From: owner-h-costume-digest (H-Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: H-Costume Digest V3 #219
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Precedence: bulk


H-Costume Digest        Wednesday, October 11 1995        Volume 3, Number 219

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
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Topics:
    Dyeing silk :(
    Re: Dyeing silk :(
    Re: Road to Wellville Review
    RE: Thoughts on Knitting
    Buccaneers
    Re: Dyeing silk :(
    Re: Immortal Beloved review
    raiment's pattern catalog
    Re: Cording as Corset Stiff
    SHoes
    RE: 14th century: cloaks vs mantles 
    RE: Thoughts on Knitting
    Re: raiment's pattern catalog

----------------------------------------------------------------------

Date: Wed, 11 Oct 1995 13:13:08 -0500
From: deirdre@deeny.MV.COM (Deirdre)
Subject: Dyeing silk :(

OK, so if worm spit (love it) dissolves in hot water, and most dyes are set
in hot solution, how does one dye silk?

Not academic: I'm planning on dyeing some later this year.

_Deirdre

------------------------------

From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Re: Dyeing silk :(

> OK, so if worm spit (love it) dissolves in hot water, and most dyes are set
> in hot solution, how does one dye silk?
> 
> Not academic: I'm planning on dyeing some later this year.
> 
> _Deirdre

I am not sure were you received this observation, and I do not know about 
dyeing, but here are some comments.  First, silk is not worm spit or 
excretion anymore than spider webs are spider spit.  This filament is 
produced only once in their lives and they feed for months straight to 
get enough little energy to do it.  What comes out is genetically and 
protein-wise equivalent to your hair, in fact when dealing with silk that 
has been spun already it is best to think of that.  In edition to the 
silk filament a sticky gum substance is simultaeous produced that coats 
the silk filament allowing it to stick together in a cocoon, literally 
sticking to the other fibers.  What comes out of a healthy silk worm is 
one long strand.

The coccoons that the worms are then encased in are steamed or put in 
boiling water to kill the worm, whom you don't want eating its way out of 
the cocoon and damaging the one piece of silk.  Tens of thousand are set 
aside to allow them to hatch so they can reproduce, dead silkworms are 
eaten as a delicacy.  The cocoons are also treated to a special bath in 
order to disolve the gum holding the silk together.  The gum has the 
additional use of protecting the silk and worm from bacteria and damage 
from water and heat.  Not all silk that is processed has this gum 
removed.  The disadvantage of the gum is that is picks up dirt easily and 
can be hard or stiff, some modern silks and tussah silk (silk worms who 
had fed on tussah oak leaves instead of mulberry leaves) will still have 
some of this gum on making for a rougher more textured garment.

Anyway the gum is generally taken off by that bath in very hot water, and 
perhaps a detergent of some kind (this is all from vague memory all my 
books are at home).  The silk can now be unreeled by hand and then hooked 
up to a machine and reeled on bobbins.  If the cocoon is perfect then a 
single strand a mile or more long can be gotten at a shot, if not, 
shorter broken filaments are gathered together and woven into different 
types of silk.  Now there are different grades of even pampered 
mulberry-eating silkworms.  Some, because of controlled diet and 
environment produce exquisitly delicate silk.  Often this is either of a 
special sheen, or a special thickness.  Incredibly thin silk gotten from 
some of these worms are woven on underwater looms producing something 
like a fine chiffon or tulle (I really don't remember the names of the 
fabric) ones with wonderful sheens are usually reserved for charmeuse 
with those lovely satin finishes very popular with the emperors.  

Broken fibers were used for noils and some crepes or the rougher sack 
cloth like tabby weaves.  I have the description for silk that was 
additionally felted and used in China, but that also is at home.  There 
were also those silkworms that fed in the wild, of mixed food stuffs 
producing uneven silks.

Anyway, back to boiling water.  The gum dissolves in water, silk 
doesn't.  Water is not bad at all for the silk, but heat is.  Like your 
hair, heat will eventually break down the proteins and the stripped fiber 
becomes brittle and breaks.  Leaving a hot iron on, or boiling silk at 
length will weaken the fibers and eventually strip them of whatever 
tensile strength they have left, but warm, not quite boiling, or boiling 
for short periods of time is ok.  Generally you wash silk in warm water 
with a mild soap like castile or dove, not in a too alkalide or acid 
detergent.  If you have a mild ph balanced shampoo without fragrances and 
stuff, that is wonderful for silks also.  

Because silk takes dye so much better than anything else in the world, 
(acutally pearls dye very easily also) you don't generally need to steep 
it in dye for as long as wool or linen, or repeatedly use the dye bath, 
or even use the harsh chemical mordants.  I am sure someone who dyes silk 
out there will be more informative here, certainly do not do to silk what 
you would to wool and linen, its probably more destructive and time 
consuming than what you need to do to achieve a more spectacular color 
with silk.

