From: owner-h-costume-digest (H-Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: H-Costume Digest V3 #231
Reply-To: h-costume
Errors-To: owner-h-costume-digest@lunch.engr.sgi.com
Precedence: bulk


H-Costume Digest        Wednesday, October 18 1995        Volume 3, Number 231

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
  Adds/drops/archives:   majordomo@lunch.engr.sgi.com
  Real, live person:     h-costume-request@andrew.cmu.edu

Topics:
    Re: Adrian display in Los Angeles.
    Thoughts on Knitting Evidence
    Re: ribbons - washing
    1900-1929 women's blouses? identifiy
    Re: Musketeer's rapiers
    Re: Is silk ribbon colour-fast?
    Rapiers
    Looking for costumers
    Fwd: query:Living History in England
    Re: ribbon?
    Re: Musketeers' Rapiers
    "Collapsed fabric"
    Other groups
    Ribbon
    Re: Musketeers' Rapiers

----------------------------------------------------------------------

Date: Tue, 17 Oct 1995 23:36:44 -0700
From: thomasg@slip.net (thomasg)
Subject: Re: Adrian display in Los Angeles.

>Diane Barlow Close wrote:
>The Los Angeles County Museum of Art is havine a show of the "Couture
>Designs of Gilbert Adrian" until January 1996.  This is a show that
>I would personally kill to see as I'm a huge Adrian fan! 

I was able to see the show on a recent visit to LA.  It was small but very
choice.  The focus was mainly on the society clothes he did after he set up
as a private designer.  There were about 8 wonderful little afternoon
outfits that really stood out.  They are in the typical late 30s early 40s
style, with short jackets and plain skirts.  But the wonderful details are
worth the show.  Lots of fancy cutting work and piecing of fabrics.  Nothing
obvious till you're about five feet away and then whammo, you see all this
incredible tailoring.  It was wonderful.  There isn't a catalog to the show,
just a pamphlet (which I imedietly mislaid).  It's well worth the visit.

Christy Pascoe
Cpascoe@aol.com

------------------------------

Date: Wed, 18 Oct 1995 15:11:57 +0100
From: j.w.hubbard@sheffield.ac.uk (Bill Hubbard)
Subject: Thoughts on Knitting Evidence

This is a long post. I trust people will forgive me as I think the point of
it is relevant to a lot of historic costume questions that come up.

Regarding Knitting:
I would really like to get evidence that knitting was used for making hose
in England pre-1550. Failing that, used for larger garments; failing that,
for hose or garments on the close continent.

I would really like it because I cannot get a close fit to bias hose AND
move as energetically as I need to when I fight. I acknowledge all of the
points about slight bagginess is allowable around the knees, pictorial
evidence of rear points being loosened, etc, but I still can't get my hose
to look as they do in contemporary illustrations and then go through a
fight with them. I have been trying for years to get the right look. My
present conclusion is that there WAS a difference in the cloth that was
used for hose.

Now, knitting would be a splendid solution, but I am still not convinced by
the evidence that has been posted recently, nor by the claimed
implications.

I don't believe it is enough to take arguable evidence and then build a
case on "reasonable" assumptions, when its a modern mind deciding whats
"reasonable". I am NOT getting at anyone here - just pointing out some
difficulties.

A pertinent example where I have made this mistake is with 13 cent greaves
- - gutter shaped iron shin protectors. The contemporary Maciejowski Bible
shows Goliath wearing a fine pair - but *no-one else* in the whole Bible. I
assumed that this was because Goliath would be shown as the supreme soldier
with the best kit: I then assumed that such greaves were available but
limited to the best equipped contemporary (1250) foot-soldiers. All other
evidence has them being introduced 35 or so years later, and just for
horsemen.
I now find out that the Bible actually mentions that Goliath wears greaves.
There must be hundreds of other soldiers depicted and none wear greaves:
that should have made me far warier. There is a correspondence here with
the knitting Madonnas.

