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Subject: H-Costume Digest V3 #270
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H-Costume Digest        Tuesday, December 12 1995        Volume 3, Number 270

  Compilation copyright (C) 1995  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
  Adds/drops/archives:   majordomo@lunch.engr.sgi.com
  Real, live person:     h-costume-request@andrew.cmu.edu

Topics:
    buttons & buttonholes
    Medieval black dyes
    Re: Vest and Suspender Buckles
    Re: buttons & buttonholes
    The Seige of Fort Erie 1814
    Re: Medieval black dyes
    Re: Need E-Mail address for Guild Mistress of Gilded Pearl
    graduate programs
    Black
    Re: The Seige of Fort Erie 1814
    Re: graduate programs
    Courses
    Re: Black
    Re: Clothing Moths (fwd)
    Re: Black
    Re: Black
    Re: Black
    Albania T-O-C

----------------------------------------------------------------------

Date: Mon, 11 Dec 1995 10:35:17 -0500
From: strickif@dunx1.ocs.drexel.edu (Ivy Strickler)
Subject: buttons & buttonholes

Had something amusing happen this weekend and wanted to share. We are using
a red wool 1860's boy's suit in a holiday exhibit and out of desperation I
used a 1910 boy's blouse under it. Each has provisions for buttoning shirt
to pants. Guess what? The button spacing and size is an exact fit for the
buttonholes. Fifty years and nothing changed! And my software from six
months ago doesn't work with my new computer! Go figure.
Ivy Fleck Strickler                     Phone 215-895-1637
Drexel University                       Fax 215-895-4917
Nesbitt College of Design Arts          strickif@dunx1.ocs.drexel.edu
Philadelphia, PA 19104

"Never forget that life is like a Fellini movie, and you're getting to see
it for free."

------------------------------

Date: Mon, 11 Dec 95 10:00 CST
From: ROBERT@UIAMVS.WEEG.UIOWA.EDU
Subject: Medieval black dyes

In reference to the comment:
 ---------------------------- Text of forwarded message -----------------------
> Date: Sun, 10 Dec 1995 08:52:27 -0800 (PST)
> Subject: Making stuff if you're in the SCA...
> Diana Dills <ddills@u.washington.edu> writes:

> ... Difficult colors to obtain were reds, purples, and blacks.  Black
> tended to be "rusty" looking ...

Black was commonly used in some monastic orders.  It seems strange that
the Rule would have required a difficult to obtain color.  If black
commonly washed out to a "rusty" color, why not require that color?
Was black wool commonly used?

Thanks.
******************************
Wendy Robertson
Serials Cataloging
University of Iowa
(319) 335-5894
wendy-robertson@uiowa.edu
******************************

------------------------------

Date: Mon, 11 Dec 95 12:00:24 est
From: Hilary_Oak_at_SLU1@ccmaillink.stlawu.edu
Subject: Re: Vest and Suspender Buckles

     Hi Mike, 
     Two sources for two-prong vest buckles are: 
     
     Richard The Thread; 8320 Melrose Ave., #201; Los Angeles, Ca. 90069 
     (213) 852-4997 or (800) 473-4997. They have all kinds of period 
     costume notions, interfacings, corset busks etc. and I saw a 2-prong 
     vest buckle in their most recent catalogue.
     
     Baer Fabrics; 515-E. Market Street; Louisville, Kentucky 40202; 
     (800) 769-7778  These folks have just about everything and are really 
     helpful. I didn't see vest buckles in their catalogue but they have things 
     like suspender spreaders and bowtie and cummerbund hooks, so they probably 
     have them.

     Good Luck and tell 'em I sent ya!

     - Hilary Oak     

------------------------------

Date: Mon, 11 Dec 95 11:30 CST
From: vbetts@gower.net (Vicki Betts)
Subject: Re: buttons & buttonholes

At 10:35 AM 12/11/95 -0500, Ivy Strickler wrote:
>Had something amusing happen this weekend and wanted to share. We are using
>a red wool 1860's boy's suit in a holiday exhibit 

Would you please describe the 1860's boy's red wool suit?  How is it
constructed and trimmed?

