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Subject: H-Costume Digest V3 #260
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H-Costume Digest         Monday, November 27 1995         Volume 3, Number 260

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
  Adds/drops/archives:   majordomo@lunch.engr.sgi.com
  Real, live person:     h-costume-request@andrew.cmu.edu

Topics:
    Almost Authentic Shoes
    Authentic Sunglasses (Green Specs)
    Re: Goose Down
    Cartridge Pleating Questions
    corsets & pregnancy
    corsetry etc
    Re: re; Fans?
    Pointer: Ren Faire costume info
    Victorian fichus
    Fur trade garb 1784
    Re: Fans
    Fans and fan language
    Cartridge pleating
    Knitting
    Re: Authentic Sunglasses (Green Specs)
    questions about growing flax
    Hook and eye "tape"

----------------------------------------------------------------------

Date: Sun, 26 Nov 1995 16:43:58 -0700
From: cwood@primenet.com
Subject: Almost Authentic Shoes

For those of you doing the late 19th and early 20th century and who live
near a Steinbmart--I just got a terrific deal on pointy toed, high top
women's shoes from the Larry Stuart Collection. They came in black, and
cream leather with linen uppers and look exactly like the old fashioned
high-top shoes, right down to the heel. The only thing wrong with them is
that they lace up instead of button, but I guess  you can't have everything.
Orginally 180 bucks, now down to 17.50. What a deal. I live in Scottsdale,
Arizona and the Steinmart that I went to was at Pima and Shea. If there is a
Steinmart near you, I suggest you check them out. They also had some good
deals in pretty authentic looking jewelry and great velvet hats for the
teens and 20s. 

Ysabeau

------------------------------

Date: Sun, 26 Nov 1995 16:48:37 -0700
From: cwood@primenet.com
Subject: Authentic Sunglasses (Green Specs)

I am looking for info on authentic sunglasses, or green specs. The earliest
reference I have seen to them dates about 1861 or 1862, though obviously
sunglasses as we know know them today did not become really popular until
much later. Has anyone ever seen a book about the history of sunglasses or
have any idea where I can do some research? I have seen a few pictures of
green specs--they were simple wire frames with green glass in them,
basically like regular specs with a tinted lense.

I am getting together a late 19th century persona and I have very sun
sensative eyes. Even a parasol and large hat isn't going to be enough for me
in the summer Arizona sun. 

Ysabeau

 

------------------------------

Date: Sun, 26 Nov 1995 19:17:29 -0500
From: "Karen Mercedes"  <mercedes@access.digex.net>
Subject: Re: Goose Down

In message <Pine.3.89.9511251358.A21162-0100000@csbh>  writes:
> Hello
> 	I am not sure if this is the right place to ask this question, 
> but I was wondering ... how they get the 
> goose down.


One person pins him to the ground, while the other hits him over the head with a
club.

KM

mercedes@access.digex.net

+--------------------------------+
| I think...therefore I'm single |
+--------------------------------+

------------------------------

Date: Sun, 26 Nov 1995 16:20:43 -0800
From: gwjchris@ix.netcom.com (Bill and Glenna Christen )
Subject: Cartridge Pleating Questions

You wrote: 
>
>I was wondering if this list could answer the question:  when did 
>cartridge pleating cease to be the common method of "gathering" skirt 
>materials I am particularly curious as to whether it was a common 
>sewing technique in the American colonies circa 1770-1776.

"Cartridge pleating", or as it was know before the invention of 
cartridges, "gauging" has come and gone in fashion many times.  It was 
one of a couple skirt treatments options used at least in the 1850's 
and the early 1860's.  I leave it to the Colonial era costumers to 
confirm or deny my suspicions that it wasn't uncommon for that era 
either.

Glenna Jo Christen
gwjchris@ix.netcom.com

------------------------------

Date: 26 Nov 95 07:06:55 EST
From: Dee Wilson <100545.3105@compuserve.com>
Subject: corsets & pregnancy

Two observations about corsets on pregnant women :

1.  The 18 c stays did not come down over the hips, allowing more room for the
bulge.  The 18C had a more relaxed view of pregnant women in society.  The late
19c/ early 20C corsets  just did not allow a bulge to appear. Even in the 1950's
very pregnant women were not expected to be seen in public -  to the extent of
going shopping outside busy times.  1950 dressmaking patterns talk of tent
smocks to hide the bulge.   In the late 19C doctors commented that pregant women
should not wear fashionable corsets, and wear <proper> corsets. The latter are
pretty formidable by our standards.

