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Subject: H-Costume Digest V4 #114
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H-Costume Digest           Monday, May 13 1996           Volume 4, Number 114

  Compilation copyright (C) 1996  Diane Barlow Close and Gretchen Miller
  Use in whole prohibited.  Individual articles are the property of
  the author.  Seek permission from that author before reprinting or
  quoting elsewhere.

Important Addresses:

  Send submissions to:   h-costume@lunch.engr.sgi.com (or reply to
			  this message).
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Topics:
    Re: Altering Pattern
    Re: Drawers
    Re: Drawers and "protection"
    Victorians Unbuttoned
    Cowboy Boots for Dancing
    Rigeline
    Re: Rigeline
    Re: Rigeline
    Re: Cowboy Boots for Dancing
    Re: Cowboy Boots for Dancing
    Fitchets
    Re: Cowboy Boots for Dancing
    Re: Fitchets
    Klompen, Sabot
    Re: Fitchets
    Re: Cowboy Boots for Dancing

----------------------------------------------------------------------

Date: 10 May 96 15:09:06 
From: Chris Jansen <Chris_Jansen@notes.cch.com>
Subject: Re: Altering Pattern

>> I am going to attempt to make a corset using a pattern from "Corsets
>>and Crinolines".  Once I enlarge the patterns, what would be the best way
>>to convert my measurements to the pattern pieces?  I realize that this is
>>rather tricky and that I will have to sew the thing together, try it on
>>and make adjustments, but I would like to try to get it as close as
>>possible.

>What I do when I alter a corset to fit my measurements is, once the
>pattern's enlarged, figure out the proportions of the pieces to eachother.
>For instance, if the waist measurement of your enlarged corset is 25", and
>one of the center back pieces is 2.5 inches wide, the center back piece is
>1/10 or 10 percent of the whole.  I'd then measure my own waist, figure
>what 10% of that was, and make the waist measurement of the back center
>piece that wide.  Then I'd do the same for the bust and hips.  Of course,
>this method is time consuming (I hate math and am deplorably bad at it),
>and requires lots of measuring and remeasuring and calculating, but in my
>experience it's the best way to keep the proportions of the original
>pieces.  Of course, it's easier when you're making a corset with fewer
>sections.

That's not a bad technique, but it's important to remember that most corsets 
are sized with about 4" of "spring" (the opening that remains when it is 
laced).  If you're going to use this technique, make sure you take the spring 
into account!  If you don't you're going to end up with a corset that is MUCH 
too large.

- -Chris (My friends call me Chris but you can call me anything you'd like) Jansen

 

------------------------------

Date: Fri, 10 May 1996 17:09:32 -0400
From: Booboopies@aol.com
Subject: Re: Drawers

At the risk of wearying some of the veterans of the list, I'd like to add my
2 cents on this subject.

My mother-in-law's mother came from Turkish Armenia in 1899. When my
mother-in-law's "turn" came, she was made to wear a diaper. Imagine at the
age of 16 having to face the world in such gear.

By the way, Samuel Pepys mentioned his wife's wearing drawers. She was
English middle class. He wore drawers as well, at least to bed, and he wore
two shirts in cooler weather. If anyone would like the specific citations,
e-mail me, and I'll be happy to provide them.

------------------------------

Date: Fri, 10 May 1996 15:10:34 -0700
From: gwjchris@ix.netcom.com (Bill and Glenna Christen)
Subject: Re: Drawers and "protection"

You wrote: 

>women didn't wear underwear for most of history.  So what did they do 
>to protect their clothing at...ahem..."that time of the month"?

An excellent question!  The answer probably varies widely between time 
periods and cultures.  In some cultures menstuating women go into 
seclusion and engage in very sedentary activities so they can sit on 
whatever absorbent materials they have available to them, be it moss, 
other material found in nature or specially created material.  For 
societies where women can't or don't go into seclusion various belt and 
rag arrangements have been created.  A woman I know found a description 
for a belt and pocket arrangement to hold rags or cotton in a mid-19th 
Century lady's magazine, either Godey's or Peterson's.  She didn't 
realize at first what it was describing since it was so filled with 
euphemisms.  And you thought *you* were blushing! :-)

Glenna Jo Christen
gwjchris@ix.netcom.com

------------------------------

Date: Fri, 10 May 1996 23:25:24 -0400
From: Biggsk@aol.com
Subject: Victorians Unbuttoned

Does anyone know if the book "Victorian's Unbuttoned" is still in print?  Any
sources?  (Or opinions?)

Karel Lea Biggs
Biggsk@aol.com

------------------------------

Date: Sat, 11 May 1996 10:33:28 -0400
From: aquazoo@dcez.com (Ed Safford & Carol Kocian)
Subject: Cowboy Boots for Dancing

        While at a dance, I started wondering about cowboy boots. For
country western dancing today, boots are available that are specifically
for dancing.