Wishful and modern thinking on my part. I assumed that since the metal
working technology could certainly produce greaves, since with sword and
shield leg injuries were common and horrendous, etc, I had assumed that
people would have them and I let one piece of evidence persuade me without
considering all of its background.
We cannot assume that just because WE think something is better and is
available, that past peoples would have used it. There are a lot more
examples in the arms and armour field of this kind of thing.

This relates to the knitting Madonnas. These seem to stem from the Bible's
"seamless shirt" requirement. This is not a representation of a normal
woman doing an everyday activity: this is the Madonna involved in Christ's
Passion. As such I think they are out of the running for consideration of
normal activities: certainly if they are (as a class) the only
representations of people knitting. They might be knitting: they might be
knitting shirts: knitted shirts might have been around generally: they
might have been common - but the Madonnas are witnesses to this situation
with an agenda of their own: their evidence is "tainted" and should only be
used to corroborate, not prove.

This may seem severe, but for making clothing, I think it comes down to
whether one looks at history for inspiration, or for evidence. Before he
felt he had to leave this List, David Rickman wrote a very good piece on
the use of historical information as evidence and guidelines for what
evidence is valid and why. I assume its in the archives: the date on my
copy is 2nd May 1995, entitled "Hello Again".
He suggests three independent pieces of evidence as a minimum and makes the
point well.
On these grounds I don't think widespread knitting of large garments is yet
proven. But I wish it was.

Regards,
Bill

------------------------------

Date: 18 Oct 1995 10:16:05 -0400 (EDT)
From: Library - Vineland Research Station <LIBRARY@ONRSVI.AGR.CA>
Subject: Re: ribbons - washing

There's several interesting passages in Tobias Smollet's "Humphry Clinker"
c. 1771. The maidservant Winnifred Jenkins describes learning recipes to 
"wash gaze, and refrash rusty silks and bumbeseens, by boiling them with     
winegar, chamberlye, and stale beer." The same maid is also described by
a genteel commentator as "all of a flutter with faed lutestring, washed gauze,
and ribbons three times refreshed". What I read from this is that people
were washing their silks, laces and ribbons, but that they wouldn't quite
be the "same" again. It also sounds as if these garments would be passed
on to the servants, who would be inordinately proud of such frouzy
garments. Certainly people were exchanging recipes for washing.

By the way, Win is depicted as a silly Welsh country girl - so those
spelling mistakes are her, and not typos of mine.

Sheridan Alder
library@onrsvi.agr.ca

------------------------------

Date: 18 Oct 1995 10:18:10 -0400 (EDT)
From: Library - Vineland Research Station <LIBRARY@ONRSVI.AGR.CA>
Subject: 1900-1929 women's blouses? identifiy

I'm hoping to tap into our collective knowledge here. I've purchased two old
blouses which I hope are c. 1910-1920. I've poured through the costume shelves
of the local university and public libraries, but I'm still not 100% sure.

The first one is a prettier version of Olive Oyl's blouse! It has a ruffle
which falls around the neck and elbow-length sleeves. It's in excellent
condition, made in a white cotton swiss dot. It has two pleats in the
front, one on either side of the chest, and fastens asymetrically at the throat
ruffle with two snaps. The front buttons are hidden under the (my) left hand
pleat. (The pleats are about 1 inch wide.) It is longer at the front than at
the back. The centre of the back is slightly gathered with a cotton tape which
ties around the front. The sleeves are just over elbow length. The shoulder
yoke and the join of the sleeves to the body are in tiny, exquisite faggotting.
The flat neck ruffle and sleeve ruffles are meticulously gathered on, and
there is more tiny faggotting in the centre of the ruffles. (Hey, maybe sweat
shops weren't all bad!) It's machine sewn. In "400 Years of Fashion" a linen
suit of 1910/11 (owned by Miss Heather Firbank-forget the number)  is shown 
with similar style of ruffles, but I've also seen that style of ruffle used in 
1920 in a reprint of clothing ads from the 1920's (Sorry, can't remember title).
(Too bad I'm the tailored type. I look like a major geek in it.)

