From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Fri, 28 Jan 1994 18:21:22 -0500 (EST)
Subject: H-Costume Digest, Volume 38, 1/28/94

The Historic Costume List Digest, Volume 38, January 28, 1994

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).

Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

For archives of this digest, send mail to close@lunch.asd.sgi.com

Thanks and Enjoy!

---------------------------------------------------------------
Topics:
Costume Con 12 -- Costume Competition
Masquarde Entry description
Millinary Skills and Tips
French Hoods
More on Dover Books
Dates and more on the San Jose Civic Light Opera Costume tour
More Corsetry
How do you remove wax from taffeta?

----------------------------
Date: 26 Jan 94 20:28 GMT
From: SCM.MANKER@AppleLink.Apple.COM (Nichols, Kristen)
Subject: Costume Competition-CC12

I was wondering if anyone from our little "family" of historical
costumers will be participating in the historical costume competition at
CC12. I want to be on the look out for you and of course cheer you on!
If you are going to be competing....would you give us a little teaser
about your costume.
Kristen
 

----------------------------
Date: 26 Jan 94 20:34 GMT
From: SCM.MANKER@AppleLink.Apple.COM (Nichols, Kristen)
Subject: Millinary skills

I am trying to make a french hood for my next dress and am having a few
difficulties. Are there any tips you all can give me??? I cannot seem to
get the correct angle on it.

Since I started the subject of hats I would really like it if we could
start a millinary discussion. This is (obviously) my first attempt at
this art and I would like to hear about any references, tips, tales of
woe ;-), etc. Any time period would be wonderful to hear about.
 
Smile! The weekend is almost here!
Kristen
 

----------------------------
Date: Wed, 26 Jan 94 13:46:08 PST
From: Loren_Dearborn@casmail.calacademy.org (Loren Dearborn)
Subject: Re: FAQs and Dover books?

          Hello, I've been lurking on this mailing list for quite some  
        time, but have come out of the woodwork for the Dover question...

          You can also get dover books from Amazon Dry Goods at the     
     same prices as those in the Dover catalog and often faster than
Dover.

          Amazon's address is :2218 E. 11th St, Davenport, IA 52803

          Also, when asking Dover for their current catalog you might   
       want to be sure to specify that you want the COMPLETE catalog,
otherwise you can end up getting the seasonal catalog which doesn't list
ALL of the wonderful costume books that they have.  Have fun but be
careful!

----------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: Touring SJCLO Costume Dept -- the date is set!
Date: Wed, 26 Jan 1994 14:03:03 -0800 (PST)

I wrote a while ago that I would organize a tour of the San Jose Civic
Light Opera's costume department, if there was enough interest.  About
20 people responded, so that was enough to make me go ahead with the
plans. Now I'd like to give the rest of you, and any who might have
missed the original post, a chance to participate too.  Pat Havey,
Costume Director, LOVES to show off her stuff and she, as well as most
of you, would prefer a weekend tour.  Sooooo, we set a date for:

Saturday, February 12th at 10:00 am.

I'll send directions and details to those who confirm (ie. rsvp) with me
for the tour, but basically we'll meet in the parking lot of the SJCLO's
HQ a little before 10 am on the 12th.  (They're easy to get to on
Technology Drive out by the SJ airport.)  We'll tour the place courtesy
of Pat, and maybe we could all go for lunch or Dim Sum when it's all
over? This should be an excellent preview and gearing-up-session for
CC12,
imho!
-- 
Diane Barlow Close
 close@lunch.asd.sgi.com
 I'm at lunch today.  :-)

----------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: One more word on the tour
Date: Wed, 26 Jan 1994 14:04:47 -0800 (PST)

I forgot to add that those of you who want to come are welcome to bring
all the guests you want!  They don't have to be "list members" to attend
this tour!
-- 
Diane Barlow Close
 close@lunch.asd.sgi.com
 I'm at lunch today.  :-)

----------------------------
From: Charlene Noto <charlenn@microsoft.com>

Date: Wed, 26 Jan 94 17:22:54 PST
Subject: Millinary Skills

Kristin states:
<I am trying to make a french hood for my next dress and am having a few
<difficulties. Are there any tips you all can give me??? I cannot seem
<to get the correct angle on it.

I would also love to hear ideas and tips on this.  The last french hood
I tried to make was a disaster.

