From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Mon, 14 Mar 1994 19:22:31 -0500 (EST)
Subject: H-Costume Digest, Volume 71, 3/14/94

The Historic Costume List Digest, Volume 71, March 14, 1994

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).

Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

For archives of this digest, send mail to close@lunch.asd.sgi.com

Thanks and Enjoy!

---------------------------------------------------------------
Topics:
Corsetry Supply Sources
More pattern evaluations
More Biographies/Turning a hobby into a business
Questions,answers, and requests re:Janet Arnold Shirts and Smocks article
More on coins
Answer: Computer School/Workshops
Furs and Leatherwork
About MANNEQUIN software
Cleaning and repairing beadwork

----------------------------
Date: Fri, 11 Mar 94 14:03:01 PST
From: zdlmail.ziff.com!aepler@zdlmail.ziff.com (Epler, Anita)
Subject: re: Corset Materials Query

>does anyone know of companies--mail-order or otherwise--that stock corset 
>materials (spiral steel, heavy broche, busks, etc.) and other unusual 
>underpinnings (like wooden hoops and the like)? 

Lacis in Berkeley sells busks, spiral steel, and stays.

They're local to me (sort-of) but I understand they do mail-order as well.

Lacis
"Books & Tools for the Textile Arts, Antique Lace & Textiles"
2983 Adeline Street
Berkeley, CA 94703
510/843-7178
Fax 510/843-5018

----------------------------
Date: 12 Mar 94 00:05 GMT
From: SCM.MANKER@AppleLink.Apple.COM (Nichols, Kristen)
Subject: Re: RE: Pattern Eval
 
> Has anyone else used the MM patterns? Whadja think?
> - Robert
 
Well, I tried their  Tudor undergarments patterns....big mistake. The
chemise was horribly small around the arm holes and it just looked dumpy
all around. I am usually a small or a medium but decided to make a
large...and it still didn't fit. For my next chemise I am working off of
a men's shirt pattern and altering for my needs.
 
>I also have the MM pattern for late Tudor headgear.  I haven't used it yet,
>but I've looked at it and been disappointed.
 
Ditto. I was also amazed that for the gable hat they tell you to make it
out of posterboard!!! Now, I usually don't have a problem using modern
"conveniences" when making my costumes. (I do RenFaires and as most of
us know they do not hold tightly to being historically accurate,
especially in regards to costuming.) But resorting to posterboard is
going to far. For those of you who do not mind a little inacuracy in
your costumes I have found that plastic canvas works well when making
hats. My hats take a lot of abuse so I need the foundation to be strong
and plastic canvas has done the trick.
 
Does anyone else have any little *tricks* they would mind sharing. Not
just in regards to hat making but in all areas of costuming.
K-
 

----------------------------
Date:         Sun, 13 Mar 1994 9:41 pm EST (Mon, 14 Mar 94 02:41:21 UT)
From: "mitchell t. schleede" <SCHL9854%FREDONIA.bitnet@CUNYVM.CUNY.EDU>
Subject:      new subscriber, general manager for renaissance clothing c
              ompany

Hello everyone,
     I'm not sure of the procedures, if there are any, for requesting
information.  This is the first interest group that I am writing to via
electronic mail.  I will soon be travelling to Gerorgia, Wisconsin, and
then back to New York state working at renaissance fairs.  The company I
work for produces clothing, handbags, hats and shoes, all what would
seem right out of Robin Hood, yet in our belief more elegant, Robin
would be jealous.
     I guess, what I am looking for are people with similar interests,
businesses, or jobs relating to what I have explained.  At our show room
we have countless vendors present selling swords, jewelry, leather shoes
and other related items.  Our show room resembles a market place right
out of King Arthur's time|  Soon we will be booking weddings at our
gigantic inn and lawn|
      If anyone is interested in more information or would like to send
information about themselves and their interests in our hobby turned
business feel free to do so.
     Thank you much for all of your time in reading and responding to
this request. send to Schleede9854@fredonia.bitnet
                                               Sincerely,
                                          Mitchell T. Schleede
----------------------------
Date:         Mon, 14 Mar 94  09:57:58 EST
From: "Kathleen A. Moore" <KAMOOR01@ULKYVM.LOUISVILLE.EDU>
Subject:      Janet Arnold article

Title:Art Library, UofL
Phone:(502)852-6741

I have an article by Janet Arnold from some years ago, dealing with
Renaissance chemises and shirts, that I've unfortunately lost the
citation for.  Does anyone remember the year and periodical title of
this article?

