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Subject: H-Costume Digest V4 #52
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H-Costume Digest          Wednesday, March 6 1996          Volume 4, Number 52

  Compilation copyright (C) 1996  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
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Topics:
    Cosmetic recipe from 1719
    Re: Videos
    Re: Patterning books
    RE: Antique Egypt
    breastplate cover
    Puritans
    Washing Linen
    Re: Washing Linen
    Thai Silks
    Re: Knights Templar or...
    Re: Knights Templar or...
    Re: Washing Linen
    RE: Antique Egypt
    Fwd: Puritans
    Fwd: breastplate cover
    Re: Fwd: breastplate cover  I do not know what relevance this is?

----------------------------------------------------------------------

Date: Tue, 5 Mar 1996 17:08:08 -0800
From: Cin <cynthia@netuser.com>
Subject: Cosmetic recipe from 1719

Why have a beautiful gown if the face and breath are not equally
sweet and fresh?  From a Butler's Recipe Book by "Your Ladyships Most
Humble & most Obeiant Sarvent Thomas Newington" (spelling & capitalization
per the original text).

Rosemary Watter

Flowers of Rosemary being distill, the water being Drunke at morning and
evening first and last, taketh away the stench of the mouth and beath and
maketh it very sweet. Add thereunto to steepe or infuse for Eight or 10
Dayes sum Cloves Mace Cinamon and a few Aniseeds. Rosemary Flowers, made up
into plates with Duble Refine Sugar affter the manner of Sugar Rossets and
eaten, comfort the heart and make it merry, quicken the spirits and make
them more lively.

- --cin
cin@netuser.com

------------------------------

Date: Tue, 5 Mar 1996 17:15:01 -0800 (PST)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Re: Videos

> Travels with my Aunt (Maffie Smith, Alec McCowen, Lou Gosset)..$19.99
>    (I have never seen this so I have no idea what the costumes are like, 
> but it sounds alot like Mame).

My Ghods!  That was Lou Gosset?!?

It's a great movie, but I don't remember the costumes as being all that 
spectacular.  It mostly happens in the "present" (which is probably the 
early 70s but I don't quite remember) with a few flashbacks.  It's sort 
of a gritty, British lower middle class Auntie Mame, yes.

------------------------------

Date: Tue, 5 Mar 1996 20:28:51 -0500
From: WowCarol@aol.com
Subject: Re: Patterning books

Hi!  I would like to add one book to those that Hilary mentioned, simply
because it is so comprehensive. It is called "Patternmaking for fashion
design", by Helen Joseph Armstrong. I picked this book up at the F.I.T.
(Fashion Institute of Technology) student bookstore.  It is thoroughly
illustrated, technical but well-written, and goes from the simplest to most
complicated flat-patterning concepts. And though we're not here to talk about
fashion design, the lessons and principles certainly apply to any kind of
garment.  On the downside, the book is big, heavy, and kind of expensive, and
textbooky in the sense that it attempts to give the reader homework
assignments.  If you can handle the indignity of being treated like a humble
student by a fabulous teacher, this book is the greatest.
- -Carol Binion

------------------------------

Date: Tue, 5 Mar 1996 17:28:41 -0800
From: Cheryl Melnick <Cheryl@Sessionware.COM>
Subject: RE: Antique Egypt

If you don't find anything, and you are in the United States, I might
suggest contacting the Egyptian Museum and Planetarium located in San Jose,
California  Phone: (408) 947-3636.  I don't know if they will help you over
the phone, but they were very helpful in person when I asked tons of
questions.
Good luck
Cheryl

*********************************************************
Cheryl Melnick                           Sessionware, Inc 
General Manager                        Phone:408-559-7799                   
          
cheryl@sessionware.com         http://www.sessionware.com

>----------
>From: 	Silvestre Garcia[SMTP:sgarcia@infosel.net.mx]
>Sent: 	Wednesday, February 28, 1996 7:59 AM
>To: 	h-costume@lunch.engr.sgi.com
>Subject: 	Antique Egypt
>
>We are still in search of patterns, clothing, accessories and materials
>from
>the Antique Egypt ( Middle and New  Empires) . I need help.
>Thanks.
>Yolis
>  
>
>

------------------------------

Date: Tue, 5 Mar 1996 21:41:12 -0500
From: Gaelscot@aol.com
Subject: breastplate cover

Hello everyone! I am asking this question on behalf of my husband, who is
attempting to recreate 15th-century armor and clothing. I know that several
gentlemen with similar interests have responded to questions before, so I
hope someone can help me with this question.

