From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Wed, 11 May 1994 16:58:25 -0400 (EDT)
Subject: H-Costume Digest, Volume 99, 5/11/94

The Historic Costume List Digest, Volume 99, May 11, 1994

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Thanks and Enjoy!

---------------------------------------------------------------
Topics:
Question: Leather clothing
Costuming events in San Francisco area
Handstitching sources
Costume preservation
More on hose
Pigeons and peacocks
The color of costume (black and white)
Sealed Knot regiments

----------------------------
Date: Fri,  6 May 1994 12:57:09 -0400 (EDT)
From: Gretchen Miller <grm+@andrew.cmu.edu>
Subject: Use of leather in clothing

I have an SCA friend (not on this list) who is looking for references to
the use of leather clothing during SCA period (basically 600 - 1600).  I
have a few references, but it's not really something I've researched.

Thanks!

toodles, gretchen

----------------------------
Date:         Fri, 06 May 94 10:02:20 PDT
From: Eleanor Farrell <ELEANOR@UCSFVM.UCSF.EDU>
Subject:      SF Area Costume Events

Costumers in the San Francisco area (apologies to you other folks!) may
be interested in some upcoming Greater Bay Area Costumer's Guild events:

May 14: "Cavaliers' and Roundheads' Ball", Arlington Community Church,
Kensington, 7 pm, $10.  17th c costume admired but not required.  Co-  
sponsored by P.E.E.R.S.

June 5: "Sunday Soiree", Preservation Park, Oakland, 2-6 pm, $5-8. 
Work- shop on late 18th - early 19th c costume (featuring costumes from
BBC productions) with Sally Norton, followed by English country dance
instruction with Alan Winston.  Co-sponsored by Bay Area English Regency
Society.

June 26: "Picnic at Nampara Cove", Sutro Heights Park, San Francisco,
noon-   4 pm, $5.  Inspired by the "Poldark" BBC series.

July 2: "1939 'Gone With the Wind' Premiere Ball", Arlington Community  
Church, Kensington.  Victorian and 1930's period clothing and dancing.  
Co-sponsored by P.E.E.R.S. (Call 415/593-2940 for info)

July 16: "Bastille Day Dinner", Le Petit Cafe, San Francisco, 7:30 pm,
$28. Costume period 1760-1820, all classes.

For more information, call the GBACG voice mail number: 415/974-9333, or
e-mail me at the address below.

Eleanor Farrell, GBACG Vice-President
eleanor@ucsfvm.ucsf.edu

----------------------------
From: DGC3%RatesComm%FAR@bangate.pge.com
Date: Fri, 6 May 94 13:08:22 PDT
Subject: re:Hand-Stitching Sources

In an earlier posting, I mentioned a book originally published as "Put
On Thy Beautiful Garments." It was republished by Dover in 1990 as
"Everyday Dress of Rural America, 1783-1800 With Instructions and
Patterns".  The author is Merideth Wright. At $7.95 it is a deal.
Excellent for someone who wants to do an American Revolutionary or
middle-class English and knows from nothing about the period or
techniques involved. Clearly written and illustrated. 

The section I referred to is "The Basics of Hand Sewing". Three pages
describe and illustrate the following stitches (excuse my hasty summary,
this is a prompt to buy the book if you are interested):

1. Oversewing: lining up two selvage edges and overcasting

2. Stitching (counted-thread backstitching): Straight seams were
backstitched into a pulled thread so as to be nearly invisible. 

3. Hemming: turn under raw edge and sew with slanting stitches

Seam finishes include:

1. None! Use the selvage (easy with more tightly woven, narrower fabrics
than today), or pink a silk, or leave wool unfinished

2. Linings: turn and stitch to outer fabric

3. Catch seams: seam allowances turned to one side and held down with
catch stitches (for light fabrics) or to both sides and caught (for
wools)

4. Flat-fell seam as today: for garments requiring much wear or laundering 

Other hand-sewing techniques described include gathering (stroking),
topstitching, and sewing leather. 

The other source I mentioned in my earlier post was from "Threads"
magazine, No. 45, pp.62-65, "The Joys of French Handsewing."  These
techniques are appropriate for upper-class late Victorian underthings
presumably made by nuns sewing themselves blind to support their
convents, and as such not relevant to many projects mentioned here, but
the author made some interesting points about how differently fabric
handles from machine-sewn garments, and how quickly projects went once
she got accustomed to working this way. 

A third source of hand sewing has occurred to me, and that is the
Caufield "Dictionary of Needlework," a mammoth compilation of all forms
of stitchery known up to Victorian England. The key word here is "Plain
Sewing" (as opposed to "Fancy Work"). The book was reprinted in the gala
days of macrame (1976?) and again around 1991. The entry for Plain
Sewing will refer you to the other entries (there is no index in my
hippie-era edition). 

Hope this helps. I have enjoyed the postings from people who do hand
sewing, tho I am not about to abandon my Bernina...

