From: Gretchen Miller <grm+@andrew.cmu.edu>
Date: Fri,  9 Dec 1994 19:05:28 -0500 (EST)
Subject: H-Costume Digest, Volume 197, 12/9/94

The Historic Costume List Digest, Volume 197, December 9, 1994

Send items for the list to h-costume@andrew.cmu.edu (or reply to this message).

Send subscription/deletion requests and inquiries to
h-costume-request@andrew.cmu.edu

Enjoy!

---------------------------------------------------------------
Topics:
ISO: Description of drawings of British Artillery Uniforms, 1755-63
Busks and corset boning materials
Grommets/Eyelets/etc
Saffron
Superstitions about peacock feathers
Tying garters pre 1650
Getting linen to take dye
ISO Address for big Philadelphia fabric shop
Making a figure-8 ruff
Price of "Queen Elizabeth's Wardrobe Unlocked"
ISO Source of Saffron Crocus bulbs

----------------------------
Date: Wed, 07 Dec 1994 18:09:55 -0400 (EDT)
From: ROBBY <KRISHNAN@vms.cis.pitt.edu>
Subject: British Royal

Hello costumers,
Would anyone out there know  of a description or  drawings of the
British Artillery uniforms , circa 1755-1763.
This would be during the French and  Indian War. (seven years war to
those britsout there.)

thanks
Rob

----------------------------
From: p.pettinger@genie.geis.com
Date: Thu,  8 Dec 94 01:44:00 UTC
Subject: corsets, etc.

I made the Past Patterns 1850's corset, but had a problem finding a busk
(not the piece of wood, but the 'hook and eye' thing some other patterns
call for) that was long enough.  As an inspiration, I pulled a couple of
tines out of a lawn rake, straightened them, cut them to the proper
length, filed the ends, then used them to extend the bottom of the busk.
 They were very rigid and worked well.  A friend of mine used lawn mower
springs (her dad repairs mowers) to make both her corset and hoop skirt.
 
I have also made a serviceable corset out of plastic canvas.  This was
for a fantasy costume but the design was based on 18th century pannier
gowns.  I cut it all in one piece, and added extra strips along the
edges where it would be laced.  It was covered with felt on both sides,
then the front was decorated since it would show, and the inside was
lined with robe velour.  Before covering, I reinforced the lacing holes
with washers (yes, regular hardware washers).  They work
like eyelets, but wider, just by sewing them down.  This corset held me
in admirably (and I am a D cup) and has lasted thru several wearings.
 
Sandy Pettinger

----------------------------
Date: Wed, 7 Dec 1994 23:29:04 -0400 (CDT)
From: andrea ruth leed <aleed@indiana.edu>
Subject: Re: corsets, etc.

Just as aside--using washers, or metal rings, and then sewing around
them is actually a more period method than using grommets or eyelets.  

 It's also a lot more work sewing them in.

Drea
=============================
aleed@ezmail.ucs.indiana.edu

----------------------------
Date: Wed, 7 Dec 1994 23:20:56 -0800 (PST)
From: "Sarah E. Goodman" <goodston@netcom.com>
Subject: Self Defeating

> for a source of linen yardage in white or off-white, which I will dye
> yellow with saffron and/or natural vegetable dyes.
> 
> Do any of you know where I can get linen at an affordable price?  The tunics

Since saffron is currently slightly more expensive per ounce than gold,
I suspect you want another natural dye!

(Does anyone know if saffron was actually used.  I've never heard the
color described as anything else, but it seems that saffron would have
been at least as expensive before modern transport {although the really
cost has to do with the fact that it is the powder on the stamen of the 
plant and it takes lots of land hand has to be hand harvested--and hand
labor was cheaper then}?)

----------------------------
Date: Wed, 7 Dec 1994 23:25:51 -0800 (PST)
From: "Sarah E. Goodman" <goodston@netcom.com>
Subject: Re: Ruffs and Peacocks

> I always thought peacock feathers were unlucky in the house, but there is a
> Breugel picture (Wedding feast) which shows a small boy in the foreground
> with a peacock feather in his hat!  Perhaps this is a modern superstition?

I think this was originally a theatrical superstition, and I know it to
be at least Victorian.  Ditto umbrellas opened in the house (which has
also made it main-stream) and hats on beds (about which I'm not so
sure--lots of my friends give it lip service, but then lots of my
friends were theatricals at one point or another.)

I think there are some bad-luck colors, too, but don't remember which.

And of course, we NEVER mention the name of the Scottish Play!