The second is fine black silk. The most notable detail is the very long shirt
collar (reminds me of the 60's- but "softer") which is very deep, extending into
the chest. It's decorated with three or four black buttons in the centre which
have no function. The sleeves have very deep "cuffs" (They don't unbutton)
Again, there is faggotting on either side of the the front-button placket,
but it looks a littler coarser than the first blouse. There is an inch-wide
pleat on either side of the front buttons, and a series of tiny pin-tucks
over each breast. It doesn't button up quite to the base of the throat, there
is a small point below the centre collar-bone. The front is longer than the
back. It's waist length. I think this one might be c. 1919-1920 judging from
the collar.

Does anyone have any opinions? (Besides - boy! doesn't she ask a lot of
questions?) One last question - is everyone getting two copies of each of
my questions? My mail keeps echoing back two copies. My apologies for being
redundant - I can't do anything about it.

Sheridan Alder 
library@onrsvi.agr.ca

------------------------------

Date: Wed, 18 Oct 1995 10:36:37 -0500 (CDT)
From: "Sharon L. Nelson" <sln@noctrl.edu>
Subject: Re: Musketeer's rapiers

I believe Museum Replicas in GA. may have what you are looking for, 
although I can't vouch for the 'reasonable' price.  My fiance got a 
'shivona' (sp?) there with a lovely hilt but it was ca. $400.  (He's a 
stickler for 17th c. authenticity so I'm sure the design was good.)  I 
don't have their address as I'm at work, but should no one else reply w. 
it, please let me know & I'll see if we still have a catalog from them 
around home somewhere.
Two other places for fencing supplies called Triplett Competition 
Arms, and Sykes Sutlery, may have what you are looking for, but I don't have 
addresses for them either -- sorry!  Again I can try to find them for 
you if needed.  Hope that helps a bit.
=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=
+ Sharon L. Nelson                                  sln@noctrl.edu    +
| Systems Administrator, Computer Support                             |
+ North Central College, Naperville, IL  60540                        +
=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=+=

------------------------------

Date: Wed, 18 Oct 1995 12:07:29 -0400 (EDT)
From: Christine Maves <cmaves@freenet.npiec.on.ca>
Subject: Re: Is silk ribbon colour-fast?

On 17 Oct 1995, Library - Vineland Research Station wrote:

> Greetings everyone:
> 
> Is the silk ribbbon which is widely available for silk ribbon embroidery
> colour-fast? I can't remember the name of the brand I've purchased.
> 
> I'm interested in applying some dark blue silk ribbon to a pale yellow silk
> vest of my husband's (c. 1812) to get a striped look, but I'm wondering if
> this isn't a recipe for disaster with our hot, humid summers. The vest 
> material was expensive - should I wash the ribbon first? (Or should I just 
> get a life?)
> 
> Any advice welcome.
> 
> Sheridan Alder 
> library@onrsvi.agr.ca
>Hi Sheridan, I've heard that if you soak the ribbon in a very diluted 
mixture of vinegar and water overnight, that this should get out any 
colour that would run, and set the ribbon so no more running should 
occur....(but then again I should get a life .....)
chris 

When at first you don't succeed....Try, Try, Try, Try again

------------------------------

Date: 18 Oct 95 10:43:26 EDT
From: Rhane <74404.22@compuserve.com>
Subject: Rapiers

Bill,

<<Can anyone recommend a source or sources where I can buy (hopefully at a
reasonable price)6 or 7 mid 17th century French rapiers (actually I believe they
are "Italian" style - which became popular around then) as would be reasonably
proper for a "Three Musketeers" type theme.>>
Are you looking for *real* rapiers or replicas? (*BIG* price difference, there!)

If you're looking for replicas, Musuem Replicas sells swords. There's also a few
others (that don't charge those kind of prices but take a bit longer). Let me
know which ones you're after...

Rhane

------------------------------

Date: Wed, 18 Oct 1995 14:32:34 -0400
From: MerrimacGA@aol.com
Subject: Looking for costumers

Hi, everyone! I need some help. I'm trying to build up a list of people I can
refer work out to for my clients on historical uniforms. I am preferring to
find someone in Georgia but am interested in finding people in other states
as well (continental U.S. only). Part of my business is mail order so for
persons outside Georgia, the willingness and ability to do mail order would
be essential. This also would be subcontracting work only.