THANKS--Kathy
kamoor01@ulkyvm.louisville.edu
Bridwell Art Library, 102 Schneider Hall, Belknap Campus
University of Louisville, Louisville, KY 40292

----------------------------
Date: Mon, 14 Mar 1994 09:37:03 -0600 (CST)
From: Helen Mayo <mayo@library.swmed.edu>
Subject: Arnold article on smocks and shirts
To: h-costume@andrew.cmu.edu

Since this is such a good article (then again, all of hers are) I
thought I'd post this to the list. Apologies if that's inappropriate.
This is probably the citation being referred to:

Arnold, Janet. Elizabethan and Jacobean Smocks and Shirts.
Waffen und Kostumkunde, pt. 2, 1977, pp. 89-110.

I had a heck of a time getting this through interlibrary loan (and I
work in a library where the ILL department's supervisor reports to me,
so they were motivated to try and get this for me ;) but finally found
it at the research library of the New York Public Library on the second
try.

Helen Mayo
aka Helen of Haverhill

----------------------------
Subject: Re: new subscriber, general manager for renaissance clothing c ompany 
Date: Mon, 14 Mar 94 08:44:47 PST
From: Walter Nelson <Walter_Nelson@rand.org>

Mitchell
My name is Walter Nelson.  My wife and I have turned our hobby into a
business in two ways.

The first is "Time Out of Mind", which is a theatrical agency where we
arrange for historically oriented performers to work at theme parties,
fund-raisers, as movie extras etc.  We provided ballroom dancers for
Geronimo, and our biggest task so far was providing 34 baroqe
aristocrats (dancers, greeters, announcers, guards) for the LA Master
Chorale annual benefit.

The second is "Merchant Adventurers", which is a retail/mail order
business which provides selected, hard to find, authentic goods to
Medieval/Renaissance re-enactors.  Our goods include replica coins
(Elizabeth I, Charles I), numerous historical playing card decks,
stockings etc.  I have also produced two booklets:  The "Elizabethan's
Hornbook", which is a primer and quick guide to the sorts of information
one needs to convincing portray an Elizabethan, and the "Merry
Gamester", which is a book of Medieval and Renaissance card, dice and
board games.

The only items we have which are available for wholesale are the books,
and perhaps some of the decks of cards.  The wholesale price of the
books is $6.00, the minimum order for that discount is 10 pieces.  The
regular retail price is $7.50.  Shipping on a wholesale order is $3.00. 
Checks should be made out to Walter Nelson.

We are located at:

 7341 Etiwanda Ave
 Reseda CA 91335
 (818) 342-3482.

Cheers,

                                  Walter
----------------------------
From: Gregory Stapleton <gregsta@microsoft.com>
Date: Mon, 14 Mar 94 11:10:21 TZ
Subject: RE: Janet Arnold article

Hi, Kathy
You write:
|
| Title:Art Library, UofL
| Phone:(502)852-6741
|
| I have an article by Janet Arnold from some years ago, dealing with
| Renaissance chemises and shirts, that I've unfortunately lost the
| citation for.  Does anyone remember the year and periodical title
| of this article?
|
| THANKS--Kathy
| kamoor01@ulkyvm.louisville.edu
| Bridwell Art Library, 102 Schneider Hall, Belknap Campus
| University of Louisville, Louisville, KY 40292
|
|
Would it be possible for you to copy this article for me and mail it too
me?  I'd be more than happy to reimburse you any expense.  I've been
looking for something like this for my wife and I to make for summer
wear.  We are in the SCA and most of our garb is too heavy for summer. 
If you can send it too me, I'll post my address below.

