From: owner-h-costume-digest (H-Costume Digest)
To: h-costume-digest@lunch.engr.sgi.com
Subject: H-Costume Digest V3 #247
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H-Costume Digest         Friday, November 10 1995         Volume 3, Number 247

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
  Adds/drops/archives:   majordomo@lunch.engr.sgi.com
  Real, live person:     h-costume-request@andrew.cmu.edu

Topics:
    Military Medieval Gloves
    Re: Military Medieval Gloves
    Gloves and Gauntlets
    Re: ISBN#, John Scott is right but to confuse matters...
    re: corset web page 
    FW: Corset Web Page
    Re:  H-Costume Digest V3 #246
    Re: Gloves
    Re: cotehardies etc. 
    Re: cotehardies etc.
    Re: Gloves
    Re: cotehardies etc.
    Re: Gloves and Gauntlets
    costume pattern request
    re: Corset Web Page
    Re: costume pattern request
    Re: cotehardies etc. 
    Open House and Pattern Review

----------------------------------------------------------------------

Date: Thu, 9 Nov 1995 15:46:24 +0100
From: j.w.hubbard@sheffield.ac.uk (Bill Hubbard)
Subject: Military Medieval Gloves

>> Replying to David Brewer's query on "Medieval gloves: any info?":
>>

>Try Cunnington's History of Occupational Costume.
>There is a glove section with manscript portrayls of common people
>wearing them!!
>Teresa

In a military context?
Bill

------------------------------

Date: Thu, 9 Nov 1995 10:09:33 -0600 (CST)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Re: Military Medieval Gloves

> 
> >> Replying to David Brewer's query on "Medieval gloves: any info?":
> >>
> 
> >Try Cunnington's History of Occupational Costume.
> >There is a glove section with manscript portrayls of common people
> >wearing them!!
> >Teresa
> 
> In a military context?
> Bill
> 
Yes, I believe so, don't own the book, though.
Also, try Francis Michael Kelley _A short history of military and 
civilian costume, primarily in England_ its from the 30s and while I 
would normally never recommend from that time period, it does 
contain some amount of actual photographs and period contextual 
references.  I was looking for information on German gypons from 
1390s, so it probably has something on gloves, too.
Teresa  

------------------------------

Date: Thu, 9 Nov 1995 18:20:44 +0100
From: j.w.hubbard@sheffield.ac.uk (Bill Hubbard)
Subject: Gloves and Gauntlets

In reply to:Rhodry <rsaylor@scs.unr.edu>

>Owning a pair of mitten-gauntlets, I can assert that you will want foam
>padding and leather gloves.
>(snip)
> I have trouble believing that soldiers, knights, whatever
>you want to call them did NOT wear something in them.  However, I have
>not done any research on the topic.

Quite agree you need something inside gauntlets on the back and sides of
the hands:  maybe even full gloves or mittens. My only point is that I
haven't seen leather gloves worn as part of military equipment on their
own: but that is only my experience: other people might have.
Teresa has mentioned a couple of books - does anyone have these to get the
references from them?
Regards,
Bill

------------------------------

Date: Thu, 9 Nov 1995 10:27:51 -0800
From: shepgibb@mcn.org
Subject: Re: ISBN#, John Scott is right but to confuse matters...

>Date: Thu, 9 Nov 1995 09:43:45 -0800
>To:"Gwyneth H. Crowley" <GC6662@cnsvax.albany.edu>
>From:shepgibb@mcn.org
>Subject:Re: ISBN#, John Scott is right but to confuse matters...
>
>This discussion on ISBN seems to be going on a bit and obviously it is not
>clear to some people. By way of example: the latest book I published -
>CIVIL WAR GENTLEMEN: 1860s Apparel Arts & Uniforms has the following
>number          0-914046-22-5
>the 0 indicates I publish in English
>914046 is my number as a publisher, no one else can use it
>22 means that it is the 2nd book (or version of any books) I have published
>5 is some sort of a computer generated check #
>
>When I started publishing I bought a series of ISBN#s from Bowker (who
>control the US market) and each time I publish a book or a version of a
>book I use the next number in line.
>
>One of my books in published in England. Its number looks nothing like
>mine because they have their own code number, etc.
>
>On magazine there is an ISSN# (Internaional Standard Serial Number) this
>is issued here by the Library of Congress.  An example is the magazine I
>publish: RAGS: Quarterly Reviews of Costume, Clothing & Ethnic Textile
>Books, ISSN 1082-6181.
>
>If you find duplicates they are mistakes and someone is asleep at the switch.
>                  Robb Shep
>

