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Subject: H-Costume Digest V4 #68
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H-Costume Digest         Wednesday, March 13 1996         Volume 4, Number 68

  Compilation copyright (C) 1996  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
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  Real, live person:     h-costume-request@andrew.cmu.edu

Topics:
    Picnics and Turkeys
    Re: Short Hair for Women?
    Re: corsets
    Re: H-Costume Digest V4 #63
    Books by Harris & Severa
    French Knots
    Re: Picnic !?!
    Dallas
    fascinators
    Re: Droopy Bustlines
    Re: Short Hair for Women?
    Re: corsets
    Re: French Knots
    Re: H-Costume Digest V4 #63
    Re: French Knots
    RE: Picnics and Turkeys
    Re: varied
    Re: fascinators

----------------------------------------------------------------------

Date: Tue, 12 Mar 96 18:09 PST
From: iteach@slip.net (Elizabeth Pruyn)
Subject: Picnics and Turkeys

Hi there.

While researching food information for our local Renaissance Faire, I found
the following information:

- -Turkeys first arrived in England from North America in the 1530's. They
are mentioned in several cookbooks, by Harrison and the word was in
sufficient usage to be included in french conversation manuals.  In 1555
they were common enough that was price was regulated by law and a turkey
cock cost 6s. and a turkey chicks were 2s. 8p. By 1572 the price had
dropped to 3s. 4p. for a turkey cock and and 1s. 8p. for a chick.

- -During the Renaissance, dining 'al fresco' seemed to be common in the
summer for the upper-middle (gentry) and noble classes.  Banquet houses
were also constructed, either permenant or temporary structures, to allow
for out door dining.

I don't have the specific sources for this information, it's a compliation
of several sources.  If you're interested, post me off line and I'll send
you my bibliography.

Yours,
Elizabeth

Elizabeth Pruyn     iteach@slip.net     Oakland, CA

"If I had been around when Rubens was painting, I would have been revered
as a fabulous model.  Kate Moss?  Well, she would have been the paint
brush..."  - Dawn French

------------------------------

Date: Tue, 12 Mar 1996 22:31:24 -0500 (EST)
From: Judy Gerjuoy <jaelle@access.digex.net>
Subject: Re: Short Hair for Women?

On Tue, 12 Mar 1996, Sarah E. Goodman wrote:

> >  They weren't just put together over years, like hair
> > pictures, from hair that stayed in the combs and brushes, were they?
> 
> The only place I've ever heard of anyone doing this is in China (and
> that's from Pearl Buck so it's not the world's greatest documentation); 
> I'd think it only worked well with fairly thick hair shafts (mine would
> break on the comb).  It's certainly not the source for the hair that is
> purchased commercially. 

In one of the "Little House" books by Laura Ingalls Wilder there is a 
reference to a "fascinator" which was used to store hair that was found 
on brushes to be used to make a switch to pad out there hair.  But, these 
were pioneers without a lot of spare cash.

Judy/Jaelle

jaelle@access.digex.net
If the world were merely seductive, that would be easy. If it were merely 
challenging, that would be no problem. But I arise in the morning torn 
between a desire to improve the world, and a desire to enjoy the world. 
This makes it hard to plan the day. - E. B. White

------------------------------

Date: Tue, 12 Mar 1996 22:36:28 -0500 (EST)
From: RMITCHELL@washjeff.edu
Subject: Re: corsets

All this talk about the mechanics of the regency corset reminds
me of a title I used to see (maybe it's there still - haven't
checked lately) in the Dover Publications catalogue. It was in
the engineering section and was called (approximately) "A Stress
Analysis of the Strapless Evening Gown".