All my references are at home, where I don't have e-mail, but I hope this 
helps, don't worry you can dye silk at home, easier than wool and linen.

Teresa

------------------------------

Date: Wed, 11 Oct 1995 12:13:03 -0700
From: erin1@uclink4.berkeley.edu (Erin Harvey Moody)
Subject: Re: Road to Wellville Review

>> Set
>> in a "Sanitarium" for health fanatics, it even gives a plausible
>> excuse for the characters not wearing corsets.
>
>More than plausible--absolutely historic.  Kellog (on whom the whole
>thing is based--Rice Crispies started out as a health food) was very down
>on them.  (One of is less silly health theories.)

Off subject but....we have discussed historical sexuality on this list before...

Kellog did eventually produce "Rice Cripies", but he produced "Cornflakes"
because it was believed to be a sexual retardant at that time. Kellog
believed that overt sexuality was very bad for people and a diet of
cornflakes was supposed to reduce sexual urges (I am not kidding, this was
described in detail in one of my text books for a graduate level Human
Sexuality course at Berkeley).  This was a popular theme at the turn of the
century (suppressing sexuality).  There is tons of documentation of doctors
(mostly in England) performing mass hysterectomys at the REQUEST of the
women, and at the recommendation of their physicial so that they were not
to be bothered by "women'd complaints", "hysteria" and "urges". I have read
original letters to these surgeons from the women who had been given
hysterectomys THANKING them for "relieving" them of the "bother"!!!!

Erin Moody

------------------------------

Date: Wed, 11 Oct 95 09:02:34 PDT
From: julie_adams@corp.Cubic.COM
Subject: RE: Thoughts on Knitting

Teresa, Brenda, Catherine and all, thanks for an excellent posts. I 
was throwing the knitting as a "household craft" idea out as a 
theory to promote discussion and research, as I really don't know 
(and want to), and am not a knitter myself.  Questions: For 
striped hose, did they weave the stripes on the diagonal?  or sew 
bias strips together?  (I have seen the latter done and the result 
was gastly.)  Anyone else have success? If you had already had 
the material, would sewing a seam up the back be much faster 
than knitting?  Would knitting take more materials in raw thread? 
If most people would have wanted a linen lining anyway, is linen 
practical to knit with?

Re: home craft knitting: I was sort of using 16th cent. smocking or 
embroidery as an example in my mind. (and remember I have a 
continental vs. English mindset). Though there were embroidery 
guilds, there was also a lot of home embroidery (though region 
dependent).  In addition, though there are some lovely pictures of 
upper class German Ren. ladies wearing chemises with smocked 
necklines, when I dug into it, I also found a number of examples of 
lower class women wearing smocked chemises and a variety of 
apron styles.  Years ago, I was told bluntly by several very 
knowledgable people that smocking is not period for 16th cent. 
Germans, and was only developed and used in the 19th century. 
Currently I have a number of clear visual examples of 16th cent. 
German smocking, though no written examples.  Maybe they 
didn't think it was important enough to write down?  or maybe the 
reference is not translated?  (most likely)

I realize that knitting, embroidery and smocking are different, but I 
also know people who can figure things like that out from 
examples by simply unraveling or taking them apart.  (Nowadays, 
they call us Engineers....)  IMO I feel that secrets using commonly 
acquired and identified materials are very difficult to keep (both 
now and then). While things requiring chemical mixtures would be 
much more difficult to determine (dyes, alloys, etc.).  

I am really excited about all the information there is on this subject 
scattered about internationally, and being brought together here 
on the list!  The more we know, the more we will understand....:-) 
- --julie adams

------------------------------

Date: Wed, 11 Oct 1995 12:22:46 -0700
From: erin1@uclink4.berkeley.edu (Erin Harvey Moody)
Subject: Buccaneers

Did anyone notice the sites for the homes? The Duke's home was obviously
Castle Howard. The other estate looked like the same one used in "The
Ruling Class". Can someone from the English side of this list respond?  I
didn't catch the names in the credits.

After last night's episode, my local PBS station ran a tribute to Jeremy
Brett, I hadn't known that he just died!  His wonderful period films (and
Sherlock Holmes) from BBC will be missed by me!

------------------------------

Date: Wed, 11 Oct 1995 15:17:50 -0500
From: deirdre@deeny.MV.COM (Deirdre)
Subject: Re: Dyeing silk :(

At 2:05 PM 10/11/95, Teresa Shannon wrote:
> I am not sure were you received this observation, and I do not know
> about dyeing, but here are some comments.  First, silk is not worm
> spit or excretion anymore than spider webs are spider spit.