------------------------------

Date: Thu, 9 Nov 1995 12:51:57 -0500
From: Kevin Richard-Morrow <krmorrow@ajb.dni.us>
Subject: re: corset web page 

A good source for metal boning and wooden busks is:
Tidy's Storehouse
(800)-826-7771   

        I don't have the current address but the 800 number works and I am
sure they will be glad to give out the snail mail address.
Kevin Richard-Morrow
15th reg. Albany County Militia (18th century, flintlocks not M-16s) 

------------------------------

Date: Fri, 10 Nov 95 08:51:00 EST
From: "Hicks, Melissa" <MAH@cbr.smtpgate.amsa.gov.au>
Subject: FW: Corset Web Page

Drea,

If you are going to put mail-order info on the Web page, could you please 
mark those who do International (in my case to Australia) mail order.

Thanks.  I am going frantic at the moment trying to get hold of ANY (metal 
or plastic but esp. metal) boning.  Our usual Australian importer Terry 
Brown (SCA: Myfawnwy) is currently experiencing difficulties with costs of 
getting this stuff to Australia.

Melissa.
mah@amsa.gov.au
 ----------
From: owner-h-costume
To: Heather Rose Jones
Cc: h-costume
Subject: Corset Web Page
Date: Thursday, 9 November 1995 11:06


I'm working away on the elizabethan corset web page, the ultimate in
specialization on the web.  I was wondering if anyone here had addresses for
1.Mail order Silk
2.Mail order period fabrics (silk satin, real linen, etc)
3. wooden busks
4. spring steel boning

I do have the addresses for Thai silks, WinterSilk, and Sterling silks.
I also have the addresses for Amazon Drygoods and JAS Townsend.  Are
there any other good mailorder places out there (especially for the
spring steel boning)?

Please send them to my email address at aleed@indiana.edu.  Or you can
send them to this list, if you'd like to share them with everyone.

Thanks,
Drea Leed

*******************************************
We've secretly replaced
their dilithium crystals
with new Folger's Crystals.
Now let's watch them to to warp.

------------------------------

Date: Thu, 9 Nov 1995 12:55:28 -0800
From: Susan Fatemi <susanf@rock.eerc.Berkeley.EDU>
Subject: Re:  H-Costume Digest V3 #246

This won't help any medievalists, but gloves were found in Tutankhamon's
tomb. real gloves, not mittens. I think they were embroidered. (can't remember
where I saw this, may have been tv.)

Susan Fatemi
susanf@eerc.berkeley.edu

------------------------------

Date: Thu, 9 Nov 1995 19:10:11 -0500
From: Sanni1@aol.com
Subject: Re: Gloves

Gloves aren't that difficult to make -- I've done about 10 pair, mostly in
15th-16th c. style.  The main thing is to get a good thumb pattern.  There
are several good books on gloves and gloving, showing period patterns for
thumbs and cuffs.  You want to use a non-ravelly fabric too.  I found that
chamois leather or thin deerskin/goatskin works well.  

When sewing, I use a buttonhole or overcast stitch in silk or linen.  I sew
them inside out and turn them, although I have seen ones where the seams were
on the outside.  

Good luck with the project,
Sanni

------------------------------

Date: Thu,  9 Nov 95 17:43:09 PST
From: ches@tristero.io.com
Subject: Re: cotehardies etc. 

 Back when I first joined the SCA I made my first piece of garb, a cotehadie.  It 
was four pieces with two gores in the skirt.  I too wondered how the pictured 
forms acheived Breast support.  So I cut all four pieces out of royal blue Satin on 
the bias.  That is laying all the pattern peices as close to the bias as 
possible. Yes it looks like you take up a lot of fabric but I remember buying 6 
yards of the 60 in. wide bridal washable satin that happended to be on sale for 
2.99 a yard.  I still have 2.5 yards of it.  So I actually used only 3.5 yards. I used a 
Medieval Misc. pattern and it worked just fine.  I got the support I wanted, so 
much so that I went without a bra, (bridal satin is heavy and thick).  I made 
several more and got many comments from ladies who could tell that I was using 
no other support and they started to cut on the bias as well. 
 I recently got a bikini pattern and found that the top is cut on the bias.  There is 
something to be said for cutting on the bias or as close to it as possible.