--Danine Cozzens   dgc3@pge.com 

 

----------------------------
From: "Lassman, Linda" <LASSMAN@bldgdafoe.lan1.umanitoba.ca>
Subject: Costume preservation?
Date: Fri, 06 May 94 14:02:00 PDT

I realize that we're far removed from you, and possibly too far to be of
 any use to you, but here's some information anyway!

The Dugald Costume Museum in Dugald, Manitoba, is a somewhat small but
(I understand) quite prestigious costume museum near Winnipeg.  While I
have no idea if they are in any way attached to e-mail, or if they
provide consulting services, you may wish to contact them anyway.

     Dugald Costume Museum
     PR206 & Hwy 15
     Dugald, Manitoba
     (204) 853-2166

The Department of Clothing and Textiles at the University of Manitoba
also has a small collection of clothing, and there was a small item in
the University Bulletin about a restoration job they did on a 1940's
dress. They also offer an MSc program.  Information on contacting the
Department is:

     S. G. Turnbull Caton, Head
     Department of Clothing and Textiles
     University of Manitoba
     Winnipeg, Manitoba   R3T 2N2
     (204) 474-8138
     turnbull@bldghumec.lan1.umanitoba.ca

- Linda Lassman

----------------------------
Date: Wed, 04 May 94 23:02:00 PST
From: Maryanne.Bartlett@f56.n105.z1.fidonet.org (Maryanne Bartlett)
Subject: men's legwear 1200-1600

 Uu> Does anyone have any suggestions for books that go into detail about
 Uu> men's legwear from about 1200-1600?  That seems to be a subject that's
 Uu> usually skimmed over or not even talked about in most costuming books.
 
 I don't know about books, but I took a class on this from Mistress
Aislinn of Cumbria. I'm going to see her tomorrow and I'll ask her for
titles and post 'em here.
 
 Uu> My questions are about the full-length hose worn with short
 Uu> houppelands.  In movies and at SCA events, men always wear nylon, knit
 Uu> dancers' tights with their short houppelandes.  Obviously, that's
 Uu> wrong, right?  Because they just didn't have knit hose before 1550 or
 Uu> so, right?  So how *did* they get such tightly fitting hose during the
 Uu> 1400's?  In one book, it said that they were made of wool and cut on
 Uu> the bias, which would allow them to be cut tightly and be stretchy.  I
 Uu> made my husband a pair of hose out of woven fabric cut on the bias, and
 Uu> it bagged horribly at the knees and ankles.  
 
 What kind of fabric did you use? Handspun wools are *much* stretchier
than the modern kind. On the bias they are actually stretchier than
knits! 

 >But I couldn't make it any
 Uu> tighter at the ankles, or he wouldn't have been able to get his feet
 Uu> in!  
  
 Several of the Czech ones that I have looked at have almost invisible
openings at the ankle at just about the point that you find the 90
degree angle in the ribs in rib-knit socks. The slash is about 1.5
inches long. I think thats all you'd need. These appear to have been
stitched shut repeatedly, as the edges have pulls and popped threads. 

 > So am I missing something really obvious, or are those paintings
 Uu> showing men in short houppelandes with skin tight hose not quite
 Uu> accurate?  
  
 No, they're accurate, but within the limits of "artist's
representation". As a fellow got older his hose tended to bag more and
more. Shakepeare talks about "his youthful hose well saved (something)
by his ankles, quite." I don't quite have this one by heart anymore, but
it is something like "wrinkling" or "bagging". Also hose bagged more as
*they* got older. The skin tight hosen would be a man's newest. He'd
probably wear older ones for hunting or some such and then give them
away when they really got awful. Take a look at some of the farmworkers
in woodcuts that are wearing hose. Theirs are really baggy.
 
 > Is it possible to get skin-tight hose out of woven fabric,
 Uu> or should the paintings really show men with baggy knees and ankles?
 
 Some do, but it *is* possible, but not with modern machine-made
materials, or rather the modern equivalents of what they had in period.
I've seen utterly *gorgeous* hose made out of Lycra-Spandex, but I
wouldn't claim that they're period.

 --Anja--
 
 -!- Blue Wave/QBBS v2.12 [NR]
uucp: uunet!m2xenix!puddle!56!Maryanne.Bartlett
Internet: Maryanne.Bartlett@f56.n105.z1.fidonet.org

----------------------------
Date: Fri, 06 May 94 11:49:00 PST
From: Maryanne.Bartlett@f56.n105.z1.fidonet.org (Maryanne Bartlett)
Subject: hose

 
 Uu> How do you draft a pattern for hose?  The only suggestions I've seen
 Uu> are the old-clothes-and-duct-tape routine.
 
