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H-Costume Digest        Tuesday, November 21 1995        Volume 3, Number 256

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
  Adds/drops/archives:   majordomo@lunch.engr.sgi.com
  Real, live person:     h-costume-request@andrew.cmu.edu

Topics:
    Re: Corsets in SF Bay Area
    Re: Muslin vs Calico
    Looking for Help
    Health Effects of Corsetry
    Re: Looking for sources re- 
    Tear-away shirts
    Re: Muslin for Tunic?
    Re: velvet
    footcloths
    Tight Jeans
    Re: Muslin for Tunic?  No!
    Corsets in the SF Bay Area
    US Muslin = UK/AUS Calico
    19th Century Masqued Ball
    re: muslin
    re: tear away shirt
    Re: muslin
    Re: 19th Century Masqued Ball
    Re: Corsets

----------------------------------------------------------------------

Date: Tue, 21 Nov 1995 06:53:22 -0800 (PST)
From: Catnip <catnip@crl.com>
Subject: Re: Corsets in SF Bay Area

I know Autumn Adamme runs Dark Garden Studios in SF.  They make really 
nice corsets.  I don't have the phone # handy, but I can scrounge for it 
it you're interested.  There's also Grande Illusions over in Hayward.  I 
know they have corset supplies, but I don't know if they actually have 
the finished item.

- - Dorothy

------------------------------

Date: Tue, 21 Nov 1995 10:48:43 -0500
From: deirdre@deeny.MV.COM (Deirdre)
Subject: Re: Muslin vs Calico

At 4:22 PM 11/21/95, Fiona Thorne wrote:
> Question for our US friends, is muslin bleached, unbleached or both? When
> we buy what we call calico, it is nearly always unbleached.

Most often unbleached, though I just picked up a whole bunch of bleached
muslin for trial garments. It was more like sheet fabric actually.

Calico in the US generally means a cotton fabric printed with a country design.

_Deirdre

------------------------------

Date: Tue, 21 Nov 1995 11:22:49 -0500
From: HiNonny@aol.com
Subject: Looking for Help

Does anyone know of someone in Southern California <am in Orange County, but
anywhere between LA and San Diego is fine>  who will sew a Victorian Ball
Gown?  I have a 'pattern'  sort of.  It's the specs on a dress in the London
Museum and I would like to have a copy, but I don't sew that well.

Thanks in advance.

Amanda

------------------------------

Date: Tue, 21 Nov 1995 12:22:21 -0500
From: Tudorldy@aol.com
Subject: Health Effects of Corsetry

A couple of cogent statements regarding the health effects of corsetry have
been brought up.  One of the rather surprising things attributed (primarily
by modern writers, I believe) is that being tightly corseted eventually
necessitated some need for a uterine support device.  I've seen old ad copy
for these contraptions, and they look pretty scary.

HOWEVER - I maintain - and if one of our number is an MD and would care to
confirm or refute this, I would really, really appreciate it - that the
necessity of wearing some sort of uterine support as a result of, say,
uterine prolapse is due to one thing only - repeated childbearing.  In fact,
I would say that the dangers of childbearing far outweigh any of the mythical
ailments laid at the door of corsetry.  However, a fine waist was vanity,
breeding was sacred, so women were blamed for causing these health problems
themselves by their vanity.  True, there were those who tight-laced
excessively, but my guess is that their number is equivalent to those who,
when the vogue for tight jeans was prevalent, had to pull up their zippers
with a pair of pliers (I actually witnessed this on more than one occasion).
 However, I assert that more women damaged their health and damaged
themselves internally by repeated childbearing than ever did by lacing.

So -- with regard to needing uterine support, I feel that it can safely be
excluded from one of the hazards of corseting.  Perhaps someone has
information on how many maiden women used them?  My guess is that few, if
any, required one of these devices. 

Dedicated to debunking corset mythology,
Elizabeth Blackdane/Meagn E. Maguire
(TudorLdy@aol.com)

------------------------------

Date: 21 Nov 1995 10:21:24 -0800
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: Re: Looking for sources re- 

        Reply to:   RE>Looking for sources re: 1450-1500 England. Anybody?

David,

I am a member of the SCA.  The corporate mailing address is PO Box 360789, 
Milpitas, CA 95036-0789, USA.  The phone number is 408-263-9305, and the 
fax number is 408-263-0641.

Ask for the full list of publications, which will include the Compleat
Anachronist series.  There are booklets on leather work, costuming from 
different eras, brewing, "period" lighting, etc.

I think you might also want to peruse a general publication entitled "The
Known 
World Handboke", which is a paperbound book, containing a series of articles 
written by SCA folk  about different aspects of SCA life, from a very basic 
introduction to heraldry, down to how to pack your  "wagon" for a camping 
weekend.  I believe it's priced around $12 US.