        In the old west (19thC) I would speculate that cowboy boots were
seldon worn for dancing. Wouldn't both men and women wear shoes for
dancing? Or perhaps ankle boots at a casual event.

        When I had western style riding boots, (in the 1970's) they were so
use-specific that they weren't particularly comfortable to walk in. I would
think that they were similar to the original cowboy boots.

        I have heard that one of the origins of the tango was solo dances
done by cowboys in Argentina. Since they are pictured doing this in their
work clothes, their boots would be the traditional footwear.

        So when did cowboy boots evolve into "the thing to wear" for
country western dancing? Many of the dances, by the way, are based on those
brought over by Europeans. Two step, schottische, etc.

        Does anyone else have any thoughts on this?

        -Carol

*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*
This account is shared by Carol Kocian and Ed Safford. Carol can also be
e-mailed at ckocian@epe.org  Ed can be reached at ecsaffor@ingr.com

------------------------------

Date: Sat, 11 May 1996 10:33:16 -0400
From: aquazoo@dcez.com (Ed Safford & Carol Kocian)
Subject: Rigeline

        I just got my hands on some Rigeline and I have some questions
about it. First of all, Rigeline is something to use as corset boning. It's
made of strands of some clear plastic-like substance that is woven into a
strip. It would be really easy to sew through. There are eight strands in
the 1/2" width.
        I bought mine from Greenberg & Hammer. I was told that I could
split it in half to make 1/4" strips, but I find that it frays and the
plastic strands come out. My questions:

        Is there a way to split it in half without it fraying?

        I've heard that, unlike plastic featherboning, Rigeline will hold
its shape. Featherboning (the all-plastic strip usuallu in a cloth casing)
tends to bend when under stress. Has anyone compared the two and can say
this for sure? If not, I will conduct an experiment and report back to the
list.

        Though it is not as stiff as metal stays, Rigeline looks like it
will be quite useful in light support areas. Does anyone recommend Rigeline
for any particular period of stays or corset?

        Thanks!
        -Carol

*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*^*
This account is shared by Carol Kocian and Ed Safford. Carol can also be
e-mailed at ckocian@epe.org  Ed can be reached at ecsaffor@ingr.com

------------------------------

Date: Sat, 11 May 1996 21:52:11 +2
From: "Ella Lynoure Rajamaki" <lynoure@clinet.fi>
Subject: Re: Rigeline

>         Is there a way to split it in half without it fraying?

I don't know any way to do that... There is also less wide 
Rigilene, maybe yu can find that.
 
>         I've heard that, unlike plastic featherboning, 
Rigeline will hold
> its shape. Featherboning (the all-plastic strip usuallu in a 
cloth casing)
> tends to bend when under stress. Has anyone compared the two 
and can say
> this for sure? If not, I will conduct an experiment and report 
back to the
> list.

Do you happen to remember the posting I wrote about my ribbon 
corset and fantasy corset and plastic boning. That plastic 
boning I used was Rigilene. It didn't bend when used in groups 
of four (4 next to each other) in the ribbon corset and worn for 

half a day, but it did bend badly at stomach when used as 
invidual bones (13 bones total) in the fantasy corset and worn 
for two days (not at nights, of course)... After giving in a 
week or so rest it was back to normal, but I wouldn't recommend 
using it for corsets (I haven't worn the ribbon corset for days 
in a row, so I am not sure how it would bend (if it would) when 
used in groups).
 
>         Though it is not as stiff as metal stays, Rigeline 
looks like it
> will be quite useful in light support areas. Does anyone 
recommend Rigeline
> for any particular period of stays or corset?

It seems to be about as stiff as flat spiral bones. The only 
really good use for Rigilene is the non-historic use as keeping 
the top of the dress up and smooth...

 

					Lynoure

- -- End --

------------------------------

Date: Sat, 11 May 1996 18:47:24 -0400
From: NeaDods@aol.com
Subject: Re: Rigeline

Carol,

Try running a zig-zag stitch over a couple of the little rigeline spines
before you cut it, i.e.:  if you plan to cut between strands 4 and 5, zig zag
strands 3 & 4 together, and then strands 5 & 6.  This should help keep
everything together when you cut.

I've used Rigeline in a corset and it worked just fine; it's also washable,
which I like.  I used the Past Patterns 1860 corset, with 2 layers of cotton
duck and the rigeline.  

I also use rigeline to reinforce "fake corsets" made of plastic needlepoint
canvas (useful for making a theater/washable fake of Elizabethan flat
fronts).  And I plan to pull some apart and use the single strands for
rag-doll corsets for a future project.