2.   We should not assume all 19c pregnancy /childbirth problems were due to
corsets.  The then knowledge of infections, gyny etc were so much lower than
today.  In the 1870 the advice to pregnant women from 5 months was to avoid
walking, stay in bed.  Perhaps this avoided the need for fashionable corsets ?
At least one doctor recommended a diet of weak tea and thinly sliced white bread
( unprocessed brown flour was for the working classes). Bleeding and leaches
were examples of the <correct> 19c treatment of the illness known as pregnancy.
At childbirth time the woman thought she was a weak invalid, and probably was
too !

Dee
100545.3105@compuserve.com

------------------------------

Date: 26 Nov 95 07:06:47 EST
From: Dee Wilson <100545.3105@compuserve.com>
Subject: corsetry etc

Recently Nea Dodson wrote about modern women managing in 19 C corsets.  The
contemporary women seemed to have their problems too !  I have seen comments in
household / home management books in the period 1860 - 1900 which relate to
dressing for evening dinners and parties:


1.	Don't tightlace - keep to your usual daytime waist measurement.

2.	If you really must tightlace then

		don't eat any more than politeness demands
		don't eat melon or cucumber because they will make you burp
		sit out alternate dances.
		keep warm
		on return take a laxative to cure the constipation tightlacing
may cause.


One book talks about Sunday, which meant a minimum of work and <best> clothes.
On the subject of children it suggests that they should be allowed to read
something other than the Bible, as long as they were <suitable> for Sundays.
Again it counsels against tightlacing children, but suggests that if mothers do
insist on tight stays for the fashion parade of going to church, 8 -12 year old
girls should be permitted to wear "easier" stays on their return home.
Clearly,the idea of this age range NOT wearing stays at all was not part of the
thinking.

Dee
100545.3105@compuserve.com

------------------------------

Date: Sun, 26 Nov 1995 16:48:30 -0800
From: gwjchris@ix.netcom.com (Bill and Glenna Christen )
Subject: Re: re; Fans?

You wrote: 
I not only want to learn its' construction, I also would like to learn
>the flirting technique that go along with it. 

I can't comment on the 18th century, but in the 1850-60's there were 
published lists of what various fan movements were supposed to signal, 
but those same lists commented that while it's a clever idea if 
everyone knows the signals the messages aren't very secret and if the 
other party doesn't "speak the language" the message doesn't get 
delivered.  It sounds like a "fad" to me...  
This doesn't mean using a fan and eye contact can't speak volumes 
without a formal "language".  If anyone is interested I can dig out my 
references and send them as an attachment from a file I can create off 
line.  This reference would be mid 19th century though... send me an 
e-mail message if you're interested...

Glenna Jo Christen
LHS, LSFS & MSAS
gwjchris@ix.netcom.com

------------------------------

Date: Sun, 26 Nov 1995 17:40:36 -0800
From: Chris Laning <claning@igc.apc.org>
Subject: Pointer: Ren Faire costume info

Hi --

I have edited a Costume FAQ (written by Gaylene Keene-Bartlett) and written a
second one specifically for RPFI Faires (the two large California Faires and
Bristol, soon to be another in Virginia). I post them around the 15th of each
month in the newsgroup <alt.faires.renaissance>.

I can't accommodate individual requests for copies, but if there is interest
please e-mail me privately; if I get more than two or three requests, I'll
post them here for folks who can't access that newsgroup or need it before
the 15th. And if it's okay with Diane, of course (they are not strictly
historical, and pretty long (33K and 11K respectively).


____________________________________________________________
O   Chris Laning         
|   <CLaning@igc.apc.org>
+    Davis, California
____________________________________________________________

------------------------------

Date: Tue, 14 Nov 1995 17:32:03 -500
From: "Carol Kocian" <CKOCIAN@epe.org>
Subject: Victorian fichus

    Someone asked earlier about victorian fichus. I'm guessing she 
was referring to a bertha. On Civil War era dresses, this is the 
piece that drapes around the neckline. They are seen frequently on 
ballgowns. They can be pleated or draped; made of the same fabric as 
the dress or something different, or a combination of the two.

    A friend of mine extensively researches & makes Civil War era 
gowns. In the back of the dress, the bertha is stitched to the dress 
along the neckline on one side up to the lacings. It fastens to the 
other side of the dress back with hooks & eyes. She usually hides the 
join at the shoulder with a design element, such as a narrow band 
perpendicular to the bertha.

    I hope this helps!
    Carol Kocian

------------------------------

Date: Sun, 26 Nov 1995 22:02:55 -0500
From: anderson@glen-net.ca (David G Anderson)
Subject: Fur trade garb 1784

After the loss of half of North America, the British fur trade moved up to
British North America, which later became Canada, of course. The Highland
gentlemen of Montreal employed French-Canadian voyageurs and within years
controlled the commerce of half a continent.