Thank you,

Gregory Stapleton
Microsoft Corp.
2199 Water Ridge Pkwy.
Charlotte, NC  28217
(704) 357-1147, X. 48479

----------------------------
From: "Aryk Nusbacher" <ARYKN@dur.utoronto.ca>
Date:  Mon, 14 Mar 1994 11:48:00 -0500
Subject: Coins

I've seen great buckets of outdated coins in Arab markets in Israel.
Once the currency was reformed in the late seventies and again in the
early eighties; there were great piles of coins left whose value for
wedding dresses, belly dancing costumes and the like was higher than
their microscopic face value.  For example, one Lira is one
one-hundredth of an old shekel.  One old shekel is one one-thousandth of
a new shekel (the current legal tender).  One new shekel is worth about
US$.35.  

I'd suggest you have an Israeli send you a bag of these; but it seems to
me that there are hyperinflative economies closer to home.  I believe
you'll find useless coin in Brazil or Argentina; and it would cost less
to ship, I'm sure.  

And the Internet stretches out before you like a big coin-finding machine.

Other useless coins include Ost-pfennigs from the DDR -- we have a bowl
of them at home for use as a last-ditch weapon when the Communists
invade.

Cheers,

Aryk Nusbacher

----------------------------
From: WALTER@tandem.physics.upenn.edu
Date: Mon, 14 Mar 94 12:33 EDT
Subject: Arnold article

Why, yes, the copy I have reight here in my desk drawer is from "Waffen-
und Kostumkunde", v. 19, nr. 1, 1977, pp. 89-110.

Karen Walter
walter@tandem.physics.upenn.edu

----------------------------
Date: Mon, 14 Mar 94 12:00:44 PDT
From: Cindy <cindy@ccmail.caere.com>
Subject: Furs & leatherwork

>>      Walter & I have been having a delightful discussion on the side
>>    about restoring life to dried fur and leather, as well.  Know
>>    anything about making mink, rabbit et al more pliable?  I bought
>>    several 1950s coats, split at the shoulders, for $15.

>My favorite source of furs! I have a reputation among my friends as
>something of a fur-fetishist. My SCA wardrobe includes three completely
>fur-lined garments (short cloak, hood with shoulder cape, and man's early
>15th c. tunic) and many more with fur trim. I did a pair of fur-lined
>over-sleeves for a tudor gown for a friend of mine when she was Princess.

>>    The intent is to cut them up & use them to trim a paletot, cape or
>>    any of various House of Worth visiting gowns (circa 1890-1910).
>>    Before I can start, I like to soften the skins a little.  Will mink
>>    oil work, do you think?

>I would advise getting some sort of professional leather conditioner --
>the sort that is intended for restoring leather jackets and such. While
>Mink Oil does do some conditioning, it is primarily intended for
>water-proofing, especially shoes. It tends to leave a greasy residue --
>not something you want on a fur that you're going to use with nice
>fabric! Look for something that will be completely absorbed and do a test
>swatch (needless to say) to get a feel for how much it will take and what
>the results will be.

>Have you done much work with furs before? Would you like a few tips?
>(Like, if you do the cutting with a razor blade rather than scissors
>you'll avoid most of the "fur dust" that can drive you crazy.) I've also
>found that one of the essential parts of getting furs done right is
>proper backing and padding. Look at how the garment you're getting it
>from is put together to get some idea. When making strips of fur for
>trim, I still use a heavy fabric lining on the strip and sew the fur onto
>it using twill tape or bias tape. Not only does it give the fur more
>bulk, but it makes it easier to move it from garment to garment without
>damaging the fur itself by resewing it constantly.

>I babble on ... for all I know you already know this stuff.