My husband recently discovered what appears to be a fabric breastplate cover
in a painting. The painting, "St. George Killing the Dragon," was done
between 1430-35 by Catalan (Spanish) painter Bernardo Martorell, and the
image he's looking at is on p. 22 of "Arms and Armor of the Art Institute of
Chicago." According to the author(s), "the artist has captured the armor and
weapons of a fifteenth-century knight with extraordinary accuracy."

The breastplate cover seems to be made of white cloth with an embroidered or
metal cross on it and a thigh-length or so cape attached (?) to it. In the
painting, you can see where the cover attaches to the metal breastplate with
four ties on the bottom and two on (presumably) both sides. The top is
covered by a gorget. My husband's questions are:

1) Has anyone seen this in any other paintings? 2) Is it unique to Spain? 3)
Would it just be used for tournaments and/or parades, or was it also for
warfare? 4) If this is not a common method of dressing up a breastplate, what
was? 5) Any other information in general?

TIA for your help and, if you feel that few people on the list would be
interested, you may certainly e-mail me directly.

Gail (for Scott) Finke/gaelscot@aol.com

------------------------------

Date: Tue, 5 Mar 1996 19:21:46 -0500
From: WowCarol@aol.com
Subject: Puritans

Hi all.  I am interested in hearing from anyone with knowledge about the
clothing of Puritans, specifically during the time of the Salem witch trials
(Massachusetts, 1690's).  I am particularly interested in clothing of farmers
and the clergy.  Colors? Fastenings? Footwear? Would also appreciate any
details that can be supplied regarding women's undergarments of the day.

Thank you, O Wise Ones.

- -Carol Binion

------------------------------

Date: Wed, 06 Mar 1996 00:28:12 -0500 (EST)
From: GINA@delphi.com
Subject: Washing Linen

As a "newbie" here, I must say that I very much enjoy the postings!  And,
there seems to be a vast amount of fabric knowldege here, I am hoping that
someone can enlighten me.

I am planning to do Medieval or late 13th c. costumes, and I want to use 
genuine linen of a medium to medium-heavy weight.  I have examined quite
a bit of in the shops and all of the bolt tags indicate that it must be
"dry cleaned only".  However, the "finished" texture of the linen seems to
me to be far to finely finished and smooth.      

It seems to me that washing it would remove some of that apperance, and perhaps
yield a softer and more sublte product.  Is this advisable?  What can I 
expect to happen...besides endless wrinkles?  I have been told by some that
the linen would wrinkle so badly that it would, perhaps, never be able to
be pressed out.

This seems strange to me, as I believe that linen has been used extensively
in many cultures and times...far in advance of the invention of "dry cleaning".

The idea I have in mind is really to pre-treat the linen before cutting and
stitching, so that the resulting garment could be laundered after use...and
would hopefully become softer and softer and not shrink.

I would greatly appreciate any input from those here that have knowledge and
experience with this.  At $15.00 and up per yard, I would be loathe to
"experiment".  This idea occurred to me after reading numerous postings
about the "fulling" of wool...which I also want to try, and to incorporated
(oops!  pardon the "d") into these gowns.

Thank you,

Jocasta Chamberlayne of Charnwood Forest
(mundanely known as Regina)

------------------------------

Date: Tue, 5 Mar 1996 22:45:43 -0800 (PST)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Re: Washing Linen

> The idea I have in mind is really to pre-treat the linen before cutting and
> stitching, so that the resulting garment could be laundered after use...and
> would hopefully become softer and softer and not shrink.