Question: what did they wear? and how can we make it now?


        David G Anderson <anderson@glen-net.ca>
        Nor'Westers & Loyalist Museum -  1784
        Williamstown, Ontario, Canada  K0C 2J0

------------------------------

Date: Sun, 26 Nov 1995 21:23:53 -0700
From: cwood@primenet.com
Subject: Re: Fans

Amazon Drygoods sells something called "The Language of the Fan" It
describes traditional fan "flirting messages" and is suitable for framing,
so I guess its not really a booklet. It costs 2 bucks. They also sell all
kinds of fans.

Amazon Drygoods
2218 E. 11th St.
Davenport, IA 52803
319-322-6800

Catalog is 2 bucks.

Ysabeau

------------------------------

Date: Sun, 26 Nov 1995 21:16:18 -0800 (PST)
From: Allan Terry <aterry@Teknowledge.COM>
Subject: Fans and fan language

Kora,

While there's no reason not to make a fan, if the process interests you,
many Victorian fans are passable imitations of 18th-century ones.  There are
minor differences--the 18th-century fans did not have a ring attached to the
stick ends like many Victorian ones do.  But if you just want an 18th-century
style picture you can get one.

There were acceptable ways of holding the fan in the 18th century as with
most other types of movement.  One I have seen is holding a closed fan
between the forefinger and middle finger like a cigarette.  However--the
"fan language" rules are strictly a Victorian parlor game.  They were not
used in real life in any period.

Fran Grimble

------------------------------

Date: Sun, 26 Nov 1995 21:20:54 -0800 (PST)
From: Allan Terry <aterry@Teknowledge.COM>
Subject: Cartridge pleating

Sheryl,

The latest garments I have seen with cartridge pleating were from the
1890s.  I own a fair number of 1890s dresses with pleating at the center
back of the skirt (usually the only place with any pleats or gathers) and at
the sleeve heads.  However, I have not seen any Edwardian garments with
cartridge pleats that I can recall.

Fran Grimble

------------------------------

Date: Sun, 26 Nov 1995 22:05:17 -0800
From: Stella Nemeth <s.nemeth@ix.netcom.com>
Subject: Knitting

>Date: Mon, 13 Nov 1995 13:50:55 -0500 (EST)
>From: Sharron Fina <sfina@retina.anatomy.upenn.edu>
>Subject: Re: knitting in Marian portraits
>
>On Mon, 13 Nov 1995, Anne Reaves wrote:
>
>> donate.   These bags, like medieval stockings, have the characteristic
>> side-seam of in the round knitting.   As Stella pointed out, only moderns
>> would be warped enough to separate a round project into plaguey pieces.
>> 
>> 
>I'm confused.  I knit, and there is no side seam in round knitting.  That 
>is the point of round knitting, no seams.

There is something that looks almost like a seam where the row changes.
Whether or not it appears depends on your knitting technique.  Patterned
knitting (2 colors especially) will show the "seam" where straight knitting
won't.  There are also knitting techniques that force what looks like a seam
where the row changes.

And Lorina Stephens said

>        Might I point out that socks have been knitted in a circular
>fashion for a very long time? My greatgrandmother knitted umpteen socks for
>the WWI fellows in this fashion. And I'm sure her greatgrandmother did as
>well, as socks have been tubes for a very, very long time. If they could do
>it for socks, surely these thrifty women could do it for shirts?

When I wrote that message I was still recovering from serious illness.  I
wasn't as clear as I should have been.  Socks HAVE been knitted in a
circular fashion for quite a while, and from the paintings it is also
obvious that so have shirts.  

However, you wouldn't know that from printed directions for knitting which
have undergone a revolution, especially during the last 30 years, from flat
construction to circular construction prompted, at least in part, by the
invention of good quality circular needles.  It is obviously possible to
knit a shirt using 4 or 5 double pointed needles, but it is neither portable
nor easy to do it.  An adult shirt would be very heavy when you got to the
neck and controlling the double pointed needles would get harder the closer
to the neck you got.

Now, I don't know exactly when circular needles were invented.  I can only
go by the fact that my mother, who owned a knitting store in the 1930s,
didn't own any.  We had the leftovers from when the store closed all over
the place during my childhood, and I inherited what was left over when she
died.  The two circular needles in her collection were both bought during
the late 90s, early 80s.  I do remember what I believe were the early
circular needles made out of metal, and the difference between those and the
nylon ones that came into the stores, probably in the 1960s.