>Heather Rose Jones

   Well, Heather, I dont.  Please babble away!   This fur thing is, for
me, still an intent.  Other than notice the padding, tidy bits of
stitching and the dry areas, havent done a thing! --cin

----------------------------
From: Gregory Stapleton <gregsta@microsoft.com>
Date: Mon, 14 Mar 94 15:13:14 TZ
Subject: RE: computer school/workshops

Deborah,
you write:

<snip>
| But I need some information on computer school/workshops in programs that
| use scanners and software such as adobe photoshop or other useful programs
| in the graphic arts...Please send me information on workshops so I can
| start upgrading myself into this computer literate  world...(I'll never
| give up my drawing, painting and researching but I do need to learn how to
| use the technology).
|
|
| Thanks,
|
| Deborah
|
| dbrother@williams.edu
|

I can recommend several excellent magazines for a start:
 Image
 Computer Graphics World
 High Color
 Computer Artist

For instruction, try:
 American Center for Computer Imaging and Animation
 Located in Raleigh, NC.
 1-800-288-7442
They have classes in your areas of interest.  Just call them and 
request a course catalog.  Really nice people to work with.

Yours in Service,

Gregory Stapleton

----------------------------
From: Gregory Stapleton <gregsta@microsoft.com>
To: grm+@andrew.cmu.edu
Date: Mon, 14 Mar 94 15:49:46 TZ
Subject: Re: "MANNEQUIN"

I have the program.  What do you want to know about it?  I believe the
humanCAD has stopped producing it.  Last I talked with my contact there
(about a year ago), they were going to discontinue it.  For what it
does, it's a great program.

Gregory

----------------------------
From: close@lunch.asd.sgi.com (Diane Barlow Close)
Subject: Re: Furs and leatherwork
To: cindy@ccmail.caere.com (Cindy)
Date: Mon, 14 Mar 1994 13:41:39 -0800 (PST)
Cc: h-costume@andrew.cmu.edu

I just thought I'd throw in here, for those of you who like the look of
fur but object to it being a former live animal (even if it's a very old
formerly live animal, like stuff from the 20's, etc.), Donna Salyers'
company produces some really excellent fake furs.  They also sell fake
suedes and fake leathers that are really good imitations too.

You can get a catalog by calling (800) 848-4650 or writing to:

Donna Salyers' Fabulous-Furs
700 Madison Avenue
Covington, KY  41011

A portion of all sales benefits the Tony Fitzjohn/George Adamson African
Wildlife Preservation Trust.  I'm not affiliated with either group, I'm
just a happy customer.  Donna offers several classic fur coat patterns
too.
-- 
Diane Barlow Close
 close@lunch.asd.sgi.com
 I'm at lunch today.  :-)

----------------------------
Date: 14 Mar 1994 14:35:02 U
From: "Blake, Roberta" <blake#m#_roberta@srs142.scf.loral.com>
Subject: beaded dress repairing/cleaning?

i just bought a late '20s beige chiffon(?) heavily beaded dress at an estate
sale. after checking all the beadwork only 1 spot is in need of repair,
and the beads are still on the loose thread.  what's the best fix for
this? how 
should i tie off the thread to stop the unravelling? should i cut it and try
to re-sew the beads? (i've never sewn beading, but have strung beads with a
beading needle.) how about cleaning the dress? i thought i might try
cool water and woolite in the bath tub, and then drying it on a rack. 
should i try steaming it if it wrinkles?

does anyone have experience with this type of thing?
thanks in advance for your help,
roberta

----------------------------
Date: Mon, 14 Mar 94 15:01:54 -0800
From: CJ Smith <cjsmith@Hawg.Stanford.EDU>
Subject: Re: beaded dress repairing/cleaning?

> after checking all the beadwork only 1 spot is in need of repair, and the
> beads are still on the loose thread.  what's the best fix for this? how 
> should i tie off the thread to stop the unravelling? should i cut it and try
> to re-sew the beads? (i've never sewn beading, but have strung beads with a
> beading needle.)

I haven't dealt with beads like this, but have dealt with old sequinning
that had begun to come loose.  I cut the threads and re-sewed it,
because when I inspected the "broken" area it was clear that the thread
was very fragile and was going to break somewhere else anyway.  So you
might want to inspect your dress and see how fragile the thread is.

Cleaning - I have no clue.  Good luck.

--CJ

---------------------------- End of Volume 71 -----------------------