Thanks,
Vicki Betts
vbetts@gower.net

------------------------------

Date: Mon, 11 Dec 1995 14:21:18 -0500 (EST)
From: Christine Maves <cmaves@freenet.npiec.on.ca>
Subject: The Seige of Fort Erie 1814

Heloo to all fellow 1812 reenactors,
Just thought I'd let you all know about a nasty rumour that has been 
floating about in our parts of Southern Ontario, Canada...We have heard 
that The Seige of Fort Erie, in Fort Erie Ontario, Canada has been 
cancelled for the August '96 events list...We are in the process of 
verifying this information, but we heard that the new manager said it 
wasn't financially feasible to have an event for '96, because the '95 
event didn't make any money.  Now if anyone was at this event, they would 
surely understand that this could not possible be true, the turn-out was 
fantastic..The Niagara Parks Commission holds the event in the name of 
Fort Erie, and they have quite the money make in our area...I will let 
you know if this nasty rumour is true, I surely hope that it is not!
Christine


[_________] "The hardest thing in life to learn is which bridge to cross 
   [    ]      and which to burn!!!!"

------------------------------

Date: Mon, 11 Dec 1995 16:45:32 -0500
From: MorellEtc@aol.com
Subject: Re: Medieval black dyes

In response to your question about medieval black dyes.   True black was
always a hard color to obtain until the advent of chemical dyes.  While it is
true that black was worn by some clerical orders in the middle ages, it was
by no means the norm.  The problem of the dye fading out from washing was not
an issue as the garments were seldom if ever washed.  Cost was not an issue
as the church had money or had the authority to accept the cloth as a
donation from a rich patron.  

One of the things we have to do when doing costume research for any period of
history is to be able to look at things with a period eye.  What seems
impracticle or illogical in the late 20th century may have been the norm in
an earlier period.

Mike Morell


"When studying the ancients what we must keep in mind that they thought they
were modern" 

------------------------------

Date: Mon, 11 Dec 1995 20:19:41 -0400 (AST)
From: "Joy K. Pye MacSwain" <jkpyemac@cycor.ca>
Subject: Re: Need E-Mail address for Guild Mistress of Gilded Pearl

On Mon, 4 Dec 1995, Lisa A. Tyson wrote:

> 
> I would like to contact her requesting general information about the
> Gilded Pearl.  I also hope she can assist me with contacting the person
> who heads the East Kingdom embroidery guild, Athena's Thimble.

I am sorry that I cannot help you out with information on the Gilded 
Pearl but as for Athena's Thimble, you can contact the editor of the 
guild newsletter `Embellishment' and I am sure she can help you.  The 
editor is Isabelle Elaine of Salisbury (Jackie Whitney, 525 Miffin Ave., 
Pittsburgh, PA 15221) and her E-mail is JWHITNET@gyrfakcon.cas.pitt.edu.  
I hope that helps.

Elyene of Lochcarron
MKA Joy Pye-MacSwain

+===============================================================+
Joy Pye-MacSwain			Phone (902) 368-7278
Atlantic Veterinary College		E-mail: Stjpyema@upei.ca
Charlottetown					jkpyemac@peinet.ca
Prince Edward Island
+================================================================+

------------------------------

Date: Tue, 12 Dec 1995 01:41:43 +48000
From: Trudy <bino@ella.mills.edu>
Subject: graduate programs

i am looking for information on graduate programs in costuming. i'm 
thinking along the lines of either costume design/construction, or 
costume history/textile preservation. anything in the US or particularly 
the UK would work...even just names of schools to look in to. if anyone 
has any information, i would be much obliged.

thanks,
kendra van cleave
bino@ella.mills.edu

------------------------------

Date: 12 Dec 95 10:40:00 GMT
From: Mrs C S Yeldham <csy20688@ggr.co.uk>
Subject: Black

I would agree with Mike Morell that the Church could afford to use black,
despite the expense and the destruction of fabric,  but it would only do
when it perceived a need.

All monastic groups were founded for different reasons and at different
times.  Although all monks took a vow of poverty, the ideal of poverty
meant different things in different groups.  The individual monk may well
have been poor, in that he owned nothing, but the order or house he
belonged to might well have been very rich.

For example, the Franciscans (brown habits) were founded out of a radical
ideal of poverty, were not a rich order (in medieval times anyway) and were
only just accepted at their foundation by the Catholic Church - were nearly
persecuted as heretics (its one of the key parts of the plot in Umberto
Eco's 'Name of the Rose').  In its early stages the order avoided owning
property, and the monks were supposed to be out in the world preaching.