Nea
neadods@aol.com
"Five days a week, my body is a temple.  
The other two, it's an amusement park."  -- Jerry Doyle

------------------------------

Date: Sat, 11 May 1996 18:42:09 -0700 (MST)
From: cwood@primenet.com (Ysabeau)
Subject: Re: Cowboy Boots for Dancing

Weeelll..sheesh, I am not an expert, but my father who is a pretty much a
cowboy and who knows an awful lot about cowboys, both past and present, told
me that usually a cowboy only owned one pair of boots, in fact, usually a
cowboy only owned about one of everything. Maybe an extra shirt and some
extra socks, but most cowboys only owned what they could carry in saddle
bags or a bedroll which is not much. Boots are a rather expensive item, so
perhaps that would account for a cowboy only owning one pair of boots. I am
doing research on a frontier army officer who, according to the list of his
effects which was compiled upon his death, only owned one pair of
shoes--boots. Since an officer at that time probably made more than a
cowboy, this might be indicative of something...on the other hand maybe not.

I don't know if this answers your question or not, but I would say that yes
a cowboy who danced would probably wear the same boots he wore to ride.

Also you have to realize that there are several different heels for cowboy
boots depending on what the boots are being worn for. The boots you describe
sound like the kind with very high heels, which in my experience are not all
that common. All the cowboys I know, including cowboy living historians,
wear the shorter heel (about an inch or so high) and they wear these boots
24-7, often including spurs. The woman that I work for who rides probably
about eight hours a day drives, cleans and cooks in her boots and spurs. I
think one can get used to anything. Think of Ginger Rogers and the shoes she
was dancing in! I wear ropers with inch and a half heels very day and have
no problem dancing. 

Does this answer your question at all?

Ysabeau

        

------------------------------

Date: Sun, 12 May 1996 09:49:35 -0800
From: "R.L. Shep" <shepgibb@mcn.org>
Subject: Re: Cowboy Boots for Dancing

Ysabeau wrote:
> 
> Weeelll..sheesh, I am not an expert, but my father who is a pretty much a
> cowboy and who knows an awful lot about cowboys, both past and present, told
> me that usually a cowboy only owned one pair of boots, in fact, usually a
> cowboy only owned about one of everything. 
etc

In THE COWBOY BOOT BOOK (Peregrine Smith Books. Box 667.  Layton, UT 
84041) 1992 they say the following:

"Nocoma Boot Company
 first introduced the shoe boot in the 1930s to allow square dancers more 
flexibility of the ankle.  They stopped production in 1984....This interest 
prompted Nocoma toreintroduce shoe boots totheir line, in 1991 Nocoma 
sold tens ofthousands of shoe boots for men and women..."

R.L. Shep> 
>

------------------------------

Date: Sun, 12 May 1996 19:58:45 -0400
From: Damion001@aol.com
Subject: Fitchets

Hello:

I haven't read any responses to my query about the medieval version of the
bustle, but I came across a reference to the "fitchets in the skirts" in a
description of the dress of a French woman of the late 14th century whose
skirt was particularly full beneath the waist.  Unfortuantely, that is the
only reference to a fitchet that I have.  So is the fitchet the "fox-tails
swede within ther garments to hold forthe for to hed ther arses," that
Douglas, monk of Glastonbury mentioned in 1343?

Damion

------------------------------

Date: Sun, 12 May 1996 21:40:04 -0500
From: recon36@server.iadfw.net (Ed Walton)
Subject: Re: Cowboy Boots for Dancing

>        In the old west (19thC) I would speculate that cowboy boots were
>seldon worn for dancing. Wouldn't both men and women wear shoes for
>dancing? Or perhaps ankle boots at a casual event.

Most people in the Old West were not cowboys, and many of them would be in
professions not requiring boots. Also note that it would be pretty unusual
for women to wear men's boots under any circumstance.

>        When I had western style riding boots, (in the 1970's) they were so
>use-specific that they weren't particularly comfortable to walk in. I would
>think that they were similar to the original cowboy boots.

If they had riding heels, they take some getting used to. However, when you
get the hang of it, it's okay. Maybe like women and spike heels. However, I
wouldn't want to make a forced march in riding heels.

>        So when did cowboy boots evolve into "the thing to wear" for
>country western dancing? Many of the dances, by the way, are based on those
>brought over by Europeans. Two step, schottische, etc.

Country & Western were two different styles of music until the late '30s.
Then they started merging as country performers, who had previously
performed in stage clothes known as "hillbilly" (like little abner or
trainmen) began to adopt the cowboy clothing of the Western musicians.
Boots were part of that look. The actual music style hasn't merged and
Western style isn't done much anymore outside of the sacred borders of
Texas as far as I know. Country idiom dominates, but Western won the
fashion war. In fact, almost as many cowboy boots are sold in Tennesee, a
state that never saw a cattle drive or a roundup, as in Texas.