Let me know if I can be of more assistance.

Carole Newson-Smith
(SCA: Cordelia Toser) 

------------------------------

Date: Tue, 21 Nov 1995 13:23:32 -0500
From: Izzabow@aol.com
Subject: Tear-away shirts

I a looking for information on how to make tear-away shirts.  I need to hide
a yellow shirt under a purple one.  It also needs to be used repeatedly, so I
figure velco is involved somehow.  Does anyone have any technique ideas or
places I could look to find some basic instructions?  I would appreciate any
help you all can give.  
Thanks,  Ange in Denver

------------------------------

Date: 21 Nov 1995 10:36:20 -0800
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: Re: Muslin for Tunic?

        Reply to:   RE>>Muslin for Tunic?

:From: Katrina Hunt
:On Mon, 20 Nov 1995, Stephen & Krista Fraser wrote:
:
:> Could you give me your opinions of a 12th C. England man's tunic made of
muslin?
:> I know that linen or light wool has been suggested, but I'm trying to go
as
:> inexpensively as possible without looking ridiculous.  Muslin has a vague:
:> linen look, but it doesn't drape very well....however, it would be quite
:> cool in summer.   Comments...suggestions??
:> 
:Is muslin different there than in Australia?  Here the weave is very 
:open and not appropriate for outer wear.  It would be very cool,
:and very, very see-through.     
:
:Katrina

In the U.S. the fabric used to make bed sheets is called bleached muslin.  
There is a stiff, coarser beige fabric that is called unbleached muslin.
Carole Newson-Smith

------------------------------

Date: 21 Nov 1995 11:09:54 -0800
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: Re: velvet

        Reply to:   RE>>velvet

By the fifteenth century there was a lot of fabric manufacturing
in northern Italy.  From there, goods went north and west.  France
was generally ahead of England fashion-wise.  The Italians were
also a funnel for trade goods coming from and through the 
middle-eastern countries.  The Italians wore what they manufactured, 
as well as fabrics they imported.

There are many paintings from that era which show magnificent
fabrics, both as backdrops on walls, and as clothing.  There is a
famous Flemish portrait of an Italian cloth merchant named Arnolfini 
and  his wife, showing them standing in a room.  She's wearing a
green outer dress.  Also look at paintings of the de Medici brothers,
various saints and the virgin.  In the Tres Riche Heures of the Duc du 
Berry (I've probably butchered the spelling), you can see that the Duc 
could afford the best.

Carole Newson-Smith

------------------------------

Date: Tue, 21 Nov 1995 15:43:50 -0500
From: reaves@tuvok.marian.edu
Subject: footcloths

The Russian army still uses footcloths, partly because strips of cloth are
cheaper and easier to produce, and partly because they always have used
them (so why should modern troops expect coddling)?

------------------------------

Date: Wed, 22 Nov 1995 08:47:52 +1100
From: "GILLIAN RICHARDS (02) 716 3712" <gillian.richards@tafensw.EDU.AU>
Subject: Tight Jeans

    Elizabeth Blackdane (The Tudorldy) wrote: 
    : However, a fine waist was vanity, breeding was sacred, so women 
    : were blamed for causing these health problems themselves by their 
    : vanity.  True, there were those who tight-laced excessively, but 
    : my guess is that their number is equivalent to those who, when the 
    : vogue for tight jeans was prevalent, had to pull up their zippers
    : with a pair of pliers (I actually witnessed this on more than one 
    : occasion).
    
    A wire coathanger works much better, as it gives you more to hang on 
    to as you force that zipper past the (probably non-existant) flab - 
    but once you've got them on - don't sit down and don't eat 
    anything!!! <G>
    + - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - +
    | Gillian Richards - TAFE NSW - (02) 716 3712    |\__/|           |
    | aka:   gillian.richards@tafensw.edu.au         /     \          |
    |         "The Midnight Fox", "Mummy"           /_.~ ~,_\         |
    |  Australia's answer to the werewolf?             \ /            | 
    + - - - - - - - - - - - - - - - - - - - - - - - - - @ - - - - - - +
    

------------------------------

Date: Tue, 21 Nov 1995 17:34:41 -0500
From: "Karen Mercedes"  <mercedes@access.digex.net>
Subject: Re: Muslin for Tunic?  No!

In message <199511210245.VAA20965@gold.muskoka.com> Stephen & Krista Fraser 
writes:
> Hi!
> 
> Could you give me your opinions of a 12th C. England man's tunic made of 
> muslin?
> I know that linen or light wool has been suggested, but I'm trying to go as
> inexpensively as possible without looking ridiculous.  Muslin has a vague
> linen look, but it doesn't drape very well....however, it would be quite
> cool in summer.   Comments...suggestions??