- -------------------------------------
Ciao
Ches
E-mail: Ches@io.com
This message was sent by Chameleon 
- -------------------------------------

------------------------------

Date: Fri, 10 Nov 1995 09:36:22 +1100 (EST)
From: Katrina Hunt <thehunts@canberra.DIALix.oz.au>
Subject: Re: cotehardies etc.

Just a note about my friends cotehardie made in the Greenland style:

One of them had a 14 metre hem line.  It fitted snugly and was still 
quite outrageous in the amount of material it used.  Cutting with gores 
need not be to conserve fabric (even though that is a side effect) but it 
will achieve a style that was in vogue in more than just Greenland.

The Greenland colony did die out.  They froze as the little iceage revved up.
They froze because they were being stubbonly European and not adapting to 
the changing climate.  Just something to think about.

Katrina



*******************************************************************************
*                                                                             *
* David and Katrina Hunt            |  thehunts@canberra.dialix.oz.au         *

* Stephen Aldred & Mathilde Adycote |  24 Edwards St Higgins ACT Australia
* Baron & Baroness Politarchopolis  |  Phone (06) 254 3059                    *
*                                                                             *
******************************************************************************* 

------------------------------

Date: Fri, 10 Nov 1995 02:29:18 GMT
From: David Brewer <db-cos@westmore.demon.co.uk>
Subject: Re: Gloves

In message <951109191010_102561103@mail06.mail.aol.com> Sanni1@aol.com writes:
> Gloves aren't that difficult to make -- I've done about 10 pair, mostly in
> 15th-16th c. style.  The main thing is to get a good thumb pattern.  There
> are several good books on gloves and gloving, showing period patterns for
> thumbs and cuffs.  

Can you give further details of these books.

> Good luck with the project,

Thanks.

- -- 
David Brewer

------------------------------

Date: Fri, 10 Nov 1995 09:54:28 +1000
From: M.DEVOGEL@student.anu.edu.au (Miesje de Vogel)
Subject: Re: cotehardies etc.

>I fitted my cotehardie three times to get the fit I wanted.  Mine is made 
>out of eight sections, princess seamed along the bust and on the side 
>back (I saw a painting in the book _Late Gothic Europe 1400-1600_ that 
>showed these) and flared with lots of gores from the hip down.
>
Huzzah!

This si the way I do mine, and I get a really good look in this one. 
My justification for doing so is the portrait of one of the French kings
mistress dressed up as the virgin. The one with a crown and one boob
showing. It shows a princessline at the front, with lacing up the middle.
It also shows the gown is lined in fur - which quite a few of the better
portraits do - and that woiuld be a stiffner and a half to get you as mucvh
staying power as a corset.

 For the back though, I only use two panels - This is because another
famous painting (that I can't remember the name, artist, etc. for) has a
picture of Mary Magdalene weeping in a church. It also has tie on sleeves
(which I'm not so sure about, periodicity wise). The back opf the dress has
extremely visible sleeves and a facing on the neck. Then I gore the hell
out of my dresses because I like the sweepimng look. It also can be used to
give a good train effect.

Miesje.

------------------------------

Date: Fri, 10 Nov 1995 10:26:23 +1000
From: M.DEVOGEL@student.anu.edu.au (Miesje de Vogel)
Subject: Re: Gloves and Gauntlets

>In reply to:Rhodry <rsaylor@scs.unr.edu>
>
>>Owning a pair of mitten-gauntlets, I can assert that you will want foam
>>padding and leather gloves.
>>(snip)
>> I have trouble believing that soldiers, knights, whatever
>>you want to call them did NOT wear something in them.  However, I have
>>not done any research on the topic.
>
>Quite agree you need something inside gauntlets on the back and sides of
>the hands:  maybe even full gloves or mittens. My only point is that I
>haven't seen leather gloves worn as part of military equipment on their
>own: but that is only my experience: other people might have.
>Teresa has mentioned a couple of books - does anyone have these to get the
>references from them?
>Regards,
>Bill

Um, Warning, this is not my area of expertise at all, but I am looking into
something for SCA fencing that is a little different...