In general you should do the "worst" you are going to do to the fabric 
(even if it's dry cleaning) before you cut, to avoid suprises.  I hate 
dry cleaning (because it's expensive and because if I don't air the 
cloths for a couple of days I can't stand the smell) so I wash almost all 
fabrics before I use them (both for period stuff and modern) and haven't 
had much trouble.  Things that make me nervous enough to double-think 
this policy (and test wash a quarter yard or so) include heavy nap, 
stamped "watering" and surface finishes (like metalics) I'm not sure will 
take the heat of ironing.  Occassionally something which is heavily sized 
has lost it's "hand" and I've had to change my plans for it (from 
crisp/tailored to soft/drapy) but that should be a problem in the periods 
you are talking about anyway.

------------------------------

Date: 06 Mar 96 10:45:00 GMT
From: Mrs C S Yeldham <csy20688@ggr.co.uk>
Subject: Thai Silks

Sorry to do the same thing I've just complained about, but could anyone
please repost the contact details for Thai Silks.

I have looked, but can't find it, honest!

Caroline

------------------------------

Date: Wed, 6 Mar 1996 08:43:20 -0500
From: Kevin Richard-Morrow <krmorrow@ajb.dni.us>
Subject: Re: Knights Templar or...

At 04:12 PM 3/5/96 -0800, you wrote:
>I think what is being referred to as a "Knights Templar costume" is 
>actually a Knights of Columbus costume.
> There is a hat 
>that goes along with this - that kind of hat shape one associates with 
>Napoleon (I don't know what it's called). 


   The current "Knights Templar" are a Masonic order and aren't the Knights
of Columbus. Confusing the two can "raise dander" on either side. 
   The hat is called a bi-corn, as opposed to a tri-corn. 
   The Knights Templar clothes I have seen (I grew up in a "Masonic"
household) looked surprisingly like a 19th century admiral's dress uniform,
black bi-corn with white plumes, black formal frock coat, black dress
trousers with black silk stripe down the outside seam, white gloves, dress
sword. 
    I don't recall the exact nature of the sword carrage, I beleave it was
on a waist belt worn outside the coat. There may have been some badges or
other jewelery worn that I don't clearly recall. 
    Be aware of the secret nature of these societies and tread lightly when
seeking information on ritual matters, including dress. 


                Kevin Richard-Morrow   

   

------------------------------

Date: Wed, 06 Mar 1996 09:21:03 -0500
From: Joe Marfice <af289@dayton.wright.edu>
Subject: Re: Knights Templar or...

On Tue, 5 Mar 1996, Elizabeth Fox <crow@well.com> wrote:
>I think what is being referred to as a "Knights Templar costume" is
>actually a Knights of Columbus costume.

    <somewhat tongue-in-cheek:>
Make no bones about it, the Masonic Order of the Knight's Templar is in
_no_way_ associated with the Knights of Columbus.  The former exists, though
some would doubt its direct historical lineage from the famed Templars of old,
but the K of C is affiliated with the Catholic Church.  The Vatican and the K
of T haven't quite seen eye-to-eye, ever since that little incident where the
K of T were declared heretics, excommunicated, and their leaders burned alive
at the stake.

   <serious now:>
The uniforms of these two groups seem very similar, but not identical,
according to the descriptions.  The Maltese Cross is associated with the
Knights Templar, however; I have never seen it's use in a K of C setting.

BTW, at the stake, the Grand Master of the Temple cursed the Pope and King who
condemned him, swearing they would meet him before God in jugdgment soon. 
Both were dead within the twelvemonth.