Someone else said:
>I don't know if this answers your question or not, but I would say that yes
>a cowboy who danced would probably wear the same boots he wore to ride.

Correct. Most people who went to a barn dance would normally go by wagon,
not horseback. The young bucks might ride in on horseback and they would be
booted. Anyone else probably wouldn't wear boots, if they were rich enough
to own more than one pair of footwear.

>All the cowboys I know, including cowboy living historians,
>wear the shorter heel (about an inch or so high) and they wear these boots
>24-7, often including spurs.

An inch is probably a little low and would be prone to slipping thru the
stirrup, 2" is more like it. It needs to be long enough to stop the boot
from passing thru.

Many people in western states never stopped wearing boots, even though it's
been generations since their families were stockmen. I wore boots all day
every day, including to the office, even though it's been over a century
since anyone in my family had rustled a herd or stolen a horse. A cultural
thing, I guess. The only discomfort was from the trapped heat on those 105
degree summer days. I only stopped wearing them because my office went to
more casual wear.

- ----------------------------------------------------------------------------
- --Ed Walton
"Lost Battalions"
Original and Reproduction WW2 Uniforms
http://web2.airmail.net/recon36

------------------------------

Date: Sun, 12 May 1996 23:50:58 -0400
From: Lethegirl@aol.com
Subject: Re: Fitchets

I believe fitchets are the two rectangular patches, possibly slits, in the
front of the cotehardie-type over-garment, possibly allowing the wearer to
reach a pouch suspended from a belt underneath. this is what I read in my
costume history class, but it's open to debate.

- -T.

------------------------------

Date: Sun, 12 May 1996 21:59:41 -0600
From: felicity@cyberhighway.net
Subject: Klompen, Sabot

Has anyone ready knowledge on the earliest common usage of "wooden 
shoes" (klompen, sabot)?

I'm wondering about incorporating them in my costume next fall/winter 
(I'm in a madrigal that sings in costume), but am unsure of my timing.

THX.

- -- 
 """"""""""""""""felicity@cyberhighway.net"""""""""""""""
 "When I was a young lad twenty or thirty or forty years ago
I lived in a small town where they were all after me on account
of what I done on Mrs Nugent." _The Butcher Boy_, Patrick McCabe

------------------------------

Date: Mon, 13 May 1996 00:55:36 -0400
From: Damion001@aol.com
Subject: Re: Fitchets

T. wrote:

<< I believe fitchets are the two rectangular patches, possibly slits, in the
front of the cotehardie-type over-garment, possibly allowing the wearer to
reach a pouch suspended from a belt underneath. this is what I read in my
costume history class, but it's open to debate. >>

That's very interesting.  Unfortunately I do not have at the moment a
glossary of costume terms, so I'm not able to find the definition that a
costume book would give.  But the ordinary dictionary defines the fitchit as
both a European polecat, and the fur of it.  So you can see why I would think
that the "polecat fur" referred to here is the same as the "fox-tails"
referred to by Douglas, monk of Glastonbury... whoever he is.

Damion

------------------------------

Date: Mon, 13 May 1996 09:41:43 -0400
From: Dale Loberger <dloberger@esri.com>
Subject: Re: Cowboy Boots for Dancing

Carol Kocian wrote:
> 
>         While at a dance, I started wondering about cowboy boots. For
> country western dancing today, boots are available that are specifically
> for dancing.

I subscribed to this list for my wife who is an 18th C. seamstress, but 
I couldn't help responding to this one personally.

I don't consider myself a cowboy, but I have worn western style "cowboy 
boots" for over twenty years.  I wear my boots nearly every day through 
all seasons (and I live in NC) and during many different activies. 
(Which reminds me of a joke about the only things a cowboy will remove 
his boots for, but I won't go into that.)  I have worn my boots riding, 
walking, dancing, kicking ****, and once even swimming (which was very 
difficult).  In all cases, but the last, I found their comfort very 
acceptable.  I too only own one pair at a time, so I don't have much 
choice about what to where (nor would I want anything else).  I should 
probably mention that one other pair of shoes I own are straight last 
buckle shoes which I also don't mind wearing (except after one long 
march on pavement about a year ago) so maybe my feet are a little 
warped!

As for dancing, I didn't know about any special boots for dancing, but I 
would not go dancing without my everyday boots.

Dale Loberger
"The WoodSmith of Mulberry Meadow" and husband of "Susannah Eanes" 
(Susan Loberger)

------------------------------

End of H-Costume Digest V4 #114
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