The Cisterians (cream habits) were a very rich order, with very few monks
in any one house (they set up a new house when they reached a certain
number).  The purpose of their order was to pray out of the world, and they
set up their houses in wilderness, which is one reason so many survive
today.  Tintern Abbey was inhabited by about 12 monks at any one time,
supported by a large number of lay brothers, and even more sheep, and was
continuously rebuilt from its 12th century (?) foundation to the end in the
16th century.

The Dominicans (black and white) were explicitly founded to support the
authority of the Pope (no trouble there about being accepted).  The period
pun was 'Domine canes' - dogs of the Lord.  They later ran the Inquisition,
taking a percentage of the property of anyone found guilty.  They had
houses, and collaborated with lay authorities.  One of the richer orders,
living in the world and representing the authority of the Church.  They had
the money and reasons to use black.

Caroline

There are always good reasons for what people did - its figuring them out
thats the problem!

------------------------------

Date: Tue, 12 Dec 1995 07:49:02 -0500 (EST)
From: John Sek <jsek@freenet.npiec.on.ca>
Subject: Re: The Seige of Fort Erie 1814

Yes it is true Christine, the local Manager of the Fort has indeed been 
instrumental in closing down this event.  Although I am not sure of all 
of the details and the whys it is a most unfortunate thing that needs to 
be looked into quickly and seriously.  

***********************************************************************
John Sek,C.E.T.,C.S.T.                         jsek@freenet.npiec.on.ca
222 Emerick Avenue                            telephone: 1-905-871-7449 
Fort Erie, ON, CANADA L2A 2W5                 fax/modem: 1-905-871-0696

------------------------------

Date: Tue, 12 Dec 1995 07:54:49 -0600 (CST)
From: "Maria A. Sanders" <marias@comp.uark.edu>
Subject: Re: graduate programs

On Tue, 12 Dec 1995, Trudy wrote:

> 
> i am looking for information on graduate programs in costuming. i'm 
> thinking along the lines of either costume design/construction, or 
> costume history/textile preservation. anything in the US or particularly 
> the UK would work...even just names of schools to look in to. if anyone 
> has any information, i would be much obliged.
> 
> thanks,
> kendra van cleave
> bino@ella.mills.edu
> 
> 
Kendra,

There are several good schools over in the UK...or at least there were 3 
years ago when I was looking into this field.  Most are technical 
schools.  I remember that one is in Leicechester or Leicechesterfield.  
When I go home tonight I will try to find the packet of information.  
Howver I have moved recently and that may be one of the things that 
didn't make it.  Here stateside I belive that Hampton University in 
Hampton VA has a museum studies with an emphasis in textile 
preservation program.  You may also check FIT in NY, but I'm not sure 
about that.

I know that a university library will have several books about graduate 
programs, just find a librarian, tell her/him what you need and they 
should be able to point you in the right direction.

If you can't find anything, let me know and I work at the Univ of Ark and 
I will be glad to head over our main library to find out more.

Maria
marias@comp.uark.edu

                                 \\\|///
                                  (O O)                                 
- -----------------------------oooO---U---Oooo----------------------------------
MARIA SANDERS                               LIBRARY ACQUISITIONS
EMAIL:  MARIAS@COMP                         PHONE: (501) 575-4657
             OR                             FAX:   (501) 575-6656
        MARIAS@SATURN                       

                                \\\|///
                                 (O O)
                                   U     
                                   O .........thanks....
- ----------------------------oooO-------Oooo-----------------------------------

------------------------------

Date: 12 Dec 95 17:01:00 GMT
From: Mrs C S Yeldham <csy20688@ggr.co.uk>
Subject: Courses

I would write to the Victoria and Albert Museum, Cromwell Road, London SW7
2RL and ask about approved courses in the UK.

Caroline

BTW The place is Leicester (and I have no idea whether it has a good
textile course) pronounced Lei - ster (two syllables).  There is a very
simple rule when dealing with English place names ending in ..cester.  They
are pronounced ...ster.  This is not the case is those ending in ..chester,
which are pronounced with a hard ch, followed by .ester.  They both derive
from the Roman word meaning fort, and it seems to be very difficult for
Americans! - probably the way we English swallow our words!