-Charlene

----------------------------
Date: Wed, 26 Jan 94 14:33:43 PST
From: "SNORTON.US.ORACLE.COM" <SNORTON@us.oracle.com>
Subject: Masquerade entry
 
Well, I'm entering my first masquerade this year.  My entry is in the
Sci Fi masquerade but, the costumes are historical (the characters are
sf/fantasy). 
 
My friend who is writing her first novel (remember my questions about
Flemish costume) .... anyway, she has a long flashback in Ancient Greece
and another in Rome.  Her novel is about a family of vampires so, my
entry is three characters who could be members of that family in Ancient
Greece.  They are 3 women.  They are all wearing chitons with stollas. 
I've found three variations for the chiton which works out nicely since
I have 3 characters.  I am making three garments that are historically
accurate designs but, the fabric and trim are modern (the trim is really
more fantasy because it is "bright").  The headdresses are not Greek;
they are more, well, Etruscan?  Maybe Etruscan-inspired is more
accurate. 
 
Three of my friends of modeling for me; one is the author of the book. 
Fortunately, the models are all excited and looking forward to the
event.  But, the closer it gets, the more nervous I get. 
 
Sally 
snorton@US.oracle.com

----------------------------
Date: Wed, 26 Jan 94 15:34:19 PST
From: Loren_Dearborn@casmail.calacademy.org (Loren Dearborn)
Subject: Re: Masquerade entry

          I'd like to enter, but as this is my first costume con (much
less my first competition) I feel a bit nervous about the idea.  I'd
definitely be in the novice division, but even then I have little idea
what to expect.  Can any of you who have a little more experience in
such matters offer any           advice/clues for a newcomer like me? 
I'd appreciate it!

----------------------------
From: jsargent@hmg.com
Date: Wed, 26 Jan 94 16:44:07 
Subject: The Terror That Came From Dover

O-kay...

What's all this "be careful" stuff about Dover books? I have a great
many Dover titles in my personal collection, and now I'm nervous about
going into my room ( okay, I'm nervous for other reasons, but this is
one more!).
Back to my new DL Sayers bio - not a Dover edition, thank god(ess)(es)

-Worried in Emeryville

----------------------------
From: Susannah Gort <sjg@maths.warwick.ac.uk>
Date: Thu, 27 Jan 1994 12:01:03 GMT
Subject: Re: Millinery skills

Kristin and Charlene mention problems with French Hoods.  What stage in
the evolution of the French hood exactly?  I've made one of the
pre-wiring ones, and it worked very well (although admittedly because of
time constraints I cheated a little, but I think it will still work
without the cheat.  And there is always the possibility that it wasn't a
cheat after all).  Mine's about 1505 I think.

Susannah

----------------------------
Date: Thu, 27 Jan 94 10:51:36 PDT
From: Cindy <cindy@ccmail.caere.com>
Subject: Millinary skills

>  Since I started the subject of hats I would really like it if we
>  could start a millinary discussion. This is (obviously) my first
>  attempt at this art and I would like to hear about any references,
>  tips, tales of woe ;-), etc. Any time period would be wonderful to
>  hear about.

   The most readable book on milinary is "From the Neck Up".  I bought  
 mine at the San Jose Historical Museum.  Since it's not a reprint, it
probably isnt Dover.  (Can you tell I dont have it with me?) I've seen
it at fabric & costume stores, CostumeCons, even SF cons with
masquerades.

   Read the whole thing, cover to cover, then try stuff.  The author
tends to reference techniques explained in the book, but it takes some
page-flipping to find it all.  Fear not!  it's very readable.

   The sections on buckram over wireframes is probably what you want.
Make your paper models (per examples) first!  I use feather weight quilt
batts or "nice & natural" batt to pad the buckram & frame on my hats.

----------------------------
Date: Thu, 27 Jan 94 13:19:22 PST
From: Loren_Dearborn@casmail.calacademy.org (Loren Dearborn)
Subject: Re: The Terror That Came From Dover

          Perhaps it's that sucking sounds that comes from my wallet
every time I fill out a Dover order form that leads to the warnings of
"be careful" ;-)

----------------------------
From: bednarek@tidalwave.med.ge.com (Dennis Bednarek Mfg 4-6971 ~BHOSVWZ#097)
Date: Fri, 28 Jan 94 04:45:58 CST
Subject: Re: Corsetry info

Okay let's see if I got the picture straight.