----------------------------
From: Jennifer Bray <jennyb@pdd.3com.com>
Date: Thu, 8 Dec 94 09:00:21 GMT
Subject: Re:  Self Defeating

Saffron definately was used, in the English county of Essex there is a
very pretty market town called Saffron Walden. The town grew rich in the
days when England's prosperity was founded on the wool trade, and the
name derives from the yellow dye which was grown and traded there.

As a result the townsfolk grew rich and built the many beautiful timber
framed houses which still line the streets.

If you compare the flourescent dayglow yellow which is obtained from
Saffron with the more golden yellow which comes from weld you will see
why the dye was used despite the amount of labour required to harvest
the crocus stamens. (As I said earlier I don't like the colour, but
presumably my medieval forbears thought differently).

Jennifer

----------------------------
Date: Wed, 7 Dec 1994 21:50:08 -0800
From: Chris Laning <claning@igc.apc.org>
Subject: garters

To-hc@ Wednesday, December 7, 1994                          p.1

There's a somewhat better-lit picture of the same garters (Eleanor of
Toledo's, I think) in Bishop Richard Rutt's _A History of Hand Knitting_
(Interweave Press, 1989) p.71.

Unfortunately in this picture the two garters are lying on top of each
other. But the one whose tie can be clearly seen looks to me very much
as if it were tied in a double bow (i.e. tie a bow, then tie its two
loops in a simple overhand knot). I couldn't exactly duplicate the tie
with a piece of yarn, but some of the bends in the knot are clearly
twice as thick as others, and the 
knot comes out the right size relative to the yarn. 

Bishop Rutt says, "The silk garters were apparently tied below a top
that turned over like a little English boy's stocking," and then goes on
to describe the stocking pattern, but not the garters, further. They
appear to be finely woven material, perhaps a ribbon or just a cloth
strip.

(BTW, I discovered the first time I used "points" of 1/8 inch modern
ribbon that I had to tie the bow loops in *two* overhand knots, one on
top of the other, unless I wanted them to come untied before the end of
the day.)
____________________________________________________________
O   Chris Laning         
|   <claning@igc.apc.org>
+    Davis, California
____________________________________________________________

----------------------------
Date: Thu, 8 Dec 1994 08:12:25 -0400 (CDT)
From: andrea ruth leed <aleed@indiana.edu>
Subject: medieval dyeing

I know that linen, wool, silk and a tiny bit of cotton were used in the
medieval world.  Wool takes dyes very well, as does silk, but linen is
the hardest fiber in the world to dye.  How did they manage to obtain
all those brilliant, eye-aching reds, blues, and greens?  aside from
cochineal, most of the natural dye recipies I've seen leave linen paler
than anything I've seen in an illumination.

=============================
aleed@ezmail.ucs.indiana.edu

----------------------------
Date: Thu 08 Dec 1994 07:59 CT
From: UDSD007@DSIBM.OKLADOT.STATE.OK.US (Mike.Andrews        )
Subject: Re: Self Defeating

"Sarah E. Goodman" <goodston@netcom.com> wrote:
>
> (Does anyone know if saffron was actually used.  I've never heard the
> color described as anything else, but it seems that saffron would have
> been at least as expensive before modern transport {although the really
> cost has to do with the fact that it is the powder on the stamen of the
> plant and it takes lots of land hand has to be hand harvested--and hand
> labor was cheaper then}?)

Actually, it's not the powder, but dried flower parts themselves - not
that it makes much difference, as the term "labor-intensive" doesn't
even begin to describe what has to be done to gather them.

--
Mike Andrews
Mgr., Tech. Support, Okla. Dept. of Transportation
udsd007@ibm.okladot.state.ok.us

----------------------------
Date: Thu, 8 Dec 1994 9:06:55 -0600 (CST)
From: Deb <BADDORF@badorf.fnal.gov>
Subject: RE: corsets, etc.

>Just as aside--using washers, or metal rings, and then sewing around them 
>is actually a more period method than using grommets or eyelets.  
> It's also a lot more work sewing them in.

There is an El Greco (1541-1614, Spanish painter) painting showing
exactly that.  Flat metal rings, which look all the world like washers, 
are sewn onto the surface of the front of the gown.
It is then cross laced up the front.   I think that was a non-corset
period (as I recall, she looks rather un-corsetted) but at least it is
documentation that the washer-technique existed at THAT time period.

