Dolce Amoroso Fiamma (longways set for 3 couples)(Caroso, p. 174.)
adaption of Dolce Amoroso Fuoco (16th C) by Mistress Urracca
Simplified The main difference is in the solos.  Instead of a fancy men's solo, both sexes do the women's solo, with the addition of two continenze and a riverenza to enhance the symetry with the other verses.
beats     steps                             figure
1-4  Riverenza                             holding ordinary hands
5-8  Continenza left & right                   "
9-12 Seguito Ordinario left & rightprogressing, end in 1/2riverenza
13-16     2 Seguiti Scorsitouching right hands, trading places & curling to the left
17-20     Seguito Ordinario left & rightprogressing, end in 1/2riverenza
21-24     2 Seguiti Scorsitouching left hands, trading places & curling to the right
25-28     Continenza left & rightfacing (not holding hands)
29-32     Riverenza
-----------------------------
1-2  Seguito Spezzato left & rightmen solo, flankingly foreward, facing partner
3-4  Trabuchetto (LRL)                         "
5-6  Seguito Spezzato right & left  "   flankingly backward, facing partner
7-8  Trabuchetto (RLR)                          
9-12 Continenza left & right  "   facing (not holding hands)
13-16     Riverenza
17-18     Seguito Spezzato left & rightwomen solo, flankingly foreward, facing partner
19-20     Trabuchetto (LRL)                     
21-22     Seguito Spezzato right & left  "   flankingly backward, facing partner
23-24     Trabuchetto (RLR)                     
25-28     Continenza left & right  "   facing (not holding hands)
29-32     Riverenza
-----------------------------
1-16 8 Seguiti Ordinariicircular hey, starts with top couple taking right hands
17-20     Riverenza                        men solo
21-24     Riverenza                        women solo
25-28     Seguito Ordinario left & righteveryone, turning in place over left shoulder
29-32     Riverenza                        everyone, taking ordinary hands, facing the Presence