    <not quite as serious:>
Disclaimer:  I am not a paid operative of the Temple, nor the Holy Roman
Emperor, just interested in the history of both.

  |   Broom                            at The Lady Perrine
  |   Ministerium honor est.
 \|/  Which means "I don't know:  I don't speak Latin American."
 /|\   513-222-2330                    233 Perrine Street
//|\\   af289@dayton.wright.edu        Dayton (my fayre citee), OH 45410

------------------------------

Date: Wed, 6 Mar 1996 08:58:13 -0600 (CST)
From: Joe Lichtenstein <owd@netins.net>
Subject: Re: Washing Linen

At 12:28 AM 3/6/96 -0500, you wrote:
    
>
>It seems to me that washing it would remove some of that apperance, and perhaps
>yield a softer and more sublte product.  Is this advisable?  What can I 
>expect to happen...besides endless wrinkles?  I have been told by some that
>the linen would wrinkle so badly that it would, perhaps, never be able to
>be pressed out.
>
>The idea I have in mind is really to pre-treat the linen before cutting and
>stitching, so that the resulting garment could be laundered after use...and
>would hopefully become softer and softer and not shrink.
>
>Thank you,
>
>Jocasta Chamberlayne of Charnwood Forest
>(mundanely known as Regina)


Regina,

My husband and I make 18th century reproductions and routinely wash linen
before we cut the garment out.(we wash all our silk as well)  When I was in
college, an instructor told us the reason "dry cleaning" is recommended for
these fabrics is so just in case something would happen to the fabric, the
manufacturer can say you didn't wash the fabric/garment properly.  And the
label "dry cleaning only" adds prestige to a garment as well.  

The linen will become softer and wrinkle after washing.  I'm not sure if
you'll be able to get all the wrinkles out, but you'll be adding wrinkles as
you wear it anyway.    I think it just adds character to the finished piece.
I can't imagine too many people in the past would have had perfectly pressed
linen garments.  Am I wrong on this??  At least what we portray in the
common/working class I don't think so.

Anyway, wash your linen and enjoy!!!!

Lezlie
Olde World Drygoods

------------------------------

Date: Wed, 06 Mar 96 09:16:00 CST
From: "Lassman, Linda" <LASSMAN@bldgdafoe.lan1.umanitoba.ca>
Subject: RE: Antique Egypt

I'd be a little leery about accepting the information of the Egyptian Museum 
in San Jose as "gospel"--it's a really interesting museum, but it's the home 
base of the Rosecrucians, who are great on mysticism and weak on strict 
adherence to historical fact.

A better US source might be the Field Museum in Chicago, which has a nice 
replica tomb display and a small gift area which has a number of books 
available.  While it's a much smaller display and gift area than it was 3 
years ago, I was there in November and it still had some interesting things. 
 I would imagine the MMA in New York, the Smithsonian in Washington and one 
of the larger museums in Los Angeles would also be good possibilities.  The 
ROM in Toronto would be a suggestion for Canada.

 - Linda Lassman
  Winnipeg, Manitoba

 ----------
From: Cheryl Melnick
To: 'Silvestre Garcia'
Cc: 'h-costume@lunch.engr.sgi.com'
Subject: RE: Antique Egypt
Date:  5 March 1996 17:28

If you don't find anything, and you are in the United States, I might
suggest contacting the Egyptian Museum and Planetarium located in San Jose,
California  Phone: (408) 947-3636.  I don't know if they will help you over
the phone, but they were very helpful in person when I asked tons of
questions.
Good luck
Cheryl

*********************************************************
Cheryl Melnick                           Sessionware, Inc
General Manager                        Phone:408-559-7799

cheryl@sessionware.com         http://www.sessionware.com

>----------
>From:  Silvestre Garcia[SMTP:sgarcia@infosel.net.mx]
>Sent:  Wednesday, February 28, 1996 7:59 AM
>To:    h-costume@lunch.engr.sgi.com
>Subject:       Antique Egypt
>
>We are still in search of patterns, clothing, accessories and materials
>from
>the Antique Egypt ( Middle and New  Empires) . I need help.
>Thanks.
>Yolis
>
>
>

------------------------------

Date: Wed, 6 Mar 1996 10:27:02 -0500
From: DRGNFTR@aol.com
Subject: Fwd: Puritans

- ---------------------
Forwarded message:
Subj:    Re: Puritans
Date:    96-03-06 09:57:27 EST
From:    DRGNFTR
To:      WowCarol

Hi, Carol
            For clothing of the 17th century I would suggest Janet Arnolds
book "The cut of Clothes" its a great book with some history on 17th century
techniques as well as patterns also included.  The clothes shown are upper
class but the pattern for puritan clothis would be the same just more subded
colors as well as simple materials like wool and home spun linnen.