I'm using a leather gauntlrt as a base, and then sewing over it a butchers
glove. The butchers glove is finely made chainmail, and is extremely
srturdy. It's giving me a nice look even if it is just sometyhing I made
up...

Miesje.

------------------------------

Date: Thu, 9 Nov 1995 00:37:13 -0600
From: David Dill <daved@Travller.COM>
Subject: costume pattern request

Hi!  I am looking for a pattern to make a 1969-looking 
suede coat with fringe, such as was worn by many 
hippies of the day.  If you have any info on how I
might find such a thing, I would surely appreciate it.
If not, any other information, such as where I might
find an example of one (perhaps in a particular movie
or something) so that I could really look at it to 
judge what kind of pattern to get that could serve
as a variation of it or a starting point to alter
to my specific need, that would also be much appreciated.
Thanks for anything you can help me with.  I hope that 
you can.

Mary Alex Tampary

------------------------------

Date: Fri, 10 Nov 1995 08:10:56 -0500
From: loutre@pipeline.com (Denny Stone)
Subject: re: Corset Web Page

Just a public note to the people who responded to my 1770's pannier
question.  Everyone was quite helpful. 
 
For Drea and the Corset Web Page: 
I purchased my materials which included poly boning (cased and uncased) and
metal boning from Greenberg and Hammer, 24 W. 57th St., NYC, 212-246-2835. 
I am almost certain that they have an extensive catalog and that one can
order by mail.  Certainly worth a look. 
 
Stone

------------------------------

Date: Fri, 10 Nov 1995 10:06:43 -0500
From: deirdre@deeny.MV.COM (Deirdre)
Subject: Re: costume pattern request

A lot of the current patterns for polar fleece coats are cut along the same
lines; you might want to just add fringe.

Failing that, AHENCK@american.edu (Anita F. Henck), per a post on
alt.sewing, just inherited a couple hundred patterns dating from the
period. You might want to email her and see if she has one.

_Deirdre

At 12:37 AM 11/9/95, David Dill wrote:
> Hi!  I am looking for a pattern to make a 1969-looking
> suede coat with fringe, such as was worn by many
> hippies of the day.

------------------------------

Date: Fri, 10 Nov 95 09:35:08 PST
From: julie_adams@corp.Cubic.COM
Subject: Re: cotehardies etc. 

On bias cuts and using wide fabric:  Based on how some original 
garments are pieced together, I would hypothesize that they 
sewed the widths of cloth together and then cut them out for 
many of these bias-cut or very wide gored garments.  I am basing 
this suggestion on the pattern layouts in Janet Arnold's Patterns 
of Fashion, and some information that cloth was not normally 
woven in very wide widths.  Does anyone have any primary 
sources documenting this?

------------------------------

Date: 10 Nov 95 10:24:13 -0800
From: "SNORTON.US.ORACLE.COM" <SNORTON@us.oracle.com>
Subject: Open House and Pattern Review

 
Dreamers of Decadence 
The Greater Bay Area Costumer's Guild 
 
Presents An Open House 
 
Saturday, November 11, 1995 
1-5 PM 
Hillview Hall 
Los Altos Community Center 
 
Featuring 
 
The Great Pattern Review 
 
Free Catalogue Containing Reviews, Comments,and Criticisms 
of 102 Historic Patterns 
 
Over 50 Costumes on Display 
 
Special Display of Costumes for the Upcoming Fairy Tale Ball 
 
Photos of Past Guild Events and Workshops 
 
Tickets to Upcoming Events and Workshops on Sale 
 
Raffle 
	Grand Prize a $100 Gift Certificate to Britex 
	Other Prizes:	Membership to CC14 
			Patterns from The Mantua Maker 
			Subscriptions to Ladies Gallery 
			Vintage Hats 
			Tickets to The Art Deco Soceity Ball 
			A Class at Orb Weaver 
			$20 Gift Certificate New York Fabrics 
			Tickets to PEERS Lord Capulet's Ball 
			Tickets to the Rosicrucian Museum 
			Tickets to the Tech Museum 
 
Directions 
From Hwy 101, take the San Antonion Rd East exit 
Cross El Camino Real 
Stay on San Antonion Rd into Los Altos 
Left on Hillview 
The Community Center is on the left 
 
Free admission 
Plenty of Free Parking

------------------------------

End of H-Costume Digest V3 #247
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