Deb Baddorf            baddorf@fnal.gov

----------------------------
From: Marsha Hamilton <mhamilto@magnus.acs.ohio-state.edu>
Subject: Philadelphia fabric store
Date: Thu, 8 Dec 1994 11:04:16 -0500 (EST)

I was told that when in Philadelphia, I should visit the huge fabric
store there (similar to the G-Street Remnant Shop in Washington in
quantity).

Does anyone around Philly know the name of this fabled store and its address?

P.s. Thanks to all the folks who replied to the " Wardrobe Unlock'd" request.

--
Marsha Hamilton

            "She who dies with the most fabric, wins."

----------------------------
Date: Thu, 8 Dec 1994 11:22:34 -0500 (EST)
From: "K.C. Kozminski" <kkozmins@mhc.mtholyoke.edu>
Subject: Re: Ruffs and Peacocks

 The peacock-feather superstition is one I've heard for the Theatre
also, I was told it was because the peacock had an "evil eye" on it. 
Green is thought to be an unlucky color for costumes because it is the
"fairies" color, and they were thought to be a jealous lot.  I'm
suprised to hear the hat-on-the- bed jinx, I thought my mother made that
one up!  Has anyone heard bout the superstition of wearing your
night-gown inside out if you accidently put it on that way?  It's 
supposed to be bad luck to take it off and turn it  once you already
have it on. 
 KC

Don't think of it as aging, think of it as "Attaining Mythic Stature"
kc/Roen
who is, herself

----------------------------
From: "Lassman, Linda" <LASSMAN@bldgdafoe.lan1.umanitoba.ca>
Subject: ruffs
Date: Wed, 07 Dec 94 09:22:00 PST

>From: TheaG@AOL.COM
>Date: Tue, 6 Dec 1994 21:10:33 -0500
>Message-Id: <941206211031_7471248@aol.com>
>To: h-costume@andrew.cmu.edu
>Subject: ruffs
>OK, folks!  How do you get a figure-8 shape when you make a ruff?
>
>Thea
>TheaG@aol.com

When I made a ruff a number of years ago, I tacked the top and bottom of
each fold to my backing (grosgrain ribbon) and it worked beautifully; of
course, it was also a very closely pleated ruff.  I would think that
tacking the sides of the 8 to each other and the "cross" at the centre
would serve to hold it for a wider pleat.  Isn't restoring the nice
shaping to the figure-8 also what the goffering iron does when pressing
the ruff after laundering?

- Linda Lassman
  Winnipeg, Manitoba

----------------------------
From: annalea@its.com (Annalea Sommerville)
Date: Thu, 8 Dec 94 15:08:16 -0600
Subject: Re: Queen E I book - price change

Hi - 

I just spoke with someone at Lacis about the QE I book and I was quoted
$215.  Do you know something I don't know? :-)

Annalea  

>From: KRISTEN@AppleLink.Apple.COM (Nichols, Kristen)
>Subject: Re: Queen E I book

>>I'd like to get a copy of Queen Elizabeth's Wardrobe Unlock'd for
>>Christmas.  Does anyone know where I can get a new or used copy?
 

>I bought my copy at Lacis in Berkeley. I called them today and it is  
>currently
>selling for $115.00 and they will do mail order. You can reach them  
>at
>1-510-843-7178.
>K-
 
----------------------------
Date: Thu, 08 Dec 1994 15:18:10 CST
From: donna parker <parkedc@WKUVX1.WKU.EDU>
Subject: dyes

For those interested in historical methods of dyeing fabric, I recommend
two books reprinted by Dover Publications.  These books contain recipes,
descriptions of dyes and mordants,methods of dyeing wool, cotton, linen
and silk, directions for processing fibers and finishing techniques for
cloth, etc. etc. 

Bemiss, Elijah. The Dyer's Companion (1815) - reprinted by Dover 1973.
2nd dyers manual printed in the United States.

Bronson, J.& R. Early American Weaving and Dyeing: the Domestic
Manufacturer's Assistant and FAmily Directory in the Arts of Weaving and
Dyeing. (1826) reprinted by Dover 1977.

--Concerning the difficulty in dyeing linen, Bemiss writes: "Cotton and
linen dye is the best cold in general; for it is almost impossible with
me to colour cotton and linen in hot dyes without spotting; for the
cotton, &c. are of a cold deadly nature, and the steam of the dye
has a bad effect on goods of this kind." 

Skimming though these books I found no reference to saffron used as a
dye (possibly because it wasn't available commercially). Webster's does
define saffron as used "formerly as a dyestuff." 