                                              Let me know if I can be of any
more help, 
                                           I worked for a seventeenth century
site and I have
                                           several pattern from around
1590-1690
                                             Good Luck,
                                                       Charlie

------------------------------

Date: Wed, 6 Mar 1996 10:26:39 -0500
From: DRGNFTR@aol.com
Subject: Fwd: breastplate cover

- ---------------------
Forwarded message:
Subj:    Re: breastplate cover
Date:    96-03-06 10:07:13 EST
From:    DRGNFTR
To:      Gaelscot

Hi Gail and Scot,

                Just to let you know I've been working with armor for around
16years at living history sites and I also Jousted for 6 years with
renicencee festivals, and what your describing sounds something like a tabord
worn mainly in joust to identify knights in tournaments, I don't think I've
ever heard of something like it being worn in actual combat however knights
did ware sometime field sighns witch could be as simple as a colord piece of
ribbon tied around the arm.  In the fifteenth century armor still was pretty
elaborate (see for example German Gothic Armor of the period) however by the
late 16th century it had simplified somewhat due to the increase use of
muskets. Also your husband may already know this but there is a substantial
difference between field (or combat armor) and tilting armor(Joust).

                                               Let me know if I can be of any
more help,
                                                  Charlie

------------------------------

Date: Wed, 6 Mar 1996 12:43:30 -0600 (CST)
From: Teresa Shannon <tws@csd.uwm.edu>
Subject: Re: Fwd: breastplate cover  I do not know what relevance this is?

Since I needed to write an addendum, I may as well respond to this.  What 
in the world is this reference about Ms. Gerjuoy?  The original poster 
wanted to know if breastplates were covered with cloth as apparently shown
 in a 15th century painting/depiction of St. George in Spain.  

Someone responded with misleading information on the existance of covered 
breastplates, and I responded presenting citations and correcting the 
source.  This is not a discussion on heraldic garments (which, by the way 
there are more than the Black Prince's Jupon which have survived) nor 
whether there is proof for the existence of heraldic garments.  Please do 
not confuse issues or we won't get anywhere in this discussion.

Now the addendum to my earlier post.  All the examples of covered 
breastplates I know of are 14th century.  (Not a surprise, I only study 
14th century)  However, the New York Met has an example of a covered 
Breastplate as does the Tower of London.  These are leather-covered, but 
after some consultation there are several surviving examples of breastplates 
that had been covered in satin, velvet or other sumptuous cloth.  Claude 
Blair's book on European Arms and Armor is pretty much the basis by which 
other armor books have come to be judged by (i.e. good scholarship, don't 
ever make the mistake that Stone is a good source on european armor, he 
isn't) and I think covered breastplates are mentioned.  Stone probably 
mentions them too.

Poor quality simple armor does occur in the 16th century as "poor grade 
munitions armor" NOT something nobles wore.

So yes covered breastplates are easily documentable.  In the fourteenth 
century, I don't know about the 15th century but its possible that either 
iconography of the subject matter or Spains military "backwardness" could 
explain the 15th century reference.

Teresa


On Wed, 6 Mar 1996, Judy Gerjuoy wrote:
> From: Judy Gerjuoy <jaelle@access.digex.net>
> There are lots and lots of examples of heraldic clothing - clothing that 
> bears the owner's heraldry (coat of arms) in period manuscripts, 
> tapestries, stained glass, effigies, pictures, embroideries, etc.
> And, there is *one* piece of extent heraldic clothing*** that I know of - 
> the jupon of the Black Prince, which has the arms of England with a label 
> (showing he is the heir).
> While one piece of extent clothing does not conclusively prove usage, 
> that combined with the other evidence implies to me that it was probably 
> used.
> *** Well, OK, there is also a 14th century German hairnet decorated with 
> little shields of assorted pieces of armory.
> Jaelle

------------------------------

End of H-Costume Digest V4 #52
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