 First, find a man who's willing to stand still and risk getting stuck
if he wiggles, who also doesn't mind having to stand there in his
skivvies  with you climbing all over his legs but not interested in
*him*!. Then take  a length of your fabric and pin one corner to his
belt. Smooth the fabric around him and pin the front to the leg band of
his skivvies right under  where the crease would be if he had pants on.
Ummmm....it helps if he  trusts you enough to not mind pins in this
area! 

          Next smooth the bias down toward his ankle, *not* stretching
it, and  pin it to the front of his sock. Then you go around to the back
and pin it  together along the same line that seamed stockings have.
You'll have to  fold fabric away at the top from front and rear.
*Carefully* slip it off, unpinning only as absolutely neccessary.
Ummmm....the pin in his skivvies  better be removed *first* or things
are gonna get interesting.
 
          Baste and unpin and put it back on him, then do the foot. If
he's  lying down, you need to make sure he bends his leg at some point
to test the stretchiness or its not going to fit. What takes the time
here is  getting the seam straight and leaving enough room for the toes
when his  leg bends. The seam goes right under the foot all the way to
the toe. The  long pointy toe leaves extra room for stretch. The fold
over the ankle, I  seam up, although I don't know that they did this. 

          When you peel this off him, (literally!) mark the pin and
baste lines and you have a pattern.
 
 I posted earlier about some hose that I saw that had a split over the
ankle bones. I've no clue how this was finished as it did not appear to
be hemmed or take extra fabric. Woven in, maybe?
 
 I hope this helps.
 
 --Anja--
--- Blue Wave/QBBS v2.12 [NR]
--  
uucp: uunet!m2xenix!puddle!56!Maryanne.Bartlett
Internet: Maryanne.Bartlett@f56.n105.z1.fidonet.org

----------------------------
From: rcarnegie@aol.com
Date: Sun, 08 May 94 00:31:04 EDT
Subject: Re: H-Costume Digest, Volume ...

<(although they also purchased 12
<peacocks for 16 shillings for the same wedding)!

<OK I have up, I am very confused (and I haven't even mentioned the
<pigeons yet!)

     I suspect that in both cases these birds were meant to be food.
peacock were often eaten by the Elizabethans and pidgeons are still a
delicacy!
                                               Ron Carnegie
----------------------------
From: d9304570@student.anu.edu.au
Date: Sun, 8 May 94 20:57:16 EST
Subject: Black vs. White

Just a quick comment.

I don't know where we are with this debate at the moment, due to
problems with my email, but this might be of a little interest to you.

>From a letter to Heloise from Peter Abelard (Heloise was by this stage a
nun - approx 1100's), on her position as a bride of christ rather than
his own bride:

"...For that outward cult of black or coarse garments, in the likeness
of the mournful vesture of good widows lamenting the husbands whom they
loved, shows you in this world, to be widows indeed and desolate..."

And on white, at the end of the late 1400's, white became the
fashionable colour of the Burgundian Court.

Hope this isn't a complete waste of bandwidth,
Miesje
______________________________________________________________________________
Miesje                          *d9304570@student.anu.edu.au
The College of St Aldhelm       *Australian National University
Politarchopolis                 *Canberra
Lochac                          *Australia
The West                        *"What do you mean where's The West?!"
******************************************************************************
        She was the sort of woman who lived for others.
        You could tell the others by their hunted expressions...
____________________________________________________________________________
__

----------------------------
Date: 08 May 94 12:46:02 EDT
From: Miles Thomas <70624.130@CompuServe.COM>
Subject: Re: Bad History, LaVolta & All that Jazz

>Despite that the Sealed Knot (a British Society which recreates the
>civil war) manages to get plenty of roundheads. They require people to
>recreate the regiment of their area, so if you live in  Huntingdonshire
>(where Cromwell came from) the only way to play cavalier is move house!

Not so.  You join a regimment of your liking, (often local).

Many people have moved away from the original source of the regiment,
and continued to recruit.

As an example, I belong to a Lancashire Royalist regiment, and I live
250 miles away in Surrey!

Miles Thomas
Sgt of Musket
Sir Gilbert Hoghton's Companie of Foote
(A regiment of the Sealed Knot)

----------------------------
From: csy20688@ggr.co.uk
Date: 09 May 94 09:12:00 BST
Subject: Peacocks

Sorry to cause confusion - the peacocks and pigeons were indeed intended
for the table (at least I assume so).

I seem to have missed the rest of the exchange about Lavolta and the
Sealed Knot...

Caroline

----------------------------
Date: 8 May 94 22:58:00 EST
From: "Gina Balestracci" <BALESTRACCI@saturn.montclair.edu>
Subject: more hand stitching

The Therese de Dillmont tome also has quite a bit on hand stitching.  I
don't know exactly who is reprinting that these days, but it's got to be
around. I can't even remember the title of it, but it gives [probably]
obsolete DMC numbers for all the various threads and it was originally
published in the late 19th century.  I've always liked it better than
Caulfield for stitching instructions.

gb

---------------------------- End of Volume 99 -----------------------