(No offence meant - this is just for information!)

Caroline

------------------------------

Date: Tue, 12 Dec 1995 08:29:10 -0500 (EST)
From: "Philip Edward Cutone, III" <pc2d+@andrew.cmu.edu>
Subject: Re: Black

Hmmm.... if my memory serves me correctly, a black dye was rather easy
to make... Not sure if it was know medievally, but iron and tannin mix
together to make black.  I've heard the procedure used for cloth, and
have seen it used on wood (with striking effect.... very nice indeed)
the idea was to soak the cloth in tannin and then throw in some rusty
water... (so it might very well be iron oxide and tannin)  Sorry, i
don't know if there is a fixative.

Anyway.... if this were the case, would black be not so difficult a
color to achieve?

Can this be confirmed by someone more knowing on the matter?

in service, 
philip

------------------------------

Date: Tue, 12 Dec 1995 10:39:19 -0800 (PST)
From: Julie Cheetham <cheetham@u.washington.edu>
Subject: Re: Clothing Moths (fwd)

Good info from Susan Denney

- ---------- Forwarded message ----------
Date: Fri, 8 Dec 1995 08:55:48 CST
From: Susan Denney <SDENNEY@WTAMU-MUSEUM.WTAMU.EDU>
To: Julie Cheetham <cheetham@u.washington.edu>
Subject: Re: Clothing Moths


The number for University Products is 1-800-762-1165.  They are 
located in Massachusetts and are in the Eastern time zone.  I have 
purchased storage supplies for the Museum's historic costume and 
textile collection from U.P. for about six years, and have never had 
any trouble with them.  They are very responsive and helpful to 
customers, and they carry a wide variety of archival quality storage 
products.

Another way to treat textiles for possible infestation is to seal the 
item(s) is a plastic bag and place them in a chest type freezer that 
goes below 20 degrees Farenheit and leave them there for a few days.  
Turn off the freezer and allow the items to return to room 
temperature and then repeat the process.  This is a relatively safe,  
on-chemical method.  I would not recommend storing textiles in a 
cedar chest.  Wood, including cedar, emits gasses that are harmful to
 textiles.  Acid-free storage boxes are a good choice.

------------------------------

Date: Tue, 12 Dec 1995 10:42:21 -0800 (PST)
From: Irene Joshi <imj@u.washington.edu>
Subject: Re: Black

I thought that the husks of English walnuts yields a black dye. 

------------------------------

Date: Tue, 12 Dec 1995 15:29:50 -0500
From: Kevin Richard-Morrow <krmorrow@ajb.dni.us>
Subject: Re: Black

>Date: Tue, 12 Dec 1995 15:32:09
>To: Irene Joshi <imj@u.washington.edu>
>From: Kevin Richard-Morrow <krmorrow@ajb.dni.us>
>Subject: Re: Black
>
>At 10:42 AM 12/12/95 -0800, you wrote:
>>I thought that the husks of English walnuts yields a black dye. 
>>
>>
>     In my experiance walnut dyes tend from medium to very dark brown. I
expect the iron based dyes will yield black. Iron filings mixed with nitric
acid (aqua
>fortis) is used to stain maple stocks on American 18th century long rifles
and fowlers. The results can be very dark, nearly black.   
>

------------------------------

Date: Tue, 12 Dec 1995 15:24:42 -0500 (EST)
From: Drea Leed <aleed@indiana.edu>
Subject: Re: Black

the color is more of a dark brown.  At least, with alum it is.


Drea

On Tue, 12 Dec 1995, Irene Joshi wrote:

> I thought that the husks of English walnuts yields a black dye. 
> 


*******************************************
We've secretly replaced 
their dilithium crystals
with new Folger's Crystals.
Now let's watch them go to warp.

------------------------------

Date: Tue, 12 Dec 1995 15:34:06 -0500 (EST)
From: Kelly A Rinne <rinneka@ucunix.san.uc.edu>
Subject: Albania T-O-C

Looking for Albanian uniform visual sources for a production of Cosi Fan 
Tutte
set Turn of the Century, 1890's-1910. 
Please reply privately. Thanks Kel

------------------------------

End of H-Costume Digest V3 #270
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