At the moment, I don't have any specific clients lined up but anticipate such
clients in the near future. I'm just trying to make contacts for right now.
Any help would be appreciated. Thanks in advance!

Mary Macdonald

------------------------------

Date: Wed, 18 Oct 1995 13:06:35 -0400
From: GDresback@aol.com
Subject: Fwd: query:Living History in England

Hey, can anyone help these people? I know it's only sort of related to this
list, but there seems to be a number of Europeans on it. Please make your
replies to Hansen@hope.edu though? I think the thread would be interesting,
but I'd feel like I distracted the list if it went too far on here. 
- ---------------------
Forwarded message:
From:	HANSEN@HOPE.CIT.HOPE.EDU
Sender:	owner-CW-REENACTORS@GMU.EDU
Reply-to:	CW-REENACTORS@GMU.EDU
To:	cw-reenactors@GMU.EDU
Date: 95-10-18 08:33:09 EDT

My 10 year old son and I are planning a trip to England and 
possibly Paris. We really enjoy living history events. I know 
this really doesn't have anything to do with the American Civil 
War but I'm hoping that there are people over there who are 
reading this. On our last trip to England we went to Hampton 
Court where people sang and dance and played music in costume. 
There were jesters and others were cooking traditional foods. It 
was a highlight of our trip. This trip we plan to go to London, 
Cardiff, possibly Canterbury, Leeds, (Kent in general) possibly 
Nottingham forest area and the area where King Arthur's Court 
was. We also plan to go over to Paris by way of the Chunnel. 
While this may or may not happen if you have any good ideas 
about living history events in GB, Wales, or Paris let me know. 
We will probably only spend 3 days in Paris with the rest of the 
2 weeks in GB. We are planning our trip for the last week in 
January and first week in February.
Sandy Hansen
Hansen@hope.edu

------------------------------

Date: Wed, 18 Oct 1995 15:39:11 -0400
From: Carodec@aol.com
Subject: Re: ribbon?

In a message dated 95-10-17 16:54:31 EDT,  Sheridan Alder wrote:

>I've purchased some real silk ribbon (not that wimpy silk embroidery ribbon)
>from antique stores. I'd guess it's early to mid-twentieth century from
>the packaging. In width and strength it's very much like modern ribbons made
>of synthetic materials, except that it has that indefineable, subtle silk
>feel to it. I'd give my eyeteeth for more. Judging from illustrations, I'd
>guess that silk ribbons used to be superior to what I've been able to find
>today.

I've purchased some lovely silk ribbon from Kathleen B. Smith
Textile Reproductions. The ribbons are lustrous and strong. They
are available in several different widths, and in vegetable-dyed
or synthetic colors. Standard disclaimer: I don't work for this 
company, just purchase enough goodies from the lady so by now 
I probably owe her my first born child.

Kathleen B. Smith Textile Reproductions
Box 48
West Chesterfield, MA 01084
(413) 296-4437

- ---Caroline in Pennsylvania
Carodec@aol.com

------------------------------

Date: Wed, 18 Oct 1995 15:49:55 -0400 (EDT)
From: Carl Olson <colson@midget.towson.edu>
Subject: Re: Musketeers' Rapiers

On Tue, 17 Oct 1995, William Birner wrote:

> I am looking for a bit of help.
> 
> Can anyone recommend a source or sources where I can buy (hopefully at a 
> reasonable price)6 or 7 mid 17th century French rapiers (actually I believe 
> they are "Italian" style - which became popular around then) as would be 
> reasonably proper for a "Three Musketeers" type theme. 
> 
> 
> -- 
> Ciao, Bill
> 
> wbbirner@ix.netcom.com  (William B. Birner)
> Bill.Birner@nopc.org
> 
> 
Hello Bill.