Muslin looks like muslin.  I'd look instead at a rough cotton-ramie blend; it 
drapes nicely (it's soft), and has a kind of woolly (actualy a raw-silky) look 
to it.  Given they use cotton-ramie on some extremely cheap clothes, I imagine 
it's probably very cheap by the yard too.

Karen Mercedes

mercedes@access.digex.net

+----------------------------------------------+
|                        ...I guessed not half |
| Life's symphony till I had made hearts beat, |
| And touched Love's body into trembling cries |
|                       -- Wilfred Owen, MUSIC |
+----------------------------------------------+

------------------------------

Date: 21 Nov 95 14:19:05 -0800
From: "SNORTON.US.ORACLE.COM" <SNORTON@us.oracle.com>
Subject: Corsets in the SF Bay Area

 
There are several good corset makers in the SF Bay area. 
 
Lorraine Carson 
Mountain View 
415 969 5514 
 
Dark Garden 
Autumn Adamme and Monique Motil 
San Francisco 
415 567 6267 
 
Sheri Jurnecka 
San Francisco 
425 333 4131 
 
(Sin)ch Corsetry 
Clovis Carleton 
Oakland 
510 451 7716 
 
Erin Harvey Moody 
Oakland 
510 444 6244 
 
Winter Moon 
Cherie Moore 
Oakland 
510 832 3720 

------------------------------

Date: 21 Nov 95 17:10:45 EST
From: Rhane <74404.22@compuserve.com>
Subject: US Muslin = UK/AUS Calico

TO: Katrina Hunt <thehunts@canberra.DIALix.oz.au>
Subject: Re: Muslin for Tunic?

Katrina,

<<Is muslin different there than in Australia?>> yes, it is, Australian/English
'muslin' is 'cheesecloth' in the US. 'Muslin' in the US is *very* similar to
'calico' in the UK/Australia.

For the other person asking about using muslin for garb: Try using OSNABURG
(wash it about 6-7 times first, tho'... kinda itchy). Wal-mart sells it. It's
100% natural (colored) cotton. Fairly rough weave and fairly cheap.

Rhane (who's from the US but is in the UK now)

------------------------------

Date: Tue, 21 Nov 1995 15:30:44 -0800
From: cynthia@caere.com
Subject: 19th Century Masqued Ball

Subject: 19th Century Masque Ball

>I am currently trying to design a dress for an 1860's Masque Ball and am 
>having a terrible time finding resources on both costume design and 
>ettique for the occasion.  Does anyone know of anything?

        Crystal,

    I have a large fashion plate collection of my own, mostly American.
    Among these are many ballgowns, but only one is for an masqued ball
    in an American magazine.  (Godey's approx.  1865) Of particular
    note is the riot of color on the Fancy Dress gowns in sharp
    contrast to the soft, restrained solids of the usual ball attire.

    The only American plate I have shows romanticized, gawdy looks from
    (European) history, adapted to Victorian clothing shapes.  In some
    cases this is quite odd.  There are: Elizabeth I (the dagging has
    become a box pleated peplum, colors <grin!> are teal & cinnamon ),
    a Spanish court gown compleat w/ fontage headdress (now in starched
    lace, gown is plum & kelly green), something sort of Dutch
    peasant-ish (blue bodice, brown skirt w/ red trim), a French court
    gown (pale blue over peach underskirt; is that panniers AND
    hoops?!), another Spanish style this time a gypsy-ish get-up w/red
    bolero, yellow Garibaldi shirt, black heavily skirt.  The sash is
    red w/ yellow trim, alternating red & yellow fringe.

    3 Children: 2 small girls dressed as a pilgrim and a court fool The
    fool is a pale blue dagged overshirt, screaming yellow undershirt
    and matching blue Robin hood cap.  Small boy wearing kilts & tam.

    When I was in Italy at a antique book vendors shop in Torino, I
    asked for fashion plates.  He quickly found a small folder of about
    20.  (I thought I'd hit the jackpot!) After poking thru the small
    bundle and finding them all faded, badly foxed or torn, I was about
    to leave when the proprietor told me "Madame, your table is ready."

    Usually, you expect to hear this in a restaurant, not a bookshop.

    On the table were 12 folders, none less than 2" thick.  Each folder
    was labled: "Women", "Men", "Groups of Women", "Groups of Men",
    "Children", "Mixed Groups", "Carnivale" and so on.  You would have
    wanted the "Carnivale" folder.  This is the Big Event in Northern
    Italy.  Every museum & castle explodes with people in historical &
    psuedo-historical costume.

    In summary, I harbor a suspicion that masqued balls were not as
    popular in the US as they were in Italy, Spain and other countries.
    Try reprints of fashions from "Moda Illustrada", a spanish magazine
    (generally 1880s); there is a series of these, of which I have 3.
    One is ONLY Fancy Dress gowns.