Donna

----------------------------
Date: 08 Dec 94 21:31 GMT
From: KRISTEN@AppleLink.Apple.COM (Nichols, Kristen)
Subject: Re2: Queen E I book - price ch

>I'd like to get a copy of Queen Elizabeth's Wardrobe Unlock'd for
>Christmas.  Does anyone know where I can get a new or used copy?
 
>I bought my copy at Lacis in Berkeley. I called them today and it is
>currently selling for $115.00 and they will do mail order. You can reach them
>at 1-510-843-7178.
 
 >I just spoke with someone at Lacis about the QE I book and I was
>quoted $215.  Do you know something I don't know? :-)
 
I just called Lacis again and now I was quoted $215.00. When I told her
I was quoted $115.00 a week ago she told me "No you weren't". (Hmmmmm,
makes me wonder if I have a memorable voice...I don't think so.) I then
told her I bought my copy last year and although I couldn't remember the
price I know I wouldn't have paid that much money for ANY book. She said
the price had gone up
since last year but it had been at $215.00 for a few months. So I have
no idea what is going on. Possibly I got mis-quoted last week or
possibly they raised their price for Christmas. It's hard to say. I do
know I am sorry you can't get it for $115.00. Possibly try calling after
Christmas, maybe the price will go down. Megan Dansie posted about Lacis
around the same time I did. Megan, if you are reading this what price
were you told?
K-
 
----------------------------
Date: Thu, 8 Dec 94 13:39:39 PST
From: renpunk@prostar.com (Ren Punk)
Subject: Saffron

Does anyone have a source for saffron crocus bulbs.  I may try growing
them next year. Friends have 10 acres that are dying to be planted

David S. McDOnald 

---
 * Freddie 1.2.5 * Non est quis esse sed quid portare!

----------------------------
Date: Thu, 08 Dec 94 14:39:30 PST
From: "cynthia" <cynthia@caere.com>
Subject: dyes

>skimming though these books I found no reference to saffron used as a
>dye (possibly because it wasn't available commercially). Webster's
>does define saffron as used "formerly as a dyestuff." 

Donna,

I think there are several reason why saffron is "formerly". Mostly it's
expensive.  Real saffron runs $400-800 an ounce (top end food grade) and
like tumeric (a wonderful yellow) is light sensitive.

On books: (from an old, old posting) Karen Walter's previous book
citation with ISBN corrected and a little more info for ordering
purposes.

The author is a biochemist and a American Revolution War re-enactor. 
The recipes are easy to follow and for techies like mehe explains the
chemistry behind the results.  The bibliography is
worth the price of the book.

             --cin

_The Art and Craft of Natural Dyeing: Traditional Recipes for Modern
Use_ by J.N. Liles, Knoxville: University of Tennessee Press, 293
Communications Bldg, Knoxville TN 37996-0325, 1990.
Phone: 312.568.1550 or 800.621.2736 (orders only).

ISBN 0.8704.96697 (hard) 0.8704.96700 (paper).  Paperback copy costs US
$25.00,  hardback is US $39.95.

----------------------------
From: Connie_Frick@Douglas.BC.CA
Subject: Number needed
Date: Thu, 8 Dec 94 15:51:06 PST

Hello,

I apologize for using this list this way, but am deparately trying to
find a phone number in the Crawley, West Sussex area.  If you think you
might be able to help, would you please e-mail me, I need a phone number
from there.

Thank you.

Connie

-- 
Connie Frick    Connie_Frick@douglas.bc.ca
Buyer, Douglas College

----------------------------
Date: 8 Dec 94 08:40:00 EST
From: "Gina Balestracci" <BALESTRACCI@saturn.montclair.edu>
Subject: QE I Unlockd

I bought my copy of QE I's Wardrobe Unlock'd at the V & A when I was in
London last summer.  The price that was (I think--I'm at work right now)
actually printed on the flap of the dustjacket was #75 pounds.  I know
that's whht I paid for it.  That trnaslates to about $115 at the rate of
exchange in 
June.

In my experience, Lacis does tend to have rather high prices on things,
but they're things that are so hard to find that it's sometimes worth
paying the price rather than taking the time to hunt elsewhere.

It's a little bit late to do this for Christmas, but it might be
worthwhile to special order the book from a regular bookstore--one that
deals in art books or books on costume would probably be able to get it
faster than a general-purpose bookstore.  In my experience many
non-specialist bookstores have trouble dealing with foreign and/or
esoteric requests--and this is both!  A museum store would be another
place that might be able to get it quickly.

gb

---------------------------- End of Volume 197 -----------------------