I know this. It was a joke earlier and I thought it sounded funny!

> Anyway, back to boiling water.  The gum dissolves in water, silk
> doesn't.  Water is not bad at all for the silk, but heat is.  Like
> your hair, heat will eventually break down the proteins and the
> stripped fiber becomes brittle and breaks.  Leaving a hot iron on,
> or boiling silk at length will weaken the fibers and eventually
> strip them of whatever tensile strength they have left, but warm,
> not quite boiling, or boiling for short periods of time is ok.
> Generally you wash silk in warm water with a mild soap like castile
> or dove, not in a too alkalide or acid detergent.  If you have a
> mild ph balanced shampoo without fragrances and stuff, that is
> wonderful for silks also.

Thanks for the info.

> Because silk takes dye so much better than anything else in the
> world, (acutally pearls dye very easily also) you don't generally
> need to steep  it in dye for as long as wool or linen, or repeatedly
> use the dye bath, or even use the harsh chemical mordants.

I know it takes color brilliantly. I just didn't know what was involved.

> I am sure someone who dyes silk out there will be more informative
> here, certainly do not do to silk what you would to wool and linen,
> its probably more destructive and time consuming than what you need
> to do to achieve a more spectacular color with silk.

I'll be experimenting soon. Yay!

> All my references are at home, where I don't have e-mail, but I
> hope this helps, don't worry you can dye silk at home, easier
> than wool and linen.

Hearing someone say that helps a LOT.

_Deirdre

------------------------------

Date: Wed, 11 Oct 1995 12:33:44 -0700
From: erin1@uclink4.berkeley.edu (Erin Harvey Moody)
Subject: Re: Immortal Beloved review

The problem I had with Immortal Beloved were the underpinnings. The gowns
were lovely though.

Erin

------------------------------

Date: Wed, 11 Oct 1995 12:31:16 -0700
From: bino@ella.mills.edu (Kendra VanCleave)
Subject: raiment's pattern catalog

can someone tell me if the raiments pattern catalog is comparable to the
amazon drygoods catalog? meaning, if i have the amazon drygoods catalog,
should i bother getting the raiments one too?

also, does someone have raiments address?

thanks!

- -Kendra Van Cleave
bino@ella.mills.edu

------------------------------

Date: 11 Oct 1995 12:59:51 U
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: Re: Cording as Corset Stiff

        Reply to:   RE>>Cording as Corset Stiffener
Mary,
I've been off line a couple of days, so please forgive the delay in
my response.
Cotton Cro-Sheen, which comes in balls, is used in crocheted work.   
I make snoods from  it, and recently discovered that it works nicely 
for finger-woven cording. 
There is a pattern that gives a slightly flattened cord in two colors,
let's say red and blue.  It starts out by tying the two colors together, 
with a beginning loop in red.  
Holding one color in each hand, reach through the red loop with a 
forefinger and pull the blue cord through it.  Tighten the red loop, 
with the opposite hand, which leaves you with a blue loop.  
Then you reach (with the other forefinger) through the blue loop and 
pull the red cord through.  Tighten the blue loop.
Repeat until your cord is long enough, then finish off.
If you work with two strands of each color, the cord is a bit stiffer.
But I believe that cording would not be as stiff as boning.
Carole Newson-Smith

------------------------------

Date: Wed, 11 Oct 1995 12:54:29 -0700
From: erin1@uclink4.berkeley.edu (Erin Harvey Moody)
Subject: SHoes

All Bay Area Costumers: FYI

I just saw an add in the paper for a shoe sale at Emporium. They are
advertising a "Blue Cafe Boot" that looks like the "brogans" the Civil War
ladies wear for $44.99.

Erin Moody

------------------------------

Date: Wed, 11 Oct 95 12:05:56 PDT
From: julie_adams@corp.Cubic.COM
Subject: RE: 14th century: cloaks vs mantles 

You need to be careful with mantle references.  A mantle-like 
garment is used specifically as church garb for women only a few 
years later, called a *Kirchenmantel*, it is heavily pleated, and 
documented clearly in the late 15th and early 16th cent.  Often 
worn with a flying-nun like folded linen headress, called a 
*kirchenhaube*.  

For cold weather, both women and men also wear coats with 
sleeves during the middle ages and the renaissance, and also 
layered their clothing.  I believe this is especially true the more 
"eastern europe" you get.  I have seen gowns fully lined with fur, 
as well as people wearing many gowns in layers.  There are also 
examples of 16th cent. muffs, and a dog-eared cap (which I have 
seen in 14th cent tapestries) called a *strickbarett*, it can have 
dog-earred flaps which either tie up over the head or down under 
the chin (like modern outdoorsmens' hats, and you can still buy 
them in Germany to this day). Many medieval styles were still 
popular in 16th cent. Germany in the lower classes, and often are 
drawn a bit more clearly then due to changes in artistic style. 
Peasants still typically wear what I call the "t-tunic with trews or 
hose look" well into the 16th cent.  

