE: Authenticity 

>         I think it would have been difficult to own more gowns than
> Elizabeth

Well, I have more gowns (or at least outfits) than she did (AND a nicer 
bathroom) but within period I agree.

>         Speaking of Elizabeth...(she's back on the authenticity kick
> again!)...even the Queen used fake pearls on her gowns.  I think that's from
> The Queen's Wardrobe Unlock'd.  So...if faking it is period, then my faking
> it is in an Elizabethan vein and therefore authentic...  (I told you I was
> good at justifying!)

Well, one would assume that you are talking about using Authentically 
Reporduced Elizabethan Fake Pearls and not just any old modern fake 
pearl. ;-)

(Which brings up the interesting question of does anyone know how they
made "pearls" and other simulated jewels (which I'm sure were used in
clothing if not as jewelery)?  Until I thought about it I would have
assumed that the art of making paste gems is pretty old, but one
reflection, I'm not sure when the use of silvering on the back of glass
came in--resumedly before that one used faceted glass but it didn't have 
the "fire" of good rhinestones.)

------------------------------

Date: 22 Sep 1995 18:53:10 U
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: FWD>University Humor

Mail*Link(r) SMTP               FWD>University Humor
Okay, I know the following isn't exactly what costumers discuss, but
I like the bit about the sword.

Carole Newson-Smith
SCAL Cordelia Toser

- --------------------------------------
Date: 9/22/95 5:58 PM
From: Cvirtue@eworld.com
Sometimes very interesting things come out of Carolingia.  This one appeared
recently. 
- --------------------------------
The story goes that one day during an examination at Cambridge University, a
bright young student popped up and asked the proctor to bring him Cakes and
Ale.  The following dialog ensued: 

  Proctor: I beg your pardon?
  Student: Sir, I request that you bring me Cakes and Ale.
  Proctor: Sorry, no.
  Student: Sir, I really must insist.  I request and require that you
     bring me Cakes and Ale.

At this point, the student produced a copy of the four hundred year old
Laws of Cambridge, written in Latin and still nominally in effect, and
pointed to the section which read (rough translation from the Latin): 

"Gentlemen sitting examinations may request and require Cakes and Ale". 

Pepsi and hamburgers were judged the modern equivalent, and the student sat
there, writing his examination and happily slurping away. 

Three weeks later though, the student was fined five pounds for not
wearing a sword to the examination. 

------------------------------

Date: Fri, 22 Sep 1995 19:04:33 -0700 (PDT)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Re: Dealing with the Consequences

> > If memory serves me well, abortion was known for a long time before the the 
> > 17th c.

More data--from the novel Tam Lin.  I wouldn't usually use a novel as a 
reference, but I know the author (Pamela Dean) and this is the kind of 
thing she reseaches well.

	She started with Nicolas Culpeper's _Pharmacopoeia Londinensis_,
	because it was the oldest book there.  It had been published in 1683
	. . . Then she settled on _Rodale's Illustrated Encyclopedia of Herbs_
	which has a reassuring look to it.

	Unfortuneately, most of the Herbs Nicholas Culpeper though caused
	miscarriage did cause it, according to Rodale--in many cases, it
	appeard, by being poisons of such virulence that they simply killed
	the mother. . . .  Janet looked in turn at rue, angelica,
	pennyroyal, and tansy.  None of them was considered really safe.

I was wrong about yarrow, apparently, at least in a European context.  It
contains something called thujone which, in sufficient quantities can
cause abortion, but its use as an abortifacient was with some American 
Indians.
		

------------------------------

Date: Fri, 22 Sep 1995 23:03:47 -0500
From: deirdre@deeny.MV.COM (Deirdre)
Subject: Re: Comments and a Report

Bzing! This abortion-by-assault method is mentioned in Exodus! In Exodus
21:22, it states "If men strive, and hurt a woman with child, so that her
fruit depart from her, and yet no mischief follow: he shall surely be
punished, according as the woman's husband will lay upon him; and he shall
pay as the judges determine."

E.g. if she was aborted without the consent of the husband or the abortion
caused complications, the husband could sue.

Remember, the woman may have wanted the child and been unwilling to attempt
abortion. However, there were ways around this.

_Deirdre

>On Fri, 22 Sep 1995, Tracy Miller wrote:
>
> If memory serves me well, abortion was known for a long time before
> the the 17th c.  This seems a little extreme even if abortion was
> too expensive.  It seems more likely that the woman would just
> attempt it herself using fairly common plants (unless she wanted
> the baby for some reason).  Posilby fear of poisoning herself would
> keep her from trying it, but given the morals of the time, she
> might just be desparate enough.  Just a thought...