Lloyd Mitchell (rmitchell@washjeff.edu)

------------------------------

Date: Tue, 12 Mar 1996 22:35:16 -0500 (EST)
From: GINA@delphi.com
Subject: Re: H-Costume Digest V4 #63

You don't say which period of corset you are doing.  Is it Tudor? Victorian?
Edwardian?  Makes a huge amount of difference.  More specifics will help.
- -Jocasta

------------------------------

Date: Tue, 12 Mar 1996 23:25:24 -0500
From: JPMcTeer@aol.com
Subject: Books by Harris & Severa

Fran,

Thank you for the review of Ms. Harris' book.  I have been distressed by the
lack of foundation garments (my particular interest) in her work for _Lady's
Gallery_ and was wondering whether her book would be any better.  I realize
that not all surviving garments are of museum quality, but there's not much
point in showing Victorian clothing without the proper undergarments (or
shaped mannequins). Foundation garments are very hard to come by as
originals, and not very easy to duplicate correctly with modern materials
(that is - without whalebone).

About Joan Severa - she did indeed look at many more pictures than were in
her book.  She was curator for many years at Wisconsin Historical Society and
has been tantalizing the Costume Society with various slide lectures for
about 5 years.  Her references to color and usage are likely based on
diaries, letters, and other materials of the time.

------------------------------

Date: Wed, 13 Mar 1996 01:51:08 GMT
From: David Brewer <db-cos@westmore.demon.co.uk>
Subject: French Knots

As part of my occaison musings on the ideal DIY, affordable,
lightweight, authentic and generally pleasing body armour for a 
15th century English soldier (a "padded jack"), it has been 
suggested that the layers of cloth in the jack be fixed in place 
by "French Knots"...

...and I have little idea of how to form such a knot. Can this be
described in mere ASCII? Can these be documented back 500 years?

Can anybody help?

- -- 
David Brewer

------------------------------

Date: Tue, 12 Mar 1996 21:01:44 -0700
From: savaskan@electriciti.com (Julie Adams)
Subject: Re: Picnic !?!

Sharron wrote:

>When DID a "picnic" become a thing to do?

An easy to look up example of courtiers picnicing is in 20,000 Years of
Fashion, by Francois Boucher, page 211 called Hunting with Falcons at the
court of Philip the Good.

There are several paintings of Maximillian I (1510ish, Holy Roman Empire)
and his court out picnicing. One of my favorites is the court wearing
mostly yellow with a touch of black (but I have also seen one in which they
were predominantly in red) out on a picnic and a day of fishing.  There are
several paintings by Lucas Cranach which show what may be picnics or
outdoor feasts with upper and middle class participants.

I have a number of early 16th century woodcuts of peasants having a village
picnic (which sort of looks like a modern day "company picnic") with
dancing, feasting and games. There is a small selection of these in
Peasants, Warriors, and Wives, Popular Imagery in the Reformation, by Keith
Moxey.

There is an equivalent "company picnic" scene showing Burgers in one of the
woodcuts in the park near a larger town.

There are also actually numerous examples of small groups (4-6 people) or
couples outdoors eating while sitting on a cloth on the ground in various
German woodcuts by different artists throughout the 16th century. These are
of various ranks, some clearly lower or middle class. Some excellent
examples are actually on woodcuts of playing cards. And some are clearly
"lovers" picnics.

There are also several Breugel's which show people eating and/or partying
outdoors.

Usually they are shown with some type of table and seating (even the
peasants), but are also shown lounging on cloths, and a few are even seated
on bare ground (even some dressed in fine clothing).

Based on my documentation, I would say that picnicing was alive and well in
the Holy Roman Empire in the early 16th century.

Julie Adams

------------------------------

Date: Tue, 12 Mar 96 23:44:49 PST
From: ches@tristero.io.com
Subject: Dallas

I hear that there are some really great fabric places in Dallas. Where 
are they, what are their names, what are their hours? Email me privatly 
as I am in the middle of moving there as we speak and do not want to take 
up too much band width!:}

Ciao   @}\
Ches @}----`--,-- http://www.io.com/~ches/
       @}/


 

------------------------------

Date: Wed, 13 Mar 1996 00:55:12 -0500
From: Pooka940@aol.com
Subject: fascinators

In a message dated 96-03-12 23:20:53 EST, you write:

>In one of the "Little House" books by Laura Ingalls Wilder there is a 
>reference to a "fascinator" which was used to store hair that was found 
>on brushes to be used to make a switch to pad out there hair.  But, these 
>were pioneers without a lot of spare cash.