If you have Web acess, try the catalog for Scottie Armory at 
http://www.prime.com/~valenti/scottie/catalog.html.  If you don't, try 
their address at:

Scottie Armory
P.O. Box 682
Williams, AZ 86046
(602)-635-9588

Their prices vary depending largely upon the accuracy of the blade, i.e., 
wide epee blades are cheaper than sharpened schlagers (Heidelberg blades.)
I have never ordered from them so I don't know about service.

Sincerely,


Carl P. Olson

------------------------------

Date: Wed, 18 Oct 95 14:47 CDT
From: ROBERT@UIAMVS.WEEG.UIOWA.EDU
Subject: "Collapsed fabric"

My local craft guild recently had a workshop on "Collapsed Fabric",
which is made by overspinning the weft so that it will want to pull
in on itself, creating a kind of crinkle fabric.  My understanding
is that this is one of the methods used to make crepe.
Does anyone know when overtwisting the weft began and whether it
might have been used instead of small pleats in some fashions with
vertical lines/gathers?
Thanks.
******************************
Wendy Robertson
Serials Cataloging
University of Iowa
(319) 335-5894
wendy-robertson@uiowa.edu
******************************

------------------------------

Date: Sun, 15 Oct 95 20:40:27 PDT
From: Allan Terry <aterry@neon.Teknowledge.COM>
Subject: Other groups

The editor of the review journal _Rags_ is putting together a list of
mailing lists and b-boards relating to costume, vintage clothes, textiles,
sewing, etc. for publication in the journal.  He himself is not on-line yet.
I think I know about most of the Internet lists and gave him some addresses.
But I don't know anything about lists specific to CompuServe or other such
services.  So if anyone knows about these, I'd appreciate specific
information, such as the list name, sign-on procedures, etc. as well as an
idea of what topics are discussed.  If you e-mail the info to me at

aterry@teknowledge.com

I'll forward it to him.

Thanks for any help you can give.

Fran Grimble

------------------------------

Date: Wed, 18 Oct 1995 18:19:52 -500
From: "Carol Kocian" <CKOCIAN@epe.org>
Subject: Ribbon

    Brian Hill Asked,
    
> If anybody has any experience with ribbon for use on historical
> costumes or ribbon as a trade item used in the fur trade, I would
> very much like to hear your thoughts on this.

    I don't know about the fur trade, but I do have an opinion about 
ribbon for reenacting. I don't like polyester grosgrain ribbon for 
reenacting. A wonderful alternative is the linen ribbon (or "tapes") 
avilable from Kathleen B. Smith in Massachusetts. It's a natural 
brown color, but I frequently dye it. Dark colors are possible with 
the "3-day" method: Using RIT dye, I mix up a strong dyebath, and 
simmer the ribbon all evening. I let it cool, leave it overnight, and 
simmer it again the following two evenings. The color is intense and 
colorfast with proper washing & rinsing afterward.

    I also weave my own tapes from silk or linen on a tape loom. 
These are warp-faced narrow tapes with many possibilities for color 
patterns.

    -Carol Kocian

------------------------------

Date: Wed, 18 Oct 1995 15:48:37 -0700
From: denikai@ix.netcom.com (Marie Denikas )
Subject: Re: Musketeers' Rapiers

You wrote: 
>
>I am looking for a bit of help.
>
>Can anyone recommend a source or sources where I can buy (hopefully at 
a 
>reasonable price)6 or 7 mid 17th century French rapiers (actually I 
believe 
>they are "Italian" style - which became popular around then) as would 
be 
>reasonably proper for a "Three Musketeers" type theme. 
>
>
>-- 
>Ciao, Bill
>
>wbbirner@ix.netcom.com  (William B. Birner)
>Bill.Birner@nopc.org
>
>
Try American Fencers Supply/The Armoury

They do multiple hilt styles on different blade styles, and all pieces 
are replaceable as they are combat-worthy.  Reasonable prices, too.

1180 Folsom St.
San Francisco, CA  94103
(415) 863-7911

------------------------------

End of H-Costume Digest V3 #231
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