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Another cascarda for two, this one is fairly popular in Rowany at the moment. Begin the dance facing your partner, reasonably close together. The music is played AA B C D, repeated 4 times. In the original, the A and B parts are 8 and 16 bars long, however the arrangements I have have re-set the music from 3 / 4 to 6 / 8 time so that the number of bars are halved – A is now 4 bars and B is 8. This is the bar numbering structure that I have used in the reconstruction below. |
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Figure 1 |
(A) 1 – 2 |
SzL RvR |
Begin the dance with a spezzato on the left foot, and a riverenza on the right |
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3 – 4 |
SzR RvL |
Repeat, beginning on the right foot. |
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1 – 2 |
SzL SzR |
Two spezzati, changing places in a circle to your left. |
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3 – 4 |
TbL TbR TbL TbR |
4 trabuchetti, facing each other |
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(B) 1 – 4 |
SzL SzR SzL SzR |
4 more spezzati, circling back to place. |
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5 – 6 |
Scambiate L, R |
Men do 2 scambiate, left then right. |
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7 – 8 |
Scambiate L, R |
Ladies do 2 scambiate, left then right. |
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(C)1 – 2 |
PtLb |
Puntata left, stepping backwards with a jump at the end. |
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3 – 4 |
PtRb |
Puntata right, stepping backwards with a jump at the end. |
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(D) 1 – 3 |
SzL CdR |
Spezzato turning over the left shoulder, with a cadenza at the end, coming forwards slightly so that you regain your original starting place. |
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Figure 2: Man's solo. |
(A) 1 |
SzL |
Spezzato on the left foot, diagonally forwards to the left. |
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2 |
SzR |
Spezzato on the right foot, diagonally forwards to the right. |
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3 |
SzL |
Spezzato on the left foot, horizontally to the left, across the face of the lady. |
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4 |
Rv |
Riverenza, turning to face the lady. |
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(A) 1 |
SzR |
Spezzato on the right foot, diagonally forwards to the right. |
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2 |
SzL |
Spezzato on the left foot, diagonally forwards to the left. |
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3 |
SzR |
Spezzato on the right foot, horizontally to the right, across the face of the lady. |
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4 |
Rv |
Riverenza, turning to face the lady. |
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(B) 1 |
RpL RpL |
Two riprese to the left, diagonally away from the lady. |
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2 |
TbL TbR |
Trabuchetti left then right. |
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3 |
PsL PsR |
Two steps forwards, tracing an arc back to your starting position. |
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4 |
Cd |
Cadenza |
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5 |
RpR RpR |
Two riprese to the right, diagonally away again. |
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6 |
TbR TbL |
Two trabuchetti, right then left. |
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7 |
PsR PsL |
Two steps, tracing an arc back to the starting position. |
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8 |
Cd |
Cadenza, facing the lady once more. |
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The chorus (music parts C and D) repeats, with both the man and the lady doing the chorus together. |
(C)1 – 2 |
PtLb |
Puntata left, stepping backwards with a jump at the end. |
3 – 4 |
PtRb |
Puntata right, stepping backwards with a jump at the end. |
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(D) 1 – 3 |
SzL CdR |
Spezzato turning over the left shoulder, with a cadenza at the end. |
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Figure 3 – Lady's Solo |
The lady does a solo in figure 3 that is exactly the same as the solo that the man did in figure 2. |
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Figure 4 – Together. |
(A) 1 – 2 |
SzL SzR |
Two spezzati, circling around to the left. |
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3 – 4 |
PsL PsR SzL |
A seguito semidoppio1, which is two passi (steps) and a spezzato, continuing to circle. |
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1 – 2 |
SzR SzL |
Continuing the circle, two more spezzati. |
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3 – 4 |
PsR PsL SzR |
... and one more seguito semidoppio. |
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Part B in Figure 4 looks very similar to part B in figures 2 and 3, except that the dancers are dancing it both at the same time, and they touch hands as they complete each half. |
(B) 1 |
RpL RpL |
Two riprese to the left, diagonally away from each other. |
2 |
TbL TbR |
Trabuchetti left then right. |
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3 |
PsL PsR |
Two steps forwards, tracing an arc back to your starting position. |
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4 |
Cd |
Cadenza, touching right hands as you come back together. |
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5 |
RpR RpR |
Two riprese to the right, diagonally away again. |
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6 |
TbR TbL |
Two trabuchetti, right then left. |
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7 |
PsR PsL |
Two steps, tracing an arc back to the starting position. |
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8 |
Cd |
Cadenza, touching left hands. |
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The chorus (music parts C and D) repeats once more. |
(C)1 – 2 |
PtLb |
Puntata left, stepping backwards with a jump at the end. |
3 – 4 |
PtRb |
Puntata right, stepping backwards with a jump at the end. |
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(D) 1 – 3 |
SzL CdR |
Spezzato turning over the left shoulder, with a cadenza at the end. |
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1Note that Caroso's seguito semidoppio is exactly the same as Negri's seguito ordinario. See the section on step descriptions.