I have a small collection of these in china, including one which was
on my grandmother's dressing table.  They are similar to a powder
dish with lid, but there is an opening in the center of the lid into which
the hair is placed...after pulling it from brushes, etc.  It was my 
understanding, however, that this hair was collected to be placed
in a net and used as padding _under_ the wearer's hair, as a
filler.  (No documentation, Just word from Grandma.)

One of my pieces matches a hat pin stand which I can date to 1870.
The pieces are lovely, and probably were from middle-class homes.

(back to lurking)
Karen S.  

------------------------------

Date: Tue, 12 Mar 96 23:39:21 PST
From: ches@tristero.io.com
Subject: Re: Droopy Bustlines

Recently on one of the talk shows on the lifetime channel they 
interviewed an author of a new book (can't remember the name) she co 
wrote about breast ailments. I have not read the book but will look for 
it. She is not a medical person nor is her husband but the two of them 
did research for several years on the subject with questionnaires. The 
questions were simply do you wear a bra, if you have an ailment when did 
you notice, what kind of ailment, how long were you wearing a bra when 
you found out you had your ailment. They then went to countries where to 
this day the women do not wear supports to see if the muscles Drooped.

What they found were that the women who did not ever wear a bra there was 
a less than 1% occurrence of Breast Cancer and even less of any other 
ailment. This included the other counties' numbers as well as the US. 
They also found in these same women that do a great deal of work using 
the upper body had no drooping and no breast cancer or other breast 
related ailments.

My question is this....are there any incidents in all you alls readings 
and research that even mention breast cancer or any other ailments in 
Women 's breasts through the ages?

As for me the wrong cup size underwire cut into both my breast, I was 
very young and embarresed about my large cup size vs my tiny self. I am 
healed and no other problems have arrived. Since I started to breast feed 

my infant this year the bra I wear is a nursing bra with a braided cord 
in place of a wire. Very comfortable and supportive. I understand that 
braided cording on a larger scale was used in bodices of clothing in 
certain periods. Does anyone know about this?

Ciao   @}\
Ches @}----`--,-- http://www.io.com/~ches/
       @}/ 

------------------------------

Date: Tue, 12 Mar 1996 23:04:12 -0800 (PST)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Re: Short Hair for Women?

> > >  They weren't just put together over years, like hair
> > > pictures, from hair that stayed in the combs and brushes, were they?
> > 
> In one of the "Little House" books by Laura Ingalls Wilder there is a 
> reference to a "fascinator" which was used to store hair that was found 
> on brushes to be used to make a switch to pad out there hair

A switch or a rat?  To me a switch is an attachable pony-tail type thing,
wherease "padding out [the] hair"  sounds like putting something under an
up do or chignon.  I used to do this with my "hairbrush hair"  and a nylon
hair net inside of a french twist.  I'd think you wouldn't really need the
net; just snarling up the hair would work. 

------------------------------

Date: Tue, 12 Mar 1996 23:08:37 -0800 (PST)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Re: corsets

> All this talk about the mechanics of the regency corset reminds
> me of a title I used to see (maybe it's there still - haven't
> checked lately) in the Dover Publications catalogue. It was in
> the engineering section and was called (approximately) "A Stress
> Analysis of the Strapless Evening Gown".

I used to have a copy around (and may still).  Tongue firmly in cheek, 
although I never ran it by an engineer to see if the analysis was sound.  
But I always claimed I must have an intrinsic grasp of engineering, since 
I once built a strapless bodice for a friend who was a 32-DD--and she had 
to tap-dance in it!