Good luck, but I find a good wool hat gloves, and a coat the most 
practical. I often use a turban-like headress to cover my ears, but 
will be making a strickbaret for myself this winter (too bad I don't 
knit!)  Cloaks tend to be hard to cook in over open fires, as well 
as always falling open when you reach for anything, and I just 
hate it when the hood blows off! Our group loves to hold period 
campouts in the fall and winter months.  Many early gowns are 
extra long to prevent drafts on the legs, but if you are outdoors, I 
recommend hiking skirts up to prevent the hem getting damp and 
chill (and heavy).  Good woolen hose are a must too, and layers 
of hose are ok too.

- --Julie Adams

------------------------------

Date: Wed, 11 Oct 1995 15:55:51 -0500 (CDT)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: RE: Thoughts on Knitting

This is such an excellent topic for the list precisely because it is an 
'unusual medium' for costuming, seems to have been a cottage craft anyone 
could do, and has much questionable evidence for how common it was, who 
was doing it, where and for what reasons (I guess knitting is a lot like 
sex).

I can absolutely assure you and tell you that they did weave diagonal 
patterns, there is a sample of it from early fifteenth century in the 
Spanish Textiles book from 10th to the 15th century, I haven't looked, 
actually so I can't say if I have any others.

> Teresa, Brenda, Catherine and all, thanks for an excellent posts. I 
> was throwing the knitting as a "household craft" idea out as a 
> theory to promote discussion and research, as I really don't know 
> (and want to), and am not a knitter myself.  Questions: For 
> striped hose, did they weave the stripes on the diagonal?  or sew 
> bias strips together?  (I have seen the latter done and the result 
> was gastly.)  Anyone else have success? If you had already had 
> the material, would sewing a seam up the back be much faster 
> than knitting?  Would knitting take more materials in raw thread? 
> If most people would have wanted a linen lining anyway, is linen 
> practical to knit with?

I don't see why block printing, or even painting would have been out of 
the question for designs, and they did weave wide striped fabric, perhaps 
they used that.  Some wools are so excellent, you needn't even use the 
bias for springiness perhaps this would solve a lot of the problems.  
Have no idea how linen is with knitting, but they could get linen so fine 
it was transparent cloth, well gauze like, so I expect that wouldn't be a 
problem.

> 
> Re: home craft knitting: I was sort of using 16th cent. smocking or 
> embroidery as an example in my mind. (and remember I have a 
> continental vs. English mindset). Though there were embroidery 
> guilds, there was also a lot of home embroidery (though region 
> dependent).  In addition, though there are some lovely pictures of 
> upper class German Ren. ladies wearing chemises with smocked 
> necklines, when I dug into it, I also found a number of examples of 
> lower class women wearing smocked chemises and a variety of 
> apron styles.  Years ago, I was told bluntly by several very 
> knowledgable people that smocking is not period for 16th cent. 
> Germans, and was only developed and used in the 19th century. 
> Currently I have a number of clear visual examples of 16th cent. 
> German smocking, though no written examples.  Maybe they 
> didn't think it was important enough to write down?  or maybe the 
> reference is not translated?  (most likely)
> 
> I am really excited about all the information there is on this subject 
> scattered about internationally, and being brought together here 
> on the list!  The more we know, the more we will understand....:-) 
> --julie adams
> 
Can't help you with smocking, just got a nice copy of a book on french 
textiles from the middle ages to modern times with nice examples of 
embroidery, alas its at home, again, sorry.

What is good to see is everyone listing there examples to compare, for 
instance four different people talking of how they have seen examples of 
knitting madonnas, all point to the same picture, which to me equal one 
example of a madonna knitting, and implying a greater scarcity in 
examples than one could assume from the posters enthusiasm.  I will but 
the book on history of knitting on my checklist when I have gone through 
the other 40 or 50 books on my checklist. :-)

Teresa

------------------------------

Date: Wed, 11 Oct 1995 17:31:30 -0500
From: deirdre@deeny.MV.COM (Deirdre)
Subject: Re: raiment's pattern catalog

At 12:31 PM 10/11/95, Kendra VanCleave wrote:
> can someone tell me if the raiments pattern catalog is comparable
> to the amazon drygoods catalog? meaning, if i have the amazon
> drygoods catalog, should i bother getting the raiments one too?

Good question. Should I get one or both? I only need patterns, so I'd just
need the one Amazon drygoods catalog.

> also, does someone have raiments address?

PO Box 93095
Pasadena CA 91109 (town of my birth!)
818/797-2723

_Deirdre

------------------------------

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