    You could reasonably take the Racinet book (19th engravings of many
    historical paintings), look at them with your "Victorian Eyes" and
    create something quite fun!

    As someone else mentioned, "From the Ballroom to Hell" is an
    excellent collection of period commentary on the subject of
    dancing.  It will not give you ballroom etiquette.

        --cin

------------------------------

Date: Tue, 21 Nov 1995 15:32:41 -0800 (PST)
From: Kimberly Smay <smay@lclark.edu>
Subject: re: muslin

At the risk of beating a dying horse, muslin comes in a number of grades. 
Scenic muslin (used in making theatrical flats and drops) is quite heavy. 
It works beautifully for corsets and stable flat-lining. The loose-weave 
variety is available in the u.s. for very cheap. terrible stuff in my 
opinion. 
Kimberly Smay

------------------------------

Date: Tue, 21 Nov 1995 15:26:57 -0800 (PST)
From: Kimberly Smay <smay@lclark.edu>
Subject: re: tear away shirt

I personally don't like velcro. It sticks to itself entirelytoo well ands 
not always where you want it to. I've made a couple of rip-away costumes 
and I use snap tape. Don't use the gripper snap kind, it grabs too well. 
If you want the ripping sound of velcro, sew little patches between the 
snaps. Is the fast change one direction only i.e. off, but not back on? 
two way fast changes take a lot more engineering. Write back if thats 
what you need.
Kimberly Smay

------------------------------

Date: 21 Nov 1995 16:18:32 -0800
From: "Carole Newson-Smith" <carole_newson-smith@mac.net.com>
Subject: Re: muslin

        Reply to:   RE>>muslin

I have found one (count them, one) use for unbleached muslin (U.S. 
definition).  When I make a pattern, I start with newsprint for the
first draft, adjust, go to unbleached muslin, which can be pinned, 
trimmed, marked on to my heart's content, and then separated and 
used as pattern pieces.
If it's a pattern that's going to be used more than once or twice,
I stay stitch the edges.
It's just about the cheapest stuff in the fabric stores around here.

Carole Newson-Smith

------------------------------

Date: Tue, 21 Nov 95 18:24 CST
From: vbetts@gower.net (Vicki Betts)
Subject: Re: 19th Century Masqued Ball

Christmas Day, Saturday, December 25, 1858  
Sis Anne and Mamie spent today with me.  They came down yesterday to attend
a fancy party at Mrs. Shipping's--After some deliberation we took different
characters.  Sis Anne personated "Night" wearing a new black velvet dress,
low necked and short sleeves, with a black lace veil, with silver
spangles--This with her sett of diamonds made a very elegant dress.  Mamie
wore white satin with an illusion tunic or top skirt, borderd with a broad
gilt band.  The neck, sleeves and crown were trimmed with the same.  She
wore her sett of diamonds.  I don't believe Mamie has decided yet wether she
personated "Norma" or "Evadne."  My dress consisted of an alapaca riding
skirt with black velvet Basque, Mr. Thomas' cap trimmed with
feathers--Gauntlets, linen collar and undersleeves and a riding whip--making
the complete costume of Di Vernon in Scott's Rob Roy.  The costume was quite
comfortable and they all said becoming--A great many were invited from town
but there were very few there.  Still the evening passed pleasantly ... They
had a very nice supper and the band to play for them yet it decided me that
I was right in an opinion previously formed, that it was difficult to
succeed in getting people out from town, so far, when they have to return
the same night.

p. 166, The Secret Eye:  The Journal of  Ella Gertrude Clanton  Thomas,
1848-1889.  Edited by Virginia Ingraham Burr.  Chapel Hill:  University of
North Carolina Press, 1990.  Ella lived in and near Augusta, Georgia.
footnote:  Night was the child of Chaos and Evadne the wife of Capaneus in
Greek mythology.  Norma is the heroine of Bellini's opera of the same name.

Vicki Betts
vbetts@gower.net

------------------------------

Date: Tue, 21 Nov 1995 18:00:55 -0700 (MST)
From: Wayfinder <cfree@unm.edu>
Subject: Re: Corsets

On Fri, 17 Nov 1995 HiNonny@aol.com wrote:

> Could anyone please tell me where to find a corset pattern? I know that
> Amazon Drygoods carries some.  Are these the best available?  Or is there
> something better?  
> 
> <Am looking for Victorian and Elizabethan>
> 
> Thanks in Advance,
> 
> Amanda
> 
Past patterns sell a couple really good corset patterns.  Pretty simple 
to follow... unfortunately I don't have the adress at the moment... I've 
moved and lost everything but my mind at this point...

Crystal

------------------------------

End of H-Costume Digest V3 #256
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