Stella
s.nemeth@ix.netcom.com

------------------------------

Date: Mon, 27 Nov 1995 01:51:47 -0800 (PST)
From: Conrad Hodson <conradh@efn.org>
Subject: Re: Authentic Sunglasses (Green Specs)

Try China, or come up with an excuse for being in the China trade, etc.

Western Europe invented glasses about 1300, but they were untinted 
glasses for reading--a sort of no-hands magnifier.  In the far west of 
China, along the silk road, desert dwellers had glasses even earlier, but 
these were the first sunglasses.  (None of the Central Asiatic cultures 
had learned any geometric optics at that time.)

These Central Asiatic sunglasses originally were made of tinted glass or 
ground and polished minerals of appropriate color, such as rose quartz, 
carnelian, beryl, etc.  Their frames look like our wire-rims, but the 
earpieces are hinged in their middles as well as at the forward end.  
These were still being made in China in the 1920's, and perhaps still today.

The Roman emperor Nero is supposed to have had a pair of sunglasses made 
of ground emerald.  As far as I've ever found, this was reported as just 
another of his extravagances, not as a good idea that might be done for 
ordinary folk in more economical materials.  In any case, Westerners made 
glasses for corrective optics for centuries, apparently without any 
thought of tinting the glass.

It's been years since I studied this, but if you really need 
documentation I can probably find you some.

Conrad Hodson 

On Sun, 26 Nov 1995 cwood@primenet.com wrote:

> I am looking for info on authentic sunglasses, or green specs. The earliest
> reference I have seen to them dates about 1861 or 1862, though obviously
> sunglasses as we know know them today did not become really popular until
> much later. Has anyone ever seen a book about the history of sunglasses or
> have any idea where I can do some research? I have seen a few pictures of
> green specs--they were simple wire frames with green glass in them,
> basically like regular specs with a tinted lense.
> 
> I am getting together a late 19th century persona and I have very sun
> sensative eyes. Even a parasol and large hat isn't going to be enough for me
> in the summer Arizona sun. 
> 
> Ysabeau
> 
>  
> 
> 

------------------------------

Date: Mon, 27 Nov 95 09:21 CST
From: ROBERT@UIAMVS.WEEG.UIOWA.EDU
Subject: questions about growing flax

I have some friends who are planning to grow a small patch of flax
for eventual spinning and weaving.  They have a pound of seed.  Flax
for spinning needs to be sown very close together so the plants are
tall and straight.  (Flax for oil is spread farther apart so it will
get bushier and have more seeds).  They have an estimate of the size
plot, but if anyone can give advice it would be appreciated.  (I think
it is something like 150 square feet, but I'm not sure).
They have not been able to find out the expected yield of fiber from
a pound of seed, and then how much cloth could be made.  If anyone
can give estimates of the yield, both for beginners, as well as in
good conditions with experts raising it, I would aprreciate it.
Thanks for your help.
******************************
Wendy Robertson
Serials Cataloging
University of Iowa
(319) 335-5894
wendy-robertson@uiowa.edu
******************************

------------------------------

Date: Mon, 27 Nov 1995 9:20:14 -0600 (CST)
From: "SHERYL J. NANCE" <P_SHERYL@KCPL.LIB.MO.US>
Subject: Hook and eye "tape"

I have used hook and eye tape for a front-closing Tudor bodice & it worked
WONDERFULLY!  I know that it's not historically accurate, but it sure
made the bodice easier to sew.  Also, you don't have to worry about lining
up all of those hooks & eyes so that they match - it's already done!
I'm not in the Bay Area, so I can't tell you where to get any, but you
might try fabric stores that specialize in lingeree material because 
the stuff I used was intended for bras & girdles.

HTH!
Sheryl J. Nance                      ...one of the secret masters of
Kansas City MO Public Library           the world: a librarian. They
p_sheryl@kcpl.lib.mo.us                 control information. Don't ever
                                        p**s one off.
                                          - Spider Robinson,
                                            _The Callahan Touch_

(Opinions expressed in this message do not reflect the viewpoint of 
the Kansas City MO Public Library.)



>I was wondering if any of you in the San Francisco Bay Area know where to buy
>hook and eye "tape".  I've seen something similar for snaps.  I'm hoping to
>find fabric strips with hooks already sewn on one strip and eyes already sewn
>on the other.  That way you just sew the whole thing onto a dress and don't
>need to sew (and line up) the hooks and eyes individually.
>
>Have any of you tried using this on the back of a Victorian bodice?  Or is it
>just plain easier to sew the hooks and eyes separately?
>
>Monica
>monicashen@aol.com

------------------------------

End of H-Costume Digest V3 #260
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