------------------------------

Date: Tue, 12 Mar 1996 23:15:42 -0800 (PST)
From: "Sarah E. Goodman" <goodston@well.sf.ca.us>
Subject: Re: French Knots

> by "French Knots"...
> 
> ...and I have little idea of how to form such a knot. Can this be
> described in mere ASCII? Can these be documented back 500 years?

Haven't a clue on it's history, but you make them by poking the needle 
from the back to the front of the fabric, pulling the thread through, 
turning the needle and placing it close the the thread coming through the 
fabric, wrapping the thread around the end of the needle a couple of 
times, then pushing the needle back in at the same place.  This needs 
hands, not ASCII to really explain.  If you do it right you get a little 
dot of spiralled thread--if you do it wrong you get a tiny stitch or no 
stich at all <if you really push the needle back in the same place>.

It's not a very strong stitch and the knots (or at least when I do them) 
sometimes come unsprung leaving loops of thread dangling--I'd think some 
other sort of small stitch would work better for the purpose .  (But, as 
I say I haven't a clue as to what, if anything, was done.)

------------------------------

Date: Wed, 13 Mar 1996 01:45:14 -0800 (PST)
From: Agnes Gawne <gawne@u.washington.edu>
Subject: Re: H-Costume Digest V4 #63

On Tue, 12 Mar 1996 GINA@delphi.com wrote:
>referring to Amazon drygoods
> They also sell Bone Casing (tubular) 1/2" and Bone Tape (Twill Tape) 1/2"
> wide.  One word of caution, and the catalog does not mention this...the Extra
> Heavy Double Steel Hoopwire is too wide to be used with these.  I made this
> mistake, and now have 36 yds of 1/2" wide White Twill Tape, for which I have
> no immediate need, and which will I will have to replace with the same quantity
> of 1" wide tape in those nasty little 3 yd. packets, which I hate!
> 
Before you go rushing out and purchasing those short packets go to the 
upholstery section of the fabric store (Providing there is an upholstery 
section where you shop) and get the twill tape off large spools.  It's 
cheaper, it's all in one piece, and the stuff I buy here is all cotton.

------------------------------

Date: Wed, 13 Mar 1996 21:24:35 +1100 (EST)
From: Fiona Thorne <fthorne@socs.uts.EDU.AU>
Subject: Re: French Knots

> > by "French Knots"...
> > 
> > ...and I have little idea of how to form such a knot. Can this be
> > described in mere ASCII? Can these be documented back 500 years?
> 
> Haven't a clue on it's history, but you make them by poking the needle 
> from the back to the front of the fabric, pulling the thread through, 

Ditto no idea on history but, if you are after the effect of an embroider
french knot (as explained in the previous post), but have trouble making
it, try finding an embroidery book or candlewicking book that explains
colonial knots - they are supposed to look similar but are much easier to
make (apparently).

Fiona

- -------------------------------------------------------------
Fiona Thorne
Masters Student, School of Computing Sciences,
University of Technology, Sydney (Australia)
fthorne@socs.uts.edu.au or Fiona_E._Thorne@aapda.com.au
http://linus.socs.uts.edu.au/~fthorne

------------------------------

Date: 13 Mar 96 10:07:00 GMT
From: Mrs C S Yeldham <csy20688@ggr.co.uk>
Subject: RE: Picnics and Turkeys

I would like your bibliography for these references, cos I would take issue
with some of the points made, which is why I am also posting this to the
list!:

Turkeys - I am surprised you find evidence as early as the 1530s.  As
someone else pointed out, there was confusion between guineafowl and
turkeys, so we cannot be entirely sure which was meant - could the prices
given relate to guineafowl?  The reference I've seen (which I shall now
have to check) is fairly confident that Archbishop Cranmer was serving a
new bird.