------------------------------

Date: Sat, 23 Sep 1995 00:40:17 -0400
From: GiulianaLG@aol.com
Subject: Re: Italian Boning

Even though I'm brand new to this list, I can't help but add my 2 cents
worth...In this case, regarding the Italian Renaissance bodice:
On 8 - 19,  Liz Jones commented that after trial and error:
"... I now feel that there was no boning at all in any of these, but that
there was enough thickness in the layers to provide support and control,
giving a natural look, like a kirtle, or a somewhat bulky look later on. ..."

I have also been working a great deal with this Italian style (end of the
15th c.) dress for a couple of years now, and I have my own experiences to
support your advice.  I've finally found a functional method for achieving
the slightly high- waisted, rounded bust so evident in portraits of the late
15th c.. It may not be historically accurate, especially working from
portraiture since artists were inclined to take liberties in their rendering
of dress, but it does seem to provide the appropriate body shape, so
essential to conveying a "period feel" to a costume.  I use a heavyish [nice
use of technical terminology, eh?] weight material, plus iron-on fusible
interfacing (front and back) and lining (corduroy works well). Multiple
layers combined with the shape of the dress provide exceptional "support"
without the rigidity of boning.  I use only mild (plastic) boning where the
dress laces, to prevent gapping and puckering.  Instead of darts, I shape the
bust by giving the side seams (under the arms) a good convex rounding. This
treatment allows me to have smooth, uninterrupted front and back panels (that
is, a bodice made with two pieces), which I am fond of since I prefer heavily
patterned fabrics and the smooth-style front.
That's all I had to say, so 
thank you for the space to say it in,
Giuliana

------------------------------

Date: Sat, 23 Sep 1995 01:51:18 -0400
From: margritt@mindspring.com (Margritte)
Subject: Re: Renaissance Ribbons

At 9:54 AM 9/22/95, BJHILL@STTHOMAS.EDU wrote:
>Could someone please give me the address for Rennaissance Ribbons,
>I had it, but have misplaced it now.
>
>thank you in advance,
>brian hill                              bjhill@stthomas.edu

I don't have the mailing address handy, but here is their email address:
FRRIBBONS@aol.com.

- -Margritte

- ------------------------------------------------------------
Gryphon's Moon - Request our free catalog of Celtic jewelry.

email margritt@mindspring.com or check out our web page at
http://www.mindspring.com/~maclain/

------------------------------

Date: Sat, 23 Sep 1995 02:05:45 -0400
From: kl94ag@badger.ac.BrockU.CA (Kathleen Leggat)
Subject: When Mores Were Less

        I found this in my research file and it seemed appropriate to the
current thread of the not-so-virgin reign.

        Simon Forman was a well-known Elizabethan astrologer.  Many of the
peerage were included in his client list...and many of their indiscretions
appeared in his diary.

        In May of 1600 he wrote of Jane Sondes, aged 27.  6 years
previously, she had married Edward Flud of Bearsted.  That, however, was
just the beginning of her remarkable social life.

        Three years before forman's entry, she was with Sir Calisthenes
Brooke, a soldier of fortune.  Note that this was 3 years after her wedding.
He wrote her letters which she slept with under her pillow, and according to
Forman "wished to sleep with him at Throwley Park (her parents' home), and
no-one with her but Susan Rigden her maid."

        But that wasn't all.  In Forman's diary he claims that Jane Sondes
also "hath loved Henry Wotton and Sir Thomas Gates and others...and now Sir
Thomas Walsingham...and loved one Cofield, a priest of Throwley, and Sir
Robert Rivingston."  The list goes on.  "Robin Jones, her father's man, a
clerk.  Also, Wilmar, Sir Thomas Flud's man, and he is dead.  She wears
willow for his sake, and a bramble for Sir Calisthenes Brooke, and thyme for
Sir Thomas Gates.  Also she loved my Lady Vane's son of Kent, and he took
her garter from her leg to wear for her sake.  And now there is one Vincent
Randall that she supposeth and hopeth will have her."

        This most agreeable lady went on to make a successful second
marriage, to Sir Thomas May of Mayfield.

        I wonder if her wedding bouquet included willow, bramble and thyme?

        Kathleen (Catriona)

(Who's starting to wonder if she _should_ be a little more authentic in her
depiction of a 16th century noblewoman...)

------------------------------

End of H-Costume Digest V3 #199
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