Tudor corsets:  Were designed mainly to create a flat front.

Victorian corsets:  To create a narrow waist when viewed from the front.

However there suposedly are also Colonial, and Edwardian styles.  What
were they supose to do?

----------------------------
Date: Fri, 28 Jan 94 10:22:24 PDT
From: Cindy <cindy@ccmail.caere.com>
Subject: My hat's off to you

   One tool that I've found invaluable is a contraption called a
"Flexible Curve".  You can find them at quilting shop for $8.

   For a hat with a brim, crown and tip, use the curve to get the
wearer's head _Shape_, as well as size.  Nobody has a perfect circle or
oval head.  When drafting the pattern I make the headsize hole larger by
1/8" or 1/16" all the way around.  This allows for the fabric, buckram,
lining ...

   You can also copy pieces of that 1870 mourning bonnet without taking
it apart...

   The other truly useful tool is a hat block.  Some come in wood with
screws or spring to adjust their shape.  Wood is good to size felt,
dampened buckram against as it cant soak the block.  Mine is fabric
stuffed with a mystery substance.  Just perfect to stick pins in. The
fabric ones come in one size only.  ~$10   I've never seen one made more
recently that the 1950's, not even in the Greenberg & Hammer catalog. 
Perhaps the pros know better.  Whadiya say Pros?

            --cin

   Cynthia Barnes
   Sr. Software Engr
   Caere Corporation
   100 Cooper Court
   Los Gatos CA 95030
   408.395.5148 x2224
   internet: cin@caere.com

    "Very foolish to kill all the servants.  Now we dont even know
    where the marmelade is." --Agatha Christie

----------------------------
Date: Fri, 28 Jan 94 11:59:59 -0800
From: bino@ella.mills.edu (Kendra VanCleave)
Subject: edwardian corsets

well, towards the end of the 19th c., there was the introduction of the
spoon-shaped busk. this was originally designed as a way to allow women
to lace their corsets more loosely. however, ladies soon discovered that
extremely tight lacing gave them an S-shape, where the line was very
flat and straight from under the breast down over the stomach. (very
uncomfortable and very unhealthy). sorry, i don't know much about 18th
c. corsets!

----------------------------
Date:         Fri, 28 Jan 94 15:41:17 EST
From: kerry omalley <ADMITKO%MITVMC.BITNET@mitvma.mit.edu>
To: h-costume@andrew.cmu.edu

having been involved in living history (rev. war)for the last few years,
i beleive the major goal of the corsets of this time is to give the
wearer a firm, inverted cone shape, as opposed to an "s" curve, or a
flat front.
    the desired posture of the time is very  straight, with the
shoulders pressed back.(possibly to keep the high wigs on!) the idea was
to create a small waist(or illusion thereof) by raising the bosom up and
out over the low neckline, and adding wide paniers(mid-century) and rump
pads(late-cent.)
cross-boning was used to help create a rounded ribcage. this is a
technique using a few bones placed horizontally from the center front to
the under-arm, and one or two more diagonally from each shoulder blade
toward the center-back.
also, shoulder straps and tabs along the bottom  served to help support
the weight of the gown.

    i hope this helps a bit,  and happy sewing!!!

kerry
p.s. i love reading this e-mail list, and i have a request. does anyone
out there know if the book "revolution in fashion 1715-1815" is
available? i know it is out of print, and my only sources have dried up.

thanks very much, kerry (admitko@mit.vmc.)

----------------------------
Date: Fri, 28 Jan 94 14:09:40 PST
From: Loren_Dearborn@casmail.calacademy.org (Loren Dearborn)
Subject: Out, out damned spot!

 I have a problem I was hoping someone here could help
 me with.  I have an 1890's ball gown that I made
 and wore to a party recently and managed to get wax
 on.  What can one do to get wax out of taffeta?  I've been
 told that ironing the dress with paper towels on both sides
 of the spot can work, but I don't want to try anything
 unless I'm fairly confident that it will at least not make
 it worse.   Does anyone have any fool-proof remedy for
 getting wax out of fabric?

 Thanks!
---------------------------- End of Volume 38 -----------------------