The earliest turkeys, I believe, were black, now known as the Norfolk Black
and are rare.   It is easier to get hold of bronze turkeys, which are a
cross between the black and white.  They are a very difference shape to the
over-bred white (which cannot even mate).  I shall also check a new book
I've just bought, on animal remains found in Lincoln from Roman to Civil
War periods, and see if any turkeys turn up!

Harrison (Description of England) was written in the 1570s (I've got the
second edition from 1587.  I shall check him for turkeys.


I have not seen any references, apart from the ones I've quoted, to dining
outside - perhaps that was in Italy?  As someone said in another
connection, illustrations, even woodcuts, are not always realistic
representations of behaviour, they can be erotica, or mythological
illustrations.  To take a reasonably contemporary example - Leonardo may
have painted the Rocks from life, but would a contemporary woman have sat
in it for pleasure, as he shows Mary doing, playing with children?

Banquetting houses were _not_ constructed for dining, but for banquets
(dining and feasting are not synonyms for banquetting in the 16th century -
sorry, its one of my hobby horses!).  Banquets are separate from dining;
after a dinner the host and family and the most important guests would
leave the table and go to the banquetting house (sometimes built on the
roof) and sweetmeats, sweet dishes and sweet wines would be served.  This
is very ostentatious conspicuous consumption, not really picnicing.  It
also apparently got a reputation for immoral behaviour.


Ice-Age

If there was a mini ice-age in the 16th century, it seems to have had funny
effects.  Switzerland is being covered by glaciers (I know the reference
was to just one, but an ice age would surely affect more than one glacier?)
whilst further north in Imperial Germany, they have taken up widespread
picnicing!

Caroline
Confused and bemused!

------------------------------

Date: Wed, 13 Mar 1996 15:48:57 GMT
From: "Todd A. Brun" <brun@bell1.ph.qmw.ac.uk>
Subject: Re: varied

Caroline Yeldham writes:

>I've been trying to think of literary 'picnics', and the first one that
>springs to mind is in Jane Austen, in 'Emma' a party is made up to go to
>someone's house to eat strawberries, and they walk around the gardens,
>picking strawberries to eat.  Does that count?  Mind you, the meal they are
>served is cooked and, I think, served, indoors.  Otherwise, even in Austen,
>they don't take picnics, they eat at local inns - as in P&P, or carry food
>with them, as for long journeys.

Ah, how the memory plays tricks...in _Emma_ there is a genuine picnic, eaten
out of doors, in addition to the strawberry picking expedition.  This is
definitely a picnic in the modern sense (except that we probably have a lot
fewer servants to wait on us than they did), and I think they were quite
popular by the Regency, though I can't come up with any other references
off hand.  When the custom started, though, I couldn't say.

	-- Todd Brun

------------------------------

Date: Wed, 13 Mar 1996 07:53:14 -0500 (EST)
From: Judy Gerjuoy <jaelle@access.digex.net>
Subject: Re: fascinators

On Wed, 13 Mar 1996 Pooka940@aol.com wrote:

> In a message dated 96-03-12 23:20:53 EST, you [Judy Gerjuoy] write:
> 
> >In one of the "Little House" books by Laura Ingalls Wilder there is a 
> >reference to a "fascinator" which was used to store hair that was found 
> >on brushes to be used to make a switch to pad out there hair.  But, these 
> >were pioneers without a lot of spare cash.
> 
> I have a small collection of these in china, including one which was
> on my grandmother's dressing table.  They are similar to a powder
> dish with lid, but there is an opening in the center of the lid into which
> the hair is placed...after pulling it from brushes, etc.  It was my 
> understanding, however, that this hair was collected to be placed
> in a net and used as padding _under_ the wearer's hair, as a
> filler.  (No documentation, Just word from Grandma.)

That's probably more correct that my explanation.

Judy/Jaelle

jaelle@access.digex.net

------------------------------

End of H-Costume Digest V4 #68
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